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Reviews
Maaveeran (2023)
Low-Budget Marvel: The Triumph of 'Maaveran' in Tamil Cinema
Maaveran is an exceptional film that shines in every aspect. From its terrific writing to its meticulous attention to technical details, the movie truly stands out. The complex screenplay seamlessly presents scenes that appear effortless on screen, thanks to brilliant execution of events before and after. Maintaining a realistic tone throughout, despite the fantasy plot, is a remarkable achievement by Ashwin and his team. Vijay Sethupathi's powerful voiceover adds depth to the common man's inner rage. The film's elaborate screenplay demanded immense hard work, evident in the outstanding performances. SK's acting prowess shines, even without his on-set voice, while Sarita captivates with her presence. Mysskin strikes the right balance between comic and aggression as the antagonist. Yogi Babu's humor resonates well, and Aditi's role contributes meaningfully to the screenplay's movement. The cinematography and editing are expertly done, enhancing the film's layers. The apt music complements the visuals, and the boat sequence's background music is particularly noteworthy. The unique and impactful action choreography adds to the movie's appeal. Ashwin seamlessly weaves in crucial political discussions, enriching the screenplay. 'Maaveran' perfectly exemplifies a commercial film with substantial content.
Bholaa Shankar (2023)
Bholaa Shankar Plunges into Depths of Disappointment"
I must regretfully confess that "Bholaa Shankar" left me utterly disheartened. The film's desperate attempt to mimic the triumph of the Tamil original "Vedhalam" falls woefully, shockingly short, and Chiranjeevi's portrayal in the lead role is nothing short of a monumental letdown. His performance lacks even a fraction of the magnetism and complexity that Ajith effortlessly infused into the character in the original.
To put it bluntly, this movie stands as an unequivocal low point in my year of cinematic experiences. The cringe-inducing moments are piled high, and the uncomfortable romantic subplot between Chiranjeevi and an actress young enough to be his daughter is impossible to disregard.
For anyone entertaining the thought of subjecting themselves to this film, I implore you to veer away from squandering your hard-earned money. The original iteration is conveniently accessible on YouTube with subtitles, presenting a considerably more satisfying option for entertainment. Rather than parting with your money for the dismal affair that is "Bholaa Shankar," I'd wholeheartedly recommend investing those funds in a sumptuous Zomato feast.
Chiranjeevi's decision to embrace such roles only serves to underscore the jarring contrast between his lackluster performances and the outstanding work of actors like Mammooty, who, at the age of 72, continue to shine in intellectually stimulating and artistically profound films. It's a stark reminder that there exist far more gratifying avenues for spending your time and resources than immersing yourself in the profound disappointment that "Bholaa Shankar" epitomizes.
Gadar 2 (2023)
A Disappointing Sequel That Fails to Recapture the Magic"
Gadar 2 proves to be a letdown as it struggles to weave a captivating storyline, relying instead on tired cliches that offer little surprise. The characters, while familiar, lack depth and fail to evoke any real connection with the audience. The execution of the film feels disjointed and lacks the finesse needed to breathe life into the narrative. In attempting to recapture the enchantment of the original, the sequel stumbles and fails to evoke the same level of excitement, ultimately leaving viewers underwhelmed. It's disheartening to see a potential gem of a sequel squandered, missing the mark and failing to honor the rich legacy of its predecessor.
OMG 2 (2023)
A Thought-Provoking Journey on Sex Education and Social Values, hindered by Chemistry and Pace
OMG2 comes remarkably close to achieving its goal of promoting sex education in a conservative society like India. However, the chemistry between the God and his devotee is notably absent. Despite Pankaj Tripathi's attempt to infuse a subdued yet amusing perspective on the OMG concept, it falls short. The charm and playfulness of the original seem lacking in this iteration.
Nevertheless, Pankaj Tripathi admirably carries the entire film on his shoulders, overshadowing even accomplished actors like Kumar, Gautam, Govil, Namdev, and Malhotra. Tripathi's cleverness, expressions, and composed demeanor contribute to a believable and praiseworthy performance.
OMG2 could have been elevated with a superior scriptwriter to incorporate the subtle and witty dialogues that enriched the original, transforming it into a heartfelt and captivating courtroom drama, rather than the sluggish pace it currently maintains.
In general, the film shines through its social message and significance. Despite the scarcity of miraculous events and the extensive research undertaken, Tripathi's character triumphs in the courtroom, setting a necessary example for contemporary India. OMG 2 is highly recommended viewing for students and parents nationwide. It not only celebrates the notion of Kama but also underscores the importance of mutual respect between genders before embarking on the sacred journey of love and procreation.
Jailer (2023)
Exceptional! Mass Delivered!
