Anyone would agree that its just a standard legal drama. The casting and the setting doesnt seem very expensive or captivating. But the brilliant direction is evident in every detail. Main characters have been casted very well in every way possible. Jeethu joseph does not need any special introduction in such a genre since he has proved his excellence in many of his previous movies. As an average mohanlal enthusiast and a consistent critique of his work, I feel that this must go down as one of his best modern work. He has input an element of his own as well as adhered to the character presented by the director. Movie portrays characteristics of resilience and persistence. A must watch.
62 Reviews
Relevant and engaging
Jithindurden23 December 2023
Even with a predictable storyline Jeethu Joseph's mastery of scriptwriting with Shanthi Mayadevi's knowledge as an advocate makes this engaging and effective. Jeethu Joseph has always been a better writer than a director and there are a lot of instances in the movie that clearly shows that aspect. Some of the smaller characters' acting was not very good, the music was overused a lot and there were a few things that could've been trimmed out. But when it works, the film works great. Even though, it's not something very novel, Mohanlal saying some dialogues did make me clap hard, knowing that I'm sitting in a packed theatre with a lot of families. Anaswara and Siddique were brilliant in their roles and Mohanlal has done a role that is subtle, vulnerable and serious in a very effective way after a long time. Despite the film using easy ways to tell a lot of things, despite the plot being nothing new, it being not new makes more of a case of how it is still so important in every aspect, due to which I was very satisfied by the end of the movie.
Mohanlal-Jeethu Joseph Combo Never Fails To Strike
rohitiscool-0235225 December 2023
Neru, an emotional court room drama is an absolute masterpiece directed and written by Jeethu Joseph elevated with Mohanlals And Siddiques amazing acting. The story follows the path of Sara a blind girl who is the victim of rape who's role is magnificently done by Anaswara Rajan. She seeks the help Of Vijayamohan, an underconfident lawyer who hasnt been practiced in a long time, this role is fantastically done by Mohanlal. As a malayali seeing Lalettan back at his subtle acting is just mesmerizing. This is proof that directors play an important role when it comes to shaping an actor. Vijayamohan Is Opposed By Rajashekar, a renowned lawyer who has been the enemy of Vijayamohan. This role is brilliantly played by Siddique. Rest of the movie you have to see othwrwise it would be a spoiler. I wouldn't say this is a theatre experiece movie but the film crew managea to hook our eyes to the screen with taking it off. I never felt bored even for a second thats how captivating the entire movie is. Although taking in Jeethu Josephs other works like Drishyam thos movie didnt quite reaxh to its level, it did deliver some goosebumps but i felt that the story was written in favour of Vijayamohan. So, its an average movie elevated with Mohanlals Comeback to Real cinema.
Brillian court room drama that hooks you in throughout
javedmkadir21 December 2023
The same team had done Drishyam 10 years ago, which has become a milestone movie, not just in Malayalam but across Indian movie industry. Any movie they do now will be compared to that movie.
There are some common elements, but Neru is a totally different movie, both the theme and the mood of the movie. This is emotionally more draining than Drishyam, while it does not have the sheer audacity and shock value that Drishyam had
The best part of the movie is the script. After 10 minutes or so, the movie just hooks you in, and you can't look away even for a minute, till the very last scene in the climax, which will most probably leave you teary eyed.
Performances are top notch. Special mentions to Sidhique and Jagadish. Two actors who were doing Tier 2 comedy movies 30 years ago, but their acting careers are on a totally high trajectory.
But this movie is carried by Mohanlal and then Anaswara Rajan. Yes, Mohanlal is one of the greatest actors in India and his performance is expected, but Anaswara matches him best for best. Their scene together in the first half and then in the climax will leave you spell bound
On the flip side, don't expect any out of the world movie making techniques. Technically the movie is just passable, but that is a typical Jeethu Joseph style. He let the script and performances take centre stage. The Cameraman, editor and music director just do their job in the back ground
Last but not the least, spare a thought for the genius of Jeethu. Making one edge of the seat thriller like Drishyam is impossible for 9/10 writer directors. But he has now done 4 movies at that level (Drishyam 1 & 2, Memorie and Neru). Hats off man, and hope you outdo yourself in your next one.
