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Jason Bourne (I) (2016)
9/10
Bourne again...for the better?
6 August 2016
I've been waiting for this movie for nearly a decade now and the fanboy in me probably thinks its the greatest thing ever! But objectively speaking, 'Jason Bourne' is a pretty great revival of the franchise, but it isn't exactly of the caliber of the original trilogy (especially Greengrass' two previous efforts).

Its not a knock on the film itself. There are some great action set- pieces, particularly the opening one set during a night-time Athens riot. It does everything much like its titular - with perfect surgical precision. And yet, one gets the feeling of it getting a tad too formulaic - a series of boxes being ticked off. Car chase? Yes. Hand-to-hand fight with rival assassin? Yes. Stake-out? Yes. And so on. In defense of this film, the box-ticking arguably started with 'Ultimatum' (and its really inevitable in any franchise after a point), but it seems a tad more emphatic here. Yet, the box-ticking does serve the purpose of reassuring audiences that yes, Bourne is indeed back (the REAL Bourne and not Jeremy Renner pretending to be Bourne in all but name), so perhaps one should cut it some slack. Ultimately though, what 'Jason Bourne' does well, the previous films did better.

There are two points of 'originality' I credit this film for, and both are particularly intriguing and vital if one considers this to be the launch of a new cycle of Bourne films. One is Alicia Vikander's cyber-intelligence expert Heather Lee. Ostensibly, she appears to be the latest iteration of the Nicky Parsons/Pam Landy archetype, but as the film progresses, we learn there's a lot more to her than meets the eye. Without spoiling too much, let's put it this way - Heather Lee may well the the character that truly gives this franchise its second wind. The other is an interesting discussion, that occurs intermittently through the film, about Bourne's patriotism and whether or not it can be used to convince him to return to service. In the current political climate, dominated by issues of identity and nationalism and debates over who's a patriot and who's a traitor...this is indeed a potent new hook on which to base Bourne's future character arc.

Matt Damon of course sinks back into Jason Bourne like he'd never left, though this time, there is a certain weariness to the character, which of course fits in with the narrative. Tommy Lee Jones takes a decent stab at playing Tommy Lee Jones, the gruff CIA Director Robert Dewey, who's basically plays the part Conklin, Abbott, and then Vosen did in previous installments. Julia Stiles brief return as Nicky Parsons is pretty decent too, and she adds some much needed connective tissue between the trilogy and this film. Of particular note is the performance of Vincent Cassel. The nameless 'asset' he plays is the most fleshed out version of this archetype thus far and he's actually relevant to the plot in a way that his predecessors never were (barring Clive Owen's Professor perhaps).

On the whole, Jason Bourne is back and there's potential for great things ahead. Only time will tell if we finally get a film that surpasses 'Supremacy' and 'Ultimatum'.
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9/10
'X-men Apocalypse' is an episode of an X-men cartoon brought to life!
22 May 2016
If 'First Class' was the prequel/quasi-reboot that refreshed the franchise for a new decade and 'Days of Future Past' was a celebration of the history of the entire X-men film franchise...then 'Apocalypse', the concluding chapter of this loose 'prequel trilogy' is Bryan Singer finally taking the X-men to its roots as a comic- book spectacle, something which a significant portion of the fanbase has been clamouring for, to varying degrees, since the very first X- film hit the silver screen. And it would be unfair to judge 'Apocalypse' without taking this into account...

As a work of cinema, 'Apocalypse' pales in comparison to its two immediate predecessors and of course Singer's original two films. But as a comic-book fantasy brought to life, it more than delights! There are no themes, overt and subtle, of discrimination and evolution and destiny here (well, there are somewhere in the background, but they are hardly of any importance)...what this film does have is the X-men valiantly flying into battle to literally save the world. It does have bright, colorful costumes, tons of continuity references to films and comics alike, mindblowing SPX, and an extended cameo by a certain franchise star that will no doubt have the audience cheering. And that's fine! Not every comic-book film needs to be a 'Dark Knight' or even an 'Iron Man'.
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10/10
A superb celebration of the entire X-men franchise!
1 June 2014
One of the most eagerly awaited superhero films of the decade (if not, like, EVER), 'X-men Days of Future Past' certainly hasn't been crushed by the weight of ginormous expectations placed on it - rather, it has far surpassed those expectations to become one of the greatest comic- book films of all time. In my opinion, DOFP may well lay claim to inclusion in an elite club of superhero films that includes The Dark Knight and The Avengers.

Indeed, Bryan Singer's task in DOFP was far more ambitious in some ways than Joss Whedon's mission with 'The Avengers'. This time, it wasn't a bunch of superheroes that had to be united on screen, but rather two disparate franchises within the X-men franchise - the world of the original X-men trilogy (with Jackman, Stewart, McKellan et. all), and the 'prequel' world of 'X-men First Class (with Hoult, Fassbender, McAvoy et. all). And he does so masterfully, uniting the two eras of the franchise into one cohesive whole...further developing the younger cast of 'First Class' while also giving a fitting tribute to the ones who started it all.

Hugh Jackman of course is the star of the movie, who literally bridges the two casts just as his character Wolverine uses time-travel to bridge the two eras. But the true protagonist of this film is James McAvoys's younger Charles Xavier. In 1973, Charles is a far cry from the wise mentor and leader embodied by Patrick Stewart - he is a tortured soul, a drug-addict who has numbed his mutant powers in order to be able to sleep peacefully, a man who has seemingly lost his purpose. In an interesting inversion of their relationship from the original films, Logan is forced to mentor the young Charles and set him down the path to becoming the legendary Professor X. Michael Fassbender does a great job as the younger, more militant Eric Lensherr/Magneto. And Jennifer Lawrence's Raven/Mystique is of course the lynchpin of the film's time- travel plot. When we last saw her in 'First Class', she was torn between the opposing paths of Charles and Eric. The original trilogy would have us believe she is destined to become Magneto's ally and fellow mutant terrorist...but if this film teaches us anything, its that the 'future is not set'...

