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Read More: Indie Beat Talks With Slow Cinema Distributor Nadin Mai [Podcast]
Our guest this episode is filmmaker Cameron Bruce Nelson, director of the feature “Some Beasts,” starring indie hard hitters Frank Mosley and Lindsay Burdge. Nelson toured with the film extensively and won some accolades along the way (Best Film at Virginia Film Festival and Best Cinematography at Dallas International Film Festival).
Continue reading Podcast: Indie Beat Talks With ‘Some Beasts’ Director Cameron Bruce Nelson at The Playlist.
Read More: Indie Beat Talks With Slow Cinema Distributor Nadin Mai [Podcast]
Our guest this episode is filmmaker Cameron Bruce Nelson, director of the feature “Some Beasts,” starring indie hard hitters Frank Mosley and Lindsay Burdge. Nelson toured with the film extensively and won some accolades along the way (Best Film at Virginia Film Festival and Best Cinematography at Dallas International Film Festival).
Continue reading Podcast: Indie Beat Talks With ‘Some Beasts’ Director Cameron Bruce Nelson at The Playlist.
- 5/17/2017
- by Christopher Bell
- The Playlist
J.K. Rowling is so much more than just a literary talent. Brilliant writer? Check. Inspirational dreamer? Double check. Certifiable marketing genius? She might as well be called Mrs. Draper after her latest adventure into the Harry Potter extended universe.
Fantastic Beasts And Where To Find Them faced a certain conundrum – how do you keep Potterheads excited without Daniel Radcliffe, Hogwarts or even Hedwig for that matter? Simple. Take advantage of a cultural phenomenon like Pokémon Go, and spin it with a wizarding twist. I mean, that’s what’s going on here (with a little lot of Men In Black nostalgia). Some boy runs all over New York City capturing “fantastic beasts” while stuffing them inside an ever-expansive magic containment device (the briefcase substitutes as a Pokeball). Like the Potterverse needed any more pop-culture appeal, right? It’s not like director David Yates wasn’t familiar with Rowling’s world already…...
Fantastic Beasts And Where To Find Them faced a certain conundrum – how do you keep Potterheads excited without Daniel Radcliffe, Hogwarts or even Hedwig for that matter? Simple. Take advantage of a cultural phenomenon like Pokémon Go, and spin it with a wizarding twist. I mean, that’s what’s going on here (with a little lot of Men In Black nostalgia). Some boy runs all over New York City capturing “fantastic beasts” while stuffing them inside an ever-expansive magic containment device (the briefcase substitutes as a Pokeball). Like the Potterverse needed any more pop-culture appeal, right? It’s not like director David Yates wasn’t familiar with Rowling’s world already…...
- 11/16/2016
- by Matt Donato
- We Got This Covered
If your weekend involves seeing Pete's Dragon, you're living your best life. The remake of Disney's 1977 classic kids movie is out in theaters today, and to celebrate, we're talking Disney dragons. Your favorite childhood movies and cartoons have been littered with dragons for as far back as we can remember. Some beasts are small and gentle like Mushu in Mulan, but most are giant, lizard-like devils out for innocent Disney blood. We ranked Disney's live-action and animated dragons for your reading pleasure. Get your nostalgia pants on because we're going way back with some of these. We're going to go ahead and put Pete's dragon, also known as Elliot, on the list as our number one...
