When chatting in a pub or at a party with friends or new acquaintances, occasionally the question, 'So what is your all-time favourite movie, then?' crops up. Expecting something predictable like 'Star Wars' (urgh) or 'Goodfellas' (queasy) or even 'The Godfather' (impressive but not lovable) the conversation usually comes to a grinding halt when I answer 'A black and white film from the early 1980's called 'Rumble Fish''. The response 'Oh, I have never heard of that,' usually follows, then 'What is it about?' This last question is a tricky one to answer. I mean, what IS it about? A boy comes back to a small mid-western town and saves his younger brother's life at the expense of his own? I mean, it's hardly 'Gone with the Wind' is it? Yet every scene in the film is beautiful to watch - and each repeat watching reveals more. I love to watch it with someone new to it and try to resist pointing out little details, like the colours (or lack of them), the clocks, the cameo roles by Tom Waits, S.E. Hinton, Sophia Coppola and Dennis Hopper. Anyone who thinks that Mickey Rourke is no better than the dreck that is 'Sin Cities' should see this and realise that there was a time when he was capable of true, subtle, low-key 'under-acting' (reminiscent of the likes of Bogart or Clint Eastwood) - a pleasant contrast to the hysterical behaviour of many of today's 'leading actors'.
Nicholas Cage, Diane Lane and Matt Dillon (in my eyes the weak link, in that I never truly believe in him - he seems too old for the part) play useful supporting roles; Laurence Fishburne is interesting (although what a guy who looks to be in his 30's would be doing hanging round with a bunch of teenage delinquents was never clear to me!) and William Smith represents the sole true 'authority' (one might also say 'normality') character in the form of Patterson the Cop.
The message put over is simple yet complex, ambiguous yet clear, paradoxical yet logical. There are aspects of both tragedy and comedy - even pantomime - about it. The opening lines, "Biff Wilcox is looking for you, Rusty James. He's gonna kill you, Rusty James!" tell you that this is not a real world - Biff is not going to actually kill Rusty James, just give him a slap - but that this world is real to the characters that inhabit it. The Motorcycle Boy has discovered that the only way that his brother can escape the constrictions of this world is to deconstruct it before his eyes, even if it means his own end.
'Rumble Fish' is a truly beautiful movie - the cinematography alone makes it worth watching for anyone with more than a cursory interest the movies - to be watched in a dark room, late at night, with a glass of something in your hand. And when you have done so come back here and tell us (me!) what you thought of it and why you disagree with everything above! June 2006
Nicholas Cage, Diane Lane and Matt Dillon (in my eyes the weak link, in that I never truly believe in him - he seems too old for the part) play useful supporting roles; Laurence Fishburne is interesting (although what a guy who looks to be in his 30's would be doing hanging round with a bunch of teenage delinquents was never clear to me!) and William Smith represents the sole true 'authority' (one might also say 'normality') character in the form of Patterson the Cop.
The message put over is simple yet complex, ambiguous yet clear, paradoxical yet logical. There are aspects of both tragedy and comedy - even pantomime - about it. The opening lines, "Biff Wilcox is looking for you, Rusty James. He's gonna kill you, Rusty James!" tell you that this is not a real world - Biff is not going to actually kill Rusty James, just give him a slap - but that this world is real to the characters that inhabit it. The Motorcycle Boy has discovered that the only way that his brother can escape the constrictions of this world is to deconstruct it before his eyes, even if it means his own end.
'Rumble Fish' is a truly beautiful movie - the cinematography alone makes it worth watching for anyone with more than a cursory interest the movies - to be watched in a dark room, late at night, with a glass of something in your hand. And when you have done so come back here and tell us (me!) what you thought of it and why you disagree with everything above! June 2006
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