Despite the focus on the 'First Class' cast (Wolverine notwithstanding), many of the characters from the original cast get their moments to shine in the midst of the final desperate battle with the mutant-killing Sentinels-most notably Ellen Page's Kitty Pryde, Patrick Stewart's older Professor X, and Ian McKellan's Magneto. Also, while the film in many ways functions as a direct sequel to 'First Class', owing partly to the time-travel plot and partly to the return of franchise creator Bryan Singer, this film feels more or less like a spiritual sequel to X2 - from the use of the soundtrack of that movie, to a number of homages and callbacks to that movie.

On the whole, DOFP is both an ending and a beginning (a fitting thing for a time travel movie to be!) and leaves you excited for the next installment in this, the longest-running superhero franchise ever!
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The Wolverine (2013)
9/10
A well-deserved Japanese vacation for the Wolverine!
26 July 2013
'X-men Origins Wolverine' was an entertaining film, admittedly, but it was a deeply flawed movie that ultimately didn't do the character or his origin story enough justice. 'The Wolverine', Fox's (and Hugh Jackman's) second attempt to give the character a solo adventure, does rectify a lot of those flaws, and ends up as a good film (maybe even a very good one)...but it just falls short of 'great'.

The movie undoubtedly has its strengths. It treats the character and the source material seriously, adopting a dark noir-ish tone befitting Wolverine and more specifically the 'Japanese saga' it is based on. Logan's inner struggle with his immortality, and his lack of purpose, are perfectly illustrated, and resolved. The supporting cast, including the members of the Yashida clan (Master Yashida, Shingen and Mariko), Harada, and of course, Yukio, are near-perfect. Viper proves to be a chilling antagonist (though nowhere near the level of Brian Cox's William Stryker, Ian McKellan's Magneto, or even Liev Schreiber's Victor Creed!) The cinematography is breath-taking-from the opening scenes in the Canadian wilderness to the alleyways of Tokyo.

But where the movie disappoints, to a large extent, is in its plot structure. What could have been an pure atmospheric Japanese noir drama/action flick, ends up getting 'polluted' with clichéd superhero and thriller tropes such as lost superpowers, 'secret identities' and 'surprise' twists. Instead of being the definitive Wolverine story, this movie ends up being a darn good superhero story...but certainly nothing close to the likes of The Dark Knight or The Avengers.
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Man of Steel (2013)
10/10
Truth and Justice...in the 21st Century
22 June 2013
At some point, probably in the mid to late 1980's, Batman suddenly became DC Comics' most popular character, and arguably, the most popular superhero character PERIOD, leaving the true 'granddaddy of all superheroes', Superman, far behind. The reasons for this were never difficult to discern. Batman, with his cool Gothic-noir styled world, his psychologically fascinating rogue's gallery, and the overall dark and cynical themes of his franchise (which resonated with the true state of contemporary society only too well) was understandably galaxies ahead in the zeitgeist than Superman with his old-timey ideals of 'Truth, Justice and the American Way'. The fact that Christopher Nolan gave the world the 'Dark Knight' trilogy of the most critically acclaimed comic- book films EVER, while all Superman fans got was a nostalgic look-back at the Christopher Reeves/Richard Donner days, sure didn't do the Big Blue Boy Scout any favors!

Indeed, the greatest triumph of director Zack Snyder and screenwriter David Goyer, is undoubtedly the fact that, for the first time in a long while, Superman seems as grounded, emotionally intense, and dare I say 'cool' as the Dark Knight!

The story is one which everyone is familiar with, yet the details have changed a bit, and its those little changed details which have imparted 'Man of Steel' with greater depth than the previous live-action adaptations of the character. From Krypton, to the Kents, to Clark's developing powers, to his emergence as Superman, his first meeting with Lois Lane; we see all the familiar beats of an often told story, and yet THIS time round, we're far more emotionally involved in this tale than we ever were before. Jor-El and Lara, Jonathan and Martha Kent, Lois, Perry et. all are no longer just supporting characters playing their part in the myth and bowing out from the stage-they truly are full- fledged characters whose actions and fates we are as investing in as we are those of Superman's.

Speaking of the titular Man of Steel, special credit is due to the lead actor Henry Cavill for his very relatable portrayal of a character many have complained is completely unrelatable. In stark contrast to Reeves' somewhat one-dimensional, corny, paragon of selfless heroism, Cavill's Clark Kent is a far more conflicted character, demonstrating a few grey areas that will not fail to shock audiences. This is most vehemently NOT a Superman who spends his days saving kittens from trees.

Amy Adams does a great job as Lois Lane, making her more than just a damsel-in-distress or a standard movie love interest. Russell Crowe and Kevin Costner both stand out as Superman's kryptonian and human fathers respectively. And Michael Shannon truly steals the show as the violent, genocidal, yet oddly sympathetic General Zod.

On the whole, 'Man of Steel' succeeds not only at reinventing a seemingly antiquated hero for the 21st century, but also as the pivotal film that sets the stage for a further realization of the DC Universe on the big screen...
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9/10
A film that's less about reluctance and more about turmoil...
20 May 2013
Off late, it seems that there's a new genre of films, both in India and in the West. As varied as they may be in their narratives, they share certain broad elements-a Muslim immigrant to the West facing the hostility and suspicion of a post-9/11 world and gradually becoming disillusioned with the once sought-after Western way of life and seeking solace in his/her own roots. 'The Reluctant Fundamentalist' is the latest addition to that particular genre and yet, unlike many of the others, it doesn't have a lot to do with terrorism. Sure, terrorism and its consequences do drive the plot to a significant extent; but above all, this is a very human story about identity, self-doubt, and internal conflict.

The protagonist Changez Khan is a man living in two worlds, and throughout the story, he is never really able to pick a side, despite his assertion that his side has picked for him. In that regard, he is perhaps the most realistic reflection of a modern Muslim youth placed in a similar situation. Without spoiling anything much, I will say that this isn't your sundry story about young people feeling victimized and turning to radicalism-this is something far more complex...something you need to see the whole movie to truly appreciate.

