Competent performances by Halle Berry and Jessica Lange, and as is expected, Samuel L. Jackson is engaging. The young title character (Marc John Jeffries) is believable and winsome. The film's topic, interracial adoption, is emotional and contemporary. It has all the signs of a sure winner.
But somehow, it misses the mark. We are never truly drawn into these people's lives; we never truly care. Oh, yes, we want to care - very much. But much of the film is two-dimensional, flat. It has a languid "movie-of-the-week" aura about it. The script is too light on pertinent dialogue, not enough guts. Even the awaited court hearing, where the two "mothers" battle for custody of Isaiah, lacks enough emotional tension.
This is not a bad movie, but it's not as good as it could have been. And it's not all that apparent why.
But somehow, it misses the mark. We are never truly drawn into these people's lives; we never truly care. Oh, yes, we want to care - very much. But much of the film is two-dimensional, flat. It has a languid "movie-of-the-week" aura about it. The script is too light on pertinent dialogue, not enough guts. Even the awaited court hearing, where the two "mothers" battle for custody of Isaiah, lacks enough emotional tension.
This is not a bad movie, but it's not as good as it could have been. And it's not all that apparent why.
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