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9/10
Don't Get Shakespeare? Try this!
11 March 2007
I first encountered this grandly amusing entertainment as a live production at my university campus some years ago. My son and I decided to to go based solely on the play's title, and a winking caricature of Shakespeare displayed on the poster. Little did we know what that wink signified, as we had no idea of the lunacy that was in store for us. When "The Reduced Shakespeare Company" came available on VHS (then, later, DVD), I purchased it, and have been enjoying and sharing it ever since.

As a secondary English teacher, I have difficulty sometimes getting my students to embrace the classics. When I mention Shakespeare, eyes roll, heads fall onto desks, and moans can be heard. It's like getting a small child to eat his vegetables. Like broccoli, the classics are good for us, but they're hard for some to digest.

Enter the Reduced Shakespeare Company with its "The Complete Works of "William Shakespeare (Abridged)." I have used excerpts in class to show the kids that Shakespeare can be a lot of fun. With their more-or-less complete versions of "Romeo and Juliet" and "Hamlet," even my most resistant students know the major plot points and themes of these plays.

The overview of the other plays is inspired, lumping the main ideas of Shakespeare's comedies into one tossed-salad. The histories are also compressed in a manner that only Americans could have devised.

And, one can never view "Othello" in quite the same way after hearing the "Reduced Shakesperians" rendition of "Othello Rap." This performance is much more (or less) than a teaching tool. It is a rollicking, comedic fun time for all. If you like Shakespeare already, you'll like the witty satire going on here. If you like the Three Stooges, the slapstick is right up your alley. If you have a short attention span, don't worry. One can view this performance as a whole, or pick out bits one finds amusing.

I have viewed "The Complete Works" several times now, both with my family and with my students, and each time I find a new joke, or even a new insight, that I missed earlier.

Some have suggested that Shakespeare is perhaps rolling in his grave at this treatment of his plays. I like to believe, however, that if he were alive today, Will would be laughing--all the way to the bank.
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8/10
A nice re-visit of an old friend.
9 December 2006
A few days ago, I got my DVD of "Superman II: The Richard Donner Cut." Those of you that know me know that I am a fairly big Superman fan, having grown up with the George Reeves series on TV. In 1978, the first of the Christopher Reeve films premiered. My lovely ex-wife and I must have seen that film a dozen times during our dating days.

For those who may not be familiar, "Superman II" was being filmed at the same time as "Superman, the Movie." Both films were being directed by Richard Donner, who most know as the director of the "Lethal Weapon" movies with Gibson and Glover. Seems things got behind schedule, so the money-men told Donner to finish up the first film, and then they'd finish Super II later.

Only thing was, the producers decided to fire Donner even though he had the second film about 2/3-3/4 of the way filmed. Another director, Richard Lester, was brought in to finish the movie. Lester had to re-shoot many Donner scenes in order to get his sole director credit. Also, the producers decided to cut the scenes already filmed with Marlon Brando for this film because Brando was going to fight them over his salary.

Therefore, the "Superman II" we have seen all of these years is substantially different than what we would have seen had Donner been allowed to complete his version. It is not a bad movie; we saw it several times. But something always seems not quite right about it.

Now there is this new "Donner Cut" of Superman II. Old negatives were rescued from storage, and much effort was taken to re-construct the film the way it was originally intended, more-or-less. While there are still quite a few inconsistencies (remember, Donner did not completely finish filming his version), this re-edit offers an alternate view of a familiar story.

The "Donner Cut" is faster-paced, less jokey, and more compact in its narrative. The main attraction here is the restoration of the Brando footage. A more complete father/son relationship is portrayed, and the interaction makes for one of the most emotional dad-son scenes since Luke helped Darth Vader take his mask off. (Anoyone who knows me knows that I am a sucker for this sort of thing.) If you haven't seen Superman II in a while, give this new version a try. You'll find it is almost like seeing a whole new Christopher Reeve "Superman" movie.
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6/10
Interesting interpretation, BUT. . .(Mild Spoiler)
9 October 2006
I enjoyed this interpretation of Beowulf very much. For years, my students have asked if there was a film version that would help them visualize the story, and I have had to answer in the negative. ("The 13th Warrior" has too many added elements that only confuse my kids as to what is in the actual text.) Now we have this fairly faithful rendition. Yes, the back-story of Hrothgar killing Grendel's father is an add-on, and the witch-prostitute-with-a-secret is only there to fill in narrative blanks, but, on the whole, this is as close to the epic poem as any film I have seen.

And there's the rub: I cannot use this film in my classroom because of the language some would deem profane. While I am not offended by those words, I have to be sensitive to the sensibilities of the community I serve. I guess the best I can hope for is the dubbed-over TV version I am sure will hit the cable in a year or two.

