The Nun II is an gothic supernatural horror film directed by Michael Chaves and released in 2023. The screenplay is written by Ian Goldberg, Richard Naing, and Akela Cooper, based on a story by Cooper. This movie serves as a sequel to the 2018 film, The Nun, and is the eighth installment in The Conjuring Universe franchise. The cast includes Taissa Farmiga, Jonas Bloquet, and Bonnie Aarons, who reprise their roles from the first film, along with Storm Reid and Anna Popplewell joining the cast.
As a good sequel, “The Nun II” once again focuses on the elements that made the first one successful: lots of scares and a gothic atmosphere (they say now) with a photography style that emphasizes light and shadow.
Caravaggio’s tenebrism seems to still have its followers, as similar themes are combined, although this time with fewer distorted angles and more scares.
“The Nun II” is one...
As a good sequel, “The Nun II” once again focuses on the elements that made the first one successful: lots of scares and a gothic atmosphere (they say now) with a photography style that emphasizes light and shadow.
Caravaggio’s tenebrism seems to still have its followers, as similar themes are combined, although this time with fewer distorted angles and more scares.
“The Nun II” is one...
- 10/5/2023
- by Martin Cid
- Martin Cid Magazine - Movies
‘The Nun 2’ Filmmaker Michael Chaves On Breaking Into New Line’s House Of Horror – Crew Call Podcast
Within the course of a week some six years ago, aspiring genre filmmaker Michael Chaves’ life changed forever.
‘The Nun II’
Bloody Disgusting had posted his haunted house horror short The Maiden, which stylistically in its sneaky shots, steely hues and earth tones is oh-so-close to the gist of The Conjuring franchise. Off of that, Chaves, a Pasadena Art School & Design alum (which includes Michael Bay and Zack Snyder) gets a meeting and is signed by James Wan and David Sandberg’s CAA rep, Scott Henderson, a guru in the genre space. Chaves then winds up in front of New Line execs Walter Hamada and Dave Neustadter pitching himself for the directing gig of The Curse of La Llorona. Wan was wowed over by The Maiden, too.
Chaves’ oversee of The Curse of La Llorona goes so well, the movie turns a net profit near $46M off its $9M production...
‘The Nun II’
Bloody Disgusting had posted his haunted house horror short The Maiden, which stylistically in its sneaky shots, steely hues and earth tones is oh-so-close to the gist of The Conjuring franchise. Off of that, Chaves, a Pasadena Art School & Design alum (which includes Michael Bay and Zack Snyder) gets a meeting and is signed by James Wan and David Sandberg’s CAA rep, Scott Henderson, a guru in the genre space. Chaves then winds up in front of New Line execs Walter Hamada and Dave Neustadter pitching himself for the directing gig of The Curse of La Llorona. Wan was wowed over by The Maiden, too.
Chaves’ oversee of The Curse of La Llorona goes so well, the movie turns a net profit near $46M off its $9M production...
- 9/4/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Canadian Screen Week is officially underway — it’s the Academy of Canadian Cinema & Television’s annual week-long celebration of the best in Canadian film, TV and digital media. With in-person ceremonies returning for the first time since 2019, nominees across 145 categories are being honoured over four days of live award shows at Toronto’s Meridian Hall. It’s all leading up to a star-studded broadcast hosted by Samantha Bee on Sunday night, when the winner of the Cogeco Fund Audience Choice Award will be revealed.
The hour-long special, which airs at 8 p.m. Et on CBC and CBC Gem, will look back at the past year in Canadian film and TV. Also on tap? Interviews with this year’s slate of Special Award recipients — which includes Canadian icons like Catherine O’Hara, Ryan Reynolds and Simu Liu — along with special guests Amy Poehler, Lamar Johnson, “White Lotus” star Adam Dimarco and more.
