RahulM007 Reviews

Kingdom of the Planet of the Apes (2024)

An Ape-tastic Adventure

[10/10 · 22 May 2024]

"What a wonderful day!"

Matt Reeves' trilogy holds a very dear place in my heart, so I had high hopes for this new chapter of the long-running franchise. Wes Ball struck gold when he adapted the Maze Runner series, and now he strikes gold again with Apes. Wes Ball's "Kingdom of the Planet of the Apes" exceeded my expectations tenfold and managed to maintain the magic from the original trilogy. It's action-packed from start to finish with stunning visuals, great characters, incredible performances, and a great story.

Few things get me fired up more than seeing apes on horseback. Also, I loved seeing Noa and Nova/Mae's dynamic together. The scene where they are climbing a steep cliff to break into a human laboratory of sorts was one of the best moments of the film, which makes Mae's betrayal in the final act so infuriating. I guess her fight-or-flight response kicked in during that moment. Were her feelings towards Noa and Raka not genuine? Was her rather timid nature an act? Now that she has given the transmitter to a human faction, what will she decide to do?

Kevin Durand's Proximus Caesar's imposing presence throughout the film makes him a menacing and unforgettable character. He is a very extremist version of Caesar, who twists his words and bends his ideology. I have an inkling that he survived the fall and will return in the sequel. Unlike Proximus, Noa honours Caesar's legacy, which makes him the true spiritual successor to Caesar. Owen Teague and Freya Allan both give great performances as Noa and Mae, respectively, which is an incredible feat for both young actors.

What a wonderful world it would be if apes and humans could live side by side. Wes Ball's film poses deep existential and ecological questions about nature and the future of the human species. Who decides who can wield knowledge? Should apes relinquish their control over the planet yet again and show mercy to humans? Since the apes conquered the planet hundreds of years ago, nature has had time to rest and regenerate itself. A world where humans relinquish control of the planet has nothing but upsides. Wes Ball manages to introduce new concepts to the franchise that feel fresh and exciting. He is able to portray this 'utopian' world overrun by apes in a very hyper-realistic and convincing way.

To conclude, Wes Ball's "Kingdom of the Planet of the Apes" is an amazing start to what will be an amazing trilogy. This franchise never disappoints. Every film is a banger. Ape good. Human bad.

Final verdict: 10/10.

Turtles All the Way Down (2024)

Isabela Merced gives a career-defining performance in John Green's latest adaptation "Turtles All The Way Down"

[9/10 · 15 May 2024]

"I'm really not looking to date anyone. I know people often say that when secretly looking for a romantic partner, but I meant it. I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn't much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to apologize; 4. Being at a movie theater together and feeling obligated to hold hands even after your hands become sweaty and the sweat starts mixing together; and 5. The part where they say, "What are you thinking about?" And they want you to be, like, "I'm thinking about you, darling," but you're actually thinking about how cows literally could not survive if it weren't for the bacteria in their guts, and how that sort of means that cows do not exist as independent life-forms, but that's not really something you can say out loud, so you're ultimately forced to choose between lying and seeming weird."

Truer words have never been written.

Anxiety. Anxiety is all around us. It can be felt even in infinitesimal situations. John Green is a master storyteller. He never misses a beat in his novels and gives his readers a pleasurable and nail-biting reading experience. With "Turtles All The Way Down", he manages to portray mental illness with the utmost sincerity and pathos. Like Aza, I struggle with anxiety and occasionally have intrusive thoughts. In fact, John Green's seminal novel and Hannah Marks passion project sort of describes what I am feeling on a daily basis. The film fixates on the darker sides of living with OCD and anxiety, and the way it can seep into every aspect of one's life. Aza and I are alike in many ways, but also very different. It's fair to say that the feature film is a brilliant adaptation to John Green's most personal novel. Crafting a suitable ending is tough, perhaps even tougher than coming up with a concept for a novel, but John Green manages to come up with a realistic ending by switching the point-of-view (from teenage Aza to adult Aza) on the very last page (in the film, however, it did not come across as organically). In conclusion, I resonated with both the novel and the film very deeply and will remember these characters forever. Always remember: "Your now is not your forever."

Final verdict: 9.5/10.

Unfrosted (2024)

What's the deal with pop-tarts?

[3/10 · 6 May 2024]

I think I can sum up the movie for you with one word: Nothing.