Riz Ahmed does a great job portraying the multi-faceted and conflicted protagonist Changez, and Liev Schreiber is brilliant as Bobby Lincoln, the enigmatic American whose conversation with Changez forms the backbone of the narrative. Less impressive is Kate Hudson as Changez's American lover Erika.
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Superman: Unbound (2013 Video)
8/10
Superman vs. Brainiac: No Holds Barred!
15 May 2013
Like the previous Superman animated DTV 'Superman vs. the Elite', 'Superman Unbound' also has the Man of Steel squaring off against a super-powered foe who can truly match him punch for punch. The difference is that while the conflict in the previous film was centered around a larger philosophical and ethical debate, this conflict is pretty much a superhero vs. super-villain battle played straight. And the villain is none other than one of the most iconic members of Superman's rogue's gallery...

The portrayal of Brainiac, and Superman's clashes with him, are easily the highlights of this story. Another interesting point is Kara/Supergirl representing the helplessness of a powerless civilian against overwhelming threats, and the desire for such a person to set the world right when given a chance. Less impressive however is the attempt at showcasing tension in the Clark-Lois relationship. 'Superman Unbound' is ultimately a sci-fi story at its core...and attempts to introduce romantic elements sorely stand out in what is otherwise a pretty decent production.
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Timecrimes (2007)
10/10
A Beautiful Piece of Cinematic Craftsmanship!
1 March 2013
'Timecrimes' is truly a brilliant piece of cinema in every respect. Its got an intricate and tight plot, a chilling atmosphere, a well-developed protagonist and a near-infinite supply of intrigue and psychological tension! Its far more of a horror film and psychological thriller than it is a sci-fi/time travel film, but the time travel element has been masterfully utilized and seamlessly woven into the overall fabric of the narrative. This film literally blurs the lines between the 'protagonist' and 'antagonist', and between 'free will' and 'destiny' in a way few stories, especially in this genre, have accomplished. If you enjoyed time travel films like 'Twelve Monkeys' or 'Primer', you will definitely find 'Timecrimes' to be an excellent watch!
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Jack Reacher (2012)
10/10
Introducing a new icon of the action genre...
29 December 2012
I'd never read any of the Lee Child 'Jack Reacher' novels so I went in with no particular expectations about the portrayal of this character. But this film can certainly live up to ANY expectations thriller fans might have had of it, in my opinion!

Having seen Tom Cruise as the flamboyant, charming and somewhat Boy Scout-ish Ethan Hunt in the past, its refreshing to see him as someone almost as ruthless and taciturn as Jason Bourne or Daniel Craig's rendition of James Bond. Jack Reacher's appeal doesn't lie in the fact that he's a 'larger than life' figure, or the world's biggest bada##...it lies in the fact that he's a normal, perfectly relatable and very realistic human being, albeit a trained and skilled soldier and detective.

Rosamund Pike does a great job as the lawyer, Helen-a far cry from glamorous 'Bond girls' (one of whom Pike herself has portrayed), and Lara Croft styled action heroines who normally populate the action film genre. Instead she's a three dimensional character with her own doubts, anxieties, convictions and flaws.

One of the great things about this movie is how, without wavering from its narrative, it does highlight several significant real-world issues; ranging from the political debates over gun control, to legal representation for terrorists, to the politics surrounding the actions of military personnel overseas, to the corrupt political-industrial nexus...without necessarily taking sides or trying to come across as being preachy of moralistic.

To sum it up, Jack Reacher is virtually a 'slice of life' piece...albeit, a very dark and grimy slice of life.
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Skyfall (2012)
10/10
A Golden Bond for the Golden Jubilee!!!
2 November 2012
Fifty years ago, Sean Connery first walked onto screen as the suave and sophisticated secret agent, James Bond, 007-looking dapper in his tuxedos, swilling down his vodka martinis 'shaken not stirred', bedding a bevy of alluring women and dispatching England's enemies with cold dispassion. In the decades since, 007 has taken on spies and counter- spies, crime lords, nefarious international organizations, and megalomaniacs who seek to destroy the world! But the 50th anniversary outing, 'Skyfall', isn't about any of that. Well, actually, it DOES touch upon those iconic elements, and many others, but above all, it is an insightful piece of self-introspection by the franchise about its lead character and his relevance in contemporary society.

'Redundancy' and 'resurrection' are the twin themes that drive the narrative of this film, as Bond, M, and the very concept of intelligence agencies are all deconstructed and deemed to be redundant. 'Skyfall' is thus the story of their resurrection, as they rise from the ashes to meet the seemingly insurmountable challenges that face them and persevere. Their antagonist, Silva, too has had a 'resurrection' of his own, albeit of a darker variety...

Another underlying theme which the movie keeps returning to is the adage that often, the 'old ways are best'...a fitting meta-textual reference to the age-old traditions of the Bond franchise, many of which are revived for this installment. The conflict between old and new is best reflected in the banter between veteran field agent Bond and tech-whiz 'Q'...and much as the two learn to work together through the course of the film, the old and new seamlessly merge together in this film in the broader context of the franchise.

Beyond the themes and sub-texts, the film boasts of some stunning locales-the scenes in Macau are virtually scenic pornography!-mind- blowing action sequences, and some good old fashioned dry humor. And of course, the brilliant performances by Javier Bardem (who's Silva owes as much inspiration to Heath Ledger's Joker as it does to classic Fleming- esque bad guys), Judi Dench (as masterfully imposing as ever in the character of M), Ben Whitshaw (a younger avatar of the beloved character Q), Naomie Harris, Ralph Fiennes, and last but not the least, Daniel Craig. Craig has really come into his own as Bond now...no longer is the 'new' Bond...he IS Bond, pure and simple; ready to save the day for a few more thrilling cinematic escapades...