The hour-long special, which airs at 8 p.m. Et on CBC and CBC Gem, will look back at the past year in Canadian film and TV. Also on tap? Interviews with this year’s slate of Special Award recipients — which includes Canadian icons like Catherine O’Hara, Ryan Reynolds and Simu Liu — along with special guests Amy Poehler, Lamar Johnson, “White Lotus” star Adam Dimarco and more.
- 4/13/2023
- by Etcanadadigital
- ET Canada
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSKillers of the Flower Moon.Amid brewing Cannes selection rumors, a US theatrical release date has been announced for Martin Scorsese’s Killers of the Flower Moon, which is being co-distributed by Apple and Paramount. The film will open in limited release on October 6 before expanding nationwide on October 21. This speaks to Apple’s new strategy to spend $1 billion a year on theatrical releases, geared toward raising its profile in the film industry.Unions representing screenwriters in the US are currently negotiating for better working conditions and equitable wages in a new three-year contract. The New York Times looks at whether or not a strike might be likely after the current agreement expires on May 1.Recommended VIEWINGWe’re thrilled to exclusively premiere Mdff...
- 3/29/2023
- MUBI
A new year means a new New Directors/New Films lineup.
The 2023 festival, presented by the Museum of Modern Art and Film at Lincoln Center, is set to take place from March 29 through April 9 and boasts films from 41 directors. The 52nd edition of the festival kicks off with Savannah Leaf’s A24 drama “Earth Mama” and concludes with Vuk Lungulov-Klotz’s trans coming-of-age story “Mutt.” Both premiered at Sundance to acclaim.
In total, the festival boasts 27 features and 11 short films, with screenings taking place at theaters both at MoMA and Flc. Nations represented range from Argentina to Angola, Nigeria to Ukraine.
“This geographically diverse lineup brings together new directors from all over the world presenting works that make bold and creative statements on everything from identity and family to political repression and postcolonial discourse,” MoMA film curator and 2023 Nd/Nf co-chair La Frances Hui said in a press statement. “The...
The 2023 festival, presented by the Museum of Modern Art and Film at Lincoln Center, is set to take place from March 29 through April 9 and boasts films from 41 directors. The 52nd edition of the festival kicks off with Savannah Leaf’s A24 drama “Earth Mama” and concludes with Vuk Lungulov-Klotz’s trans coming-of-age story “Mutt.” Both premiered at Sundance to acclaim.
In total, the festival boasts 27 features and 11 short films, with screenings taking place at theaters both at MoMA and Flc. Nations represented range from Argentina to Angola, Nigeria to Ukraine.
“This geographically diverse lineup brings together new directors from all over the world presenting works that make bold and creative statements on everything from identity and family to political repression and postcolonial discourse,” MoMA film curator and 2023 Nd/Nf co-chair La Frances Hui said in a press statement. “The...
- 2/28/2023
- by Samantha Bergeson
- Indiewire
Film at Lincoln Center and the Museum of Modern Art have set Savanah Leaf’s Earth Mama and Vuk Lungulov-Klotz’s Sundance Special Jury Award winner Mutt, both debut features, as opening and closing film at the 52st edition of their collaboration, New Directors/New Films, running March 29–April 9 in NYC.
The festival will introduce will showcase 27 features and 11 shorts from 41 directors at theaters in both venues.
Mutt star Lio Mehial was awarded a U.S. Special Jury Award for acting at Sundance Film festival for their portrayal of Feña, a twentysomething trans man contending with an onslaught of aggravation, surprise encounters and emotional choices over the course of a single hectic day in New York City. “We were charmed, seduced, and compelled by this fresh new performer as we watched them navigating the intimate complexities of their everyday life and relationships in his search for acceptance,” the jury citation said.
The festival will introduce will showcase 27 features and 11 shorts from 41 directors at theaters in both venues.
Mutt star Lio Mehial was awarded a U.S. Special Jury Award for acting at Sundance Film festival for their portrayal of Feña, a twentysomething trans man contending with an onslaught of aggravation, surprise encounters and emotional choices over the course of a single hectic day in New York City. “We were charmed, seduced, and compelled by this fresh new performer as we watched them navigating the intimate complexities of their everyday life and relationships in his search for acceptance,” the jury citation said.
