Giving this film a 6 out of 10 warrants some explanation, my vote reflects my taste for this genre of film-making; low-budget, disposable, 1960's drive-in films. That said, this particular example is quite distinctive and well worth a look. Made in the Philippines (around '62 or '63, I would guess, despite its official release date of 1971) on an obviously limited budget, the picture is wonderfully well photographed in black and white with some moody, noir touches. The lead, Robert Winston, is quite good-looking, albeit modestly talented. There are a surprising number (for this period) of beefcake shots. I'm assuming that someone recognized that his gifts were not in the acting department. The usual, grinding expository dialogue is graced with some humor, I LIKE the monster, the scenery is interesting and, on the whole, it moves along quite nicely. Shlock filmmakers of the present day (and they are legion) could learn a bit from the the achievements of these frugal talents.
Reviews
2 Reviews
Laure
(1976)
Strangely compelling
30 March 2001
I've been strangely attracted to this film since I saw it on Showtime sometime in the early 80's. I say strangely because it is rather a ludicrous bit of soft-core fluff, a genre I'm not particularly interested in. The dialogue is pompously and nonsensically philosophical (making sense, no doubt, only to it's Franco-Italian producers)and the plot completely extraneous. What it does achieve is a wonderfully hypnotic and thoroughly pleasant mood. The scenery (the beautiful Philippines), soft-focus nudity and wonderful score all contribute to a strange and extremely watchable exercise in a sort of film making seldom seen today. It is truly one of my great "guilty pleasures". I was fortunate enough to find it on an old laserdisc and have watched it more times than I think is healthy. A worthwhile moodpiece.
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