jesse13788 Reviews

Gandu (2010)

Fine Art!

[8/10 · 15 October 2013]

Having stumbled across my review of the director's previous venture Bishh on this site (written some four years ago), there came a natural compulsion to jot this down as well.

After the experience of Bishh, my expectations when I finally came across this 'banned' film was not high. The steamy trailer did little to pique much interest although it became a rage among the online (and offline) masses. To be honest, it felt somewhat gimmicky and I was afraid the film was going to turn out to be something similar. Well, it didn't.

Gandu is, despite its name, brilliant. The moments of transgression this motion picture dares to make were outlandish, perhaps even 'affected' by a certain sense of the word, but never fails to make a mark. The cinematography is vibrant, the music stimulating. The writing may not have been perfect, but what do I know of perfection... I liked it. There was a profound 'honesty' to the angst (I was tempted to write 'psychedelic honesty') and it was provoking, even without a blunt before the show.

Joyraj and Anubrata were perfect to the T & Rii was her best yet. Kamalika was hauntingly natural. The direction had a rudderless precision to it that strikes the right chord, and the interesting play of subtitles didn't harm one bit.

I don't know if I can agree with a fellow reviewer calling it one of the best Indian movies ever (although I 'dug' the Midsummer quote), but Gandu is definitely a benchmark as far as Indian Independent Cinema is concerned. It's art, and a fine piece too!

Paranormal Activity (2007)

Not as great as REC, but good enough!

[8/10 · 26 October 2009]

To put myself on an objective plane before writing this review, I should admit that I consider 2007 Spanish zombie thriller Rec to be THE scariest movie I have ever seen. Now, contrary to whatever my co-watcher says, (who reportedly still has nightmares about a teenage Linda Blair scaring the whole world in 'The Exorcist') Rec scored over all other films thanks to its pseudo-original footage format, where a camera crew gets stuck in a zombie-infested Barcelona apartment building.

Oran Peli's Paranormal activity, however, has a different premise; but here again, the camera is operated by a protagonist: an over- enthusiastic man (Micah Sloat) who is interested to find out the truth after a host of spooky occurrences in his house, that are somehow connected with his girlfriend's (Katie Featherston) past.

Screened for the first time in late-2007 during the Screamfest Horror Film Festival, it took two years for the film to find a proper distributor. After a slew of incidents that included proposals to re- shoot and even a hassled Steven Spielberg claiming that the DVD of the movie was 'haunted' (but he ended up liking the movie too), DreamWorks and Paramount finally released the film, 11 years after the first horror pseudo-documentary film of its kind, 'The Blair Witch Project' hit screens.

Even though my co-watcher decides to go to sleep each time I begin one of my history lessons, cinema-goers have been tastefully acquainted with this 'style' of film-making in 1998, thanks to 'The Blair Witch Project'; the success of which, however, did not generate a string of below-average films of the type (Thank heavens!). Rec came in 2007, its not-so-good Hollywood remake 'Quarantine' came a year later and in 2008 itself, a similarly shot 'Eco-terror' film ("What's that?" my co- watcher asks. "Films like Godzilla", I reply) 'Cloverfield' took home a fair amount of dough.

So is Paranormal Activity special, or different, or better than its predecessors? To put it fairly, it is a heck of a scary film. The amateur footage looks amateurish enough to make you believe as if you are really watching 'the real deal'. The slow (albeit, steady) curve of the story has everything from low-key titillating shock-effects like small sound distractions whenever 'the demon' is around; to nerve- wracking sequences where doors are closed with heavy bangs and protagonists are dragged away by a scary and invisible force. The acting is effectively natural, Katie is easy on the eye, Micah is effortless; the fact that Katie is called Katie and Micah is called Micah within the film boosts the authenticity factor as well.

The real kicker is perhaps the ending which has the potential of a fairly harsh kick in the 'Courage Guts' of the more 'gallant' viewers (Like 'me'). But on a totally personal level, the original 2007 ending was much more 'complete' than the new one. ("We all know Hollywood. The new ending nearly guarantees a sequel." my co-watcher explains. And I guess she is right. Paramount has already made public their plans for a sequel)

So Oran Peli does strike gold in his first directorial venture. And maybe its not as good as the 'sleekly planned' and 'budgeted' Rec (Let me see Michael Bay or Peter Jackson pull off a movie like this with 15000 bucks!), but its sure to go down in the history of Horror as a really good 'Screamfest'. After all, a movie which boasts the presence of a talented screamer (Katie was good!), it's only fair that the movie gets a fair share of scared screamers from the audience as well.

Bishh (2009)

A Pathetic attempt at Modernity!

[2/10 · 18 March 2009]

The director is confused-- what does he want to do? Does he want to make a bold movie with some lewd one-liners and steamy situations; Or a touching story of three girls on the edge of desperation; Or an art film with slow-mo conversations and occasional, irritating psychedelic freeze-frames!

The movie is as confused as a Shilajit music video (and Shilajit's music bringing up the rear with lines like 'Bishh diye Bhat mekhe khai' {I take poison with rice})but at least in the videos, this ambiguity works, unlike they do in this movie! So Rii looks hot with her clothes on, and her every minute change of clothes does nothing much to steam up the movie, or the every hour partner-change either! Mallika in that restrained role with a taxi-driver doesn't really get the viewer's sympathy! Same fate awaits the whole transsexual angle!

It's time "bold" directors should learn that being 'radical' doesn't involve making inane movies with sexual connotations! Bishh is all about a good plot possibility laid to waste by a director who's (probably) too ashamed to even let his full name known: all gimmicks (including the directors name-change from Kaushik Mukherjee to Q)come to nothing if you don't have a good script, brother!