- 8/12/2016
- E! Online
The Dallas International Film Fest kicked off last night and today sees the first full day of screenings. One of the films making its premiere tonight is Cameron Nelson's Some Beasts and we've got the debut of the film's very attractive poster for you here. Billed as a "Thoreau-style narrative that incorporates both the land itself and the non-actors who inhabit it into the story, Nelson's film combines aspects of narrative filmmaking with ethnographic documentary techniques to achieve a heightened sense of realism." The film stars Frank Mosley, Lindsay Burdge and Heather Kafka. The poster is designed by filmmaker and artist Yen Tan who also has a short film he directed called The Outfit playing at the fest. Tan recently won the SXSW 2015 poster...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 4/10/2015
- Screen Anarchy
The good folks at the Dallas Film Society have released their full program for the Dallas International Film Fest 2015. Like in past years, it is a wide and diverse program that includes festival faves like Slow West (pictured), The Wolfpack, and Results alongside world premieres such as Cameron Nelson's Some Beasts and Carmen Marron's Endgame. A German showcase, Latin showcase, and plenty of great documentaries round out the program. The festival runs April 9-19.Check out the full list below and let us know what you're excited to see.Opening Night Film presented by U.S. Risk/Kara & Randall Goss I'll See You In My Dreams (USA) Director: Brett Haley Cast: Blythe Danner; Martin Starr; Sam Elliott; Malin Akerman; June Squibb; Rhea Perlman; Mary Kay Place I'll See...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 3/17/2015
- Screen Anarchy
On the heels of the 39th edition of the Toronto Int. Film Festival (Sept 4-14), Ifp’s Independent Film Week is where a plethora of fiction, non-fiction and new this year, web-based series from the likes of Desiree Akhavan and Calvin Reeder find future coin. Sectioned off as projects at the very beginning of financing to those that are nearing completion, there happens to be tons of Sundance alumni in the names below. Among those that caught our attention we have Medicine for Melancholy‘s Barry Jenkins’ sophomore feature, produced by Bad Milo!‘s Adele Romanski, Moonlight is about “two Miami boys navigate the temptations of the drug trade and their burgeoning sexuality in this triptych drama about black queer youth”. Concussion‘s Stacie Passon digs into the thriller genre with Strange Things Started Happening. Produced by vet Mary Jane Skalski (Mysterious Skin), this is about “a woman who has...
- 7/24/2014
- by Eric Lavallee
- IONCINEMA.com
Top brass at the Independent Filmmaker Project announced on Monday (9) the 10 narrative features selected for the 2014 Independent Filmmaker Labs.
The creative teams of the selected films, chosen from a nationwide pool of more than 150 submissions, are attending the first session of the program – The Time Warner Foundation Completion Labs – taking place this week in New York.
The 2014 Labs mark the 10th anniversary edition of the mentorship programme.
The scheme was established in 2005 by Filmmaker Magazine’s editor-in-chief Scott Macaulay as a three-day event for eight narrative projects and has evolved under the leadership of head of programming Amy Dotson and senior director of programming Milton Tabbot into a year-round process for 20 projects – 10 documentaries and 10 narratives.
The ninth documentary lab took place recently (pictured).
As an extension of the Labs programme, Ifp has launched First Run to host week-long theatrical releases at the Made In NY Media Center by Ifp this autumn.
“We are thrilled...
The creative teams of the selected films, chosen from a nationwide pool of more than 150 submissions, are attending the first session of the program – The Time Warner Foundation Completion Labs – taking place this week in New York.
The 2014 Labs mark the 10th anniversary edition of the mentorship programme.
The scheme was established in 2005 by Filmmaker Magazine’s editor-in-chief Scott Macaulay as a three-day event for eight narrative projects and has evolved under the leadership of head of programming Amy Dotson and senior director of programming Milton Tabbot into a year-round process for 20 projects – 10 documentaries and 10 narratives.
The ninth documentary lab took place recently (pictured).
As an extension of the Labs programme, Ifp has launched First Run to host week-long theatrical releases at the Made In NY Media Center by Ifp this autumn.
“We are thrilled...
- 6/9/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Top brass at the Independent Filmmaker Project announced on Monday (9) the 10 narrative features selected for the 2014 Independent Filmmaker Labs.
The creative teams of the selected films, chosen from a nationwide pool of more than 150 submissions, are attending the first session of the program – The Time Warner Foundation Completion Labs – taking place this week in New York.
The 2014 Labs mark the 10th anniversary edition of the mentorship programme.
The scheme was established in 2005 by Filmmaker Magazine’s editor-in-chief Scott Macaulay as a three-day event for eight narrative projects and has evolved under the leadership of head of programming Amy Dotson and senior director of programming Milton Tabbot into a year-round process for 20 projects – 10 documentaries and 10 narratives.
The ninth documentary lab took place recently (pictured).
As an extension of the Labs programme, Ifp has launched First Run to host week-long theatrical releases at the Made In NY Media Center by Ifp this autumn.
“We are thrilled...