Ultimately, 'Skyfall' is everything the 50th anniversary of any film franchise should be (not that there are any others that can boast of this distinction thus far!) Willing to respect the old while welcoming the new, it has brought the series full circle, figuratively AND even literally (as shall be evident to anyone who watches it)...reminding us not only of who Bond is, but why he has endured for five decades and will hopefully endure for several more to come!
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8/10
Upholds the Legacy...despite its flaws
12 August 2012
The Bourne trilogy, loosely (VERY loosely!) based on the international bestsellers by Robert Ludlum and starring Matt Damon as the amnesiac black ops agent on the run from his former masters, redefined the espionage-thriller genre for the 21st century; with its gritty, realistic action; serious themes and emphasis on character and plot over glamour and exoticism. No less a franchise as James Bond has since been stylistically influenced by this groundbreaking series. But unlike the flamboyant 007, Jason Bourne's story was one with a clear beginning, middle and end. That end masterfully came about in the closing scenes of 'The Bourne Ultimatum'. For years it was believed Universal had finally laid one of its most successful franchises to rest - but inevitably, mass popularity and the lure of unprecedented commercial success won out, and 'The Bourne Legacy' is the result...

The Bourne franchise is back, but oddly enough, Jason Bourne isn't. When Matt Damon, perhaps rightly, declined to return his iconic character to the big screen, Universal cast Jeremy Renner to play an entirely different character, albeit one patterned after Bourne at least on the surface level. Tony Gilroy, screen-writer of all Bourne films too date and the director of this one, has described 'Legacy' as not so much a sequel as much as an 'expansion' of the universe, and having seen the film, I have decided it is prudent to take him at his word.

The early part of 'The Bourne Legacy' runs parallel to the events of 'The Bourne Ultimatum'. Even as Jason Bourne races across the globe, exposing the Treadstone program he was once part of, Colonel Eric Byer (played by Edward Norton), becomes increasingly concerned about the fall-out Bourne's very public actions will have on the myriad of US Government sanctioned black ops program. When the sh#t finally hits the fan (in the aforementioned ending of 'Ultimatum'), Byer decides to liquidate the 'Outcome' program, closely related to the now-exposed Treadstone. This involves not only the termination of its deep-cover genetically enhanced operatives, but also the scientists behind the breakthroughs that made the program possible.

The movie follows the stories of the two survivors of the purge-Outcome field operative Aaron Cross (Jeremy Renner) and Outcome scientist and medical researcher Dr. Marta Shearing (Rachel Weisz), who must depend on each other for their very survival. The pulse-pounding and often brutal action scenes are complemented very nicely by the chemistry between Renner and Weisz's characters. Marta is definitely a much superior female character to Franke Potente's Marie and Julia Stiles' Nicky Parsons from the trilogy. And Norton's morally ambiguous Byer comes across not so much as a villain as much as the uber-pragmatist, a self- confessed 'Sin Eater' who buries the 'moral excrement' in his work deep down inside. But where the film derives its strength from characterization and action, it is severely flawed when it comes to plot...especially towards the end. The conclusion is abrupt and provides hardly any resolution, beyond the tacit assurance of yet another sequel set in the Bourne universe...For a series that prided itself on its masterful story-telling, 'Legacy's' open-ended conclusion is sure to leave a sour taste in the mouths of many a die-hard fan and critic alike!

In conclusion, 'The Bourne Legacy' set out with a specific purpose-to make the Bourne franchise viable again by expanding the universe through new characters and concepts. It certainly achieves THAT purpose and more, but fails to retain the standards of its predecessors when viewed as a stand-alone story.
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10/10
End of a Legend...End of an Era...
28 July 2012
We always knew it would be great. And what we knew has now been codified beyond a shadow of a doubt.

'The Dark Knight Rises', the epic conclusion to Christopher Nolan's groundbreaking Batman trilogy, endows the world's most celebrated fictional crusader with precisely just that: a conclusion...something extremely rare in a world where superhero stories are endlessly regurgitated and recycled. The status quo says that Bruce Wayne spends his days as a billionaire playboy and socialite, and his nights as Batman fighting villain after villain and locking them away in Arkham...until the next time. But Nolan and his team have transcended the status quo and in doing so have created a fully realized legend with a clear beginning, middle and end.

'Rises' begins eight years after the conclusion of 'The Dark Knight' as we are re-introduced to an older, physically and psychologically scarred Bruce Wayne (played as masterfully as always by Christian Bale). Having long hung up the cape and cowl of Batman, Bruce nevertheless is unable to move on from the tragedies of his past, much to the despair of his butler and surrogate father Alfred Pennyworth (the inimitable Michael Caine). But when the terrorist leader known only as 'Bane' (Tom Hardy) unleashes his reign of terror upon Gotham City, the Dark Knight must rise again, to finally become the symbol of hope the city needs AND deserves in a time of war; aided by trusted allies Lucius Fox (Morgan Freeman), Commissioner James Gordon (Gary Oldman) and the enigmatic, morally ambiguous 'Robin Hood', Selina Kyle (Anne Hathaway).

Borrowing thematic elements from such epic Batman stories as 'The Dark Knight Returns' and 'No Man's Land'; 'Rises' is essentially a war film at its core...and not merely a war against organized crime, or a crazed 'super-villain', but a war against terror, anarchy and the very face of evil. The stakes have never been higher in ANY Batman story (none on film at any rate) and not even the Joker has posed as overwhelming a threat to the Dark Knight as the brutally and efficiently lethal Bane. And for the first time, one actually fears for the lives of our heroes. Because Nolan is no believer in the indefinite status quo...and anything goes...

