It was on a backstreet in Tel Aviv while filming her last film, M — which would go on to win a César Award for best documentary — that the French documentarian Yolande Zauberman found the subject for her latest, La Belle de Gaza (The Beauty of Gaza).
Zauberman was filming three young Arab trans women, one who told her filmmaking partner in Arabic that she walked from Gaza to Tel Aviv. “I thought it was such a nearly impossible path,” recalls Zauberman. “First, to be a man, becoming a woman, coming from Gaza to Tel Aviv, and being a Muslim in Tel Aviv. I really wanted to find this woman and to see how she was seeing the world.” After losing contact with the woman, Zauberman began searching for her. That journey would become the impetus for — and title of — her latest doc, La Belle de Gaza.
The finished film, which...
Zauberman was filming three young Arab trans women, one who told her filmmaking partner in Arabic that she walked from Gaza to Tel Aviv. “I thought it was such a nearly impossible path,” recalls Zauberman. “First, to be a man, becoming a woman, coming from Gaza to Tel Aviv, and being a Muslim in Tel Aviv. I really wanted to find this woman and to see how she was seeing the world.” After losing contact with the woman, Zauberman began searching for her. That journey would become the impetus for — and title of — her latest doc, La Belle de Gaza.
The finished film, which...
- 5/17/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Alice Diop’s Saint Omer brings the French filmmaker into the realm of fiction for the first time, but preserves her documentary respect for the evidence of the audience’s eyes. A sober, pared-down courtroom drama, Saint Omer initially makes little effort to comment on its action, at times feeling more like presentation than representation. The unadorned quality of the film can be laborious, particularly in the early stretches of the trial that’s at the center of the story, but Diop earns the effort she asks of her audience, methodically allowing a strange, intangible, but nevertheless palpable mix of emotions to emerge from the situation itself.
It’s certainly a choice, and the expression of an ethos, that Diop keeps the viewer locked in to repeating pairs of alternating camera angles for significant portions of the trial. We see the defendant, Laurence Coly (Guslagie Malanda), a Senegalese immigrant and...
It’s certainly a choice, and the expression of an ethos, that Diop keeps the viewer locked in to repeating pairs of alternating camera angles for significant portions of the trial. We see the defendant, Laurence Coly (Guslagie Malanda), a Senegalese immigrant and...
- 3/25/2024
- by Pat Brown
- Slant Magazine
Alice Diop’s award-winning courtroom drama doubles as an unsentimental study in empathy with one of the year’s most mesmerising performances
More on the best films of 2023More on the best culture of 2023
At this year’s Venice film festival, Alice Diop’s unblinking stunner Saint Omer was handed the prize for best debut film – a reward that would have seemed inadequate if it hadn’t shortly afterwards taken the grand prix in the main competition, and inaccurate under any circumstances. Diop’s film is only a debut if you’re happy to disregard documentary as a lesser branch of cinema that somehow doesn’t count; as her first dramatic feature, Saint Omer merely extends the clear-eyed gaze and burning social interest of her non-fiction work into new narrative terrain, with nary a tremor of uncertainty. Films like We showed Diop has form in braiding truth, storytelling and intense...
More on the best films of 2023More on the best culture of 2023
At this year’s Venice film festival, Alice Diop’s unblinking stunner Saint Omer was handed the prize for best debut film – a reward that would have seemed inadequate if it hadn’t shortly afterwards taken the grand prix in the main competition, and inaccurate under any circumstances. Diop’s film is only a debut if you’re happy to disregard documentary as a lesser branch of cinema that somehow doesn’t count; as her first dramatic feature, Saint Omer merely extends the clear-eyed gaze and burning social interest of her non-fiction work into new narrative terrain, with nary a tremor of uncertainty. Films like We showed Diop has form in braiding truth, storytelling and intense...
- 12/14/2023
- by Guy Lodge
- The Guardian - Film News
Kino Lorber, at the Lumiére Festival and International Classic Film Market (Mifc) in Lyon with a number of new restorations, including Stanley Kubrick’s “Fear and Desire,” will next release Bridgett M. Davis’ 1996 drama “Naked Acts” and a complete retrospective of Oscar Micheaux, the first black filmmaker.
Also headed for release is “The Dragon Painter,” a rare, 1919 silent film with an all Asian cast, with the feel of an old Japanese film but entirely shot in the San Francisco area. It stars Sessue Hayakawa, who produced it himself, as well as his real-life wife Tsuru Aoki.