There are some common elements, but Neru is a totally different movie, both the theme and the mood of the movie. This is emotionally more draining than Drishyam, while it does not have the sheer audacity and shock value that Drishyam had
The best part of the movie is the script. After 10 minutes or so, the movie just hooks you in, and you can't look away even for a minute, till the very last scene in the climax, which will most probably leave you teary eyed.
Performances are top notch. Special mentions to Sidhique and Jagadish. Two actors who were doing Tier 2 comedy movies 30 years ago, but their acting careers are on a totally high trajectory.
But this movie is carried by Mohanlal and then Anaswara Rajan. Yes, Mohanlal is one of the greatest actors in India and his performance is expected, but Anaswara matches him best for best. Their scene together in the first half and then in the climax will leave you spell bound
On the flip side, don't expect any out of the world movie making techniques. Technically the movie is just passable, but that is a typical Jeethu Joseph style. He let the script and performances take centre stage. The Cameraman, editor and music director just do their job in the back ground
Last but not the least, spare a thought for the genius of Jeethu. Making one edge of the seat thriller like Drishyam is impossible for 9/10 writer directors. But he has now done 4 movies at that level (Drishyam 1 & 2, Memorie and Neru). Hats off man, and hope you outdo yourself in your next one.
Drishyam Team Striked Again for Blockbuster
skmenon199323 December 2023
*** Neru Malayalam Movie Review ***
Directed by Jeethu Joseph starring Mohanlal in the lead..
Also starring Siddique , Anaswara Rajan , Jagadeesh.
*** Drishyam combo struck for a six.***
Although it's mentioned that the movie is a courtroom drama, when it's directed by Jeetu Joseph we could expect the suspense and here too he kept that thrilling mood on.
The courtroom sequences which was nearly 80 percent of the movie was well captured. The moment of what's next in a courtroom will happen is well established and that what makes Jeetu Joseph a brilliant craftsman.
Performance wise Anaswara Rajan had given her career best performance.
Siddique's performance was like at one moment a feel of hatred was developed as the life which he gave to the character was phenomenal.
Last but not the least the Complete Actor Mohanlal, needless to say, this man effortlessly performs and wins the heart of the audience. How his potential can be used effectively, when that realisation happens we would have en number of classics from this legend and Jeetu Joseph knows to exploit him well
A little mass moment from this courtroom drama thereby not spoiling it's core was clap worthy..
The topic is social relevant and it's execution was clap worthy
Overall Neru ends the Mollywood industry 2023 at a good note & giving a hope that Mollywood 2024 will be full of blockbusters.
Directed by Jeethu Joseph starring Mohanlal in the lead..
Also starring Siddique , Anaswara Rajan , Jagadeesh.
*** Drishyam combo struck for a six.***
Although it's mentioned that the movie is a courtroom drama, when it's directed by Jeetu Joseph we could expect the suspense and here too he kept that thrilling mood on.
The courtroom sequences which was nearly 80 percent of the movie was well captured. The moment of what's next in a courtroom will happen is well established and that what makes Jeetu Joseph a brilliant craftsman.
Performance wise Anaswara Rajan had given her career best performance.
Siddique's performance was like at one moment a feel of hatred was developed as the life which he gave to the character was phenomenal.
Last but not the least the Complete Actor Mohanlal, needless to say, this man effortlessly performs and wins the heart of the audience. How his potential can be used effectively, when that realisation happens we would have en number of classics from this legend and Jeetu Joseph knows to exploit him well
A little mass moment from this courtroom drama thereby not spoiling it's core was clap worthy..
The topic is social relevant and it's execution was clap worthy
Overall Neru ends the Mollywood industry 2023 at a good note & giving a hope that Mollywood 2024 will be full of blockbusters.
Watchable !!
winak15 January 2024
If it were 20 years ago I would have been overly impressed like the rest of the audiences. But now you could see a mile ahead how the plot is deliberately being sabotaged to create thrilling moments. This is evident when the blind victim is asked to prove her ability to sculpt a bust through her sense of touch. Even if this is true, the subject cannot be permitted to be someone who is directly involved in the case like the lawyer as he can purposely influence the outcome to discredit the victim. This was an manufactured scene to prove it to be a David and Goliath case. There are many such instances throughout the movie. But besides this obvious tweaking of the plot the movie is definitely watchable as somewhere in this movie there is a sad commentory on the Indian judicial system where victims of such heinous crime do not get justice, just the shame. So this movies can be added to the likes of the movie "Pink" which deals in the same subject.