So does Batman truly end or not? The answer to THAT question would only be known to those who have had the pleasure and privilege of viewing this cinematic masterpiece. Suffice to say that regardless of the final fate of Bruce Wayne, what this film truly marks is the end of an era. A glorious era in storytelling that began all the way back in 2005 when a franchise rose from the ashes and began life anew. We believed in Christopher Nolan for all these years...and it will be a LONG time before someone entertains us the way he did...
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10/10
Simply Amazing...Nuff said!
29 June 2012
A decade ago, Tobey Maguire brought everyone's friendly neighbourhood Spider-Man to the big screen in Sam Raimi's blockbuster film, that spawned two sequels and won a legion of loyal fans across the globe...including me! For it was Raimi's 'Spider-Man' that first introduced me to Peter Parker and his world, and for that I will always be grateful to the film...but, there's simply no denying the fact that Marc Webb's 'The Amazing Spider-Man' has FAR surpassed the webhead's original cinematic incarnation!

I think the best comparison one can offer for this film is Christopher Nolan's now-legendary Batman reboot, 'Batman Begins'. Much like how 'Begins' reinvented the Dark Knight for a new generation by focusing on a more grounded, character-driven arc for Bruce Wayne...'Amazing Spider- Man' does the same for Peter Parker. This is a Spider-Man one almost feels CAN exist in the real world...a Peter Parker who, while technically still a 'nerd', is no milksop and far from a goody-two- shoes.

Andrew Garfield unquestionably deserves the bulk of the credit for the success of this film. He highlights the duality of Peter Parker and Spider-Man as Maguire never did-'Spider-Man' is not just Peter in a mask...Spider-Man is Peter freed from all the restraints of his identity, all the consequences of his actions. The mask of Spider-Man, to Peter, represents the anonymity similarly offered by Internet chat- rooms and forums; a point Garfield has raised in interviews, and which is is reflected throughout the film. His Peter doesn't become a superhero overnight...rather, his is a journey that encompasses the whole narrative of the film until, by the end, we finally see him become the heroic legend we all know and love. Perhaps the most striking difference, at least on a superficial level, between Garfield's Spider- Man and his predecessor, is the fact that this is a Spidey who's liberal with the wise-cracks. He is a hormonal, sometimes annoying, 17 year old and he sure acts like one!

Emma Stone and Rhys Ifans deliver solid performances as Gwen Stacy and Dr. Curt Connors respectively. Stone's Gwen Stacy is certainly superior to Kirsten Dundt's Mary Jane Watson from the previous series-she's not just a love interest, but an integral part of the plot, along with her father, Captain George Stacy (Dennis Leary). Ifans plays Connors as a well-intentioned visionary gone astray, literally, as the reptilian monster known as the 'Lizard'...a powerful performance that easily rivals those of William Dafoe as Green Goblin or Alfred Molina as Dr. Octopus from the old series.

Beyond the excellent portrayals though, the movie's true strength is derived from an excellent script and some brilliant direction on the part of Marc Webb. While quiet a few liberties have been taken with the source material, Webb manages to stay pretty close to the spirit of Stan Lee's original story. The 'Ultimate Spider-Man' series has also clearly been a major influence, both stylistically and conceptually. While the film is a complete story in itself, there are a few plot threads left hanging...mysteries waiting to be resolved in the inevitable future installments. For now though, Spidey fans all over the world can enjoy this wonderful love-letter to Stan Lee and Steve Dikto's 50 year old creation!
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8/10
Faithful to a Fault...But still a great piece of work!
19 May 2012
Warning: Spoilers
Having seen all the four British adaptations of Agatha Christie's bestselling novel 'And Then There were None' AKA 'Ten Little Indians', I decided to turn my attention to the Soviet adaptation of this great work-'Desyat Negrityat'. For me, the biggest lure of this film was the fact that, unlike the English adaptations, it retained the dark and disturbing ending of the original work.

As I had expected, this film WAS a much more faithful adaptation of the book than any other, in EVERY respect. And therein lies one of its faults. With virtually every scene in the novel included, the pacing off this film suffers, especially in the first half; there are long stretches of expository dialogue which, while informative vis a vi the plot, leaves the viewer yearning for action. Where the film succeeds however, is firstly, in the setting-the sheer modern simplicity of the house on Indian Island belies the horrifying deaths which occur within its walls one after the other, a juxtaposition which is chilling indeed. Secondly, unlike any of the other adaptations, this film does a great job exploring the inner torment and psychological conflicts of the characters under siege...the character of 'Vera Claythorne' in particular; adding a depth to the story lacking in previous theatrical renditions.

On the whole, 'Desyat Negrityat' has its flaws, but it is a great watch nonetheless...and leaves one hoping for an English adaptation of the novel that is nearly as faithful!
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10/10
A much more serious film than the Hollywood remake...
11 May 2012
Warning: Spoilers
I'd seen 'The Tourist' when it first came out over a year ago. The Angelina Jolie-Johnny Depp starrer was an entertaining film...one of the things which prevented it from being great though, was that it could never make up its mind as to whether it was a suspense thriller, an action thriller or a comedy. But I'm pleased to say that the French original 'Anthony Zimmer' has no such identity crisis.

The plot of 'Zimmer' is very simple and in retrospect I can't but help feel that 'The Tourist' sometimes needlessly embellished (and in the process, complicated) the story. The simple premise allows for more focus on the characters, their motivations and their relationships. Another thing that stuck me while watching this film, in contrast to 'The Tourist' was that on the whole, it was a much more 'intelligent' film...things weren't always explained to the audiences word for word. Some things the viewer needs to put together himself while watching the film. Case in point, Chiara's (Sophie Marceau) motivation in befriending Francoise Tallandier (Yven Attal) as part of her scheme to fool Anthony Zimmer's pursuers is something which one has to assume based on the action on-screen and other subtle hints-its only explicitly spelled out more than halfway through the film (whereas in 'The Tourist', its made glaringly clear to us pretty much from the start).

A major superficial difference between the two versions is to do with the style and grandeur of the remake, which is contrasted by the relative simplicity of the original. Whereas the remake had a speedboat chase in Venice, the original has an equivalent scene of a chase sequence in an underground parking lot. The lack of emphasis on set designs and scenic beauty reinforces the film's prime focus on the character's and their story and also serves to give the film a much more 'serious' feel as opposed to the flamboyance of the remake.

