Directed by
Noel Clarke |
Writing Credits
Simon Lewis | ... | (written by) |
Noel Clarke | ... | (additional material by) |
Cast (in credits order)
Produced by
James Atherton | ... | executive producer |
Andrew Boswell | ... | executive producer |
Jessica Caldwell | ... | producer: New York |
Noel Clarke | ... | producer |
Ali Cook | ... | executive producer |
Katie Croxson | ... | executive producer |
Phil Dore | ... | assistant producer |
Johnny Fewings | ... | executive producer |
Kate Glover | ... | line producer |
Wayne Marc Godfrey | ... | co-producer |
James Harris | ... | producer |
Robert Jones | ... | executive producer |
Hakan Kousetta | ... | co-producer |
Damon Lane | ... | producer: New York |
Mark Lane | ... | producer |
Arnaud Lannic | ... | associate producer |
Christophe Lannic | ... | associate producer |
Susan Monaco | ... | executive producer |
Saul Haydon Rowe | ... | executive producer |
Josh Varney | ... | executive producer |
Music by
Tom Linden | ... | (original score and music) |
Cinematography by
David Katznelson |
Editing by
Tommy Boulding | ||
Ellier Dov |
Casting By
Colin Jones |
Production Design by
Paul Burns |
Art Direction by
Nick Akass | ||
Elliot Scott |
Set Decoration by
Melissa Harper |
Costume Design by
Andy Blake |
Makeup Department
Kristen Alimena | ... | makeup & hair artist: New York |
Sarah Cooper | ... | makeup artist: for Alexis Knapp |
Chloe Edwards | ... | makeup trainee |
Holly Fowles-Pazdro | ... | makeup artist daily (as Holly Fowles) |
Laramie Glen | ... | makeup & hair artist: New York |
Emily Grove | ... | makeup trainee |
Mani Jandu | ... | hairstylist: for Ian Somerhalder on behalf of Stannard & Slingsby |
Jahmal John | ... | barber: for Noel Clarke |
Adam Machin | ... | tattoo consultant: for Michael Bisping |
Dan Martin | ... | prosthetic effects |
Harriet Thompson | ... | makeup artist: Ian Somerhalder |
Jenna Wrage | ... | makeup and hair designer |
Lisa Zipper | ... | makeup artist daily |
Production Management
Ben Jacques | ... | production manager |
Richard Lloyd | ... | post-production supervisor |
James Player | ... | unit manager |
Second Unit Director or Assistant Director
Brashna Agha | ... | second assistant director |
James Nunn | ... | first assistant director |
Cedric St. Clair | ... | first assistant director: New York |
Oliver Williamson | ... | third assistant director (as Ollie Williamson) |
Art Department
Sally Abbott | ... | art department assistant: dailies |
Matt Carr | ... | graphic designer |
Hollie Cleaver | ... | art department runner |
Charlotte Cooke | ... | standby art director |
Adam Cutts | ... | scenic artist |
Robert J. Dugdale | ... | scenic artist |
George Francis | ... | production buyer |
Jenny Green | ... | prop hand |
Wyndham Harris | ... | prop hand |
Dan Morison | ... | storyboard artist |
Steve Patterson | ... | construction manager |
Rosy Pearce | ... | art department trainee |
Lisa Rust | ... | props master |
Craig Sparkes | ... | construction assistant |
Sound Department
Nick Baldock | ... | adr recordist |
Frank Barlow | ... | sound assistant: daily |
Merlin Bonning | ... | sound maintenance |
Louise Brown | ... | foley editor |
Ben Carr | ... | adr recordist |
Libero Colimberti | ... | boom operator / second unit sound |
Greg Crawford | ... | adr recordist (as Grag Crawford) |
Robbie Derrick | ... | sound assistant |
James Feltham | ... | adr editor |
Sonam Gray | ... | sound recordist: New York |
Paul Hanks | ... | foley artist |
Alex Joseph | ... | re-recording mixer / supervising sound designer |
Richard Kondal | ... | re-recording mixer / supervising sound editor |
Stelios Koupetoris | ... | dialogue editor |
Ashok-Kumar Kumar | ... | sound recordist |
James Lyon | ... | adr recordist |
Martin Oswin | ... | adr recordist |
Libby Rodriguez | ... | sound editor |
Jack Stew | ... | foley artist |
Simon Trundle | ... | foley mixer |
Max Walsh | ... | mix technician |
Robert Weiss | ... | adr mixer |
Special Effects by
Gary Cohen | ... | special effects technician |
Liam Doyle | ... | special effects assistant |