Nelson, you've truly exceeded expectations with your latest film, "Jailer"! This movie takes a fresh approach to the thriller genre, blending it seamlessly with your characteristic humor that will leave the audience in stitches. It's an exhilarating dark comedy rollercoaster that keeps you hooked throughout.
Right from the start, the film had me intrigued. It began with poignant moments centered around a grandfather, leading to the tragic loss of a son, and the subsequent pursuit of revenge. Amidst the intense drama, you skillfully interwove humor through the talented performances of your lead actors, ensuring a captivating experience.
The casting of the Original Gangsters of Hindi, Kannada, and Malayalam cinema were a delightful touch, with legendary figures like Jackie Shroff, Shiva, and Mohanlal making impressive cameos. A particular scene that brought them all together earned thunderous applause from the audience!
Thalaivar's portrayal was exceptional, capturing every fan-favorite element flawlessly, from his suave cigar moments to his effortlessly stylish cigar toss. Your attentive consideration of the fans' desires was evident, and the results were remarkable.
And let's not overlook Vinayakan, who truly shines on-screen. Going up against Thalaivar as the ultimate villain is no small feat, and he embraced the role brilliantly.
The movie is an unadulterated entertainment package from beginning to end, and I encourage everyone to grab their popcorn and savor the experience.
So, fasten your seatbelts and prepare for an uproarious and heartwarming masterpiece in "Jailer." This is a cinematic triumph! 🎬
Raavanan (2010)
Raavanan: A visual Treat
Stunningly spectacular visuals, Sleek and stylish technical aspects, crispy narration, powerful characters and magnificent performance from the cast makes Raavanan one of the best movies of 2010.
Raavanan is the 21st century Ramayana by India's acclaimed writer- director Mani Rathnam. The movie draws inspiration from the crucial events of the epic; the kidnapping of Seetha during the exile, Ram preparing the army to invade Lanka, Raavanan falling for Seetha, Hanumans giant leap into Lanka, to send message across to seetha and cautioning Raavanan about the debacle of lanka, anticlimax where Ram insists Seetha to step into fire to prove her chastity. For those who have no idea about the above events, Raavanan would give you a preface.
The story revolves around Veera ('Raavanan' Nick name); wild, untamed, dauntless warrior. A leader for his clan, his people worship and follow his path. He would not tolerate injustice against his people, this gets him into the police records. Dev, the police officer, who has been specially appointed to capture Veera, shifts to the area where Veera has established his reign. Veera intolerant of the action against his clan, kidnaps Ragini, wife of Dev, and there begins the cat and mouse game which bears shades of Ramayana. In the later part of the movie, we get to know that Veera's vengeance against the police is because of his sister's (played by Priyamani)suicide for the pure agony she faced at the hands of the police. Ragini, then, like the Stockholm syndrome, starts to exhibit a soft corner for Veera. Well paced second half and a riveting climax should be given a special applaud. The climax is the best of 130mins of the film as the performance of Aishwarya Rai and Vikram reach the highest level. Remember this; no other cast could've pulled out a performance like this. Thanks to Manirathnam for the best casting.
Vikram has played his character Veera with perfection, making it his own, in few instances taking it away from mani. He takes each scene into his stride depicting ease with the character. Prabhu, who has played the right hand of Veera in the movie, has given a good performance. Prithviraj, Priyamani and Karthik (outstanding in his come back) have given their best; with Prithviraj playing Dev, the 'good' policeman with shades of grey, Karthik, in fact, seems to be the 'Hanumam' character of the movie brings back the flavor of his yesteryear touch, and Priyamani expresses with her eyes and jazzy voice. Aishwarya Rai as Ragani, the female lead is looking refreshingly beautiful and sinks with the backdrop. She excels in her role and on few occasions she matches the performance of Vikram.
There is a poetic feel in the conversations between Aishwarya and Vikram, and its complimented by the scenic beauty around them. The abundance, splendour and the grandeur of nature has been captured by cinematographer Santosh Sivam and V Manikandan. The views are breathtaking; Mani's Love for rain is almost visible in every scenes especially in those conveying emotions. Cinematographers have done a fantastic job in recreating the spectacular visuals on the screen.
A R Rahman's music is predictably brilliant. Most of the songs bear a rustic and earthy feel and lyrics by poet Vairamuthu glorifies the story. The songs blend with the visuals rendering viewers a treat. The movie has the stamp of Mani Rathnam's style in the narration, scene execution, but still, one does feel the scenes in the first half slack a bit in continuity and connecting characters.
Yet again, the star studded combo of Manirathnam, AR Rahman, Santosh Sivam and Vairamuthu rocks the box office.
On the whole, 'Raavanan' is a film that doubtlessly offers something new, fresh and exceptional. For those whole liked this movie i would recommend a movie inspired from epic Mahabharata 'Thalapathi' written and directed by the same genius ManiRathnam.