Kino Lorber is partnering with Milestone Films to release “The Dragon Painter” in 4K in 2024 with a new score.
Likewise set for a 4K release next year in partnership with Milestone is “Naked Acts,” which follows young Black actress Cicely, who is about to make her acting debut in a low budget film. As...
Also headed for release is “The Dragon Painter,” a rare, 1919 silent film with an all Asian cast, with the feel of an old Japanese film but entirely shot in the San Francisco area. It stars Sessue Hayakawa, who produced it himself, as well as his real-life wife Tsuru Aoki.
Kino Lorber is partnering with Milestone Films to release “The Dragon Painter” in 4K in 2024 with a new score.
Likewise set for a 4K release next year in partnership with Milestone is “Naked Acts,” which follows young Black actress Cicely, who is about to make her acting debut in a low budget film. As...
- 10/18/2023
- by Ed Meza
- Variety Film + TV
Turkish producer Onur Güvenatam founded Ogm Pictures in 2019, and has since shepherded a steady stream of hit series and movies such as drama “The Red Room,” the widely-sold “Golden Boy” and “One Way for Tomorrow,” the first Netflix original film out of Turkey.
For Netflix, Ogm has also made Turkish original film “Paper Lives” and the series “The Gift.” Güvenatam is at Mipcom with new shows “Stickman” (Çöp Adam), “Miracle of Love” (Yüz Yıllık Mucize), and “Broken Destiny,” (Toprak ile Fidan) being sold by his recently launched in-house sales company Ogm Universe.
He spoke to Variety about the secret to Ogm’s success, and vented frustrations about the business model imposed by U.S. streamers.
“Golden Boy” was the most-watched television drama last year in Turkey and has been sold to over 100 countries. Why does it connect so well with audiences?
It’s about two young sisters affected by marriage.
For Netflix, Ogm has also made Turkish original film “Paper Lives” and the series “The Gift.” Güvenatam is at Mipcom with new shows “Stickman” (Çöp Adam), “Miracle of Love” (Yüz Yıllık Mucize), and “Broken Destiny,” (Toprak ile Fidan) being sold by his recently launched in-house sales company Ogm Universe.
He spoke to Variety about the secret to Ogm’s success, and vented frustrations about the business model imposed by U.S. streamers.
“Golden Boy” was the most-watched television drama last year in Turkey and has been sold to over 100 countries. Why does it connect so well with audiences?
It’s about two young sisters affected by marriage.
- 10/17/2023
- by Nick Vivarelli
- Variety Film + TV
Toufik Ayadi and Christophe Barral’s Srab Films has a slate of social justice titles.
Toufik Ayadi and Christophe Barral’s Paris-based Srab Films, which is heading to Toronto next month with Ladj Ly’s Les Indésirables, has unveiled a slew of projects including the next features from Ly and Alice Diop, whose Saint Omer the company produced last year.
Ly is in the writing stages of the third of what will be a trilogy of titles set against the same backdrop of his native Montfermeil neighbourhood following Les Misérables (also produced by Srab) and Les Indésirables.
“After Les Misérables,...
Toufik Ayadi and Christophe Barral’s Paris-based Srab Films, which is heading to Toronto next month with Ladj Ly’s Les Indésirables, has unveiled a slew of projects including the next features from Ly and Alice Diop, whose Saint Omer the company produced last year.
Ly is in the writing stages of the third of what will be a trilogy of titles set against the same backdrop of his native Montfermeil neighbourhood following Les Misérables (also produced by Srab) and Les Indésirables.
“After Les Misérables,...
- 8/23/2023
- by Rebecca Leffler
- ScreenDaily
Among those selected, Laura Poitras won the Golden Lion at the festival last year.
Jane Campion, Mia Hansen-Løve, Laura Poitras and Martin McDonagh have joined the main Competition jury of the 80th Venice Film Festival (August 30-September 9).
The filmmakers will be joined by Palestinian actor Saleh Bakri (Wajib); Italian director Gabriele Mainetti, who was in Competition at the festival in 2021 with Freaks Out; Argentinian writer/director Santiago Mitre, whose Argentina, 1985 premiered in Competition at Venice last year; and Chinese actress Shu Qi, known for her performances in Hou Hsiao-Hsien films Millennium Mambo, Three Times and The Assassin.
US director Poitras...
Jane Campion, Mia Hansen-Løve, Laura Poitras and Martin McDonagh have joined the main Competition jury of the 80th Venice Film Festival (August 30-September 9).
