It was 14 years ago when I first saw this. More than a decade went by, knowing the main actor (the big brother in the movie, Yuya Yagira) winning the best actor award at Cannes at 14, watching director Hirokazu Koreeda's other work such as "I wish", "Our little sister", "Like father, like son", and recently "Shoplifters", it is time to revisit his earlier work and see how his themes evolves.
And there are lots of recurring themes. Like his other work, this bittersweet movie exposes the dark side of the modern Japan society. What is more appalling is that the movie is based on an even more tragic event happened in 1988. Four children aged 3 to 14, malnourished, were found abandoned in their apartment in Nishi Sugamo in Tokyo. In the previous autumn, the mom met a new man. Leaving 50,000 yen behind, she asked the oldest son to take care of his siblings and disappeared. With different fathers, the kids were not even registered and did not go to school. The children have been living in the tiny apartment alone for nine months without anyone knowing their existence.
Yet the movie shows very strongly that kids are tough and there is hope. As in the director's other movies, children are the center of attention and the portrayal of their mundane everyday life just steals the show, especially the elder brother, grade six student Akira (Yuya Yagira). He is great in showing the responsibility he shoulders without any complaint. He just silently endures and never questions his selfish mom (YOU) who left a note one day and disappeared. Yet when an emergency happens, he knows where to call and when he finds he gets nowhere, he just bangs on the phone and throws his mom's clothes away the floor. Great directing and expression of emotion. The other kids are also very good, except the younger brother Shigeru (Hiei Kimura) should be made thinner after months of starvation. The youngest sister Yuki (Momoko Shimizu) was so cute but when she was sweating and feeling hungry in the power off apartment dripping in sweat, one cannot help but feel sorry for them. My heart really sank at a scene when Shigeru's chewing woke Akira who asked what his brother was eating. Shigeru murmured an answer as he turned over to try to sleep. It hurts more to see him turning his back.
Written by the director, nobody knows has a very strong script. Knowing his mother is not coming back for a while, all Akira does and thinks are practical solutions. He asks help to make New Year gift money packs to his brothers and sisters and continues to shop and feed them. He himself is still a kid, he likes to play and has his dream too. On the practical side, he goes to Pachinko to make friends and hope to get some food from them. On the dream side, he plays baseball for an absent student.
Lots of issues are revealed: selfish parents, lack of child care support, stigma against single parent family etc. In addition, school bully deters some kids and even parents from sending children to schools.
But the kids are strong and practical. They have their own ways to survive. They never complain and always hope that one day their mom will come back with gifts. Kyoko (Ayu Kitaura) even stays in the aroma of her mom by hiding in the closet. Even after a tragedy Akira had his own way of dealing with it. Just too much for a young kid who did not even go to middle school! Adults who abuse children's trusts and hope make me so angry.
I like how the director presents the passage of time by showing the grown hair, the change of seasons, the wildly grown plants in the balcony, the shoes to flip flops, the sweats on the kids' faces, their dirty and worn out clothes and their hungry and weary faces; yet even amid all these setbacks, the children venture out of the apartment to clean themselves and have fun. The plants sprung out from the ditch is just like themselves although they ask "Are they abandoned? How sad!" Abandoned kids feeling sorry for abandoned plants and take them home to treasure - a similar representation we would later see in "Shoplifters." In the end four kids walk in the sun, as if they belong to the same family - a similar theme in "Our little sister" where the core siblings take in an extra sister.
Although their birth parents are selfish, some adults are caring, such as one of mom's former boyfriends and the convenient store clerk. Very sad to hear that in the real incident an extra sister was killed by the friends of the elder brother. It is more tragic than the movie. Sometimes reality is more horrible and and I believe the director wants to show the resilience of children and his hope for the future.
Great movie though a little heavy. Highly recommended.
And there are lots of recurring themes. Like his other work, this bittersweet movie exposes the dark side of the modern Japan society. What is more appalling is that the movie is based on an even more tragic event happened in 1988. Four children aged 3 to 14, malnourished, were found abandoned in their apartment in Nishi Sugamo in Tokyo. In the previous autumn, the mom met a new man. Leaving 50,000 yen behind, she asked the oldest son to take care of his siblings and disappeared. With different fathers, the kids were not even registered and did not go to school. The children have been living in the tiny apartment alone for nine months without anyone knowing their existence.
Yet the movie shows very strongly that kids are tough and there is hope. As in the director's other movies, children are the center of attention and the portrayal of their mundane everyday life just steals the show, especially the elder brother, grade six student Akira (Yuya Yagira). He is great in showing the responsibility he shoulders without any complaint. He just silently endures and never questions his selfish mom (YOU) who left a note one day and disappeared. Yet when an emergency happens, he knows where to call and when he finds he gets nowhere, he just bangs on the phone and throws his mom's clothes away the floor. Great directing and expression of emotion. The other kids are also very good, except the younger brother Shigeru (Hiei Kimura) should be made thinner after months of starvation. The youngest sister Yuki (Momoko Shimizu) was so cute but when she was sweating and feeling hungry in the power off apartment dripping in sweat, one cannot help but feel sorry for them. My heart really sank at a scene when Shigeru's chewing woke Akira who asked what his brother was eating. Shigeru murmured an answer as he turned over to try to sleep. It hurts more to see him turning his back.
Written by the director, nobody knows has a very strong script. Knowing his mother is not coming back for a while, all Akira does and thinks are practical solutions. He asks help to make New Year gift money packs to his brothers and sisters and continues to shop and feed them. He himself is still a kid, he likes to play and has his dream too. On the practical side, he goes to Pachinko to make friends and hope to get some food from them. On the dream side, he plays baseball for an absent student.
Lots of issues are revealed: selfish parents, lack of child care support, stigma against single parent family etc. In addition, school bully deters some kids and even parents from sending children to schools.
But the kids are strong and practical. They have their own ways to survive. They never complain and always hope that one day their mom will come back with gifts. Kyoko (Ayu Kitaura) even stays in the aroma of her mom by hiding in the closet. Even after a tragedy Akira had his own way of dealing with it. Just too much for a young kid who did not even go to middle school! Adults who abuse children's trusts and hope make me so angry.
I like how the director presents the passage of time by showing the grown hair, the change of seasons, the wildly grown plants in the balcony, the shoes to flip flops, the sweats on the kids' faces, their dirty and worn out clothes and their hungry and weary faces; yet even amid all these setbacks, the children venture out of the apartment to clean themselves and have fun. The plants sprung out from the ditch is just like themselves although they ask "Are they abandoned? How sad!" Abandoned kids feeling sorry for abandoned plants and take them home to treasure - a similar representation we would later see in "Shoplifters." In the end four kids walk in the sun, as if they belong to the same family - a similar theme in "Our little sister" where the core siblings take in an extra sister.
Although their birth parents are selfish, some adults are caring, such as one of mom's former boyfriends and the convenient store clerk. Very sad to hear that in the real incident an extra sister was killed by the friends of the elder brother. It is more tragic than the movie. Sometimes reality is more horrible and and I believe the director wants to show the resilience of children and his hope for the future.
Great movie though a little heavy. Highly recommended.
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