When in its prime (a vast majority of Seasons 1-9), 'Midsomer Murders' was a great show and one that is watched and re-watched frequently. Seasons 10-13 became more uneven, with three of the show's worst episodes coming from Seasons 11 and 13, but there were a few solid episodes and "Blood Wedding" and especially "Master Class" were gems.
After John Nettles retired and Neil Dudgeon and the new character of John Barnaby took over, 'Midsomer Murders' just hasn't been the same on the most part. Season 14 was a disappointment outside of "The Oblong Murders" and "A Sacred Trust", with "Echoes of the Dead" and "The Night of the Stag" being show low-points. Season 15 was inconsistent, being a case of starting promisingly and then took a three-episodes-in-a-row strange turn with "Written in the Stars" before finishing on a good note.
Season 16 got off to a very good start with "The Christmas Haunting", introducing us to Barnaby's new partner Nelson. "Let Us Prey", while not a terrible episode at all, was a disappointment and very problematic. "Wild Harvest" was very strong, even stronger than "The Christmas Haunting". "The Flying Club" is decent.
"The Killings of Copenhagen" is unique for its change of location from Midsomer to Copenhagen and even more so for being the show's centenary milestone episode. And a good one it is too. Not classic 'Midsomer Murders' by any stretch of the imagination but you can do with far worse too.
Not everything works. Sanjeev Bhaskar overdoes it dreadfully in a way that his character feels like an exaggerated cartoon caricature rather than a real person, which really takes one out of the setting and the story. What should have been a suspenseful climax is instead ludicrously contrived and goes well overboard on the silliness, which dissipates the suspense completely, not helped by an all too convenient rescue and the rather indifferent acting of the victim. Kate continues to be bland and without much personality.
However, the production values cannot be faulted as usual. It's mostly beautifully and atmospherically shot with suitably picturesque scenery and Copenhagen like a strikingly moody and colourful character in itself. The music fits perfectly, with some lush jauntiness and sometimes an ominous quality, and the haunting theme tune is one of the most memorable and instantly recognisable of the genre.
Despite an awful lot going on, the story doesn't feel over-stuffed or convoluted. It is also neither tediously padded or simplistic, with some nice suspense and unusual murders. Surprisingly, the gentle whimsy of 'Midsomer Murders' and the moody grittiness of the Scandinavian crime dramas (even more grim than the grimmest episode of 'Midsomer Murders' previously) contrasts very well. The writing is rarely too heavy or too serious and only in the climax does it get silly or outlandish.
Most of the characters, with the exceptions of Kate and Armand Stone, are welcome returns to the colourful, eccentric and occasionally smarmy ones of classic 'Midsomer Murders' than the colourless and pantomimic ones of late 'Midsomer Murders'. Particularly enjoyable were the Bradley brothers, played with smarmy glee by Nicholas Jones and Richard Cordery.
Neil Dudgeon is much more comfortable than he was in the previous two seasons, though he continued to have uneven moments since. Gwilym Lee is settling in very nicely, he is likable and isn't a dumbed down idiot like Jones became and the chemistry between him and Barnaby sees a much better treatment of him from Barnaby. Sykes is an amusing and adorable scene stealer and Sarah's chemistry with John is more playful and warmer than before. Ann Eleonora Jørgensen and particularly Birgitte Hjort Sørensen bring spark and grit, and work well with Barnaby and Nelson.
Overall, a good milestone episode without being outstanding. 7/10 Bethany Cox
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