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Total Recall (I) (2012)
5/10
Total wreck-all
8 January 2013
A hundred and eighteen minutes of eye-blasting sequences and awesome background & futuristic landscapes… but nearly two hours of complete boredom.

I haven't seen the original Total Recall for a long time now, but there is absolutely nothing to compare, as often with blockbusting remakes like that, some would say. And they are damn right. The story gets completely drowned into action/fight/runaway sequences and very few are the moments where you can truly say "wait, what is going on ?"—to be honest, it happened only once for me— and even that was way too shallow to be completely honest concerning what a viewer might accept. I'm not going to compare with the original.

Okay, you can find in this movie what you expect Science-Fiction should look like in the 2010s, clean and wide shots of futuristic cities, the use of Mag-Lev technology for Cube-like runaway scenes and video-game paced car chase scenes, not to forget gun fights in Zero Gravity. That's for the visual part. The mental is quite absent, not that much of mind-games, just enough to say "Okay, that's it for the plot, we can go back to fighting."

But… Come on ! It's not the 90's anymore, you cannot pretend anymore that a battalion of elite soldiers and robot-cops fully geared can miss fully exposed unarmed heroes, even if the hero himself is a trained assassin. Hollywood should stop taking what worked 20 years ago when Schwarzenegger was still a class-A Action Hero and the bad guys emptied their clips at him without much success, now that the targeted audience is spending half of its time playing ultra-realistic First Person Shooter games… That just doesn't do it anymore. When the awesome CGI background suggests you are in the future, the action just sends the audience back to what they are doing : watching a poor SF remake putting everything on CGI effects, action sequences and Colin Farrell trying to figure out what is right and what is wrong.

There are some poorly reflected scenes, as for the Recall part that is presented as the ultimate and most trendy thing there is in this post-apocalyptic society, and you find yourself witnessing the hero going to a place without any clients, hold by a bleached-haired Asian guy —what could be more cliché ? barely explaining the dangers as the sequence is already initiated and the hero is strapped on the chair. Once again, it feels like somebody said "quick, quick, get on with it, so we can throw in more action sequences !" Come on…

Concerning the acting itself, Colin Farrell is doing is best, so quite good, but while Melina gives a somehow brain-dead acting as her character definitely lacks deepness, Kate Beckinsale is terrible, overdoing it playing the two-face hot bitch her character is, and in no time you find yourself praying for someone to shut her up, which doesn't occur until the end of the movie, that has been long, long, long, way too long. Not even 2 hours seemed like 3 and a half as the production clearly thinks you're dumb as f*ck and that Science Fiction means 90% of action for 10% of brain use & mind-game. They had the chance to do it otherwise, I really wonder why they didn't.

All in all, if you are fifteen year-old, a wannabe futuristic architect or designer, a stoner having two hours to kill or you're into badly used big budget action flicks or maybe all that at a time, this movie is for you. For the others, true Sci-Fi amateurs, die-hard fans of implanted memories/mind controlled heroes-based story or simply not considering yourself an idiot, you would better read a book than go to see this… thing.

5/10 for visual design and that's all.
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7/10
Finally, a successful attempt to turn Horror into series
19 May 2012
I've only watched the pilot so far, but got to start episode 2 right away. So, it's basic Horror material, three main characters with their own profile, clean on top but messy inside, move into a haunted house. You may expect suspense, some brutal violence, a bit of weird stuff and you'd kill for a good soundtrack that makes the sauce. So far, you'll get pretty much served. The cast is quite good and very efficient, I think having Connie Britton playing the mother does the trick: a real mid-life looking woman, without any particular desire to struggle against time effects—finally, someone without any facial surgery or heavy make-up. Evan Peters is really creepy in his role, the typical sociopath with high mental skills and urges to kill, with something more. There are a few "something more" in that show, don't miss it, the fact that each episode starts with a short flashback of other gruesome activities in the House through time, with its proper clichés that make the thing easy to aboard; the very neat editing combines to the fine soundtrack in very twisted "horror-action" sequences. The whole thing is quite Carpenteresque on its non-CGI setting and can be slightly Lynchian on the time line. Plus its a series, so every character gets its time on screen. I don't know if the rest of the series is doing good (yet) but be sure to take an hour to watch the pilot. Or you can skip to season 2, as it's been said that every season would have a new cast and story. That would prevent the thing to grow boring for too long.
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The Beaver (2011)
7/10
Don't let a puppet get all the credit
25 January 2012
Surprisingly enough, I was looking forward to see this movie, as I thought watching Mel Gibson be something else on screen than a hero could be nice, for once. Well, I was right. Mel gives a really convincing performance doing the man-having- everything-but-what-he-truly-needs going through a recovery that just cannot leave him, his relatives and the viewer unharmed at the end of the flick. The story also focuses on the way his son tries all he can to avoid becoming like him, and his own discover of the f*cked-up way life takes sometimes, concretizing the Great Motto "Shit Happens" through his teenage relations & the unavoidable trans-generational psycho- genealogy, when coming to deal with identity—one's or another's.

