I think this has to be the most under-appreciated movie of the year. It is not your boilerplate sci-fi action film (though that is the way it was advertised). Instead this movie has stuck with me because it perfectly captured the feeling of a lucid dream, in this case a nightmare about being chased by monsters.
What is lucid dreaming? Some people are able to realize when they are dreaming and intentionally introduce changes to the dream. It's sort of like 'Inception' but you don't really have that much control. Instead, lucid dreaming is like a battle between your sub-conscious and your conscious minds. Especially when you're having a nightmare, you try to introduce 'good' elements into the plot but then your sub-consciousness undermines them.
I literally could not count the number of times I have had dreams like 'Skyline'. As things get worse I try to imagine new ways to win, or at least, escape. These dreams remind me of that iconic movie shot where the hero is having a nightmare and they're trying to run for the exit but the hallway keeps getting longer and longer, the door further and further away. In the case of 'Skyline' the dream is about an alien invasion of Earth. There's just the slimmest attempt at character development, just enough to establish a group of Good Guys for you to root for. From there it's all down-hill. The action and special-effects are excellent, exactly what you would expect from a sci-fi summer blockbuster. (There's also an obvious nod towards 'Matrix'.)
What turns people off, I think, is the lack of resolution. I don't want to give any spoilers here but this is not a standard Hollywood ending. As I said from the beginning this is like a lucid dream where the dreamer/hero keeps trying to introduce new story elements to turn things around, rescue the day. At the end, the story takes yet another -- but even more unexpected -- twist, and then stops. Exactly like a dream.
Hopefully, if people go into the film without any preconceived notions about how it should end, they might enjoy it more. I certainly did! In fact, I would credit it with attaining Art status, in the same way that 'Blade Runner' or 'AI' managed to transcend mere Film status.
What is lucid dreaming? Some people are able to realize when they are dreaming and intentionally introduce changes to the dream. It's sort of like 'Inception' but you don't really have that much control. Instead, lucid dreaming is like a battle between your sub-conscious and your conscious minds. Especially when you're having a nightmare, you try to introduce 'good' elements into the plot but then your sub-consciousness undermines them.
I literally could not count the number of times I have had dreams like 'Skyline'. As things get worse I try to imagine new ways to win, or at least, escape. These dreams remind me of that iconic movie shot where the hero is having a nightmare and they're trying to run for the exit but the hallway keeps getting longer and longer, the door further and further away. In the case of 'Skyline' the dream is about an alien invasion of Earth. There's just the slimmest attempt at character development, just enough to establish a group of Good Guys for you to root for. From there it's all down-hill. The action and special-effects are excellent, exactly what you would expect from a sci-fi summer blockbuster. (There's also an obvious nod towards 'Matrix'.)
What turns people off, I think, is the lack of resolution. I don't want to give any spoilers here but this is not a standard Hollywood ending. As I said from the beginning this is like a lucid dream where the dreamer/hero keeps trying to introduce new story elements to turn things around, rescue the day. At the end, the story takes yet another -- but even more unexpected -- twist, and then stops. Exactly like a dream.
Hopefully, if people go into the film without any preconceived notions about how it should end, they might enjoy it more. I certainly did! In fact, I would credit it with attaining Art status, in the same way that 'Blade Runner' or 'AI' managed to transcend mere Film status.
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