- 2/28/2023
- by Jill Goldsmith
- Deadline Film + TV
Walk Up.“Surprising”: that’s how a character in Hong Sang-soo’s Walk Up describes the decision to hold a film festival in 2022. Filmmaker Byung-soo (Hae-hyo Kwan) has just been invited to attend a complete retrospective of his work overseas, but he and his partner are discussing what this would actually entail: the couple would need to pay her way since the cinematheque can only cover one plane ticket, and Byung-soo would need to quarantine upon returning home to South Korea. The trip would be expensive, “complicated.” They hash it out over greens in a sparsely decorated apartment, boxed into a deeply unglamorous, black-and-white medium shot. Initially, Walk Up left a very light impression on me, but it was on my mind more than most films as I departed TIFF. Byung-soo is a proxy for Hong, and the plainness of his—and Walk Up’s—fatigue with filmmaking is wryly bourgeois,...
- 9/21/2022
- MUBI
While we’re in the middle of the fall festival season, with Telluride, Venice, and TIFF in the rearview, and NYFF, BFI London, and AFI Fest on the horizon, it’s time to round up some of our early favorites. We’ve polled our contributors from Venice and TIFF to share their top picks, which one can see below along with our ongoing coverage here.
David Katz (@davidfabiankatz)
1. Saint Omer (Alice Diop)
2. Trenque Lauquen (Laura Citarella)
3. All the Beauty and the Bloodshed (Laura Poitras)
4. Master Gardener (Paul Schrader)
5. The Whale (Darren Aronofsky)
6. Love Life (Kôji Fukada)
7. Blonde (Andrew Dominik)
8. A Couple (Frederick Wiseman)
9. In Viaggio (Gianfranco Rosi)
10. The Eternal Daughter (Joanna Hogg)
Luke Hicks (@lou_kicks)
1. Bones and All (Luca Guadagnino)
2. Other People’s Children (Rebecca Zlotowski)
3. All the Beauty and the Bloodshed (Laura Poitras)
4. The Eternal Daughter (Joanna Hogg)
5. Athena (Romain Gavras)
6. White Noise (Noah Baumbach)
7. The Banshees of Inisherin...
David Katz (@davidfabiankatz)
1. Saint Omer (Alice Diop)
2. Trenque Lauquen (Laura Citarella)
3. All the Beauty and the Bloodshed (Laura Poitras)
4. Master Gardener (Paul Schrader)
5. The Whale (Darren Aronofsky)
6. Love Life (Kôji Fukada)
7. Blonde (Andrew Dominik)
8. A Couple (Frederick Wiseman)
9. In Viaggio (Gianfranco Rosi)
10. The Eternal Daughter (Joanna Hogg)
Luke Hicks (@lou_kicks)
1. Bones and All (Luca Guadagnino)
2. Other People’s Children (Rebecca Zlotowski)
3. All the Beauty and the Bloodshed (Laura Poitras)
4. The Eternal Daughter (Joanna Hogg)
5. Athena (Romain Gavras)
6. White Noise (Noah Baumbach)
7. The Banshees of Inisherin...
- 9/21/2022
- by The Film Stage
- The Film Stage
Concrete Valley.Hopefully you’ve been following along, but over the last decade there’s been a wonderful surge of young Canadian directors making exceptional short- and feature-length movies, all on a small, independent scale that should be invigorating to makers and audiences alike. While no one would (nor should) ascribe any kind of movement label to them, being eclectic in origins and approaches, it has been notable how many of the films hinge upon explorations of mental health, the search for well-being, and the weaknesses and strengths of community. Films as disparate as the substance abuse and social work documentary The Stairs (2016), the immersive impressionism of mental anguish of Anne at 13,000 Ft. (2019), and this year's Queens of the Qing Dynasty (2022), a striking story of social difference, hospitalization, and friendship filmed in Cape Breton, are among these adroit new Canadian films fueled by human inquiry and empathy.This note is...