The filmmakers will be joined by Palestinian actor Saleh Bakri (Wajib); Italian director Gabriele Mainetti, who was in Competition at the festival in 2021 with Freaks Out; Argentinian writer/director Santiago Mitre, whose Argentina, 1985 premiered in Competition at Venice last year; and Chinese actress Shu Qi, known for her performances in Hou Hsiao-Hsien films Millennium Mambo, Three Times and The Assassin.
US director Poitras...
- 7/13/2023
- by Michael Rosser
- ScreenDaily
Along with Alice Diop’s Saint Omer, which won Venice’s Silver Lion last year, and Justine Triet’s Anatomy of a Fall, premiering in Cannes’ main competition next week, Cédric Kahn’s The Goldman Case marks a recent trend of arthouse courtroom dramas that, beyond a few exceptions (such as Henri-George Clouzot’s seldom seen masterpiece, The Truth), have never been a major facet of French cinema.
This is because French trials, unlike American ones, tend to be less dramatic, with fewer rulings by jury (outside of murder cases) and with the judge playing a larger role in the proceedings, reviewing facts and statements in a dry manner. However, there have been a number of highly headline-grabbing trials in France these past years, including that of former President Nicolas Sarkozy for election fraud charges, and another concerning the November 13 terrorist attacks, which have brought the courtroom back into the public sphere.
This is because French trials, unlike American ones, tend to be less dramatic, with fewer rulings by jury (outside of murder cases) and with the judge playing a larger role in the proceedings, reviewing facts and statements in a dry manner. However, there have been a number of highly headline-grabbing trials in France these past years, including that of former President Nicolas Sarkozy for election fraud charges, and another concerning the November 13 terrorist attacks, which have brought the courtroom back into the public sphere.
- 5/17/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
‘La La Land’ director Chazelle will chair the Competition jury.
La La Land director Damien Chazelle will be president of the Competition jury for the 80th Venice Film Festival (August 30-September 9).
Saint Omer director Alice Diop will chair the Luigi De Laurentiis debut film award jury; with A Chiara filmmaker Jonas Carpignano chairing the Horizons jury.
Chazelle has opened the festival on two previous occasions, with La La Land in 2016 and with First Man in 2018, both in Competition. Emma Stone won the Volpi Cup for best actress for La La Land, and went on to take the best actress Oscar...
La La Land director Damien Chazelle will be president of the Competition jury for the 80th Venice Film Festival (August 30-September 9).
Saint Omer director Alice Diop will chair the Luigi De Laurentiis debut film award jury; with A Chiara filmmaker Jonas Carpignano chairing the Horizons jury.
Chazelle has opened the festival on two previous occasions, with La La Land in 2016 and with First Man in 2018, both in Competition. Emma Stone won the Volpi Cup for best actress for La La Land, and went on to take the best actress Oscar...
- 5/5/2023
- by Ben Dalton
- ScreenDaily
To mark the release of Saint Omer out now on Digital and on Blu-Ray from Monday 10th April, we have Blu-Rays to give away to 3 lucky winners!
Director Alice Diop brings us to the Saint Omer court of law. Young novelist Rama attends the trial of Laurence Coly, a young woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. But as the trial continues, the words of the accused and witness testimonies will shake Rama’s convictions and call into question our own judgement.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
The Small Print
Open to UK residents only The competition will close 21st April 2023 at 23.59 GMT The winner will be picked at random from entries received No cash alternative is available Actual prize may vary from the image and description in exceptional...
Director Alice Diop brings us to the Saint Omer court of law. Young novelist Rama attends the trial of Laurence Coly, a young woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. But as the trial continues, the words of the accused and witness testimonies will shake Rama’s convictions and call into question our own judgement.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
The Small Print
Open to UK residents only The competition will close 21st April 2023 at 23.59 GMT The winner will be picked at random from entries received No cash alternative is available Actual prize may vary from the image and description in exceptional...
- 4/10/2023
- by Competitions
- HeyUGuys.co.uk
As awards season continues, Saturday night saw the Directors Guild of America handing out their awards. And, perhaps not too surprisingly (though it was their first DGA win), Everything Everywhere All At Once filmmakers Daniel Kwan and Daniel Scheinert took home the big feature film prize.