Alexander Gunn | ... | special effects technician (as Alex Gunn) |
David McGeary | ... | special effects technician |
David Payne | ... | special effects supervisor / special effects |
Visual Effects by
Richard Blackburn | ... | visual effects artist |
Marian Briozzo | ... | post production supervisor |
Naomi Butler | ... | digital compositor |
Tom Cowlishaw | ... | cg artist |
Paul Driver | ... | visual effects producer |
Bryan Dunkley | ... | digital compositor |
Saeed Faridzadeh | ... | digital compositor |
Sean Farrow | ... | on-set visual effects supervisor: LipSync Post |
Patrick Fischer | ... | managing director |
Jonathan Klahr | ... | visual effects artist |
Monica Laita | ... | visual effects artist |
Taz Lodder | ... | senior systems engineer |
Ben Mars | ... | creature animator |
Leo Neelands | ... | digital compositor |
Alexander Phoenix | ... | systems engineer |
Andy Quinn | ... | digital compositor |
Hampus Robertsson | ... | systems engineer |
Katie Roehrick | ... | visual effects producer |
Ben Sharp | ... | senior fx artist |
Ben Shepherd | ... | visual effects supervisor |
Serdar Simga | ... | digital matte painter |
George Stone | ... | visual effects coordinator |
David Swift | ... | digital matte painter: Virtual Mattes/LipSync Post |
Shanaullah Umerji | ... | head of visual effects |
Berta Valverde | ... | visual effects artist |
Paul Vorsman | ... | compositor |
Ian Ward | ... | cg artist |
Lewis Wright | ... | visual effects artist |
Stunts
Gordon Alexander | ... | double: Agent Travis |
Andre Carter | ... | double: Ryan |
Sofian Francis | ... | stunt double: Ryan freerunner |
Phil Mennell | ... | double: Harkin |
Peter Pedrero | ... | stunt coordinator (as Pete Pedrero) |
Ashley Virgil | ... | stunt double: Ryan |
Chris Webb | ... | stunt assistant |
Chris G.R. Webb | ... | fight choregrapher |
Zanna Woods | ... | double: Dana freerunner |
Camera and Electrical Department
Zac Adams | ... | first assistant camera: New York |
Arina Bleiman | ... | DIT: New York crew (as Ariana Bleiman) |
Nicholas Britt | ... | electrician daily / second unit director of photography |
Mat Brooks | ... | digital imaging technician |
Josh Bygrave | ... | camera work experience |
Jonathan Carter | ... | aerial photography: operator |
Ricky Collins | ... | best boy |
Elliott Corke | ... | aerial photography: operator |
Charlie Cowper | ... | jib camera grip |
Sean Dommet | ... | technocrane operator |
John Ellis Evans | ... | camera operator: "b" camera |
Jason Ewart | ... | a camera operator / steadicam |
Scot Gill | ... | rigger (as Scott Gill) |
Tom Guy | ... | electrician |
Leo Holba | ... | first assistant camera: "a" camera |
Anthony Holt | ... | camera facilities coordinator |
Luke Jeffery | ... | a camera second assistant (as Luke Jeffrey) |
Ed Lancaster | ... | key grip |
Leon McFarlane | ... | unit still photographer |
Duncan More | ... | trackpod operator |
Tim Morris | ... | first assistant camera: b camera |
Jordan Perry | ... | electrician |
Ed Smith | ... | electrician daily |
Tom Storey | ... | camera trainee (as Thomas Storey) |
Brandon Sumner | ... | director of photography: New York / steadicam operator |
Steve Tatham | ... | electrician |
Martin Taylor | ... | gaffer |
Iain Thomson | ... | second assistant camera: "a" camera |
Wolf Wasserman | ... | grip assistant |
Jamie Whickman | ... | electrician daily |
Animation Department
Keith Wallis | ... | animator: Snaak Bar Advert |
Casting Department
Amy Clare Beales | ... | casting: supporting |
Gemma Gurvitz | ... | casting: supporting |
Johnny Lynch | ... | casting: supporting |
Toby Spigel | ... | casting associate (as Toby Spiegel) |
Johnathan Ukueku | ... | casting: supporting |
Costume and Wardrobe Department
Jessie Fell | ... | wardrobe |
Rosie Lack | ... | costume daily |
Lisa Mitton | ... | assistant costume designer |
Emily Morris | ... | costume trainee: daily |
Carrie Watkins | ... | costume daily |
Dot Wieckowska | ... | costume trainee: daily |
Holly Eve Wilkinson | ... | costume trainee (as Holly Eve) |
Editorial Department
Richard Blackburn | ... | assistant editor |
Filipe Fernandes | ... | on-line editor |