Jerry Seinfeld's directorial debut, "Unfrosted", is a sloppily put-together, unfunny, tiresome mess with almost no redeeming qualities. As someone who's a massive "Seinfeld" fan, I was ecstatic when I found out Jerry Seinfeld was directing, writing, producing, and acting in a movie about the 'fictionalised' story of pop-tarts. Up until today, I adored everything Jerry Seinfeld put out (even the divisive "Bee Movie"). Unfortunately, Seinfeld's latest undertaking, "Unfrosted", is a huge let-down. I guess lightning can't strike three times, even for the beloved comedian. The final 15 minutes saved the movie from being a total misfire. I love a good satire as much as anyone, but I barely squeezed in a few chuckles throughout the entire runtime of the movie. Perhaps the only silver lining was that the film included several recognisable faces. Sadly, even a star-studded cast couldn't save this movie. I expected more from the great Jerry Seinfeld. "Unfrosted" had the potential to be great. To quote Jerry Seinfeld: "That's a shame."

Final verdict: 3.3/10.

Young Sheldon (2017–2024)

The Ultimate Comfort Show

[9/10 · 19 March 2024]

There is no denying how much of an impact "The Big Bang Theory" and its spin-off "Young Sheldon" had on my life. They mean so much to me. I was introduced to these characters and this astounding universe roughly 10 years ago. I have so many fond memories of watching the Big Bang Theory (and later Young Sheldon) with my family. Although, I started the series only in Spring 2014, it feels like I've been watching it since day one. Young Sheldon, on the other hand, I have been watching since day one, and have never missed an episode since. It made me laugh, cry, and gave me comfort in the most distressing of times. Each episode of Young Sheldon is like a warm hug. It is heartfelt, funny, and isn't afraid to take risks and touch upon sensitive topics concerning puberty and gender roles. Rewatching Young Sheldon these past ten days brought me so much joy, and even made me want to revisit the earlier seasons of the Big Bang Theory. While I'm devastated that the upcoming seventh season will be its last, I'm glad the story around the Cooper family is continuing in the shape of a brand-new spin-off centering around Georgie and Mandy's relationship. But, oh boy, this final season is going to be tough to get through. It's going to be an emotional rollercoaster (with of course plenty of laughs).

Final verdict: 9.5/10.

The O.C.: The End's Not Near, It's Here (2007) Season 4, Episode 16

Bittersweet

[10/10 · 19 March 2024]

"I'll unpack later."

The series finale of the O. C. wrapped up every character's story arc in a fitting and satisfying way. Julie deciding to stay single and pursue an education, Sandy teaching college law, Ryan setting foot on a college campus, Summer finding her voice and discovering herself, Seth following his own dreams and being supportive of Summer, Summer giving Julie a locket with a picture of Marissa, Taylor and Ryan confessing their feelings towards each other (in their own ambiguous way), finally seeing Seth and Summer tie the knot, and Ryan's full circle moment at the end was bittersweet to witness. It's a win for me. What more can you ask for in a series finale.

Final verdict: 10/10.

The O.C. (2003–2007)

A Timeless Classic

[7/10 · 19 March 2024]

"We've been on the run. Driving in the sun. Looking out for number one. California, here we come. Right back where we started from." I have no doubt in my mind that this theme song is going to be stuck in my head for a long time (perhaps even indefinitely).

Watching the O. C. this past month or so has been quite a journey. The O. C. is undoubtedly a staple in popular culture and has spawned countless other teen dramas. In fact, it did sort of lay the groundwork for the new era of the teen drama genre. 2007 very much marked the end of an era for teen dramas like The O. C., Dawson's Creek, Freaks and Geeks, and Beverly Hills, 90210. Although heavily influenced by the early 2000s, the O. C. is considered to be ahead of its time in terms of gender relations, writing, music, how it highlights certain themes and issues, portrayal of characters, and not-to-forget the insurmountable fashion trends it gave us. From now on, I'll be wearing a wife beater at every turn. I'll be channelling my inner Ryan. :)

The O. C. is a pop culture phenomenon that garnered a huge fanbase throughout its run but also years after the pilot aired. The first season, while uneven in some places, proves that "The O. C." is a remarkable and timeless teen drama that delves into issues still topical today. Plus, the show is extremely addictive and sucks you right into the glamorous yet messy and drama-filled lives of Ryan, Seth, Summer, and Marissa.

The second season of "The O. C." follows the tradition of its predecessor of having a great first half but a rocky and uneven second half. The second half introduced storylines that frankly ruined the main arcs of the characters. Sandy and Kirsten's infidelity, Summer's jealousy, Seth failing to learn from his mistakes, and the re-emergence of Ryan's brother Trey contribute to the back half of the season's problems. Despite that, the second season is almost on par with the first, making for an enjoyable and often hilarious sophomore run.