"This has been an incredible year for our little film that somehow keeps going," Kwan said as part of his acceptance speech. The pair won over the likes of TÁR's Todd Field, Top Gun: Maverick's Joseph Kosinski, The Banshees Of Inisherin's Martin McDonagh and The Fabelmans' Steven Spielberg.
In the First Time Feature Director category, Aftersun's Charlotte Wells won, over the likes of Saint Omer's Alice Diop and Emily The Criminal's John Patton Ford.
Elsewhere, there was recognition for Euphoria's Sam Levinson for the episode 'Stand Still Like The Hummingbird' and Station Eleven's Helen Shaver took home...
"This has been an incredible year for our little film that somehow keeps going," Kwan said as part of his acceptance speech. The pair won over the likes of TÁR's Todd Field, Top Gun: Maverick's Joseph Kosinski, The Banshees Of Inisherin's Martin McDonagh and The Fabelmans' Steven Spielberg.
In the First Time Feature Director category, Aftersun's Charlotte Wells won, over the likes of Saint Omer's Alice Diop and Emily The Criminal's John Patton Ford.
Elsewhere, there was recognition for Euphoria's Sam Levinson for the episode 'Stand Still Like The Hummingbird' and Station Eleven's Helen Shaver took home...
- 2/19/2023
- by James White
- Empire - Movies
The Directors Guild of America announced its slate of 2023 nominees in film and television on January 11. Historically, the DGA Awards are seen as one of the strongest bellwethers to predict the Best Director Oscar category since there is so much overlap in voting memberships between the guild and the academy. Who will win at the Directors Guild this year? Read on to see Gold Derby’s 2023 DGA Awards predictions in three movie categories and four TV races.
Our DGA racetrack odds are based on the combined forecasts of more than 1,800 readers, including Experts we’ve polled from major media outlets, Editors who cover awards year-round for this website, Top 24 Users who did the best predicting the winners last time, All-Star Users who had the best prediction scores over the last two years, and the mass of Users who make up our biggest predictions bloc.
SEEOscar Best Director Gallery: Every Winner...
Our DGA racetrack odds are based on the combined forecasts of more than 1,800 readers, including Experts we’ve polled from major media outlets, Editors who cover awards year-round for this website, Top 24 Users who did the best predicting the winners last time, All-Star Users who had the best prediction scores over the last two years, and the mass of Users who make up our biggest predictions bloc.
SEEOscar Best Director Gallery: Every Winner...
- 2/15/2023
- by Marcus James Dixon
- Gold Derby
Teenage FaceTime detectives, talking shells and a donkey: February is an eclectic, not to mention eccentric, month for cinema.
Throughout the year, there is a near-constant deluge of new releases arriving – on the big screen and small – and it’s hard to know which to prioritise. This new column will pick out the five best films for you to move to the top of your watch list each month.
In February, there are plenty of surefire blockbusters on the way – from acclaimed Puss in Boots sequel The Last Wish and new M Night Shyamalan thriller Knock at the Cabin (both 3 February), to Marvel’s wordily titled Ant-Man and the Wasp: Quantumania (17 February). Smaller indies, like Saint Omer, Blue Jean and Joyland, will also be arriving on the 3, 10 and 24 February, respectively.
Meanwhile, James Cameron will engage in a box office battle with himself after Avatar: The Way of Water became the...
Throughout the year, there is a near-constant deluge of new releases arriving – on the big screen and small – and it’s hard to know which to prioritise. This new column will pick out the five best films for you to move to the top of your watch list each month.
In February, there are plenty of surefire blockbusters on the way – from acclaimed Puss in Boots sequel The Last Wish and new M Night Shyamalan thriller Knock at the Cabin (both 3 February), to Marvel’s wordily titled Ant-Man and the Wasp: Quantumania (17 February). Smaller indies, like Saint Omer, Blue Jean and Joyland, will also be arriving on the 3, 10 and 24 February, respectively.
Meanwhile, James Cameron will engage in a box office battle with himself after Avatar: The Way of Water became the...
- 2/4/2023
- by Jacob Stolworthy
- The Independent - Film
When Chinonye Chukwu’s Till, about how Mamie Till-Mobley channeled her grief over the murder of her son Emmett Till into a movement for justice, premiered at the New York Film Festival this fall, there was seemingly instant Oscar buzz for star Danielle Deadwyler, who plays Till-Mobley, with some saying she’d win the best actress nomination.
But when the 2023 Oscar nominations were announced Tuesday morning, Deadwyler wasn’t even among the nominees, despite experts predicting she’d make the cut and earlier nods by awards and critics groups. And on top of that, Till, didn’t receive any nominations, even in the best song category where some thought it would break in.
