"You have a compartment on this train right? You wanna go and **ck? I like **cking on trains. These European ones are like cattle markets."
That this line was uttered from the mouth of a terribly casted villain with a fake European accent is even more cringe-worthy. For all the adequately watchable scenes with Dillane's and Poesy's characters, there are scenes and lines like the above that make The Tunnel S2 an appalling and bewildering watching experience.
I want to pull for this series so much and root for Roeback and Wassermann, but the more that I immerse in their world, the quicker that I want to escape from it.
This episode contains the first clever usage of the English/French border outside of the gimmick storyline from Season 1. We see a witness/informant being raced across the border in order to escape the jurisdiction of one country and enter the custody of another.
That this line was uttered from the mouth of a terribly casted villain with a fake European accent is even more cringe-worthy. For all the adequately watchable scenes with Dillane's and Poesy's characters, there are scenes and lines like the above that make The Tunnel S2 an appalling and bewildering watching experience.
I want to pull for this series so much and root for Roeback and Wassermann, but the more that I immerse in their world, the quicker that I want to escape from it.
This episode contains the first clever usage of the English/French border outside of the gimmick storyline from Season 1. We see a witness/informant being raced across the border in order to escape the jurisdiction of one country and enter the custody of another.
