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Ali: Fear Eats The Soul (1974; Rainer Werner Fassbinder)
Look Back in Anger (1959; Tony Richardson)
Taste of Cherry (1997; Abbas Kiarostami)
In The Company of Men (1997; Neil LaBute)
Come and See (1989; Elim Klimov)
Cach� (2005; Michael Haneke)
Saturday Night and Sunday Morning (1960; Karel Reisz)
The Draughtsman's Contract (1982; Peter Greenaway)
Five Easy Pieces (1970; Bob Rafelson)
The Insider (1999; Michael Mann)
Das Boot (1981; Wolfgang Petersen)
Cool Hand Luke (1967; Stuart Rosenberg)
Der freie Wille (2006; Matthias Glasner)
Festen (1998; Thomas Vinterberg)
Nil by Mouth (1997; Gary Oldman)
Ladri di bicyclette (1948; Vittorio de Sica)
Hunger (2008; Steve McQueen)
That Obscure Object of Desire (1977; Luis Bu�uel)
Seul contre tous (1998; Gaspar No�)
Chinatown (1974; Roman Polanski)
Rear Window (1954; Alfred Hitchcock)
Pusher (1996; Nicolas Winding Refn)
Red Road (2006; Andrea Arnold)
Breaking the Waves (1996; Lars von Trier)
Naked (1993; Mike Leigh)
The Cook, The Thief, His Wife and Her Lover (1989; Peter Greenaway)
The Devils (1971; Ken Russell)
Persona (1966; Ingmar Bergman)
The King of Comedy (1983; Martin Scorsese)
The Good, The Bad, and The Ugly (1966; Sergio Leone)
Showgirls (1995; Paul Verhoeven)
Idioterne (1998; Lars von Trier)
Lists
An error has ocurred. Please try againThis list should not be seen as indicative of quality; some of these films are of a shockingly poor standard. Instead it is simply a chronological list of films that adhered, for the most part, to the genre conventions established by the films that preceded them.