Directed by
John Laing |
Writing Credits (in alphabetical order)
John Banas |
Cast (in credits order)
Produced by
Bridget Bourke | ... | producer |
Philly de Lacey | ... | executive producer |
John Laing | ... | producer |
Music by
Karl Sölve Steven | ... | (as Karl Steven) |
Cinematography by
Rewa Harre |
Editing by
Bryan Shaw |
Production Design by
Chris Elliott |
Costume Design by
Jaindra Watson |
Makeup Department
Deanna Highstead-Jones | ... | makeup artist (as Deanna Highsted-Jones) |
Production Management
Alastair McKay | ... | post supervisor |
Second Unit Director or Assistant Director
Mark Harlen | ... | first assistant director |
Katie Tate | ... | second assistant director |
Art Department
Gabriel Kearney | ... | buyer |
Todd Smythe | ... | art department coordinator |
Sound Department
Stefan Brough | ... | re-recording mixer |
Chris Burt | ... | re-recording mixer |
Oscar Burt-Shearer | ... | sound editor |
Special Effects by
Tanya Bidois | ... | special effects coordinator |
Brinsley Compton | ... | special effects technician (as Brin Compton) |
Steve Yardley | ... | special effects supervisor |
Visual Effects by
Clifford Chan | ... | visual effects artist |
Stunts
Aron Eastwood | ... | stunt performer |
Taran Howell | ... | stunts |
Camera and Electrical Department
Nat Brunt | ... | digital imaging technician |
Mathew Harte | ... | generator operator |
Adrian Hebron | ... | gaffer: second unit |
Jason Naran | ... | digital imaging technician |
Casting Department
Yvonne Bennett | ... | extras casting |
Costume and Wardrobe Department
Simone Knight | ... | key costumer |
Liz McGregor | ... | costume supervisor |
Editorial Department
Andrew Brown | ... | colorist |
Script and Continuity Department
Hayley Abbott | ... | script supervisor |