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10/10
Robin Williams in a Fine Artistic Drama
23 February 2003
This is a psychological thriller par excelance, brought to life by Robin Williams in one of his best roles. The film is gorgeously filmed and executed. In fact, the two big stars here are Robin Williams as "Sy" and Writer/Producer Mark Romanek, with Cinematographer Jeff Cronenweth winning "Best Supporting" role. The film looks and feels simple - deceptively so. The colors, visual and sound effects, and even some snippets of music are derivative of Stanley Kubrick's "2001: A Space Odyssey". But Romanek quickly takes us from wariness over these parallels to a comfort zone of acceptance, as he unfolds the similarities between Kubrick's "HAL 900" computer and the Sy as played by Robin Williams.

Sy, like HAL, is an intelligence so detached from the human race that he can not connect to others except through a third party communication medium - his pictures. Like HAL, Sy is excellent and precise at his job (photo developer), but becomes consumed by the perfectionism he perceives as required to fulfill his niche in life. Sy's progression towards insane actions accelerates when he is pushed over the edge by a trauma that threatens his world. He, like HAL, becomes completely immersed in his version of reality, to the extent that he no longer see nor understand the consequences of his increasingly radical actions as he focuses in on an isolated ideal that ultimately means the destruction of his carefully constructed immediately "family".

Be sure to arrive in time to see the beginning of this movie in order to be properly set up for the progression of events, as the beginning and ending make a satisfyingly complete loop, perhaps leaving us with a little more compassion and understanding after having met Sy.
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1/10
Annoying, shallow, and pointless. Skip it.
21 September 1999
What in the world was this? The story line is mundane, the characters are not believable, the attempts at artistic visuals effect pathetic and contrived. Although I expected to enjoy Drew Barrymore and Jennifer Beals, I found nothing to enjoy in this film.
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Patch Adams (1998)
9/10
This seems to be a love-it-or-hate-it movie...
18 September 1999
I loved it. I agree with some others, that the Patch Adams character was a bit much. But for me, having Robin Williams' face on the character helped me get past the I'm-more-goody-two-shoes-than-thou attitude, since Williams tends to be in these roles so often anyway.

As a concept, I loved the story.
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7/10
An interesting look inside disabilities.
18 September 1999
I had my doubts about another love story wherein disabled individuals find meaning and redemption through honest communication. And it's still not at the top of my list. But the performances from Helena Bonham Carter and Kenneth Branagh and exemplary, almost stunning, and rescue this from being just another tear-jerker. Carter's depiction of an ALS victim is strong, perhaps even overdone at times (sometimes her dialog dissolves into undistinguishable mutterings). But the overall effect is commendable and rewarding. Branagh may be the perfect compliment to her performance.
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9/10
A compelling, absorbing tale of horror, love, and degeneration.
18 September 1999
I was entranced by this film from the very beginning. As it develops, the film shows how Mr. Whales tried to express the horror he experienced in the trenches of war in the horror scenes he constructed on film. The stark, screaming realities run parallel, such as when we see the Frankenstein monster superimposed over No Man's Land, with the terrain and lightning effects showing disturbing similarities between war footage and the footage in Whales' horror films. Similarly macabre humor is pointed out between various monster scenes and the horrific humor we learn Whales has had to participate in while in the trenches.

All the major actors in this film give excellent performances. Sometimes I was sympathetic to James Whale, and sometimes I loathed him, but I never grew tired of him. This was, I believe, at least as much a result of excellent direction as of McKellan's talent. Brendan Fraser's character (Clay) likewise presents as a person of complexities, whereas Clay could have easily been a one-dimensional pretty boy.

Ultimately, I believe this film's strength lies in its director's sensibilities and interpretation.
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Eight Days a Week (I) (1997)
5/10
Keri Russell! Keri Russell! Keri Russell! Keri Russell!
18 September 1999
This is movie is a vehicle for Keri Russell to show us her physical stuff. After her extended wet t-shirt and bikini shots, and an an underwear bedroom scene, not much of her is left to the imagination in this film. Which, frankly, is fine by me. I've seen movies with less going for them. :-)

Otherwise, the film's premise is ridiculous. There is lots of sexual humor, as well as almost-funny references to human waste products. Nevertheless, there are some genuinely funny moments, almost none of which involve our main characters, the funniest of which involve a recurring young pre-teen neighborhood bully.

Most memorable scenes: Keri Russell's wet t-shirt and bikini shots.
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9/10
A beautiful, tastefully done, unusual coming-of-age story.
18 September 1999
This is one of the few movies I have elected to see more than once.

This coming-of-age story about two teen girls who discover their love for one another is both poignant and funny, yet always tasteful. The casting and direction gives us characters that look like ordinary people, as opposed to the usual pretty-boy/girl fare that prompts our eyes to love the characters even before we know what they're about. For instance, Randy has to grow on you during the movie--she is not a particularly adorable young lady in her actions and attitudes, neither does she have the looks of a classic beauty. The result is, when girlfriend Evie (Nicole Ari Parker) calls her "beautiful" when they are finally alone together, we know she means it on the deepest levels, we believe her immediately, and even see Randy through her eyes.

This is a great movie for all ages. Personally, I will be watching for more of Nicole Ari Parker's work.
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Bang (1995)
9/10
An excellent indy film. Darling Narita is way cool.
18 September 1999
I loved this film. Darling Narita's performance convinced me that what I was seeing was possible, however improbable. She carries the film, but there are several other fine performances here.

An added bonus: Lucy Liu, currently appearing in TV's Ally McBeal, in a small but important role as a strung out hooker.

Note: I rented this film from BlockBuster under the title "Bang" with a release date of 1997.
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