Must watch
harijr-4453124 December 2023
What a movie.and the performance was too good,except shanti,shanti was so bad and annoying that is the only negative, the depth of the script was unreal, anshwara rajan acted so good, her career best so far, mohanlal, siddique, jagadish, ganesh everyone did there job well. This was a comeback movie for mohanlal after so many flop movies but he proved in this movie, jeethu always comes with a top movie,sometime a got some goosebumps, and ending was so perfect, you will clap hands for sure.neru won hearts, this is must watch movie. Worth watching, i feel some lag in first 10 minutes but then the movie will goes to another level.
Decent court room drama
alphadude00722 January 2024
This is a decent attempt from Jeethu Joseph. Nothing like Drishyam or even Kooman, but engaging and watchable. The thread is good, but the climax was predictable and also very melodramatic. Also, the casting in the movie was off in multiple places. The primary example is Shanti Mayadevi. She simply cannot act and is awkward in a majority of the scenes. I totally understand, that's not her forte, but why give her such a meaty role? The victims mother also couldn't handle the emotional scenes. Also, Jeethu succumbs to the usual tropes of overdoing some scenes - like the incompetence of the first lawyer. The movie is also unnecessarily long and spends insane amounts of time on a CCTV visual. I'm summary, it's a good attempt and an engaging court drama, but not as stellar as it's touted to be.
captivating cinema
joyalbrightt22 December 2023
Jeethu Joseph done it again ; he is remarkable in his making and writing; he know how to hold the attention of audience and to give them a emotional impact to experience ;neru add to his best movies and set the benchmark in this court room genre !!
Editing is very good and well supported by technical aspects!
Performance vice everyone did their role pretty good, anaswararajan is Mighty impressive in this one,her best role till date to me; outstanding !
And my dearest lalettan like every one he has some setbacks,but he is never out of touch ,this one is just to remember that; his performance is eye catchy one to me, his role is not at all challenging one but the way he is step into his character and the way he delivered the dialogues are exceptional and treat to watch for me !
And this is just the beginning......!!!!
Dear Kerala box office The Mohan Lal Is Arrived to Celebrate the Xmas season!
Editing is very good and well supported by technical aspects!
Performance vice everyone did their role pretty good, anaswararajan is Mighty impressive in this one,her best role till date to me; outstanding !
And my dearest lalettan like every one he has some setbacks,but he is never out of touch ,this one is just to remember that; his performance is eye catchy one to me, his role is not at all challenging one but the way he is step into his character and the way he delivered the dialogues are exceptional and treat to watch for me !
And this is just the beginning......!!!!
Dear Kerala box office The Mohan Lal Is Arrived to Celebrate the Xmas season!
Mediocre and Overrated
amalbsoman23 December 2023
No story, no suspense, just plain.
Expected a stronger and more engaging plot from Jeetu Joseph. Disappointed.
The crime was done and culprit was found in the first ten minutes. Then the seen too many times case where the hero first does not show interest and everyone else requests him to take the case. Hero accepts and then a very ordinary court proceedings follow. No real challenges faced by the hero. Overhyped obstacles. Villain is rich and has employed a Supreme Court advocate. No display of high intelligence from hero. No mass dialogues nor anything engaging.
A mediocre movie made on an interesting topic!
Expected a stronger and more engaging plot from Jeetu Joseph. Disappointed.
The crime was done and culprit was found in the first ten minutes. Then the seen too many times case where the hero first does not show interest and everyone else requests him to take the case. Hero accepts and then a very ordinary court proceedings follow. No real challenges faced by the hero. Overhyped obstacles. Villain is rich and has employed a Supreme Court advocate. No display of high intelligence from hero. No mass dialogues nor anything engaging.
A mediocre movie made on an interesting topic!
A Gripping Malayalam Movie About Justice and Resilience
arunashokarun25 December 2023
Warning: Spoilers
Neru is a Malayalam movie that takes viewers on a powerful journey of a blind sculptor named Sara, played by the talented Anaswara Rajan, who faces a brutal assault and must fight for justice in a complex legal system. The film is more than just a courtroom drama; it's a story about resilience, finding your voice, and the unwavering pursuit of truth.
