I won't spoil anything but watch for some good gags that had the kids laughing. The film is predictable and adult performances were wooden in the beginning but seem to fall into place as the story progresses. Trenton Rogers is believable and sympathetic and of course Rico Rodriguez is great. For that the film accomplished its goal and found its audience - kids. There is a little bit of Alexander and the No Good Terrible Very Bad Day, Our Gang, and a lot of Harry Chapin's "Cats in the Cradle" which is not so subtly referenced, tossing the ball and all. Films like this usually have lessons for the kids but this one has a message for the parents too.
Reviews
3 Reviews
The Dog Who Saved Easter
(2014)
Fun Family Romp that is more than just a talking dog movie
12 April 2014
What do you do when you've saved Christmas (twice) and Halloween? Save Easter of course. This is a raucous family film with animal antics, bumbling crooks, and a touch of romance.
The Dog Who Saved Easter takes the Zeus (Mario Lopez)o n a whole new adventure and season. With both old and new characters you can jump right into the movie without having seen the previous chapters. Both the canine and human characters get a little romance while dodging the crooks who are about to turn Easter into a rotten egg. Dean Cain, Joey Diaz, and Patrick Muldoon are the most bumbling crooks since the Wet Bandits and in clever irony Diaz's Stewey eats more floor droppings than any of the canine cast. Catherine Hicks as Cressida (channeling her inner Cruella de Vil) heads the cast of villains as the mean, mastermind attempting to ruin the day, but she didn't count on Zeus, a big, huge mistake. But it's not just about the dogs, Beverley Mitchell as Alice not only struggles to keep her fledgling business afloat but also her love life.
The over-the-top physical comedy, sight gags, and of course the cuddly heroes make The Dog Who Saved Easter a welcome addition to your holiday and family film collection. Both our daughter (7) and son (10) were captivated and laughing throughout the story, especially at the poop jokes, and you can't have a dog comedy without poop jokes.
The Dog Who Saved Easter takes the Zeus (Mario Lopez)o n a whole new adventure and season. With both old and new characters you can jump right into the movie without having seen the previous chapters. Both the canine and human characters get a little romance while dodging the crooks who are about to turn Easter into a rotten egg. Dean Cain, Joey Diaz, and Patrick Muldoon are the most bumbling crooks since the Wet Bandits and in clever irony Diaz's Stewey eats more floor droppings than any of the canine cast. Catherine Hicks as Cressida (channeling her inner Cruella de Vil) heads the cast of villains as the mean, mastermind attempting to ruin the day, but she didn't count on Zeus, a big, huge mistake. But it's not just about the dogs, Beverley Mitchell as Alice not only struggles to keep her fledgling business afloat but also her love life.
The over-the-top physical comedy, sight gags, and of course the cuddly heroes make The Dog Who Saved Easter a welcome addition to your holiday and family film collection. Both our daughter (7) and son (10) were captivated and laughing throughout the story, especially at the poop jokes, and you can't have a dog comedy without poop jokes.
Latchkey
(2004)
Excellent direction
11 January 2005
The director really brought out the children's performances without making them seem overly precocious. Interesting tale hope to see more work from this director. Coupled with top-notch cinematography and score the film keeps the viewer watching and in suspense.
The story has a slight Twilight Zone feel to it. There was a creepy aura that surrounds the characters even in such a tranquil suburban setting which appears to be reflective of the 1980's Spielberg idealism. However instead of feeling comfortable in these surroundings you feel vulnerable, which in many ways the media and our own pop-culture has made us feel about the world around us. The film directly addresses this with its use of news media clips and of course the child who (although not forgotten by his mother) is essentially abandoned by the overworked parent and left only with a TV as a companion.
The story has a slight Twilight Zone feel to it. There was a creepy aura that surrounds the characters even in such a tranquil suburban setting which appears to be reflective of the 1980's Spielberg idealism. However instead of feeling comfortable in these surroundings you feel vulnerable, which in many ways the media and our own pop-culture has made us feel about the world around us. The film directly addresses this with its use of news media clips and of course the child who (although not forgotten by his mother) is essentially abandoned by the overworked parent and left only with a TV as a companion.
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