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Reviews
Fighter (2024)
Another Top Gun copy by Bollywood
Bollywood's Fighter is another cheap copy of Tom Cruise's movies in Hollywood. Cheap imitation and no originality. Movie actors look too old and not suitable physically for their respective roles. Very similarities with the director's previous movie Pathaan. You will feel like you want to come out of theater as soon as possible.
Bollywood has to learn a lot from south movies like RRR and Baahubali (1 and 2) in making the movies that feel like Indian movies rather than copies of Hollywood movies.
This movie is not worth watching in theaters at all. Save your precious money, time and peace of mind.
Hanu Man (2024)
"Hanu Man" emerges as a unique Sankranti winner
Hanu Man (2024) review by Satendra Patel
"Hanu Man" emerges as a unique addition to the cinematic landscape, blending the traditional genre of devotional storytelling with a contemporary superhero narrative. Teja Sajja's portrayal of the titular character stands out, showcasing his versatility as an actor. His seamless transition between the carefree demeanor of an aimless youngster and the gravitas required for emotional scenes reflects a commendable range. Sajja's portrayal of the superhero is not only believable but also enhanced by meticulous styling that adds to the film's overall appeal.
Amritha Aiyer's on-screen presence adds a layer of beauty and depth to the narrative, with her substantial screen time allowing for a well-rounded depiction of her character. Varalaxmi Sarathkumar's performance as the hero's sister is nothing short of fantastic. Her ability to deliver impactful emotional scenes contributes significantly to the film's emotional depth. Vinay Rai, as the villain, brings intensity to the plot, although his character may draw parallels to Hollywood counterparts.
The supporting cast, including Vennela Kishore and Getup Srinu, contribute humor and entertainment, providing a well-rounded cinematic experience. Prasanth Varma's directorial vision shines through, injecting fresh energy into a concept that may seem familiar. Despite the beaten-to-death superhero theme, Varma's direction keeps the audience engaged, with high moments strategically placed throughout the narrative.
The film's climax, particularly the last twenty minutes, elevates the impact, showcasing Varma's storytelling prowess. The scenes related to Lord Hanuman are well-presented, adding a spiritual dimension to the superhero tale. Dasaradhi Sivendra's camera work deserves applause, delivering top-notch frames that enhance the visual grandeur on the big screen.
The musical composition, featuring songs by Gowra Hari, Anudeep Dev, and Krishna Saurabh, seamlessly integrates with the narrative. Gowra Hari's background score enhances key scenes, contributing to the film's emotional resonance. The art department's meticulous work and the VFX team's commendable efforts deserve special mention for creating grand visuals on a limited budget.
Primeshow Entertainment's production values play a pivotal role in the film's overall grandeur, providing a rich canvas for the storytelling. The combination of impressive visuals, engaging performances, and a well-executed soundtrack collectively elevate "Hanu Man" beyond its conventional superhero counterparts.
In conclusion, "Hanu Man" successfully navigates the realms of devotion and superheroism, delivering a refreshing cinematic experience. Teja Sajja's compelling performance, Prasanth Varma's visionary direction, and the collaborative efforts of the cast and crew contribute to the film's overall appeal. While the movie treads familiar ground in terms of genre, it manages to carve its own niche with a blend of tradition and modernity. With high production values and a captivating narrative, "Hanu Man" earns its place as a commendable addition to the evolving landscape of Indian cinema.