Stellar Performances and a Gripping Narrative
Mohanlal delivers a nuanced performance as Vijayamohan, a lawyer with a checkered past who takes on Sara's case. The chemistry between Mohanlal and Rajan is palpable, making their characters' connection all the more impactful. The supporting cast, including Saiju Kurup and Krishna Shankar, add depth and dimension to the narrative.
The film's pacing is excellent, keeping viewers engaged throughout the twists and turns of the legal battle. The courtroom scenes are particularly gripping, with Mohanlal's sharp wit and passionate arguments keeping you on the edge of your seat.
Themes of Social Significance
Neru tackles crucial social issues such as disability rights and gender equality. Sara's journey as a blind woman navigating the complexities of the legal system is both inspiring and thought-provoking. The film also sheds light on the challenges faced by women in seeking justice, particularly in cases of assault.
A Visually Stunning and Emotionally Resonant Experience
Neru is not only a well-acted and well-written film, but it is also visually stunning. The cinematography captures the beauty of Kerala, while the music adds another layer of emotional depth to the story. The film's climax is particularly moving, leaving a lasting impression on viewers.
Overall, Neru is a must-watch for anyone who appreciates well-crafted cinema with a powerful message. It's a film that will stay with you long after the credits roll.
Stellar Performances and a Gripping Narrative
Mohanlal delivers a nuanced performance as Vijayamohan, a lawyer with a checkered past who takes on Sara's case. The chemistry between Mohanlal and Rajan is palpable, making their characters' connection all the more impactful. The supporting cast, including Saiju Kurup and Krishna Shankar, add depth and dimension to the narrative.
The film's pacing is excellent, keeping viewers engaged throughout the twists and turns of the legal battle. The courtroom scenes are particularly gripping, with Mohanlal's sharp wit and passionate arguments keeping you on the edge of your seat.
Themes of Social Significance
Neru tackles crucial social issues such as disability rights and gender equality. Sara's journey as a blind woman navigating the complexities of the legal system is both inspiring and thought-provoking. The film also sheds light on the challenges faced by women in seeking justice, particularly in cases of assault.
A Visually Stunning and Emotionally Resonant Experience
Neru is not only a well-acted and well-written film, but it is also visually stunning. The cinematography captures the beauty of Kerala, while the music adds another layer of emotional depth to the story. The film's climax is particularly moving, leaving a lasting impression on viewers.
Overall, Neru is a must-watch for anyone who appreciates well-crafted cinema with a powerful message. It's a film that will stay with you long after the credits roll.
Mohanlal-Jeethu Joseph combo shine once again! [+64%]
arungeorge1324 December 2023
Neru does exhibit the hangover of other courtroom dramas such as Pink and Oru Abhibhashakante Case Diary, alongside writer-director Jeethu Joseph's own family-thriller Drishyam. The writer in Jeethu has always impressed me more than the director, as his writing always offers scope for his actors to shine. That's the case here as well, with some excellent performances from the likes of Anaswara Rajan, Siddique, and (..hold on.. it's been a while..) LALETTAN! Anaswara, who plays the role of a rape victim who's blind, gets the meatiest part and absolutely nails it. Also, having Santhi Mayadevi assisting Jeethu in the screenplay this time around helps look at things from a balanced perspective (as opposed to the clichéd male savior trope), although her featuring in a prominent supporting role feels like an uninspired choice. Vishnu Shyam composes an affecting theme song, which is used throughout the film.
Once again, we're subjected to the "first drama, then thriller" treatment that Jeethu Joseph has worked in his favor in the Drishyam films (including a few notable callbacks). The developments feel slow in the initial half and Mohanlal's entry as Adv. Vijaymohan takes its own sweet time to happen. He's initially presented as a prosecutor who has lost his professional touch, and this is justified in the first half when he's chewed up and spat out by the defense lawyer (a can-do-no-wrong Siddique). However, as audiences, when Vijaymohan slowly regains his lost aura and strikes back, it's almost like a meta-moment where Lalettan the actor is also hinting at getting back on track with his upcoming film choices. It is just WHOLESOME!
Jeethu Joseph makes his usual mistake of casting unconvincing actors in minor roles, to the point of occasionally making you think you're watching a soap opera. While it won't entirely tune you out of the proceedings, this is something the director can take better care of, as it's a recurring element. Also, I don't think audiences need to "revisit" a rape scene (like EVER!) to drive the point home. All this is still forgivable since we get an emotionally satisfying conclusion to the story, with some neat yet subtle statements being made in those closing shots.