The creative teams of the selected films, chosen from a nationwide pool of more than 150 submissions, are attending the first session of the program – The Time Warner Foundation Completion Labs – taking place this week in New York.
The 2014 Labs mark the 10th anniversary edition of the mentorship programme.
The scheme was established in 2005 by Filmmaker Magazine’s editor-in-chief Scott Macaulay as a three-day event for eight narrative projects and has evolved under the leadership of head of programming Amy Dotson and senior director of programming Milton Tabbot into a year-round process for 20 projects – 10 documentaries and 10 narratives.
The ninth documentary lab took place recently (pictured).
As an extension of the Labs programme, Ifp has launched First Run to host week-long theatrical releases at the Made In NY Media Center by Ifp this autumn.
“We are thrilled...
- 6/9/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Tribeca Film Festival announced its jurors for this year’s event, which runs from April 16-27. The list includes Toni Collette, Lake Bell, Whoopi Goldberg, Catherine Hardwicke, Heather Graham, Anton Yelchin, Paul Wesley and 26 other leaders of the filmmaking community.
In addition to the Festival’s main competition juries in seven categories, Tribeca named Delia Ephron, Natasha Lyonne, and Gary Ross to select the second annual Nora Ephron Prize, which awards $25,000 to a female writer or director.
Click below for the entire list of jurors, with biographical information courtesy of the Tribeca festival:
World Competition Categories
The jurors for...
In addition to the Festival’s main competition juries in seven categories, Tribeca named Delia Ephron, Natasha Lyonne, and Gary Ross to select the second annual Nora Ephron Prize, which awards $25,000 to a female writer or director.
Click below for the entire list of jurors, with biographical information courtesy of the Tribeca festival:
World Competition Categories
The jurors for...
- 4/8/2014
- by Jeff Labrecque
- EW - Inside Movies
Short Term 12 and Big Easy Express took home top prizes at the 4th American Film Festival in Wroclaw.
The American Film Festival (Aff) in Wrocław, Poland has awarded the audience award for Best Narrative Feature ($10,000) to Destin Daniel Cretton’s Short Term 12.
The audience award for the Best Documentary Feature ($5,000) went to Emmett Malloy for Big Easy Express.
The festival, focused entirely on independent American cinema, closed with the Polish premiere of Steven Soderbergh’s Behind the Candelabra on Oct 27.
A total of 80 films were screened at the Nowe Horyzonty cinema in Wrocław, of which 52 films received their Polish premiere such as Jim Jarmusch’s Only Lovers Left Alive, As I Lay Dying by James Franco and Don Jon by Joseph Gordon-Levitt. There were three European premieres and one world premiere, Blue Highway by Kyle Smith.
The number of admissions exceeded 17,000 for the second consecutive year.
The Aff also featured a retrospective of Shirley Clarke, a mini-retrospective...
The American Film Festival (Aff) in Wrocław, Poland has awarded the audience award for Best Narrative Feature ($10,000) to Destin Daniel Cretton’s Short Term 12.
The audience award for the Best Documentary Feature ($5,000) went to Emmett Malloy for Big Easy Express.
The festival, focused entirely on independent American cinema, closed with the Polish premiere of Steven Soderbergh’s Behind the Candelabra on Oct 27.
A total of 80 films were screened at the Nowe Horyzonty cinema in Wrocław, of which 52 films received their Polish premiere such as Jim Jarmusch’s Only Lovers Left Alive, As I Lay Dying by James Franco and Don Jon by Joseph Gordon-Levitt. There were three European premieres and one world premiere, Blue Highway by Kyle Smith.
The number of admissions exceeded 17,000 for the second consecutive year.
The Aff also featured a retrospective of Shirley Clarke, a mini-retrospective...
- 10/31/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Opening with Jim Jarmusch’s Only Lovers Left Alive the latest edition of the American Film Festival in Wroclaw, Poland (22-27 October 2013) has screened some of the most important American independent films of the year. Being the only festival of its class in Eastern and Central Europe the festival has become the most important venue to connect American filmmakers with European buyers and audiences through programs like U.S. in Progress Wrocław (23-25 October 2013).
This year's program taking place at the New Horizons cinema presented 80 movies out of which 42 are Polish premieres, 3 are European premieres and 1 is a World Premiere. Among them 10 documentaries and 17 feature films competed for cash prizes in the audience-vote competitions.
