The 44th edition of genre film festival Fantasporto, which runs in Portugal’s second city Porto from March 1-10, has bestowed its best film award on Japanese sci-fi fantasy pic “From the End of the World,” directed by Kaz I Kiriya.
The movie follows 10-year-old Hana, whose dreams transport her across various eras in Japanese history, and have the ability to save humanity.
The jury’s special award went to “The Complex Forms,” Italian director Fabio D’Orta’s debut feature. The sci-fi horror centers on a man who has sold his body so it can be possessed by a creature of unknown nature.
The prize for best direction was nabbed by Spanish filmmaker Gonzalo López-Gallego for horror movie “The Shadow of the Shark” (La Sombra del Tiburon). In the film, a young woman, Alma, is undergoing therapy as she is unable to sleep. With the help of surveillance cameras, she...
The movie follows 10-year-old Hana, whose dreams transport her across various eras in Japanese history, and have the ability to save humanity.
The jury’s special award went to “The Complex Forms,” Italian director Fabio D’Orta’s debut feature. The sci-fi horror centers on a man who has sold his body so it can be possessed by a creature of unknown nature.
The prize for best direction was nabbed by Spanish filmmaker Gonzalo López-Gallego for horror movie “The Shadow of the Shark” (La Sombra del Tiburon). In the film, a young woman, Alma, is undergoing therapy as she is unable to sleep. With the help of surveillance cameras, she...
- 3/9/2024
- by Leo Barraclough
- Variety Film + TV
Fantasporto, the Oporto Intl. Film Festival, kicked off Friday in Portugal’s Porto — a city famed for its elegant Romanesque cathedral, a bookstore that inspired “Harry Potter,” and the heady alcoholic drink — with an eclectic mix of titles but an emphasis on fantasy films.
Typifying the broad tastes of the festival chiefs, film critics Beatriz Pacheco Pereira and Mário Dorminsky, Canadian filmmaker Denys Arcand’s satire “Testament” opened the event’s 44th edition at Batalha Centro de Cinema, and Chinese fantasy epic “Creation of Gods I: Kingdom of Storms,” directed by Wuershan, closes it.
Although Pacheco Pereira and Dorminsky, who compete with the Brussels Intl. Fantastic Film Festival and Sitges for fantasy films in Europe, know they can’t please everyone in Porto with their selection “what is really important to us is whether the audiences applaud the films,” Dorminsky says. “This is not a job for us. It is a pleasure.
Typifying the broad tastes of the festival chiefs, film critics Beatriz Pacheco Pereira and Mário Dorminsky, Canadian filmmaker Denys Arcand’s satire “Testament” opened the event’s 44th edition at Batalha Centro de Cinema, and Chinese fantasy epic “Creation of Gods I: Kingdom of Storms,” directed by Wuershan, closes it.
Although Pacheco Pereira and Dorminsky, who compete with the Brussels Intl. Fantastic Film Festival and Sitges for fantasy films in Europe, know they can’t please everyone in Porto with their selection “what is really important to us is whether the audiences applaud the films,” Dorminsky says. “This is not a job for us. It is a pleasure.
- 3/2/2024
- by Leo Barraclough
- Variety Film + TV
2023 was a banner year for horror films from across the globe, which deserve just as much praise and attention as any domestic genre triumph.
In a year that’s had its share of ups and downs at the box office, horror continues to be a top performer and one of the most consistent sources of entertainment. Superhero fatigue continues to set in and the ballooning budgets of major studio blockbusters have started to seem more like a curse than a kindness. The film industry adapts accordingly and figures out what audiences want.
However, horror movies have never been more popular and 2023 has been a goldmine of blood, guts, and gore. This year alone has featured grandiose franchise sequels like Scream VI, Evil Dead Rise, Insidious: The Red Door, and Saw X. Even Hercule Poirot has gotten into the horror game with A Haunting in Venice. Additionally, weird and wild local horror releases like Skinamarink,...
In a year that’s had its share of ups and downs at the box office, horror continues to be a top performer and one of the most consistent sources of entertainment. Superhero fatigue continues to set in and the ballooning budgets of major studio blockbusters have started to seem more like a curse than a kindness. The film industry adapts accordingly and figures out what audiences want.
However, horror movies have never been more popular and 2023 has been a goldmine of blood, guts, and gore. This year alone has featured grandiose franchise sequels like Scream VI, Evil Dead Rise, Insidious: The Red Door, and Saw X. Even Hercule Poirot has gotten into the horror game with A Haunting in Venice. Additionally, weird and wild local horror releases like Skinamarink,...
- 12/30/2023
- by Daniel Kurland
- bloody-disgusting.com
Canadian filmmaker Denys Arcand’s satire “Testament” will open the 44th edition of Fantasporto, which runs March 1-10 in Portugal’s second city, Porto. Chinese fantasy epic “Creation of Gods I: Kingdom of Storms,” directed by Wuershan, closes the eclectic event.
The festival, which was named by MovieMaker magazine this year as one of the “25 coolest festivals in the world,” is headed by film critics Beatriz Pacheco Pereira and Mário Dorminsky. Around 600 feature films were submitted this year and 1,200 shorts.
Pacheco Pereira says they select films that have a “special touch but still a universal language.” Dorminsky adds: “We try to discover new directors.” These directors – having established a relationship with the festival – often return with their subsequent films, he says.
“Testament” epitomizes one trend that Pacheco Pereira identifies, which is “old people asking: ‘Where is the world going?'” She adds: “‘Testament’ is a wonderful film in which an...
The festival, which was named by MovieMaker magazine this year as one of the “25 coolest festivals in the world,” is headed by film critics Beatriz Pacheco Pereira and Mário Dorminsky. Around 600 feature films were submitted this year and 1,200 shorts.
Pacheco Pereira says they select films that have a “special touch but still a universal language.” Dorminsky adds: “We try to discover new directors.” These directors – having established a relationship with the festival – often return with their subsequent films, he says.
“Testament” epitomizes one trend that Pacheco Pereira identifies, which is “old people asking: ‘Where is the world going?'” She adds: “‘Testament’ is a wonderful film in which an...
- 12/18/2023
- by Leo Barraclough
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.