P. S. Special shoutout this time goes to Mathew Varghese who played the Judge.
Once again, we're subjected to the "first drama, then thriller" treatment that Jeethu Joseph has worked in his favor in the Drishyam films (including a few notable callbacks). The developments feel slow in the initial half and Mohanlal's entry as Adv. Vijaymohan takes its own sweet time to happen. He's initially presented as a prosecutor who has lost his professional touch, and this is justified in the first half when he's chewed up and spat out by the defense lawyer (a can-do-no-wrong Siddique). However, as audiences, when Vijaymohan slowly regains his lost aura and strikes back, it's almost like a meta-moment where Lalettan the actor is also hinting at getting back on track with his upcoming film choices. It is just WHOLESOME!
Jeethu Joseph makes his usual mistake of casting unconvincing actors in minor roles, to the point of occasionally making you think you're watching a soap opera. While it won't entirely tune you out of the proceedings, this is something the director can take better care of, as it's a recurring element. Also, I don't think audiences need to "revisit" a rape scene (like EVER!) to drive the point home. All this is still forgivable since we get an emotionally satisfying conclusion to the story, with some neat yet subtle statements being made in those closing shots.
P. S. Special shoutout this time goes to Mathew Varghese who played the Judge.
Is this really 2023?!
IshitaDubey128 January 2024
Warning: Spoilers
This movie had so much potential, yet there were so many scenes that made no sense!
Badgering of witnesses, leading the witnesses, and the defence lawyer openly deciding what the judge should say instead of it being the judge's decision.
There were countless scenes that were so wrong. The scene where the victim is called to build the sculpture is so silly. She is made to do it with a person of interest, and that too alone without any witnesses. What a joke!
Also, what was the angle with Mohanlal and Priyamani? Mohanlal is a brilliant actor, but there was no reaction or feeling attached to the role when he was facing his previous mentor and his ex-lover.
It may be a good attempt; it picked up well in the second half, but the first half felt like the screenwriter was an amateur.
Badgering of witnesses, leading the witnesses, and the defence lawyer openly deciding what the judge should say instead of it being the judge's decision.
There were countless scenes that were so wrong. The scene where the victim is called to build the sculpture is so silly. She is made to do it with a person of interest, and that too alone without any witnesses. What a joke!
Also, what was the angle with Mohanlal and Priyamani? Mohanlal is a brilliant actor, but there was no reaction or feeling attached to the role when he was facing his previous mentor and his ex-lover.
It may be a good attempt; it picked up well in the second half, but the first half felt like the screenwriter was an amateur.
Jeetu Joseph - Mohan Lal deliver yet again
crravikiran25 December 2023
I went to this movie expecting a drishyam like thriller and it happened to be the same. All those flashbacks , evidences etc kind of things that make a Jeetu Joseph movie can be seen in the movie . A court room drama that keeps you at the edge of the seat . There is no suspense or anything but it is a thriller . All the cast did a great job . In fact Siddique as Lawyer makes you hate him in the movie and question the profession or our judiciary. I think this movie might be a career changer for Anaswara Rajan as her acting was too good. There are many court room classics in Malayalam cinema and this one can be compared to those. I will give 8 out of 10 for this Jeetu Joseph thriller.
Must watch for Thriller movie lovers
nn10824 December 2023
Fresh story, Great Direction, Great Performances... Overall Totally Engaging movie..You won't feel bored anywhere...Must watch!!!
Note: Do not compare with Drishyam 1 and 2.. Those movies are masterpiece's in terms of film making and story telling. If you compare, you may feel dissatisfied regarding the overall high those movies gave you as compared to this movie 'Neru'. But surely you won't be disappointed. This movie is worth your time
Also we need to support film makers like Jeetu Joseph who is consistently making movies and keeping courtroom drama / mystery movie genre alive instead of following the popular wave...
Note: Do not compare with Drishyam 1 and 2.. Those movies are masterpiece's in terms of film making and story telling. If you compare, you may feel dissatisfied regarding the overall high those movies gave you as compared to this movie 'Neru'. But surely you won't be disappointed. This movie is worth your time
Also we need to support film makers like Jeetu Joseph who is consistently making movies and keeping courtroom drama / mystery movie genre alive instead of following the popular wave...