The first competitive section - Spectrum ($10,000 audience award for the Best Narrative Feature) included films that have been well-received here in the U.S such as A Teacher by Hannah Fidell, Blue Caprice by Alexandre Moors, Afternoon Delight by Jill Soloway, Short Term 12 by Destin Cretton, The Spectacular Now by James Ponsoldt, and Bluebird by Lance Edmands. The second competition - American Docs ($5,000 audience award for Best Documentary Feature) had a selection of films depicting varied current issues in American society including Gore Vidal: The United States of Amnesia by Nicholas Wrathall, The Armstrong Lie by Alex Gibney, Our Nixon by Penny Lane, Northern Light by Nick Bentgen, Big Joy: The Adventures of James Broughton by Eric Slade and Stephen Silha and Before You Know It by Pj Raval.
The American Film Festival also ran a retrospective of Shirley Clarke and presented Polish premieres of high-profile films such as As I Lay Dying by James Franco, Quentin Dupieux’s Wrong Cops, Jeffrey Friedman and Rob Epstein’s Lovelace, Much Ado About Nothing by Joss Whedon, Touchy Feely by Lynn Shelton, At Any Price by Ramin Bahrani, and Maladies by Carter. The festival also screened Joseph Gordon-Levitt's Sundance hit Don Jon along several U.S. in Progress participants and festival hits like I Used to be Darker by Matt Porterfier and Hide Your Smiling Faces by Daniel Patrick Carbone. Lastly, a special section titled 'Masterpieces of American Cinema 90 Years of Warner Bros." showed 14 digitally-remastered productions by the studio from The Jazz Singer by Alan Crosland (1927) through A Clockwork Orange ,The Exorcist and Christopher Nolan’s Inception
The festival will close on October 27th with Steven Soderbergh's Emmy Award-winning film Behind the Candelabra.
All competitions titles:
Spectrum
American Milkshake by David Andalman, Mariko Munro, USA 2012, 82'
Blue Highway by Kyle Smith, USA 2013, 70'
Coldwater by Vincent Grashaw, USA 2013, 104'
The Spectacular Now by James Ponsoldt, USA 2013, 95'
Drinking Buddies by Joe Swanberg, USA 2013, 90'
Lily by Matt Creed, USA 2013, 85'
A Teacher by Hannah Fidell, USA 2013, 75'
Blue Caprice by Alexandre Moors, USA 2013, 93'
Pearblossom Hwy by Mike Ott, USA 2012, 78'
Afternoon Delight by Jill Soloway, USA 2013, 105'
Stand Clear of the Closing Doors by Sam Fleischner, USA 2013, 102'
Short Term 12 by Destin Cretton, USA 2013, 96'
The Cold Lands by Tom Gilroy, USA 2013, 100'
In a World... by Lake Bell, USA 2013, 93'
A Song Still Inside by Gregory Collins, USA 2013, 82'
Bluebird by Lance Edmands, USA 2013, 90'
American Docs
Big Easy Express by Emmett Malloy, USA 2012
Off Label by Michael Palmieri, Donal Mosher, USA 2012
Gore Vidal: The United States of Amnesia by Nicholas Wrathall, USA, Italy 2013
Fall and Winter by Matt Anderson, USA 2013
The Armstrong Lie by Alex Gibney, USA 2013
Lenny Cooke by Ben Safdie, Joshua Safdie, USA 2012
Our Nixon by Penny Lane, USA 2013
Northern Light by Nick Bentgen, USA 2013
Big Joy: The Adventures of James Broughton by Eric Slade, Stephen Silha, USA 2013
Before You Know It by Pj Raval, USA 2012
U.S. Progress Projects
This year 6 projects in the final production stages were chosen to take part in the two-day workshop knows as U.S. in Progress Wroclaw (23-25 October, 2013). The event presents the American independent projects to European buyers, post-production houses and festivals in order to help them achieve completion and to foster the circulation and distribution of these films in Europe.