Special mention must be made of the lead actor Yven Attal. Unlike Johnny Depp's comedic take on the bumbling American tourist caught up in a world of intrigue, Attal's character is an ordinary man who is keenly aware of the danger he's in, but who also adapts to circumstances quickly enough. His relationship with Marceau's character does read more like genuine love, as opposed to the relationship between Depp and Jolie in the remake which felt more like an infatuation/fascination on Depp's part. Sophie Marceau's 'Chiara' is likewise a VERY different character from Angelina Jolie's 'Elise Ward'...unlike the glamorous and enigmatically playful Elise, Chiara is a much harsher individual, though she does reveal a softer side as the story progresses.

On the whole, I feel 'Anthony Zimmer' is a much more serious, and tighter film, than the remake, though I will always remain a fan of the comically thrilling Depp-Jolie starrer as well!
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The Avengers (2012)
10/10
Avengers: An Assembly of Sheer Awesomeness!!!
27 April 2012
From the moment Samuel L Jackson walked in during the post-credits scene of 'Iron Man' four years ago, talking about the 'Avengers Initiative', the whole world has waited for this epic assemblage of some of Marvel's greatest icons! Well, four years and five films later, the Avengers have finally assembled...and, as expected, it was with a wave of sheer awesomeness!

Unlike the previous 'Marvel Cinematic Universe' films, 'The Avengers' isn't really into complex plotting here. The premise is simple-Loki, the Asgardian 'God', seeks to facilitate the invasion of Earth by an alien race...and Nick Fury, Director of SHIELD, responds by activating the 'Avengers Initiative', bringing together armored hero Iron Man (Robert Downey Jr. reprising the character for the third time), Loki's 'brother' and Asgardian warrior Thor (Chris Helmsworth), the living legend and man out of time Captain America (Chris Evans), gamma radiations expert Dr. Bruce Banner and his monstrous alter ego the 'Hulk' (both played to perfection by Mark Ruffalo, following in the footsteps of Edward Norton) and clandestine operatives Hawkeye (Jeremy Renner) and Black Widow (Scarlett Johansson). What follows is the usual hero vs. villain fare...albeit on a scale about a BILLION times larger than that of, say, 'Spiderman'. Indeed, one of the greatest moments in the film is a single shot that sweeps across New York City, taken in the battles of each of the six Avengers across the breadth of the Big Apple...a testament to the sheer scale and scope of not only the film itself, but the threat faced by the heroes in-universe.

Action and spectacles aside, 'The Avengers' real strength lies in the characterizations of the core characters. Downey Jr. turns in another memorable performance as Tony Stark which was to be expected, and Tom Hiddleton brilliantly essays the megalomaniacal God Loki...but it is newcomer (to the Marvel movie-verse) Mark Ruffalo who really stands out in his dual performance as both scientific genius Bruce Banner and the rampaging Hulk. Ruffalo brings a level of depth to the character, and his inner struggles, which was not immediately evident in performances by previous actors. His Banner is not so much a man on the run from the monster within as he is a man who is starting to learn to accept the monster and use it as a force for good. Samuel L Jackson really gets to shine here as Nick Fury, after his cameos in previous films.

On a parting note, there has been an unfortunate tendency, for months, on message boards, blogs and forums across the Internet, to create some kind of a 'competition' between The Avengers and Nolan's upcoming epic, The Dark Knight Rises. Having seen the former, I can safely say that such comparisons are totally uncalled for. The Avengers is not aiming to surpass The Dark Knight Rises any more than Star Wars was aiming to surpass The Godfather. They are two totally different films, belonging to different genres and (literally) whole different universes, and as fans, we need to respect that above all else and enjoy all masterpieces on their own merits!
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10/10
Beyond James Bond...a Harsh Look at the REAL World of Spies...
16 April 2012
Expect none of the mind-numbing action of The Bourne Ultimatum, the exotic locales of Mission Impossible Ghost Protocol, or the suavity, wit and charm of James Bond, Her Majesties' most renowned fictional secret agent. 'Tinker Tailor Soldier Spy', adapted from John Le Carre's novel of the same name, offers a far more realistic and cynical look at the world of spies and international intrigue.

The setting is London in the mid-1970's, in the midst of the Cold War. Retired spymaster George Smiley is called back into service for a crucial assignment-to identify the Soviet mole buried deep in the highest echelons of the British Intelligence organization known as the 'Circus'. What follows is two hours of spellbinding intrigue as Smiley uncovers layer after layer of omission and deception. Covert operations across the Iron Curtain, bureaucratic infighting and power struggles, and even infidelities and indiscretions are all but a few of the elements of this, one of Le Carre's most intricate plots.

While the film is a very good adaptation of the novel, its treatment of the plot is overly complicated at times, and therefore, it may be on such occasions be mildly incomprehensible to anyone who hasn't read the novel. Where the film really stands out though, is in the performances of the actors. Gary Oldman delivers a masterful performance as George Smiley. Though Oldman's Smiley is far more dapper than the character described in the novel, he is still the 'anti-James Bond' in every sense - mild-mannered, soft-spoken, middle-aged and bespectacled, above all a thinking man rather than a man of violence. Tom Hardy and Mark Strong likewise deliver solid performances as field agents Ricky Tarr and Jim Prideux; the former being closest approximation this film offers to the glamorous, womanizing secret agent of the James Bond mold, and the latter being the very portrait of a burnt out and betrayed spy. Colin Firth also delivers a powerful performance as high-ranking Circus agent Bill Haydon. The creation of atmosphere is another one of the film's great assets-where the world of James Bond is defined by exotic locales, night clubs and casinos, prolonged chase sequences and fight scenes...Smiley's world is comprised of suffocating board rooms, secret archives, English country houses and even a school playground.