- 9/17/2022
- MUBI
What does the title of Graham Foy‘s “The Maiden” mean? The film’s early title card reveals that it’s a graffiti tag for Kyle (Justin Sluiter) and Colton (Marcel T. Jiminez), two friends in ’90s Calgary who litter their hometown with the marker. Wherever they go, so goes their signature, a sign for their presence at their high school, the half-built houses they loiter in, or the ravine they like to hang out at, with train tracks overhead.
Continue reading ‘The Maiden’: Graham Foy’s Feature Debut Looks For The Magic But Fails To Capture It [TIFF] at The Playlist.
Continue reading ‘The Maiden’: Graham Foy’s Feature Debut Looks For The Magic But Fails To Capture It [TIFF] at The Playlist.
- 9/15/2022
- by Ned Booth
- The Playlist
One argument for the eternally vexed question “Why film festivals?” might be “To watch Netflix movies in a theater.” The streamer does, of course, theatrically release some of its prestige titles but, because of its refusal to accommodate 90-day windows, has effectively barred itself from wide releases. Since I live in New York City, I can go see all of Netflix’s big titles when they come out with ease thanks to their acquisition of the Paris Theater, which isn’t all bad: while some of the programming is grimly reserved for week-long runs of titles like Red Notice, there’s room for pleasant […]
The post TIFF 2022: Glass Onion, The Maiden first appeared on Filmmaker Magazine.
The post TIFF 2022: Glass Onion, The Maiden first appeared on Filmmaker Magazine.
- 9/13/2022
- by Vadim Rizov
- Filmmaker Magazine - Blog
The Maiden, Graham Foy’s feature film debut after a series of impressive shorts, shows a lot of formal skill but a lack of flair for dramaturgy. The film initially centers on Colton (Marcel T. Jimenez) and Kyle (Jackson Sluiter), two unremarkable teenagers who nonetheless function as outsiders within the Canadian province of Alberta, a conservative oil nexus that’s lived in the shadow of Texas. They kill time outside of class the old-fashioned way: not on their computers or smartphones, but skateboarding through Calgary, exploring nature, and even flat-out tossing shit around. Of course, Kyle in particular is a perfect cipher for this kind of film—he’s both a dumb teenager and has artistic inclinations of hardcore music and graffiti art, as probably any director making a film within this setting can’t imagine it without some sort of surrogate for themselves.
Yet during a nighttime adventure, Kyle...
Yet during a nighttime adventure, Kyle...
- 9/12/2022
- by Ethan Vestby
- The Film Stage
Part airy and eerie small town mystery, part woodland folk tale, part elegy to the random violence of youth, Graham Foy's astonishing feature debut "The Maiden" made its North American premiere this week at TIFF after winning the prestigious Giornate degli Autori Cinema of the Future award in Venice. The film lopes its way through the broken and beautiful landscapes of Alberta, the Canadian province dotted by crumbling factories, constantly running trains, and vast expanses of flora-rich fields. The shifting narrative starts with Kyle (Jackson Sluiter), a tatted-up rebel youth before shifting to Colton, his sullen, spiritual friend, and finally landing on Whitney, a lost girl whose last days the audience is transported into via her diary.
The tranquil and spontaneous naturalism of "The Maiden" — particularly in Foy's use of natural light and ambivalence toward plot-driven storytelling — recalls the likes of Andrea Arnold or Ken Loach. But as...
The tranquil and spontaneous naturalism of "The Maiden" — particularly in Foy's use of natural light and ambivalence toward plot-driven storytelling — recalls the likes of Andrea Arnold or Ken Loach. But as...