Selected from over 40 submission the chosen projects are the dramas Lake Los Angeles by Mike Ott (produced by Athina Rachel Tsangari), Happy Baby by Stephen Elliott (produced by Jessica Caldwell ) and Some Beasts by Cameron Nelson (produced by Ashley Maynor and Courtney Ware), crime story Wild Canaries by Lawrence Michael Levine (produced by Sophia Takal, Kim Sherman and McCabe Walsh), frontier black comedy Sun Belt Express by Evan Wolf Buxbaum (producers: Noah Lang and Iyabo Boyd) and Summer of Blood – a New York vampire comedy by director-producer Onur Tukel.
The prizes are awarded by a jury of professionals and include post-production services from European partner companies worth almost $60.000 and promotional services from other partners. Us in Progress’ partners are: Platige Image (Warsaw), Di Factory (Warsaw), Alvernia Studios (Krakow), composer Maciej Zielinski of Soundflower Studio (Warsaw), Soundplace (Warsaw), DCinex (Belgium), Vsi (Paris), Europa Distribution, Cicae and Cannes Marche du Film’s Producers Network.
U.S. in Progress Wrocław (formerly Gotham in Progress) was started in 2011 by the New Horizons Association and Black Rabbit Film. Previous films presented at the event included, among others: I Used To Be Darker by Matt Porterfield, American Milkshake by David Andalman (both shown at Sundance Ff in 2013), Hide Your Smiling Faces by Daniel Carbone (Berlinale Generation, Tribeca), Bluebird by Lance Edmands (Tribeca, Karlovy Vary), Jason Cortlund & Julia Halperin’s Now, Forager: a Film About Love and Fungi (Rotterdam, New Directors/New Films, Gotham Awards nominee), Amy Seimetz’s Sun Don’t Shine (SXSW, Edinburgh Iff, Gotham Awards nominee) and Devyn Waitt’s Not Waving But Drowning (Sarasota Ff).
U.S. in Progress Wrocław is supported by the City of Wrocław, American Embassy in Warsaw and Polish Ministry of Culture and National Heritage.
For more information on the American Film Festival and the U.S. in Progress projects visit Here...
This year's program taking place at the New Horizons cinema presented 80 movies out of which 42 are Polish premieres, 3 are European premieres and 1 is a World Premiere. Among them 10 documentaries and 17 feature films competed for cash prizes in the audience-vote competitions.
The first competitive section - Spectrum ($10,000 audience award for the Best Narrative Feature) included films that have been well-received here in the U.S such as A Teacher by Hannah Fidell, Blue Caprice by Alexandre Moors, Afternoon Delight by Jill Soloway, Short Term 12 by Destin Cretton, The Spectacular Now by James Ponsoldt, and Bluebird by Lance Edmands. The second competition - American Docs ($5,000 audience award for Best Documentary Feature) had a selection of films depicting varied current issues in American society including Gore Vidal: The United States of Amnesia by Nicholas Wrathall, The Armstrong Lie by Alex Gibney, Our Nixon by Penny Lane, Northern Light by Nick Bentgen, Big Joy: The Adventures of James Broughton by Eric Slade and Stephen Silha and Before You Know It by Pj Raval.
The American Film Festival also ran a retrospective of Shirley Clarke and presented Polish premieres of high-profile films such as As I Lay Dying by James Franco, Quentin Dupieux’s Wrong Cops, Jeffrey Friedman and Rob Epstein’s Lovelace, Much Ado About Nothing by Joss Whedon, Touchy Feely by Lynn Shelton, At Any Price by Ramin Bahrani, and Maladies by Carter. The festival also screened Joseph Gordon-Levitt's Sundance hit Don Jon along several U.S. in Progress participants and festival hits like I Used to be Darker by Matt Porterfier and Hide Your Smiling Faces by Daniel Patrick Carbone. Lastly, a special section titled 'Masterpieces of American Cinema 90 Years of Warner Bros." showed 14 digitally-remastered productions by the studio from The Jazz Singer by Alan Crosland (1927) through A Clockwork Orange ,The Exorcist and Christopher Nolan’s Inception
The festival will close on October 27th with Steven Soderbergh's Emmy Award-winning film Behind the Candelabra.