Jodie Foster did a pretty nice job directing this flick, the photography & directing making slowly fading Mel for the Beaver, without transferring any sympathy to the puppet and keeping the character on the edge of recovery and/or a deeper failure for the whole movie. The viewer gets easily sucked in, considering the common of the situation & the fact that depression can really go so far, and even though the teenager part is highly predictable the rhythm makes it stable and enjoyable. Good acting performances, good directing, good story, a more than good movie.
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Wrecked (2010)
7/10
Fasten your seat belt
29 July 2011
For you never know what is going to happen. I haven't heard anything about this movie and went to IMDb to check out the reviews about it prior to watching it.

Considering them exceedingly bad, I decided to check it out anyway, to make my own mind. Well, I have a few things to say.

It is a slow movie. I understand some viewers might find it annoying.

BUT

If you read the Trivias about this flick, you will learn it has been written without knowing where it was going.

Without being aware of that I too found this movie exceedingly boring, because it lacks proper timing for twists or actions in a way. Knowing that, and if you're not afraid of independent (even experimental) movies, you can go on and you might enjoy it.

If you are a fan of Adrien Brody, you should probably watch this movie as well, because he really fits well in the part of a man knowing as much as the viewer do as the movie begins, sadly he has to fight until the end, and so does the viewer who thought he was in for a special thriller and survival movie like Cast Away and/or 127 hours.

You have to be aware that even though it's quite close to those films due to the subject, you cannot compare at all, for this is, I repeat, a whole experience considering the non- conventional way of writing.

All that to say, if you're looking for some strong thrills watching a man struggling for his own survival, you should probably stick to Cast Away & 127 hours.

On the other hand, if you're willing to witness another type of setting for a man trying to figure out what he is doing here and why, a low budget movie exploring the nothingness as the new standard for making a story, then Wrecked is a movie to watch.

Thanks to Adrien Brody's performance, and the nature of the experimental writing process revealed, this movie deserves a 6 out of 10.
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Black (I) (2009)
3/10
Paris-Dakar has been canceled
26 July 2011
Despite the low rating this movie has on IMDb, I decided to watch it anyway. Still, I could have not and nothing would have been bad in this. The first hour is quite distracting, following the chase-for-a-better-plan of a young black french felon going back to his roots in Senegal, only motivated by the opportunity to rob a ton of raw diamonds from a typically African bank, i.e. an easy job, without any regards for the consequences, not learning anything from the total failure of the robbery opening the movie. That's a pretty good pitch in my opinion. The only problem is the rest of the characters are totally predictable — not to say a bunch of clichés, from the Russian war criminal to the strong yet somehow charming policewoman who would turn into the perfect match for the main character. Yet, that would not be so much of a problem, for an average robbery movie, with even some Ritchie/Tarantino-like moments. The soundtrack is nice though. Yet, that's not what makes this film a failure. They tried to inject the mysteries of black Africa, animist traditions and the fight of noble animals against the vile serpent, including voodoo, sorcery and transmutation. What does that have anything to do at all with a robbery-based movie?? Where "Blueberry" succeeded, "Black" fails and barely makes it, with obvious twists, actions scenes turning flat due to the poor editing, overseen situations, and a strange turn into a wild world where characters just seem to forget their goals and accept their fate without any questions regarding logics or the reason why they got here in the first place. It's a kind of Kismet, and the viewer would finally accept the fact that this movie got straight into the wall, just like the characters with their expectations. Usually, hiring black rappers for main muscle characters (MC Jean Gab'1 is a french rapper) does not give the best results… Sadly this movie makes no exception
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7/10
Pee Wee's fans are welcome.
17 August 2009
I've never heard of Pee Wee Herman before a few days ago, as I live in France, where he's just not popular, when I noticed Paul Reubens' performance in Cheech & Chong movies, I decided to look closer for some more piece of exuberance, as I love this kind of eccentric character, and so I discovered Pee Wee's Big Adventure —surprisingly directed by an unknown-at-the-time Burton— and had a really good time watching it. When I saw there was a sequel, I managed to find the DVD, and just watched it a couple hours ago. Coming with the critics now.

The first thing to say, if you're a fan of Pee Wee Herman and you're not a kid, you'll just really enjoy that movie. I laughed for real several times, which is not that easy, as I watch about 300 movies of all kind a year -279 in 2008-, so in my opinion, that's a good point. I won't say this is an adult feature, it's just that contrary to Pee Wee's Big Adventure, Pee Wee's character here is more based on a teenager kind, as sex-related humor and scenes are developed here. To say so, Pee Wee has now a stronger sexual identity than in PWBA, where he was just trying to avoid any close contact with the ladies he now goes for them. That part of Pee Wee is really interesting to see on a movie, as you can imagine with the large amount of comedy Pee Wee carries within him. About the structure of the movie itself, well, it's not that great, it misses the genius part making all of scenes unique and important like in PWBA, as this is not a road-trip but a small town based action, plus some characters are just not enough developed to carry the movie further on. For example, apart from the American-Dreamed-face of Kristofferson, and the simple beauty of Valeria Golino, you won't be deeply touched by their story, not interesting or innovating at all. That's to say it could have been any circus-based comedy, with a talking pig for kids and sex-related visual jokes for adult, which wouldn't worth to be seen, if it was not a Pee Wee Herman story —the very limited number of them on the big screen makes it a must to see if you love Pee Wee. In a few words, poorly conceived but fun as a Pee Wee movie can be.
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