- 9/12/2022
- by Ryan Coleman
- Slash Film
As our 2022 Venice Film Festival coverage wraps up, the juries have now unveiled their picks, most notably featuring Julianne Moore’s competition jury. Leading the pack is Laura Poitras’ new documentary All the Beauty and the Bloodshed, which picked up the top prize of Golden Lion, while Alice Diop, Luca Guadagnino, Cate Blanchett, Jafar Panahi, Colin Farrell, and more also received awards.
See the list of winners, with a hat tip to Variety, along with links to our reviews––and check back soon for coverage of Saint Omer, No Bears, and more.
Competition
Golden Lion for Best Film: “All the Beauty and the Bloodshed,” Laura Poitras
Grand Jury Prize: “Saint Omer,” Alice Diop
Silver Lion for Best Director: “Bones and All,” Luca Guadagnino
Special Jury Prize: “No Bears,” Jafar Panahi
Best Screenplay: “The Banshees of Inisherin,” Martin McDonagh
Volpi Cup for Best Actress: “TÁR,” Cate Blanchett
Volpi Cup for Best Actor: “The Banshees of Inisherin,...
See the list of winners, with a hat tip to Variety, along with links to our reviews––and check back soon for coverage of Saint Omer, No Bears, and more.
Competition
Golden Lion for Best Film: “All the Beauty and the Bloodshed,” Laura Poitras
Grand Jury Prize: “Saint Omer,” Alice Diop
Silver Lion for Best Director: “Bones and All,” Luca Guadagnino
Special Jury Prize: “No Bears,” Jafar Panahi
Best Screenplay: “The Banshees of Inisherin,” Martin McDonagh
Volpi Cup for Best Actress: “TÁR,” Cate Blanchett
Volpi Cup for Best Actor: “The Banshees of Inisherin,...
- 9/10/2022
- by Jordan Raup
- The Film Stage
The Venice Film Festival draws to a close tonight with the awards ceremony, with Julianne Moore and her jury set to announce their standouts from the fest’s Competition selection. This post will be updated with winners as they’re announced.
Full List Of Winners
Horizons Extra
Audience Award: “Nezouh,” Soudade Kaadan
Venice Classics
Best Documentary of Cinema: “Fragments of Paradise,” K.D. Davison
Best Restored Film: “Branded to Kill,” Seijun Suzuki
Venice Immersive
Best Immersive Experience: “The Man Who Couldn’t Leave,” Chen Singing
Grand Jury Prize: “From the Main Square,” Pedro Harres
Special Jury Prize: “Eggscape,” German Heller
Venice Days (announced earlier)
Cinema of the Future Award: “The Maiden,” Graham Foy
Director’s Award: “Wolf and Dog,” Cláudia Varejão
People’s Choice Award: “Blue Jean,” Georgia Oakley
Critics’ Week (announced earlier)
Grand Prize: “Eismayer,” David Wagner
Special Mention: “Anhell69,” Theo Montoya
Audience Award: “Margini,” Niccolò Falsetti
Verona Film Club...
Full List Of Winners
Horizons Extra
Audience Award: “Nezouh,” Soudade Kaadan
Venice Classics
Best Documentary of Cinema: “Fragments of Paradise,” K.D. Davison
Best Restored Film: “Branded to Kill,” Seijun Suzuki
Venice Immersive
Best Immersive Experience: “The Man Who Couldn’t Leave,” Chen Singing
Grand Jury Prize: “From the Main Square,” Pedro Harres
Special Jury Prize: “Eggscape,” German Heller
Venice Days (announced earlier)
Cinema of the Future Award: “The Maiden,” Graham Foy
Director’s Award: “Wolf and Dog,” Cláudia Varejão
People’s Choice Award: “Blue Jean,” Georgia Oakley
Critics’ Week (announced earlier)
Grand Prize: “Eismayer,” David Wagner
Special Mention: “Anhell69,” Theo Montoya
Audience Award: “Margini,” Niccolò Falsetti
Verona Film Club...