For me it's a repeated story except climax and climax is predictable.
ganibandam28 January 2024
Since I saw lot of movies about court & lawyers, so I found this movie as boring. Initially I thought, twist and convict are different but unfortunately the same convict is criminal till the end. Catching criminal using Cc tv cameras is boring. Since i watched movies like drusham and sri mahalaxmi (telugu movies), some scenes seems to be repeated for me. For example, in sri mahalakshmi movie, the prosecuter disproved the witness photos using the mirror. The same thing repeated here.final twist is predictable. So this movie is interesting for people who doesn't watch above movies. This movie should come in 2005 year.
Filled by mind blowing performances
aseemanakkund24 December 2023
The best complete theatre experience I've got in a while. There are some movies where everything goes perfect, Neru is that kinda film. I wasn't really interested for this movie, my friends insisted me for it. Filled by superstar performances. There were many wow moments acting wise. Anaswara really blowed out my mind. That girl is something else. Her acting in climax scene was out of this world. And music is really impressive. I was asking for music directors name to my friend while watching. That Roohe song directly goes to our heart. I sat there for some more minutes even after the credit scenes.
PG 15 rated movie and try to avoid kids .
princejacob2523 December 2023
Warning: Spoilers
Central theme is rape and related justice .Made a mistake by taking my 8 year old and 13 year old . Explaining doubts to like condom and other sexual topics to kids were disturbing as a father .
Overall the Movie is Good but never upto the class of Drishyam . The theme has social relavence and acting was fine overall . The plot was ordinary and never had any wow moments . Story line could have been improved further .especially questioning their friends could have had more improvisation .
Anaswaya and siddique acting was top of the line .
Mohanlal acting was ok and felt like he was tamed by Jitu to be with in the boundary of character.
Overall the Movie is Good but never upto the class of Drishyam . The theme has social relavence and acting was fine overall . The plot was ordinary and never had any wow moments . Story line could have been improved further .especially questioning their friends could have had more improvisation .
Anaswaya and siddique acting was top of the line .
Mohanlal acting was ok and felt like he was tamed by Jitu to be with in the boundary of character.
A must watch courtroom drama
shashank_15017 February 2024
Much is expected when Jeethu Joseph collaborates with Mohanhal. Why shouldn't we? Together they have given us the Drishyam saga. Expectations met as this courtroom drama falls in the similar category.
Mohanlal portraying a long forgotten Lawyer Vijaymohan takes a strange case involving harassment of a blind girl named Sara by the notorious son of an influential personality. He's up against a top notch defense advocate Rajasekharan and his daughter Poornima (Priyamani).
Prosecution has nothing against the defendant except for a sculpture of the culprit made by the victim herself. It's this theme that separates this drama from the rest. The persistence of the victim to seek justice shown in this film is really an emotional roller-coaster.
Needless to say that Mohanlal is the center of this film and delivers a great performance with very well written dialogues.
A not to be missed film.
Mohanlal portraying a long forgotten Lawyer Vijaymohan takes a strange case involving harassment of a blind girl named Sara by the notorious son of an influential personality. He's up against a top notch defense advocate Rajasekharan and his daughter Poornima (Priyamani).
Prosecution has nothing against the defendant except for a sculpture of the culprit made by the victim herself. It's this theme that separates this drama from the rest. The persistence of the victim to seek justice shown in this film is really an emotional roller-coaster.
Needless to say that Mohanlal is the center of this film and delivers a great performance with very well written dialogues.
A not to be missed film.
Just an Ordinary average movie
jobyjkannoth29 December 2023
Just an Ordinary Average movie. I went to see it after seeing the rating. But the rating is for the subject it handles (Still there are lot of good movies with same subject). So, If you are really a movie lover it's not your cup of tea. Just one time watch on TV is enough
There is not much performance from anyone else other than Siddique and Anawara. Mohalal has no space to perform anything other than few dialogues during court trial.
It's getting the response just because of the emotional matters and that is not what we need as a movie. And the subject it handles is already discussed 100 times and it's just old wine in new bottle.
There is not much performance from anyone else other than Siddique and Anawara. Mohalal has no space to perform anything other than few dialogues during court trial.
It's getting the response just because of the emotional matters and that is not what we need as a movie. And the subject it handles is already discussed 100 times and it's just old wine in new bottle.
