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Fireproof (2008)
10/10
Powerfully acted family drama a must-see.
29 September 2008
I did not expect to be moved as much as I was by this film. While not exactly a "guy" film, it's not a "chick" flick either. Things burn. People get hurt. Things blow up. People laugh; people cry...

Anyone who believes they know what "love" is must see this film. Anyone who has ever been "unfairly treated" in a relationship, or misunderstood (or maybe understood too well) will appreciate this movie. It redefines categories to that extent.

FIREPROOF is thoroughly entertaining. See it right away. And tell a friend.

Forgive the quotes - like I said, categories will be redefined by this film.
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Robots (2005)
10/10
The best movies are about something special. This is a movie-lover's movie.
29 March 2005
I waited eagerly for Robots because I am a fan of adventures and animated stories - especially big, bold and beautiful stories with great themes. Robots surpassed my expectations on every level; it threw in many surprises, and left me pondering seriously my own life and the world we've created for ourselves.

First, it was a pleasure to fall into the mechanical world of the story; an extremely intricate and highly imaginative world that was also instantly understandable. Mechanical engineers and physicists alike would love this world, as it never broke any of its physical rules. I never once thought to myself, "Why'd they do that?" and never felt out of the story world. It was completely cinematic and thoroughly engaging.

Second, Robots succeeds in its self-awareness as a filmmaker's movie. It must have been a riot to sit in on the filmmakers's story conferences. They obviously love great films because they referenced so many. Obvious references included Singing in the Rain, The Wizard of Oz, The Matrix, Star Wars, and even Ice Age. There were so many clever nods to other films and directors I can hardly remember them all. I have to see it again and find the Chris Wedge cameo a la Alfred Hitchcock. I'll bet it's in there! I will definitely keep an eye out for the next Chris Wedge, Carlos Saldanha or Lowell Ganz project.

Third, McKee advocates a great story, well told, and I believe Robots accomplished this, with honors. Remarkably simple yet elegant, well written, and profound for its simplicity. Other commentaries give ample plot details, so I will not; I will, however, reveal what I believe the film is about. Robots is about devotion to your dream, being all you can be, honesty, integrity, courage, and especially, commitment. All of this without being sappy, sweet, cloying or pedagogic, but being entertaining, witty, and (even though its really an adventure and not a comedy) hilariously funny. Funny in the same ironic vein as The Princess Bride.

Finally, I believe great films allow us to see ourselves and our world in a new or different light. As social commentary, Robots speaks about important issues of today, especially those that concern the "invisible" society around us, the clerks, shopkeepers. the hard-working poor and even the homeless. How easy is it for us to quickly forget, or to never even notice, the world we are not involved in? Yet Robots introduces us to characters who, though fashioned of metal, rubber, glass and plastic, are our neighbors, and even our brothers and sisters. Yes, they were humorous characters on the surface (or mean, spiteful, greedy villains) but underneath, the Robots were you and I. Some had dreams of greatness, others were content to be their own personal best, yet all shared what we all desire as human beings: the desire to live, love, and achieve whatever our worthy purpose is without fear of being relegated to the scrap heap and recycled simply because we are "last year's model," inconvenient, or a "burden" to care for.

This was the Robots experience for me, your humble servant. I hope I too may soon call a film of this caliber one of my own.
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Mother Ghost (2002)
10/10
A fine film in the Bergman/Fellini tradition.
14 September 2002
Mother Ghost screened at the Long Beach International Film Festival and enjoyed a strong, positive audience response. Everyone laughed at the humor that sprung naturally from the plot and characters, and either cried outright or fought back tears at the climax. Mark Thompson's performance is reminiscent of George Clooney in strength, good looks and humor. In addition, Kevin Pollack pulled off the best rendition of a screen psychiatrist one could ever hope for; pure genius!

This film is a genuine surprise in its remarkable use of non-traditional structure. Although it is linear, it is not really three acts; it is a powerful emotional journey in one act, almost like a play. The director, Rich Thorne, and lead actors Mark Thompson (of Mark & Brian fame) and Kevin Pollack pulled out some wonderful surprises for such a simple story: a man struggles to deal with grief after losing his mother. Using creative staging, situations and humor, the story propels an otherwise mundane premise into a real treat for the senses. Fans of either Bergman, Fellini or Hitchcock (yes, they can go together!) will definitely appreciate this fine film.
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