When his son's body is found in a humiliating accident, a lonely high school teacher inadvertently attracts an overwhelming amount of community and media attention after covering up the truth with a phony suicide note.
Barry Crimmins is pissed. His hellfire brand of comedy has rained verbal lightning bolts on American audiences and politicians for decades, yet you've probably never heard of him. But once ... See full summary »
Shakes plods about his duties as party clown, and uses all of his free time getting seriously drunk. Binky, another clown, wins the spot on a local kiddie show, which depresses Shakes even ... See full summary »
the story of a schoolboy and his gang who are constantly in trouble with their teachers and fellow pupils until one fateful day when the student is humiliated by his headmaster and, bitter ... See full summary »
Loveless, jobless, possibly terminally ill, Frank has had enough of the downward spiral of America. With nothing left to lose, Frank takes his gun and offs the stupidest, cruelest, and most repellent members of society. He finds an unusual accomplice: 16-year-old Roxy, who shares his sense of rage and disenfranchisement. Written by
Alison's fiancé, Brad, is a New York City police officer, whose collar tabs indicate that he is in the 53rd Precinct. The fictional 53rd Precinct is where the officers from the classic comedy, "Car 54 Where Are You?" were assigned. See more »
When the cop catches them sleeping he asks for registration and ID. When he hands it back it is only the ID with no registration. See more »
[after finishing shooting practice]
You did a good job.
I have a good coach. That and I was pretending the targets were the cast of Glee.
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The character that tries to buy Roxy at the diner is listed as "The Pancake Eating Pedophile". See more »
What a great movie. It's rather as if Goldthwait has made an answer to Oliver Stone's Natural Born Killers by way of Mike Judge's Office Space. Through the eyes of Joel Murray's Frank, we see a variety of society's ills and thankfully, Goldthwait doesn't dwell on them. To do so would be like gawking at the stupidity when you walk into a Walmart; it's just going to make you dwell longer at the stupidity on display, and you are still in a Walmart.
Instead, we get one of those movies that you either are along with or you aren't, you get or you don't. If you get it, you wish that Frank had a few more monologues, if you don't, you'd think it was advocating random shooting sprees.
Thankfully the script and Murray's brilliant portrayal of Frank has him as a principled, moral character who has his suicide interrupted by one terrible reality TV show too many. Along the way he teams up with a psychotic schoolgirl. He's rebelling violently about what society has become, she's rebelling against what society is.
It isn't a huge film, without a large budget, but well made. I felt that it worked best compared to Oliver Stone's Natural Born Killers, which showed spree killers as celebrities. In God Bless America the characters lament that they haven't even made the news. But in the end, Stone's film glories this shallow quest for fame while Goldthwait's film answers it, showing what happens to America when everyone is unkindly reaching for it.
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