57
Metascore
6 reviews · Provided by Metacritic.com
- 70Screen DailyFionnuala HalliganScreen DailyFionnuala HalliganIts running time may make it more digestible than some of Weerasethakul’s more ambitious pieces, although it straddles the line between full-feature and his short films and experimental work quite beautifully.
- 70VarietyMaggie LeeVarietyMaggie LeeThe pic plays like a bonus track to the Thai auteur’s Palme d’Or winner, “Uncle Boomee Who Can Recall His Past Lives,” its esoteric symbiosis of Thai folk culture, spiritualism and current sociopolitical conditions simplified, but no less mystifying.
- 63The Seattle TimesThe Seattle TimesCompared with Weerasethakul’s acclaimed features, it feels cobbled together and improvised, which for the most part it was.
- 60The GuardianPeter BradshawThe GuardianPeter BradshawThe ideas here were far more interestingly rehearsed in movies like Tropical Malady and his Palme-winning Uncle Boonmee Who Can Recall His Past Lives. A diverting footnote to the main body of work, no more than that.
- 58The A.V. ClubA.A. DowdThe A.V. ClubA.A. DowdFor the most part, though, this hour-long curiosity feels like a fans-only doodle, riffing on motifs Joe has done better elsewhere. Even for a filmmaker who takes pride in scaling the fantastic down to everyday proportions, there’s such a thing as going too slight.
- 40The Hollywood ReporterNeil YoungThe Hollywood ReporterNeil YoungIt's clear that Weerasethakul is even less concerned with conventional narrative considerations here than he was in the free-rangingly imaginative Uncle Boonmee.