No nonsense movie
varshamenon-0416025 December 2023
You might feel a bit exaggerated however this is a no- nonsense ,thrilling movie with a good message. The movie highlights how we portray cliche rape cases and how the victims are further victimized during the trial. There is a dialogue that rape victims are expected to portray fear and embarrassment alone which is true to the social norms of our country. This is a must watch, with such a great message. I do not know the law implications but how we view and treat a girl, especially if it is a vulnerable population is portrayed with justice. All the actors except 1-2 ( the parents of the accused, first public prosecutor etc) is a bit over artificial otherwise it's a brilliant cast as well.
Beyond a reasonable doubt!
chand-suhas1 February 2024
Sara, a blind woman is sexually assaulted at her home and the police fail to arrest a suspect due to lack of any evidence. Sara is also an exception sculptor and she is able to create the perpetrator's sculptor, using which the criminal is arrested. The guy is the son of a businessman and they have hired the best senior lawyer Rajashekar. Sara however gets an incompetent public prosecutor, messing up the case. Eventually Advocate Vijayamohan takes up her case and how does he help her fight for justice, while ensuring Sara proves the culprit beyond any reasonable doubt, forms rest of the story.
Neru was a good courtroom drama helmed by Jeethu Joseph. MohanLal is finally back in his groove and it felt good seeing him give in to enact this role with all the subtlety. Anaswara Rajan as Sara is also very good in her role. However, I did feel there has been an overdose of the same content and here too, the writing follows the same pattern with the main lead who isn't practicing law, goes onto taking up the case and he has a past involving the defense lawyer. The culprit is the usual creep and the tactics of defense lawyer restoring to character assassination, do not really serve anything different.
Having said that, the system is designed as such, knowing how the real world world, there isn't much to expect but getting triggered during those scenes while waiting for the comeback. The pace does slow down in the second half and a crucial reveal about the culprit wrt similar offence didn't really convince me on it's purpose considering Sara's exceptional sculpting skills is what the director relies on. The key scenes do leave an impact emotionally and that is enough to watch this film aimed at creating hope for justice in this crooked system.
Neru was a good courtroom drama helmed by Jeethu Joseph. MohanLal is finally back in his groove and it felt good seeing him give in to enact this role with all the subtlety. Anaswara Rajan as Sara is also very good in her role. However, I did feel there has been an overdose of the same content and here too, the writing follows the same pattern with the main lead who isn't practicing law, goes onto taking up the case and he has a past involving the defense lawyer. The culprit is the usual creep and the tactics of defense lawyer restoring to character assassination, do not really serve anything different.
Having said that, the system is designed as such, knowing how the real world world, there isn't much to expect but getting triggered during those scenes while waiting for the comeback. The pace does slow down in the second half and a crucial reveal about the culprit wrt similar offence didn't really convince me on it's purpose considering Sara's exceptional sculpting skills is what the director relies on. The key scenes do leave an impact emotionally and that is enough to watch this film aimed at creating hope for justice in this crooked system.
Rubbish, compared to Drishyam standards
cksquare25 December 2023
At the interval stage now. .. (updated !)
The movie started reasonable, but soon it was evident that this was not going to be anything of the class the director delivered in Drishyam.
Then the trial started and the "classic masala" started pouring thru. With the defense lawyer doing a character assassination in court, something that has been disallowed for a long time now. Only to allow Mohanlal to deliver a punch dialogue shortly after.
Then the accused makes an another attempt at the victim, with goondas and all. Saw this is a masala movie, from the 90s??
Oh boy I am now trembling at what could exist going forward.
So far the homework by director and acting by "actors" are below par.
Post interval things, picked up a bit. From court room drama, it moves to crime investigation.
But there are bits of court room, so unlike what you see in Nna thaan case kodu or even Naradan.
The climax and situation leading to it was so predictable. I was wondering why this wasnt done even before, because it was a crucial question raised early on.
I changed my rating from 4/10 to 5, thanks to a few scenes in the 2nd half.
The movie started reasonable, but soon it was evident that this was not going to be anything of the class the director delivered in Drishyam.
Then the trial started and the "classic masala" started pouring thru. With the defense lawyer doing a character assassination in court, something that has been disallowed for a long time now. Only to allow Mohanlal to deliver a punch dialogue shortly after.
Then the accused makes an another attempt at the victim, with goondas and all. Saw this is a masala movie, from the 90s??
Oh boy I am now trembling at what could exist going forward.
