Reviews

2 Reviews
Sort by:
Filter by Rating:
Evil Dead (2013)
5/10
Gore is its only calling card.
5 April 2013
You've already seen this movie. It was the remake of Black Christmas, Friday the 13th, and A Nightmare on Elm Street. It's every horror remake you've seen in the past ten years, only separated from the pack by lots of blood and pulp. Because the only thing this new version of Evil Dead has to offer is copious amounts of the red stuff.

The film starts out with a prologue in which one man says "Baby" to his daughter, whom is he about to sacrifice, one too many times. This is just the beginning of the awful dialogue to come in the next twenty minutes as we move to the present day and get introduced to a group of friends through awfully stilted dialogue that only exists in movie world. I'm sure there are better ways to introduce your characters and their relationship to one another than having them openly remind the others of their relationship to them, their profession, and their back story. This is conversation that only exists in movie land, because real people don't need to be told you're their big brother or their best friend or that they're a high school teacher.

After the clunky exposition, the film moves to the "scares" once a strange book is found in the basement of a cabin the friends are staying at to help one of them go through a cold turkey drug withdrawal. The quotes around "scares" was intentional, as there is not one genuine moment of suspense in this lifeless thing. The movie's sole calling card is the over-the-top gore, which, as an entertainment device, quickly loses steam the moment you realize that none of these effects are going to be preceded by any kind of suspense whatsoever. I saw the film with a theater that was 3/4 full and not a single person jumped, screamed, or showed any outward sign of emotion throughout.

Once the unleashed demon begins taking over human bodies, the dialogue again takes another turn for the worse, with the possessed humans spouting dialogue that's straight out of more disturbing films like The Exorcist and come off like a kid trying too hard to impress his friends by saying the most extreme things he can think of without realizing how ridiculous he sounds.

The last half of the film plays out like an effects workshop class, moving from one gross-out effect to another with slight pauses in between. Once the filmmakers intentions are made clear, the boredom quickly sets in. There is nothing remotely entertaining or suspenseful to fill the time. You can only sit there and wait for the next "genius" gross-out effect which is meant to carry the film in the absence of any good characterization or scares. For a horror movie to be slow is one thing, but when something is happening every five minutes and you're STILL bored, something is clearly wrong. And that's precisely what Evil Dead is--a boring film.

The mood of the audience leaving the theater with me was underwhelming. For a movie that touted itself as "The most terrifying film you will ever experience", something obviously got lost along the way. This is every Platinum Dunes effort you've seen, only touched up with some more gore to make up for the complete lack of anything else. Unfortunately this is 2013 and this trick is played out.
46 out of 93 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
A sometimes thrilling, very hypnotic, poignant piece of filmmaking.
28 March 2013
I can't describe the elation I felt leaving Spring Breakers--truly one of the best films to hit mainstream cinemas in a long time. It was a breath of fresh air amidst all the cookie cutter romantic comedies, dramas, action films, and horror movies that plague modern cinema. The stamp of a good film is the impact factor--how long it stays with you when it's over. Spring Breakers was a film that stayed with me long after leaving the theater. It didn't evaporate from my mind as soon as I hit the parking lot. This film affects you and leaves you in a mood long after the credits appear.

Those seeking a fun "party film" will be disappointed. The TV ads, poster, and cast have probably misled some viewers into thinking this is a cross between The Hangover and Project X. Don't let the cast or the marketing fool you--this is not a "feel good" movie. It's a dark, exciting, tragic look at modern youth culture that doesn't so much as revel in the pop culture sensory overload as hold up a mirror to the audience so we can see some of ourselves in these kids. And if you're like me, you'll find this kind of self-reflection very disturbing. More than once, I was disgusted and enthralled with these characters, not knowing whether I should feel amused, angry, or sad. This is truly the best deconstruction of modern culture I've seen.

The movie starts with our main quartet of female characters struggling to find a way around the fact they don't have enough money to travel to Florida for that much-hyped, almost mythical annual rite of passage nearly every college kid in the country has to face at some point: spring break. Selena Gomez is easily the most likable member of the cast--a young girl struggling to balance her Christian faith and values in the moral wasteland that is college life. One moment we see her praying in church, and the next she's passively condoning the fact that her friends have just robbed a restaurant in order to obtain the rest of the money they need to make it to Florida. In one poignant monologue, she speaks of the monotony of life and how everyone is depressed because they wake up and see the same things every day. Her desire to go on spring break is almost spiritual in nature--a soul-searching journey in which she just wants to be someone new and be free.

The spring break party scenes are manic--loud music, hypnotic imagery, and disorienting colors all come together like some kind of dream. The fun soon ends once the girls are arrested for using narcotics at a wild party. They have two options: pay a fine, or remain in jail for another two days. Out of money and unwilling to call their parents, the girls languish in jail until a mysterious visitor posts their bail. Enter James Franco as Alien, a white gangster with gold teeth, dreadlocks, and a ton of money and guns to go along with his criminal tendencies. Franco truly breaks out in this performance, becoming someone I never could have imagined he'd be able to pull off back in his Spider-Man days. His intentions are murky and the film never misses an opportunity to make us feel uncomfortable witnessing his interactions with the girls. It's at this point that the film takes a drastic turn into even darker territory, the trip slowly proving itself to be more than a few of them bargained for. Thus begins the tragic slide into the dark nature of these characters, as they find themselves participating in and doing things bound to seduce the audience into an awe-struck state more than once.

Not that any of this is told through a conventional narrative. The whole film feels like one crazy, hypnotic dream, from its use of colors to its loud, insane score that ranges from romping party fun to atmospheric, moody pieces that underline the darker moments in the film. The narrative jumps around in time and space, pasted together through flashbacks, flash forwards, and repetitive lines that linger in the back of the viewer's mind like a broken record. The cinematography is flat out excellent and the filmmakers make perfect use of the beautiful Florida scenery amidst all the sheer depravity we witness on screen, with more than a few shots of the beautiful Florida sky and sunset to remind us of our humanity.

By the time the film reaches a delirious montage of violence set to the unlikely tune of Britney Spears' song Every time, Korine has us hook, line, and sinker feeling a sense of revulsion and pity for ourselves and the world at large. Any film that can provoke this type of uncomfortable self-contemplation deserves to be praised.

In the end, I left the theater feeling like I'd just come off an intense acid trip into the darker recesses of modern culture, emotionally exhausted and ready to get in my car and drive home in silence, reflecting on what I'd just seen.

If you're not expecting to have fun and aren't afraid to look inside yourself to that aspect of your personality that craves materialism and vapid entertainment at the expense of losing some of your humanity, go and see Spring Breakers. It's truly one of the best films of 2013 (so far) and will no doubt be a cult classic in years to come. Just don't blame me if the film haunts you long after it's over.
153 out of 258 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed