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7/10
Can't teach an old dog old tricks...
30 October 2005
I remember seeing the theatrical trailer for this film in the theaters around seven years ago. It probably only lasted in the theaters out here for about a week and then the film disappeared entirely. I even recall finding an interview with Penelopy Spheres in a magazine somewhere around that time too. I guess I was pretty eager to see the film, but missed it. Anyhow after seeing the film for the first time today, I must say I was a bit disappointed. It seemed as if everything that was weak about the first film (namely the lame outsider questions) was all that remained in the third. How could the same film maker who made Suburbia and the first Decline be so far out of touch? I mean, she made it look like the only group doing shows in '97 was Naked Aggression. At one point in the movie she asks a kid what speed is, and then she turns around asks the same dude if his mom used to smoke it or shoot it. Whaaat? I thought you didn't even know what a tweaker was. Bascialy the the movie goes on like this, "Where are your parents? Do they like your hair? What's that in your ear? Let's interview a cop. Where do you see your self in 5 years? What's tweak? Doesn't that make you sad? Why don't you get a job?" It looked a lot like the only thing the director was really attracted to was the appearance of her subject, and in the end, even though the people in this film are are real, you kind of have to wonder how accurate this movie really is.
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Godfather part IV
23 October 2004
A film of epic proportions. This film was far ahead of it's time, it wasn't till close to a decade later that we started to see films made by entertainers (rappers) featuring a sound track and an album to accompany it. Tougher Than Leather is similar to movies like Cash Money's Baller Blocking, Choices and Master P's Bout It Bout It. Now almost every rapper has tapped into this market Jay Z, Ruff Ryders, Eight Ball, Three 6 Mafia, Camron (in Empire), all of them. Every camp has their own Scarface tale to tell, and this happens to be RUN D.M.C.'s

Also if you pay close attention there are some amazing cameos, ranging from Slayer to Glen E. Freidman. Slick Rick looks like he's probably 19, Russel's a monster, Runny Ray, Rick... I mean what more could you need? This movie probably won't be recognized until years from now. This is no Beat Street or You Got Served, this is real Hip Hop. D.M.C. is in the pen, Run and J run a train on a white broad, and the head count is absurd. Bodies drop, crack is still relatively new on the scene, I mean this is real hood cinema. Peep it out.
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The Hobo Junction
22 October 2004
Last of the American Hoboes is cutty. It would probably be kind of confusing to watch if you were prepared to see a documentary.

True, there happens to be real hobos along the way, but the actual cast is a cast of actors. The stories are probably based on the accounts of other freight riders, but the only "documentary" part of the story is the convention footage at the end of the film.

It's unfortunate that the quality is so poor, but considering all the footy is probably over 40 years old makes it kind of a gem. Also considering that this film is probably the only one to date that you will find on hoboing makes it actually pretty epic.

I'm not quite sure where one would find this film, but you can find Moede's ashes inside Mondo Video on Melrose.
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Nathaniel Gutman's Deadline. An end to terror by way of fair and balanced journalism
22 October 2004
It's probably fair to say that who ever reviewed this film in the first place was just being irresponsible. Deadline is in no way shape or form a documentary. If it were, maybe that would have made it a little more interesting.

The basic premise is, Walken, a journalist amidst a war is set up and fed false information. The information then ends up making national headlines. As the result, 'ace reporter" Don Stevens' reputation is on the line. Stationed in Beirut he has only till the end of the movie to save his reputation and present "good" news.

It's kind of confusing, and not much else happens. I found it interesting in that the Palestinians were not portrayed as savage terrorists, like most films from this era but that's about all. Deadline is no "Endless Night" or "Murder Elite" but then again, nothing ever is.

Pair Deadline up with Salvador and you might have a hot double feature, maybe just don't play Salvador first.
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