- 9/10/2022
- by Guy Lodge
- Variety Film + TV
After nearly two weeks of lush red carpets, timed standing ovations, and viral “Don’t Worry Darling” drama, the 79th Venice Film Festival comes to a close on Saturday in the Sala Grande at the Palazzo del Cinema (Lido di Venezia). Julianne Moore chairs the festival’s jury alongside her fellow judges and elite film peers Mariano Cohn, Leonardo di Costanzo, Audrey Diwan, Leila Hatami, Kazuo Ishiguro, and Rodrigo Sorogoyen.
“I feel like so often the discussion around the future of cinema ends up being a discussion that’s more commercial, more business oriented,” Moore said in her opening remarks on August 31. “When we talk about the future of cinema it often degrades into what the future of the business is. That’s not the future of art.”
Established in 1932, Venice is the oldest ongoing cinematic awards celebration and is regarded among the world’s most esteemed international film festivals. 22 titles...
“I feel like so often the discussion around the future of cinema ends up being a discussion that’s more commercial, more business oriented,” Moore said in her opening remarks on August 31. “When we talk about the future of cinema it often degrades into what the future of the business is. That’s not the future of art.”
Established in 1932, Venice is the oldest ongoing cinematic awards celebration and is regarded among the world’s most esteemed international film festivals. 22 titles...
- 9/10/2022
- by Alison Foreman
- Indiewire
Wissam Charaf’s Dirty Difficult Dangerous also won the Europa Cinemas Label.
Graham Foy’s The Maiden has won Venice’s Giornate degli Autori (GdA) Cinema of the Future award.
The Canadian-us film was among seven titles from the GdA sidebar, all first or second features, competing for the €3,000 prize.
Foy’s debut follows three suburban teenagers whose lives are intertwined when one of them disappears and strange occurrences begin cropping up.
The jury was made up of five students from an Italian film school who said: “The film impressed us with its emotional density and the immediacy of its unrestrained,...
Graham Foy’s The Maiden has won Venice’s Giornate degli Autori (GdA) Cinema of the Future award.
The Canadian-us film was among seven titles from the GdA sidebar, all first or second features, competing for the €3,000 prize.
Foy’s debut follows three suburban teenagers whose lives are intertwined when one of them disappears and strange occurrences begin cropping up.
The jury was made up of five students from an Italian film school who said: “The film impressed us with its emotional density and the immediacy of its unrestrained,...
- 9/9/2022
- by Ellie Calnan
- ScreenDaily
“The Maiden,” Graham Foy’s finely tuned story of adolescent mythmaking, togetherness and grief, has its world premiere Tuesday in Venice Days before heading to Toronto, but the film’s impressive international journey actually began in Cannes two years ago.
Based in Toronto since 2008, Foy grew up in suburban Calgary where “Maiden” is set, spent teenage summers near the graffiti-covered railroad bridge and ragged ravine, where much of the film was shot, and, like one of the characters, was an avid skateboarder.
He had been tapping away at the “Maiden” script — which draws from his experiences but is not autobiographical — for several years when his short “August 22, This Year” was selected for the 2020 Cannes’ Critics’ Week.
“It was the year the pandemic shut down Cannes, so we couldn’t go, but the festival did a lot for the filmmakers,” said Foy, who spoke to Variety from Venice last week, in advance of the festival.
Based in Toronto since 2008, Foy grew up in suburban Calgary where “Maiden” is set, spent teenage summers near the graffiti-covered railroad bridge and ragged ravine, where much of the film was shot, and, like one of the characters, was an avid skateboarder.
He had been tapping away at the “Maiden” script — which draws from his experiences but is not autobiographical — for several years when his short “August 22, This Year” was selected for the 2020 Cannes’ Critics’ Week.
“It was the year the pandemic shut down Cannes, so we couldn’t go, but the festival did a lot for the filmmakers,” said Foy, who spoke to Variety from Venice last week, in advance of the festival.
- 9/6/2022
- by Jennie Punter
- Variety Film + TV
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