Given the film's relatively meagre budget of $250,000, it meant that Kevin, Moiser et al had to call in favours, use all of their contacts, get their friends and relatives and their friends and relatives to appear in the film, and get everyone working for scale (film-making's minimum wage).
Personally, I think the film is better for it, as it means that the film has a gritty realism to it, rather than a Hollywood stylisation, although this is also due to Robert 'Ratface' Holtzman's production design.
The casting of such people as Jason Lee's ex-wife, Carman, as Alyssa's lesbian lover, Kevin's cousin as Codee London, Casey Affleck as The Kid, etc, also adds a further layer of enjoyment, for me at least.
Smith's 'no style' style also adds to the film as well, as simple, no-frills shots makes the film seem more realistic,( even if the plot is rather unrealistic!) For goodness' sake, Kevin even said that it was his sci-fi film, as that would never happen!
Personally, I think the film is better for it, as it means that the film has a gritty realism to it, rather than a Hollywood stylisation, although this is also due to Robert 'Ratface' Holtzman's production design.
The casting of such people as Jason Lee's ex-wife, Carman, as Alyssa's lesbian lover, Kevin's cousin as Codee London, Casey Affleck as The Kid, etc, also adds a further layer of enjoyment, for me at least.
Smith's 'no style' style also adds to the film as well, as simple, no-frills shots makes the film seem more realistic,( even if the plot is rather unrealistic!) For goodness' sake, Kevin even said that it was his sci-fi film, as that would never happen!
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