'Tinker Tailor...' is first and foremost a cerebral film; and certainly not your destination for cinematic thrills. But it is undoubtedly an intellectual 'treat' to watch nonetheless...
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Agent Vinod (2012)
8/10
Agent Vinod = Bond + Bourne + Bollywood
23 March 2012
There is a scene early in the film where the eponymous 'Agent Vinod', suave in a tuxedo, coolly walks into a nightclub and, with an 'item number' playing in the background, brutally beats the cr#p out of a bunch of armed men with his bare hands!

That scene epitomizes this movie perhaps better than anything else. 'Agent Vinod' combines the style and thematic elements of a Bond film, with the relentless action sequences of the Bourne trilogy...but ultimately never fails to remind us of its Bollywood roots...

The plot is certainly far from the movie's strong point; predictable almost to the point of being generic. Neither is there particularly any suspense-there is precisely ONE scene in the movie which is a real shocker! No, where 'Agent Vinod' succeeds is in its scene construction and set pieces. The movie benefits from some great scenes; in hotel rooms, restaurants, luxurious mansions and even an auction house-all of which are brilliant exhibitions of both spycraft and cinematography. Agent Vinod may not be the protagonist of a great story, but the atmosphere of espionage and intrigue has been built around him perfectly.

Another asset to the film are the performances of the two leads. Saif Ali Khan plays Agent Vinod as a kind of pseudo James Bond, albeit a far more stoic version, more reminiscent of Daniel Craig than Roger Moore. He is the perfect soldier, a living weapon...and yet the vulnerable human being underneath the steely exterior is evident in some of the film's quiet more emotional moments. Kareena Kapoor does a good job as the mysterious woman trapped in a web of intrigue. The two actors real- life chemistry has translated reasonably well onto the celluloid.

One of the few major failings of the film is that it gets a little incoherent towards the end, and concludes a good 15 minutes after it ideally should have...that fault apart, Agent Vinod is a great first attempt by Bollywood at a 21st century spy film!
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Justice League: Doom (2012 Video)
10/10
'Doom' is in fact the Justice League's victory!!!
24 February 2012
'Tower of Babel' was one of the earliest JLA story arcs I'd read and as such I was especially interested in how this story would translate to animation. The premise of the story is both simple and yet intriguing- Batman has secretly devised stratagems to neutralize his fellow Justice League members in case any of them turned rogue. When his files are stolen however and used against his teammates, the League is forced to confront the fact that the architect of their near-destruction is in fact one of their own...It's a compelling story which has serious ethical dimensions to it as well (not to mention some great action and character moments!)

While 'JL:Doom' is a loose adaptation, it remains faithful to the spirit of the story. Replacing Ras al Ghul with Vandal Savage, as the main villain, was a great move IMO, as I think Ras works much better as a purely Batman villain. The Legion of Doom was a great nod to the old Superfriends cartoons (kudos to them for including an arch-nemesis to Martian Manhunter, who normally gets left it in this particular area!) I was also glad they found a way to include Cyborg without making it seem contrived or making him feel like a token minority character! The other characterisations were all great (Flash came across far too much like Wally West, than like Barry Allen...but I guess than can be excused given that the voice actor is the one who played Wally in JLU). If there is one gripe I had, its that I felt there could have been more discussion of the ethical implications of Batman's actions among the League, but I guess that wouldn't have fit within the alloted run- time...

On the whole, a great addition to the animated DTV's stable...looking forward to the next one!
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Safe House (2012)
7/10
Nothing spectacular...but a Safe Bet...
19 February 2012
'Safe House' may be a variation of the classic 'spy on the run' routine, but its an interesting variation nonetheless. Ryan Reynold's character Matt Weston is a low-level CIA agent trapped in a rundown job manning a seldom-used safehouse in Cape Town, when he finally gets an unexpected 'visitor' one day-none other than one of the Agency's most wanted, rogue agent Tobin Frost (played by Denzel Washington). Frost however is the target of mercenaries, and when they attack the safehouse, Weston is forced to go on the run with Frost and figure out what the hell is going on.

Its a film which had a hell of a lot of potential, plot-wise, but somehow ended up being a bit TOO predictable. We had the usual chase scenes, fight scenes, shoot-outs, CIA handlers desperately trying to track down their agents gone 'off the reservation', and of course, a traitor. We also have the tried and tested sub-plot of the spy being in love, knowing that in his line of work, normal relationships are difficult to maintain...All of it is done reasonably well, but there are a half-dozen films which have done each of these, well, better.

Where this film stands out is in the performance of the leads. The evolving relationship between Weston and Frost truly forms the core of the film. In many ways, Reynold's slightly wet-behind-the-ears and naive rookie is the perfect foil to Washington's jaded and driven character; and both men do arguably benefit from each other's worldviews through the course of the film.

'Safe House' is ultimately the perfect way to spend a Friday or Saturday evening if you've got time to kill...but its sure no Bourne Ultimatum, or even Salt for that matter.
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24: Redemption (2008 TV Movie)
8/10
A Realistic Look at the Political Thriller
30 January 2012
I must confess that I've never really watched the 24 television series too date, but that didn't in the least inhibit my enjoyment of '24 Redemption'. In recent years, a great many espionage-thriller films have been touted as being 'realistic' and gritty...the Bourne trilogy, Mission Impossible 3 and Casino Royale the most prominent among these. But '24 Redemption' goes beyond mere pseudo-realistic presentation by bringing us virtually as close to the real world as a documentary. The military coup that engulfs the fictitious African nation of Zangala is no campy world domination scheme...its the kind of situation you could very well find yourself staring at in the evening news.

But the realistic element reaches its zenith in the depiction of the protagonist Jack Bauer. Again, I'm not as familiar with Sutherland's character as I'd like to be, so I don't know how he's been portrayed in the past. But Jack Bauer as seen in this film, comes across not so much as a badass super-agent/action hero (ala Jason Bourne or Ethan Hunt) but rather as a very human character...a soldier weary of war, running away from the ghosts of his past and yet finding himself confronted by even more violence. He is both emotionally and physically a vulnerable individual. Quiet unlike the steely countenance of Bourne of the outward flamboyance of James Bond, Bauer's reactions to the situations he faces in this film are deeply rooted in his emotions. True, he is every bit the professional soldier too...but ultimately, a human being.

