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The Number 23 (2007)
10/10
A Strange, Dark Psychological Thriller
15 October 2009
I watched this by accident. I was looking for another movie, a comedy about a man who thinks he's a character in a novel (which turns out to be STRANGER THAN FICTION). Comedy, Jim Carrey, I thought this had to be it. I was wrong, and boy, am I glad I goofed.

Carrey plays Walter Sparrow, a fairly ordinary-seeming man, an animal control officer whose wife Aggie (played by Virginia Madsen) happens to buy him what seems to be the only copy of a self-published novel, THE NUMBER 23. But as Walter reads the book, the story of a homicide detective named Fingerling, he finds the character reminding him of himself. As he reads of the character Fingerling's descent into obsession and madness, he becomes increasingly disturbed himself, and goes hunting for the pseudononymous author, determined to find out what it all means. The answer uncovers a dark secret involving a murder committed over a decade ago, and alters the lives of Walter and his family permanently.

I won't say more, it would give away too much, but I found this wonderfully acted, beautifully written, and altogether involving. Carrey excellently plays both Walter Sparrow and Dec. Fingerling (in scenes from the novel shown as Carrey reads it), Madsen shines as loving housewife Aggie and novel character Fabrizia, and the supporting players turn in excellent performances, particularly Lynn Collins as the novel character Suicide Blond. The photography is frequently dark and threatening, which fits the plot, the sets are marvelous, and the climax is perfect.

I hope Carrey does more serious roles. This movie proves he's not just a funny rubber face.
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Nurse Betty (2000)
10/10
A Brilliant, Overlooked Black Comedy/Drama
28 December 2008
Renee Zellweger is Betty, a Kansas waitress who wants to be a nurse, who is infatuated with a soap opera actor (Greg Kinnear), and who is married to Del, a cheating, stupid male chauvinist who's trying to sell some stolen drugs. Unfortunately for him, he gets brutally, bloodily murdered instead, while Betty secretly watches. It leaves her unhinged, believing that Kinnear is really the character he plays, Dr. David Ravell, and that she is his RN ex-fiancée. She heads for LA to find her lost love, not knowing the stolen drugs are in her trunk. Pursuing her are Charlie and Wesley (Morgan Freeman and Chris Rock respectively), the hit men who inadvertently killed Del before they found out where the drugs were hidden. They pursue her across the country, while Charlie gradually falls in love with his image of her.

And in LA, things get totally bizarre, as no one realizes that Betty is delusional. Alternately funny and touching, this movie is almost perfect. Stop reading commentaries and go see it.
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Alice Adams (1935)
1/10
A Truly Awful Movie
7 November 2008
Warning: Spoilers
Up until her big hit with "The Philadelphia Story", Katherine Hepburn was known as box-office poison. Movies like this show you why.

Hepburn plays Alice Adams, a young girl ashamed of her family's modest income. The character is a cute ninny, constantly trying transparent deceptions to impress strangers, and failing every time, meanwhile giggling in an annoying manner. But, for no discernible reason, Arthur Russell (Fred MacMurray), a rich and handsome young man, meets her, falls in love with her, and decides to marry her after watching her flounder around attempting to conceal her real circumstances.

There's a subplot involving Alice's parents, and a formula for glue that is even lamer, but I won't go into that. Suffice it to say that all the Adams family members act like idiots, and then everything turns out well in spite of their stupidity.

But people were wrong to blame Hepburn for the disaster of this flick. Nobody could have saved this turkey, which seems to have been written by someone with half a brain.

Trust me. Skip it, unless you long to see a real dog.
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10/10
An Fine but Little Known Movie
7 November 2008
This is a very good adaptation of Dostoevsky's novel. The actors all gave solid performances, and the script captures the essence of an investigation into a crime that will depend on not on physical evidence, or finding a witness, but on a psychological campaign by the police detective, as he seeks to get a crack his suspect. As George Hamilton's Robert fences with Frank Silvera's Inspector Porter, he tries to come to terms with his own guilt and fear. In the end, it resolves wonderfully, with Robert coming to terms with his actions and deciding how to live them.

The low budget for the film seems to have been a benefit in this case. The seedy Southern California landscapes give a feel of desperation that makes the initial crime believable, and makes Robert's desire to escape it understandable. And the 'cheapness' fits the small cast, and the film's concentration on a few characters, intensifying the psychological pressure Robert is feeling.

Really well done, and I highly recommend it.
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Showgirls (1995)
3/10
Makes Sex Boring
2 June 2005
This is a movie about sex, but most of the characters aren't particularly sexy. But then, the characters are all scum, and the best thing that could happen would be for all of them to die, making the world a better place. Nomi Malone comes to Las Vegas, wanting to be a dancer and a star. She's not very smart -- a recurring theme -- and gets robbed of everything she owns, except the clothes on her back and her switchblade. Things happen, mostly not worth detailing. She makes a friend who works as a dressmaker. She gets a job as a stripper. She meets Crystal Conner, who can't wait to get into Nomi's pants. She meets Zack Carey, who can't wait to get into her pants. She meets James Smith, who can't wait to get into her pants. And she goes from being a stripper to a star. All this is accompanied by lousy Decalogue, bad acting, stupid plotting, and dance numbers. Some of the dance numbers aren't bad. If you don't know what a lap dance is, you'll find out. But if you're looking for a good movie, keep looking.
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