So far the homework by director and acting by "actors" are below par.
Post interval things, picked up a bit. From court room drama, it moves to crime investigation.
But there are bits of court room, so unlike what you see in Nna thaan case kodu or even Naradan.
The climax and situation leading to it was so predictable. I was wondering why this wasnt done even before, because it was a crucial question raised early on.
I changed my rating from 4/10 to 5, thanks to a few scenes in the 2nd half.
May be it is unprecendtial but it is essential...!!!
PANDIAN12062123 January 2024
Warning: Spoilers
"Neru" is a captivating Malayalam movie aesthetically directed by Jithu Joseph. The outstanding screenplay, especially the portrayal of the young blind girl by Anaswara Rajan, is commendable. The director's ability to bring out the best in each actor and the sharp use of sound to depict the character's experience adds depth. The excellent storytelling, accompanied by Vishnu Shyam's music, creates a gripping cinematic experience...
Mohanlal portrayal being authentic breathes life into the character, creating a powerful impact especially his subtle gesture is mind-blowing when one of the character talks about "RECREATION" also the way he tackles the opponent LEGALLY is highly appreciable...
Sections of IPC 376 354 311 193 452 506 & 357 are well utilised and thanks to jeethu for his informative wealthy skill...
Overall an another gem of a movie from JEETHU JOSEPH with a must see verdict...
Mohanlal portrayal being authentic breathes life into the character, creating a powerful impact especially his subtle gesture is mind-blowing when one of the character talks about "RECREATION" also the way he tackles the opponent LEGALLY is highly appreciable...
Sections of IPC 376 354 311 193 452 506 & 357 are well utilised and thanks to jeethu for his informative wealthy skill...
Overall an another gem of a movie from JEETHU JOSEPH with a must see verdict...
Making of the filim is good, but lacks depth: 'Neru' Shines in Execution but Falls Short on Substance"
hobbyist100128 December 2023
The commendable aspect of the film lies in its noteworthy production, successfully maintaining audience captivation from start to finish. Nevertheless, the storyline unfolds without introducing distinctive twists or turns, echoing familiar narrative patterns observed in other cinematic works. The performances delivered by actors Sidhique, Mohanlal, Anaswara, and the antagonist stand out, showcasing their commendable skills.
Regrettably, the narrative feels overly simplistic, lacking innovative elements that could have added a layer of freshness to the overall plot. The absence of novel ideas gives rise to a sense of predictability, particularly evident in the storyline and climax. The viewer is left with the impression of traversing well-trodden paths, contributing to a feeling of déjà vu.
The predictability of the storyline and climax is a notable drawback, as the narrative unfolds in a manner that aligns with audience expectations rather than offering unexpected turns or revelations. This inherent predictability may leave some viewers wanting more complexity and depth in the unfolding events.
In conclusion, while the film boasts commendable production values and stands as a testament to the skillful performances of its cast, the overall experience is somewhat tempered by the straightforward and predictable nature of the storyline. Viewers seeking a single viewing with an appreciation for solid production and performances may find it a worthwhile cinematic experience, but those desiring a more intricate and novel narrative may be left yearning for a deeper exploration of storytelling possibilities.
One thing I have noted is that many scenes and the story is copied from the movie Sketch Artist 2 where the victim is a sketch artist rather than a sculpturer"
Regrettably, the narrative feels overly simplistic, lacking innovative elements that could have added a layer of freshness to the overall plot. The absence of novel ideas gives rise to a sense of predictability, particularly evident in the storyline and climax. The viewer is left with the impression of traversing well-trodden paths, contributing to a feeling of déjà vu.
The predictability of the storyline and climax is a notable drawback, as the narrative unfolds in a manner that aligns with audience expectations rather than offering unexpected turns or revelations. This inherent predictability may leave some viewers wanting more complexity and depth in the unfolding events.
In conclusion, while the film boasts commendable production values and stands as a testament to the skillful performances of its cast, the overall experience is somewhat tempered by the straightforward and predictable nature of the storyline. Viewers seeking a single viewing with an appreciation for solid production and performances may find it a worthwhile cinematic experience, but those desiring a more intricate and novel narrative may be left yearning for a deeper exploration of storytelling possibilities.
One thing I have noted is that many scenes and the story is copied from the movie Sketch Artist 2 where the victim is a sketch artist rather than a sculpturer"
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