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Mr Selfridge (2013–2016)
9/10
Visually stunning, well-acted period piece
13 May 2013
I admit that I'm surprised and puzzled by the number of negative reviews of Mr. Selfridge on this site. I'm actually wondering if I'm watching a completely different show from the one many reviewers describe! Beginning with the dazzling opening credits and stylish musical score, this show is an absolute joy every week. I fail to understand how anyone can possibly be unimpressed by the gorgeous period costumes and sets and the fine, subtle performances of most of the cast. If there's a weakness to be found, it's with Jeremy Piven's acting, though I admit that even he's starting to grow on me as his character begins to acquire a little more dimension. But there's so much else that's wonderful about this series, including engaging story lines, that Piven can almost be overlooked. Overall, it's a light, frothy confection that charms and delights in an easy way that few shows ever manage. But I suppose charm is out of fashion. And please, let's stop comparing it to Downton Abbey, which it's not even attempting to replicate, and judge it on its own merits, which are considerable.
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The Prestige (2006)
2/10
Read the novel instead
12 August 2007
I finished reading the darkly elegant novel "The Prestige" by Christopher Priest about a week before renting the DVD. Perhaps I was setting myself up for disappointment, but the movie is an absolute dog; it pales in comparison to the novel. I have to wonder what Christoper Priest thinks of this film.

Call me a purist, but I would love to see the novel made into a movie that respects the story's original plot structure. Too much that is worthwhile in the novel, such as the addition of Borden's and Angier's descendants to frame the story, has been deleted. Too much that is ridiculous has been added to the film. The story has been butchered beyond belief. I realize that Nolan is known for playing with the chronology of events, but his piecemeal approach destroys any possibility of real dramatic tension building towards any sort of climax.

One of the strengths of the novel was that the story was told largely in the form of diaries the two magicians had written. This offered us some back story to give context to the conflict between Angier and Borden, and also allowed us to get inside their heads. The characterizations in the movie, are for the most part, extremely one-dimensional and superficial - completely without subtlety. The acting is mostly a snore, with flat performances from most of the actors, an exception being Rebecca Hall, who showed some emotional depth and engaged the viewer. At least the special effects were snazzy. But far more electricity was generated by Tesla's machine than existed between any of the characters, which is really too bad. I just got bored with it all.

If you haven't seen this picture, don't waste your time. Just read the book.
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