Could we call the content of sleep-talking a reflection of the unconscious, a window into the murky depths of the Lacanian Real? To some extent, Somniloquies validates the Freudian thesis about the centrality of sex in the subconscious. But that's not half of it. Many of the somniloquies chosen for the film are a Lacanian series of sinthome after sinthome, analytic and neurotic.
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