All competitions titles:
Spectrum
American Milkshake by David Andalman, Mariko Munro, USA 2012, 82'
Blue Highway by Kyle Smith, USA 2013, 70'
Coldwater by Vincent Grashaw, USA 2013, 104'
The Spectacular Now by James Ponsoldt, USA 2013, 95'
Drinking Buddies by Joe Swanberg, USA 2013, 90'
Lily by Matt Creed, USA 2013, 85'
A Teacher by Hannah Fidell, USA 2013, 75'
Blue Caprice by Alexandre Moors, USA 2013, 93'
Pearblossom Hwy by Mike Ott, USA 2012, 78'
Afternoon Delight by Jill Soloway, USA 2013, 105'
Stand Clear of the Closing Doors by Sam Fleischner, USA 2013, 102'
Short Term 12 by Destin Cretton, USA 2013, 96'
The Cold Lands by Tom Gilroy, USA 2013, 100'
In a World... by Lake Bell, USA 2013, 93'
A Song Still Inside by Gregory Collins, USA 2013, 82'
Bluebird by Lance Edmands, USA 2013, 90'
American Docs
Big Easy Express by Emmett Malloy, USA 2012
Off Label by Michael Palmieri, Donal Mosher, USA 2012
Gore Vidal: The United States of Amnesia by Nicholas Wrathall, USA, Italy 2013
Fall and Winter by Matt Anderson, USA 2013
The Armstrong Lie by Alex Gibney, USA 2013
Lenny Cooke by Ben Safdie, Joshua Safdie, USA 2012
Our Nixon by Penny Lane, USA 2013
Northern Light by Nick Bentgen, USA 2013
Big Joy: The Adventures of James Broughton by Eric Slade, Stephen Silha, USA 2013
Before You Know It by Pj Raval, USA 2012
U.S. Progress Projects
This year 6 projects in the final production stages were chosen to take part in the two-day workshop knows as U.S. in Progress Wroclaw (23-25 October, 2013). The event presents the American independent projects to European buyers, post-production houses and festivals in order to help them achieve completion and to foster the circulation and distribution of these films in Europe.
Selected from over 40 submission the chosen projects are the dramas Lake Los Angeles by Mike Ott (produced by Athina Rachel Tsangari), Happy Baby by Stephen Elliott (produced by Jessica Caldwell ) and Some Beasts by Cameron Nelson (produced by Ashley Maynor and Courtney Ware), crime story Wild Canaries by Lawrence Michael Levine (produced by Sophia Takal, Kim Sherman and McCabe Walsh), frontier black comedy Sun Belt Express by Evan Wolf Buxbaum (producers: Noah Lang and Iyabo Boyd) and Summer of Blood – a New York vampire comedy by director-producer Onur Tukel.
The prizes are awarded by a jury of professionals and include post-production services from European partner companies worth almost $60.000 and promotional services from other partners. Us in Progress’ partners are: Platige Image (Warsaw), Di Factory (Warsaw), Alvernia Studios (Krakow), composer Maciej Zielinski of Soundflower Studio (Warsaw), Soundplace (Warsaw), DCinex (Belgium), Vsi (Paris), Europa Distribution, Cicae and Cannes Marche du Film’s Producers Network.
U.S. in Progress Wrocław (formerly Gotham in Progress) was started in 2011 by the New Horizons Association and Black Rabbit Film. Previous films presented at the event included, among others: I Used To Be Darker by Matt Porterfield, American Milkshake by David Andalman (both shown at Sundance Ff in 2013), Hide Your Smiling Faces by Daniel Carbone (Berlinale Generation, Tribeca), Bluebird by Lance Edmands (Tribeca, Karlovy Vary), Jason Cortlund & Julia Halperin’s Now, Forager: a Film About Love and Fungi (Rotterdam, New Directors/New Films, Gotham Awards nominee), Amy Seimetz’s Sun Don’t Shine (SXSW, Edinburgh Iff, Gotham Awards nominee) and Devyn Waitt’s Not Waving But Drowning (Sarasota Ff).
U.S. in Progress Wrocław is supported by the City of Wrocław, American Embassy in Warsaw and Polish Ministry of Culture and National Heritage.
For more information on the American Film Festival and the U.S. in Progress projects visit Here...
- 10/26/2013
- by Carlos Aguilar
- Sydney's Buzz
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