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Reviews
A Tuba to Cuba (2018)
History and history in the making
A Tuba to Cuba has a double timeline. Covering the band's visit to Cuba to engage with their Cuban counterparts, the film also goes backward in time to tell the story of Preservation Hall's birth in the early 60s in a New Orleans that had little interest in the jazz legends that still lived there but had no place to play or make a living. It's an important story, not only about music but about race in America.
So, engaging with both past and present seems part and parcel in what the film records: the band's embracing a future that for the first time includes original music, music that in character is as traditional as the music that they are known for, deeply rooted in New Orleans syncopated rhythms and forms, but is also informed by Cuban rhythms and forms. They came back from their trips to Cuba and, to the surprise of many here in New Orleans, announced that they had learned something *new* about rhythm--not something masters of the New Orleans tradition would say lightly. The evidence of this learning experience is recorded in the film and in the albums which emerged from their visits to Cuba: So it Is! and That's It! Great film, great albums. Great windows into both New Orleans and Cuba and their considerable music achievements.