Jeff Stroot | ... | international editor |
Berta Valverde | ... | picture intern |
Pat Wintersgill | ... | colourist |
Location Management
Tobin Hughes | ... | location manager |
Kate Lennon | ... | location assistant |
Music Department
Martyn Berg | ... | music supervisor |
Script and Continuity Department
Lizzie Pritchard | ... | script supervisor |
Transportation Department
Andy Dixon | ... | facilities |
Martin Gray | ... | driver: for Ian Somerhalder |
Milton Holman | ... | action vehicle supplier |
Stewart Homan | ... | action vehicle supplier |
Michael Middleton | ... | production runner driver (as Michael Middleton-Downer) |
Daisy Rooke | ... | production runner driver |
Lee Verdon | ... | production runner driver |
Additional Crew
Simone Abecassis | ... | production accountant |
John Barclay | ... | production runner (as Jonathan Barclay) |
Anthony Bolton | ... | paramedic |
Andrew Boswell | ... | for: Lipsync Productions |
Jake Bowditch | ... | floor runner |
Eleanor Boyce | ... | dialect coach: adr |
Ruby Carver | ... | translator: Russian |
Yennis Cheung | ... | adr voice artist |
Marcus Clayton | ... | production runner |
Gary Davies | ... | chef |
Matthew Ross Fennell | ... | production runner: New York (as Matt Fennell) |
Daniel Frost | ... | paramedic |
Martin Gray | ... | security: for Ian Somerhalder |
Peter Hampden | ... | for: Lipsync Productions |
Paul Hillier | ... | insurance |
Sara Janasz | ... | completion guarantor: Film Finances |
Dylan Kane | ... | chef |
Michael Kane | ... | chef |
Hakan Kousetta | ... | production legal services |
Norman Merry | ... | for: Lipsync Productions |
Santiago Meyer | ... | production runner: New York |
Nick Miller | ... | production legal services |
Scott Nicol | ... | security |
Piers Olsen | ... | translator: Russian |
Malcolm Pearce | ... | health and safety advisor |
Laura Pettitt | ... | unit publicist |
Karen Rodrigues | ... | production coordinator |
Daisy Rooke | ... | production assistant |
Leon Rothera | ... | caterer |
Alexandra Shilov | ... | translator: Russian |
Sam Southwell | ... | production runner |
Lloyd Stonard | ... | production assistant |
Hannah Tatum | ... | unit publicist |
Adam Wakeham | ... | production assistant: daily |
Mo Walker | ... | production legal services |
Graham Walters | ... | craft service |
Derek Warman | ... | fire officer |
Janet Willis | ... | tutor |
Alejandro Wise | ... | production runner |
Joanie Wood | ... | insurance: New York |
Thanks
Andrew Boucher | ... | thank you: from The Tea Shop & Film Company |
Ellie Brown | ... | the production would like to thank |
Noel Clarke | ... | special thank you: from Phil Dore |
Johnny Fewings | ... | the director would like to thank |
Warren Griffith | ... | the production would like to thank |
Cole Haan | ... | the production would like to thank |
Kelly Harber | ... | thank you: from the Tea Shop & Film Company |
Joyce Harris | ... | thank you: from the Tea Shop & Film Company |
Spencer Hart | ... | the production would like to thank |
Luke Hemsworth | ... | the director would like to thank |
Paul Hillier | ... | special thanks: Hillier Insurance |
Anthony Holt | ... | the production would like to thank: Filmscape |
Louise Howard | ... | thank you: from the Tea Shop & Film Company |
Edward Kemp | ... | the production would like to thank: Filmscape |
Alexis Knapp | ... | the director would like to thank |
Stephen Lane | ... | thank you: from the Tea Shop & Film Company |
Henriette Lofstrom | ... | the production would like to thank |
Tanya Martin | ... | special thanks: from Phil Dore |
David Katz Nelson | ... | the director would like to thank |
Peckham Rye | ... | the production would like to thank |
Ian Somerhalder | ... | the director would like to thank |
Richard W. Thompson | ... | the director would like to thank: Universal (as Richard Thompson) |
Bolongaro Trevor | ... | the production would like to thank |
Loha Vete | ... | the production would like to thank |
Stephen Webster | ... | the production would like to thank |
Blak Wren | ... | the production would like to thank |