On Tuesday’s The View, Whoopi Goldberg noted simply that “unfortunately my film, Till, wasn’t nominated.”
Also among the shocking snubs was Viola Davis in the best actress category and everyone involved with The Woman King.
But when the 2023 Oscar nominations were announced Tuesday morning, Deadwyler wasn’t even among the nominees, despite experts predicting she’d make the cut and earlier nods by awards and critics groups. And on top of that, Till, didn’t receive any nominations, even in the best song category where some thought it would break in.
On Tuesday’s The View, Whoopi Goldberg noted simply that “unfortunately my film, Till, wasn’t nominated.”
Also among the shocking snubs was Viola Davis in the best actress category and everyone involved with The Woman King.
- 1/24/2023
- by Hilary Lewis
- The Hollywood Reporter - Movie News
The Oscar nominations revealed Tuesday did not include any female directors, extending a trend across this season’s awards landscape. It means the modest streak of women winning the Directing Oscar will end at two, after back-to-back wins the past two years with Jane Campion (The Power of the Dog) in 2022 and Chloé Zhao (Nomadland) in 2021.
Related Story Oscar Nominations: The Complete List Of Nominees Related Story 'Rrr' Scores Historic Oscar Nomination For Best Original Song, But Shut Out Of Other Major Races Related Story 2023 Oscars: 'All Quiet on the Western Front' Earns Nine Nominations
This morning, the names called were Martin McDonagh (The Banshees of Inisherin), Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once), Steven Spielberg (The Fabelmans), Todd Field (Tár) and Ruben Östlund (Triangle of Sadness).
Earlier this season, the mostly apples-to-apples Directors Guild also went with McDonagh, Kwan & Scheinert, Field and Spielberg, but...
Related Story Oscar Nominations: The Complete List Of Nominees Related Story 'Rrr' Scores Historic Oscar Nomination For Best Original Song, But Shut Out Of Other Major Races Related Story 2023 Oscars: 'All Quiet on the Western Front' Earns Nine Nominations
This morning, the names called were Martin McDonagh (The Banshees of Inisherin), Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once), Steven Spielberg (The Fabelmans), Todd Field (Tár) and Ruben Östlund (Triangle of Sadness).
Earlier this season, the mostly apples-to-apples Directors Guild also went with McDonagh, Kwan & Scheinert, Field and Spielberg, but...
- 1/24/2023
- by Patrick Hipes
- Deadline Film + TV
The 30 talents are in the running for the most promising actor and actress awards at the 2023 Cesar awards.
Les Révélations 2023, par Audrey Diwan (Sous-titre Anglais) from Académie des César on Vimeo.
France’s Cesar Academy has joined forces with Happening director Audrey Diwan for a short film honouring the 30 ‘Revelations’, the emerging French talents in the running for the most promising actor and actress awards at this year’s Cesar film awards.
Diwan presented the four-minute short film she wrote and directed at a dinner in Paris on January 16 attended by the Revelations, each of whom chose a mentor to accompany them.
Les Révélations 2023, par Audrey Diwan (Sous-titre Anglais) from Académie des César on Vimeo.
France’s Cesar Academy has joined forces with Happening director Audrey Diwan for a short film honouring the 30 ‘Revelations’, the emerging French talents in the running for the most promising actor and actress awards at this year’s Cesar film awards.
Diwan presented the four-minute short film she wrote and directed at a dinner in Paris on January 16 attended by the Revelations, each of whom chose a mentor to accompany them.
- 1/18/2023
- by Rebecca Leffler
- ScreenDaily
To say Guslagie Malanda plays Laurence Coly in Alice Diop’s Saint Omer feels incorrect; she becomes her. It’s a performance that holds such subtle power and authenticity that it’s easy to take it for granted. On this episode, Malanda explains why she turned down countless acting jobs after her first film, My Friend Victoria. She talks about the year-long pre-production period that she needed to prepare for the role, the nightmares that plagued her during that time, the breakthrough of learning to breathe, and much more. Back To One can be found wherever you get your podcasts, including Apple Podcasts, […]
The post “I Don’t Know How To Be a Product”: Saint Omer Star Guslagie Malanda first appeared on Filmmaker Magazine.
The post “I Don’t Know How To Be a Product”: Saint Omer Star Guslagie Malanda first appeared on Filmmaker Magazine.