A little judicious editing of some language and a few of the gorier massacre scenes would make this film a handy tool for teaching.
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Space Angel (1962– )
This actually worked better than Clutch Cargo.
8 July 2006
I remember the "Synchro-Vox" mouth thing looking pretty silly on "Clutch Cargo", but, somehow, on "Space Angel" it didn't seem so bad. I guess it was the fact that it was used less here than on CC, as the characters had reason to don space helmets quite often.

The extremely limited animation works better here, too. While Clutch and friends looked rather silly holding one position with the background being moved behind them when they "ran," Scott McCloud and company were usually floating in space, so the effect was less jarring.

I liked it as a kid in the early 60's. We were all excited about the real space program (my dad was an aeronautics engineer and we all watched each Mercury liftoff in rapt attention), so "Scott McCloud: Space Angel" was our look into the "future." Remember, this was some 7 or 8 years before "Lost in Space" or "Star Trek," and I was only 5 or 6 when I watched "Space Angel."
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Adventures of Superman (1952–1958)
10/10
Update with impressions of Seasons 5 & 6
18 January 2006
(Initial comments) My son gave me a copy of Season One of "The Adventures of Superman" for Christmas, and I must say it was the best present I've received in a long while. We had such a good time watching favorite episodes. I am a child of the 50's and grew up with Superman while it was still fairly new. My son experienced it on Nick at Nite re-runs, a special time for us both.

Now I have purchased the Season Two set, and the episodes here may be in many ways better than those in the first. A particular favorite is "Panic in the Sky," where our hero has to deflect a meteor as it hurtles towards Earth. Special flying sequences were filmed for this episode that were not used in any other.

A special treat is "Stamp Day for Superman," a special episode that I never saw as a child. While it is a quickie "freebie" made to support the U.S. Treasury Dept., this episode stands up pretty well with the "regular" episodes.

The featurette "First Lady of Metropolis" is a wonderful tribute to Noel Neill, who took over the role of Lois when Phyllis Coates was unable to continue. It is so nice to see Ms. Neill still looking lovely. She still has the "sparkle" in her eyes that made her Lois so enjoyable to watch.

Another favorite episode is "Around the World with Superman." Anyone who is not moved by this story of a blind girl's attempt to re-unite her troubled family just doesn't have a heart.

Thanks to Warners and to my son for helping me capture a sense of my own youth.

(June 20, 2006) I just got my copy of Seasons 3 & 4 of Adventures of Superman. Special features include a piece entitled "Adventures of Superman: The Color Era" and another called "Faster Than a Speeding Bullet: The Special Effects of The Adventures Of Superman."

The former, about the series being filmed in color features interviews with Jack Larsen, Noel Neill, Gary Grossman (author of "Superman: Serial to Cereal") and a television historian whose name escapes me. All pretty much agree that it was a shrewd move of the producers to start filming the show in color, and saving the negatives until color television was common a decade later. In the words of Larsen, "Those guys were pretty smart."

The one about the sfx was mainly a profile and interview with Thol Simonson, along with Larsen and Neill. Both cast members were effusive with praise for Simonson, saying they always felt safe, no matter how risky the effect looked on screen. Something I had not seen before is a diagram of the "pan" apparatus and counterbalance that replaced the wires that had earlier suspended Reeves.

Episodes I have watched so far are "The Wedding of Superman," "The Big Freeze," and "Through the Time Barrier." As has been noted elsewhere, these stories are much less heavily dramatic as the nourish early episodes. However, the light comedy is not really campy, just good-natured. Also, Neill as Lois looks quite fetching in her cave-girl outfit in the time-travel story.

In fact, Ms. Neill still looks quite lovely in the new interview footage. She still has those same sparkling eyes and the lovely smile that gave me that first crush on Lois all those years ago.

(Update: December 3, 2006: Initial impressions of Seasons 5 & 6:)

"Superman's Wife" is not as hokey as many of the other episodes in the final season. Joi Lansing is a knockout, and John Eldredge, as usual, makes one of the more interesting, intelligent villains.

"The Perils of Superman" is pure FUN.

Noel makes for some NICE cheesecake in that proto-Jeannie outfit in "The Tomb of Zaharan." The story was pure cheese, though. (In "Foghorn Leghorn" voice: hey, I made a funny. Cheese--Cheesecake.)

"The Big Forget" contains the greatest tease in the entire series: Clark changing into Supes in full view of all the series regulars!

The final shot of "All That Glitters" is really poignant, considering how things turned out for George.

The featurette about Jack Larsen is a nice little tribute.

A fun time with old friends that I now share with my grandkids. (All warm and fuzzy.)
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