Directed by
Quinn Shephard |
Writing Credits
Quinn Shephard | ... | (written by) |
Laurie Shephard | ... | (story by) and |
Quinn Shephard | ... | (story by) |
Cast (in credits order)
Produced by
Imraan Farukhi | ... | associate producer |
Michael Jefferson | ... | line producer |
Larissa Rhodes | ... | co-producer: preproduction |
Laurie Shephard | ... | producer (produced by) |
Quinn Shephard | ... | producer (produced by) |
Music by
Pierre-Philippe Côté | ... | (Peter Henry Phillips) |
Cinematography by
Aaron Kovalchik | ... | director of photography |
Editing by
Quinn Shephard |
Casting By
Laurie Shephard |
Art Direction by
Lucy Goldberg |
Costume Design by
Celeste Montalvo |
Makeup Department
Talia Arochas | ... | additional makeup artist |
Steph Hui | ... | hair department head |
Lia Micol | ... | makeup department head |
Patrice Pugh | ... | additional makeup artist |
Second Unit Director or Assistant Director
Adam Bailey | ... | second assistant director |
Isabella Olaguera | ... | second second assistant director |
Andrew Sherwood | ... | first assistant director |
Art Department
Marissa Fu | ... | cover art: "The Crucible" and "Sybil" |
Norm Halverson | ... | set production assistant |
Saffa Khan | ... | cover art: "The Glass Menagerie" |
Erin O'Brien | ... | set dresser |
Kathryn R. Sweatman | ... | props apprentice |
Sound Department
Alessandro Altman | ... | additional boom operator |
Ilan Bemaman | ... | production sound mixer |
Sylvain Brassard | ... | re-recording mixer: SPR / sound design: SPR / sound effects editor: SPR / sound supervisor: SPR |
Isabelle Favreau | ... | audio post-production coordinator: SPR |
Nicolas Gagnon | ... | foley artist: SPR |
Kat Jirles | ... | boom operator |
Benoit Leduc | ... | foley recordist: SPR |
Gaël Poisson Lemay | ... | dialogue editor: SPR (as Gael Poisson Lemay) / sound effects editor: SPR (as Gael Poisson Lemay) |
Eliot Lukacs | ... | additional boom operator (as Kym Lukacs) |
Francis Mercier | ... | sound effects editor: SPR |
David Rosenberg | ... | additional boom operator |
Camera and Electrical Department
Keith Anderson | ... | additional assistant camera |
Tom Atwell | ... | first assistant camera |
Nick Bartram | ... | dolly grip |
Garland Berenzy | ... | best boy grip |
Eric Bujnowski | ... | electric |
Jimmy DeMarco | ... | gaffer |
Troy Dobbertin | ... | additional assistant camera |
Timur Gavrilenko | ... | additional camera operator: "b" camera |
Grace Giffune | ... | grip apprentice |
Rob Keller | ... | additional set photographer |
Corey Licameli | ... | second assistant camera |
Greg Meola | ... | key grip |
Stephen Rathier | ... | best boy electric |
Sean Rogan | ... | additional set photographer |
Albi Sala | ... | dolly grip (as Alberto Sala) |
Nikolai Vanyo | ... | digital imaging technician / set photographer |
G.T. Womack | ... | camera operator: "b" camera |
Shirley Yu | ... | promotional photographer |
Costume and Wardrobe Department
Celina Brogan | ... | wardrobe assistant |
Rosemary Jacobsen | ... | wardrobe assistant |
Stacy Jansen | ... | assistant costume designer |
Anna Kukla | ... | wardrobe assistant |
Editorial Department
Julien Alix | ... | colorist: Post-Moderne |
Étienne Beaupré | ... | on-line editor: Post-Moderne (as Etienne Beaupre) |
Cara di Staulo | ... | post-production coordinator: Post-Moderne (as Cara Di Staulo) |
Shawn Pavlin | ... | assistant editor: Post-Moderne |
Myriam Therrien | ... | post-production coordinator: Post-Moderne |
Stéphanie Vaillancourt | ... | assistant editor: Post-Moderne |
Josh Fleury | ... | digital coordinator: Samuel Goldwyn fFlms (uncredited) |
Music Department
Emmanuel Crombez | ... | soundtrack recording assistant: Studio Le Mid |
David L. Martin | ... | additional soundtrack recording: DLM Studios |
Peter Henry Phillips | ... | soundtrack recording: Studio Le Nid |
Mark Plati | ... | additional soundtrack recording: Alice's Restaurant NYC |
Script and Continuity Department
Charmeka Fox | ... | script supervisor |
Additional Crew
Ben Braun | ... | sales and distribution: Submarine |
Josh Braun | ... | sales and distribution: Submarine |
Michael Buchko | ... | additional set production assistant |
Evan Butchen | ... | post-production financial consultant |
Julie Dwoskin | ... | stand-in: "Melissa" |
Imraan Farukhi | ... | production legal counsel |
Michael Franken | ... | additional set production assistant |
Maggie Glynn | ... | local publicity advisor |
Adam Kersh | ... | publicity: Brigade |
Ashley La Selva | ... | stand-in: "Abigail" |
Michelle Martinez | ... | set production assistant |
Kate Patterson | ... | publicity: Brigade |
Sean Rogan | ... | set production assistant |
Fanny Romero | ... | payroll coordinator: ABS Payroll & Production Accounting Services |
Michael Shephard | ... | craft service / key production assistant |
Phillip Shvartsman | ... | set production assistant |
Sean Stone | ... | additional set production assistant |
Kathryn R. Sweatman | ... | craft service |
Phelan Tupik | ... | set production assistant |
Robert Westreich | ... | production financial consultant |
Frank Stabile | ... | stand-in (uncredited) |
Thanks
Courtney Baxter | ... | special thanks |
Neal Bennett | ... | thanks |
A.D. Calvo | ... | thanks |
Madelyn Deutch | ... | thanks |
Alexandre Domingue | ... | very special thanks |
Nick Falcone | ... | thanks |
Joshua A. Green | ... | very special thanks |
Ken Lee | ... | thanks (as Kenneth Lee) |
Sam Levinson | ... | thanks |
Adam Long | ... | thanks |
Ian McAlpin | ... | thanks |
Mary McGee | ... | very special thanks (as Panavision Mary McGee) |
Jaime Misher | ... | very special thanks |
Diane Raver | ... | thanks |
Larry Schmitt | ... | special thanks |
Ana Westreich | ... | very special thanks (as Ana & Robert Westreich) |
Robert Westreich | ... | very special thanks (as Ana & Robert Westreich) |