- 1/17/2023
- by Peter Rinaldi
- Filmmaker Magazine - Blog
To say Guslagie Malanda plays Laurence Coly in Alice Diop’s Saint Omer feels incorrect; she becomes her. It’s a performance that holds such subtle power and authenticity that it’s easy to take it for granted. On this episode, Malanda explains why she turned down countless acting jobs after her first film, My Friend Victoria. She talks about the year-long pre-production period that she needed to prepare for the role, the nightmares that plagued her during that time, the breakthrough of learning to breathe, and much more. Back To One can be found wherever you get your podcasts, including Apple Podcasts, […]
The post “I Don’t Know How To Be a Product”: Saint Omer Star Guslagie Malanda first appeared on Filmmaker Magazine.
The post “I Don’t Know How To Be a Product”: Saint Omer Star Guslagie Malanda first appeared on Filmmaker Magazine.
- 1/17/2023
- by Peter Rinaldi
- Filmmaker Magazine-Director Interviews
That’s a wrap on the 34th annual Palm Springs International Film Festival.
The desert fest rolled its credits Sunday by announcing this year’s slate of award winners, including jury prizes and audience awards. Taking top honors — the Fipresci Prize as voted on by a special jury of international film critics who reviewed 35 of 93 official submission for the Academy Awards international feature film category — was Alice Diop’s legal drama Saint Omer.
The jury praised the French film for how it interrogates issues of society, culture, race and gender. “By harnessing the skills of her technical team, Diop turns Saint Omer into a shrewd, cogent, ambitious and overwhelming film which teases a metafictional awareness while remaining clear-eyed and unsentimental,” the jury said in a statement.
Other Fipresci Prizes went to screenwriters Carla Simón and Arnau Vilaró for Alcarràs for international screenplay (Spain), Oksana Cherkashyna from Klondike for best actress...
The desert fest rolled its credits Sunday by announcing this year’s slate of award winners, including jury prizes and audience awards. Taking top honors — the Fipresci Prize as voted on by a special jury of international film critics who reviewed 35 of 93 official submission for the Academy Awards international feature film category — was Alice Diop’s legal drama Saint Omer.
The jury praised the French film for how it interrogates issues of society, culture, race and gender. “By harnessing the skills of her technical team, Diop turns Saint Omer into a shrewd, cogent, ambitious and overwhelming film which teases a metafictional awareness while remaining clear-eyed and unsentimental,” the jury said in a statement.
Other Fipresci Prizes went to screenwriters Carla Simón and Arnau Vilaró for Alcarràs for international screenplay (Spain), Oksana Cherkashyna from Klondike for best actress...
- 1/16/2023
- by Chris Gardner
- The Hollywood Reporter - Movie News
The African American Film Critics Association (Aafca) revealed the winners of the 14th annual Aafca Awards on Monday.
The Woman King, Till, Black Panther: Wakanda Forever and Glass Onion: A Knives Out Mystery each scored two Aafca Awards: The Woman King won best picture and best director for Gina Prince-Bythewood, Till won best actress for Danielle Deadwyler and the Emerging Face award for Jalyn Hall, Wakanda Forever won best supporting actress for Angela Bassett and best song for Rihanna’s “Lift Me Up” and Glass Onion won best writing for Rian Johnson and best ensemble.
Brian Tyree Henry won the best supporting actor award for his role in Causeway and Jeremy Pope won best actor for The Inspection, while best animated feature went to Wendell & Wild and best international feature went to Saint Omer.
Winners, as well as special honorees, will be honored at the 14th annual Aafca Awards on March 1 at the Beverly Wilshire,...
The Woman King, Till, Black Panther: Wakanda Forever and Glass Onion: A Knives Out Mystery each scored two Aafca Awards: The Woman King won best picture and best director for Gina Prince-Bythewood, Till won best actress for Danielle Deadwyler and the Emerging Face award for Jalyn Hall, Wakanda Forever won best supporting actress for Angela Bassett and best song for Rihanna’s “Lift Me Up” and Glass Onion won best writing for Rian Johnson and best ensemble.
Brian Tyree Henry won the best supporting actor award for his role in Causeway and Jeremy Pope won best actor for The Inspection, while best animated feature went to Wendell & Wild and best international feature went to Saint Omer.
Winners, as well as special honorees, will be honored at the 14th annual Aafca Awards on March 1 at the Beverly Wilshire,...
- 1/16/2023
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
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