Directed by
| Bill Taylor | ||
Writing Credits (in alphabetical order)
| Bill Taylor | ||
Cast (in credits order)
| Jonathan Keltz | ... | Mark | |
 |
Andrew Hachey | ... | Danny |
Produced by
| Elise Cousineau | ... | producer |
| Michelle Szemberg | ... | co-producer |
Music by
| Jonathan Goldsmith | ||
Cinematography by
| Ben Lichty | ... | director of photography |
Editing by
| Michelle Szemberg | ||
Casting By
| Millie Tom | ||
Costume Design by
| Christina Loizou | ||
Makeup Department
| Michelle Calleja | ... | key make-up and hair |
Production Management
| Juliana Conceicao | ... | assistant production manager |
| Justin Kelly | ... | production manager |
| Kevin Molen | ... | unit manager |
Second Unit Director or Assistant Director
| Juliana Conceicao | ... | second assistant director |
| Matt Hotson | ... | trainee assistant director |
| Justin Kelly | ... | first assistant director |
Art Department
| Gareth Lichty | ... | props / set dressing |
Sound Department
| Steve Baine | ... | foley artist (as Steve Bain) |
| Roberta Bratti | ... | manager of sound operations |
| Christian Carruthers | ... | project coordinator |
| Kathy Choi | ... | sound effects editor |
| Barry Gilmore | ... | dialogue editor |
| Gina Gyles | ... | foley assistant (as Gina Wark) |
| Mandy Ley | ... | re-recording assistant |
| Kirk Lynds | ... | re-recording mixer |
| Matthew McKenzie | ... | adr recording engineer (as Matthew Mckenzie) |
| David Ottier | ... | sound mixer |
| Peter Persaud | ... | foley recordist |
| Jc Prince | ... | boom operator |
| Katie Quanz | ... | assistant sound editor |
| Steve F.B. Smith | ... | dolby sound consultant |
Visual Effects by
| Nick Iannelli | ... | digital intermediate producer |
| Mila Patriki | ... | digital intermediate colorist / mastering / telecine colourist |
Stunts
| Blair Johannes | ... | stunt coordinator |
Camera and Electrical Department
| Mark Beauchamp | ... | first assistant camera |
| Fraser Brown | ... | gaffer |
| Jason Brown | ... | key grip |
| Steve Carey | ... | grip |
| Queena Chan | ... | second assistant camera |
| Bradley Crosbie | ... | first assistant camera |
| Steve Lambert | ... | genny operator |
| Max Putintsev | ... | best boy electric |
| Kerry Shaw | ... | still photographer |
| Jason Sissons | ... | key rigger (as Jayson Sissons) |
| Jeff Taylor | ... | genny operator |
| Christine Thompson | ... | loader (as Christine Jeoffroy) |
| Bradley Tingle | ... | grip |
Casting Department
| Emerald Goldsmith | ... | casting assistant |
Editorial Department
| Chris MacKenzie | ... | digital intermediate editor (as Chris Mackenzie) / digital intermediate opticals (as Chris Mackenzie) |
| Marie Rickard | ... | story editor |
| James Yazbeck | ... | telecine sync operator (as Jim Yazbeck) |
Location Management
| Kari Fairweather | ... | location manager |
Script and Continuity Department
| Margaret Tanod | ... | script supervisor |
Additional Crew
| Gary Brown | ... | project manager: picture |
| David Ennis | ... | production accountant |
| Tess Girard | ... | production assistant |
| Diana Kulpa | ... | production coordinator |
| Terry E. Markus | ... | legal services (as Terry Markus) |
| Caron Mason | ... | production assistant |
| Noreen Murphy | ... | actra steward |
| Russ Robertson | ... | vice president of sales |
| Kyle Trotter | ... | production assistant |
| Mark Tureski | ... | titles |
Thanks
| Tess Girard | ... | special thanks |
| Nick Iannelli | ... | special thanks |
| Gareth Lichty | ... | special thanks |
| Sarah Polley | ... | very special thanks |
| Jane Tattersall | ... | special thanks |