'24 Redemption' may not be the most entertaining thriller out there...but if you want to watch a movie about the kind of action hero who CAN exist in real life, defusing the kind of situation which CAN arise in the real world; if only for the novelty if nothing else...then this is the ideal film!
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Don 2 (2011)
10/10
Truly the Return of the King!!!
23 December 2011
Warning: Spoilers
There are moments, during Don 2, when the viewer forgets he is watching a Bollywood film. Stunning European locales, blinding action and gunfire, intricate plotting and conspiracy at every corner...Don 2 has all the ingredients of Hollywood's best action thrillers!

Set 5 years after the events of the first SRK 'Don' film, Don 2 follows the exploits of the titular master-criminal as he forges an alliance with his old enemy Vardhaan (Boman Irani), and a young computer hacker named Sameer (Kunal Kapoor) to carry out the ultimate heist! He must also contend with Roma (Priyanka Chopra), his one-time love interest who is now an Interpol officer determined to see him behind bars, and his enemies who are both numerous and, in some cases, invisible.

SRK once again dazzles audiences with the 'lovable rogue' persona of Don. His Don is essentially a criminal version of James Bond (with some Ethan Hunt thrown in for good measure-complete with a latex mask!) Surprisingly though, this time Don comes across as a far more sympathetic character than before...though his criminal ingenuity remains!

Freed from the constraints of having to follow the plot of the original movie (starring Amitabh Bachan), SRK and Farhan Akhtar have had virtually limitless license to shape the character of Don, and extend his story, as they see fit...and the results are certainly no disappointment!
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10/10
The best 'Impossible Mission' EVER!!!
16 December 2011
Warning: Spoilers
The Mission Impossible film series, while great movies in their own right, have somehow never achieved the legendary status of James Bond, or more recently, the Bourne trilogy. 'Ghost Protocol' however MORE than allows Ethan Hunt and his team to join that exclusive club...accomplishing the near impossible mission with flying colors!!!

MI: GP opens with Ethan Hunt in a Moscow prison, being broken out by fellow IMF agents Benji Dunn (Simon Pegg) and Jane Carter (Paula Patton) just in time for his next mission-infiltrating the Kremlin. But things go horribly wrong and soon, Russia and the United States find themselves at the brink of war and the entire IMF is disavowed. Hunt and his team, which now also includes IMF analyst Brandt (Jeremy Renner) now find themselves being forced to operate without official sanction or support, against overwhelming odds, to prevent a madman from unleashing nuclear holocaust upon the world.

The film has a perfect blend between plot and action, something which few movies in this genre ever truly achieve. We literally begin the film on the move with a foot chase in Budapest, and we are treated to several visually stunning set pieces, including but not limited to a chase through a sandstorm in Dubai...but the intricate plot seamlessly merges with the action. Brandt is truly an enigma for most of film...the mystery surrounding him, while not essential to the central plot of the film, is a little something extra to tickle the back of the viewer's mind! Tom Cruise of course makes a brilliant comeback to the role of Ethan Hunt-with the veteran agent being forced to assume a new role for this film; that of the leader and mentor to an arguably dysfunctional 'family'.

To fans of the past MI movies and espionage thrillers in general-there's plenty of action and intrigue to watch out for. But fans of the 60's TV series too would have plenty to cheer about...with a sequence in the middle of the film virtually a homage of an old episode! MI: GP has something for EVERYONE to enjoy...and if you enjoy EVERYTHING...then this movie has truly succeeded in its mission!
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7/10
A tad disappointment...but a fairly good film otherwise
19 October 2011
Warning: Spoilers
'The Spy who Came in from the Cold', and the TV adaptation of 'Tinker Tailor Soldier Spy' led me to have high expectations of any John Le Carre adaptation...sadly, 'The Looking Glass War' falls short of those expectations.

The basic essence of the novel's plot is preserved-an obscure intelligence unit called 'the Department' training and sending a Pole to East Germany. What the film fails to capture however are the inner psychological and emotional conflicts of the characters, especially those of the reluctant 'spymaster with scruples' Avery, and the manipulated agent Laiser. Part of the reason for this is the complete reinvention of Laiser's character. He goes from being an intensely loyal former agent from the Department's glory days in WW2 and a naturalised British citizen, to being an ill-tempered Polish drifter who really has scant motivation for taking up the job to begin with. Avery for his part, is hardly developed as a character, which makes his sudden reservations about the scheme in the end somewhat difficult to comprehend.

If there is one plus point about the film, its that it spends a lot more time on Laiser's actual infiltration into East Germany, which actually forms a VERY small segment of the novel. However, Laiser's character being completely changed as it was, his brief relationship with the German girl becomes more like a run-of-the-mill romance of a spy story, as opposed to what it was in the novel-the last attempt of a betrayed agent to find human comfort before his inevitable capture...

On the whole, its not a bad film. Even the bad parts are entertaining at times. But it certainly DOES NOT live up to the standards of other Le Carre adaptations.
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Real Steel (2011)
10/10
Real Steel has got...Real Steel indeed!
10 October 2011
When I think Hugh Jackman...I think Wolverine, with adamantium claws ripping through stuff (and occasionally through the bad guys themselves!) and his hair literally wild and feral-looking. But this movie has given Jackman a whole new image...as the deadbeat dad and cocky ex-boxer who participates in gladiatorial robot fights for a living!

I won't go too much into the nitty-gritty's of the plot...but all I'd like to say is that this movie is ultimately a story about the triumph of the average down-on-his-luck 'everyman' against overwhelming odds. It's a story we've seen done a million times...but never against so creative and pulse-ponding a backdrop!

And while Hugh Jackman does a great job...the real star of the show is undoubtedly his character's son (played by Dakoto Goyo)...the kid comes off as annoying at first but he eventually grows on you!

It may not be Oscar material, but this sure is one great movie, and at the end of the day, that's all that matters!
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