Season 3 is an average season of television. It had a few high points, but also many low points. This season faltered at capturing the magic that made the previous seasons so special. Although the season included numerous highlights, the bad far outweighed the good. It's a very bland and forgettable season that I'll not revisit anytime soon. I'd rather relive the Oliver fiasco in season 1 than deal with Volchok. However, I have to admit that the song choices have always been on point.

The third season really left a bad taste in my mouth for killing off a fan-favourite character. So, I was a little sceptical about the fourth season at first. I never thought I'd enjoy this season, but it ended up being significantly better than I imagined it would be. It turned out that season 4 was a much-needed improvement following the previous season and made the show fun again. It reminded me of the first season (which is still my favourite by a landslide). I was on the fence about whether Ryan and Taylor would make a good couple, but after their first kiss, I was fully onboard the 'Rylor' train. They have spectacular chemistry together, and it was nice seeing Ryan happy for a change.

"I'll unpack later."

The series finale of the O. C. wrapped up every character's story arc in a fitting and satisfying way. Julie deciding to stay single and pursue an education, Sandy teaching college law, Ryan setting foot on a college campus, Summer finding her voice and discovering herself, Seth following his own dreams and being supportive of Summer, Summer giving Julie a locket with a picture of Marissa, Taylor and Ryan confessing their feelings towards each other (in their own ambiguous way), finally seeing Seth and Summer tie the knot, and Ryan's full circle moment at the end was bittersweet to witness. It's a win for me. What more can you ask for in a series finale.

Final verdict: 7.7/10.

Madame Web (2024)

Escapist Fun

[8/10 · 19 February 2024]

"You were trying to change your future. But the girls were never part of your future. I was."

The latest superhero flick "Madame Web," starring Dakota Johnson, Sydney Sweeney, Isabela Merced, and Celeste O'Connor, benefits from its late 90s to early 2000s soundtrack, great visuals, excellent use of crosscutting, edge-of-your-seat thrills, a fun (family) dynamic between the characters, and incredible performances from the main cast. Dakota Johnson shines as Madame Web and spearheads the entire film in a unique and positive way. She can really hold her own, and I can't wait to see her in a potential sequel. I can't for the life of me understand why this movie is getting panned by critics and audiences alike. It does have a few glaring issues, but the good far outweighs the bad. Perhaps in 10-15 years, this movie will be recognised as a cult classic that was judged too harshly at the time. The editing techniques incorporated serve a point. Madame Web is a clairvoyant, which means that she receives visions of the future. Although it is far from a perfect superhero movie, it is also far from being the worst of the franchise. Because at the end of the day, "Madame Web" is an enjoyable, fun, and thrilling blockbuster. It's not an artsy type of movie, nor is it particularly thought-provoking or sparking conversations; it's just escapist fun. And isn't that what superhero movies should do?

*Shoutout to Adam Scott as Ben Parker. He never fails to put a smile on my face.

Final verdict: 8.1/10.

Echo (2023–2024)

Maya Lopez invigorates the MCU to new heights

[8/10 · 19 January 2024]

"You aren't alone. All of us that came before are a part of you. Because we ECHO through you. ECHO."

Marvel's latest series "Echo" starring the one and only Alaqua Cox is an action-packed, brutal, gritty, and intense 5-episode thrill ride. It depicts the indigenous Native American community known as the "Choctaw" with the utmost respect and sensitivity. Most of the Marvel Disney+ shows leave me wanting more and "Echo" is no exception. The opening theme song "Burning" by Yeah Yeah Yeahs fits perfectly to the character of Maya Lopez. Ever since she first appeared in Hawkeye, I have been eagerly awaiting to see her headline her own show and learn more about her backstory and indigenous roots. The five-part limited series did not disappoint and absolutely delivered the gore. In fact, it left me craving more. I am enthused to see what the future holds for Maya Lopez and her family. Villains and heroes alike have a blind spot when it comes to family. This show demonstrates this in the perfect way.

"Don't run. Stay. Fight. For us. Remember your gifts. Strategy. Cunning. Ferocity. Love. All of that is infused in this. Every seam on the suit shows that you're part of us. And we're part of you."

*In my opinion, Maya shouldn't have let Fisk go so easily. She should have let him ruminate in his subconscious a little while longer. It would have been quite poetic if he relived the same traumatic moment repeatedly for eternity. Although, Mayor Fisk has a nice ring to it. :)

Final verdict: 8.5/10.

Dunki (2023)

A touching story about the migration crisis

[9/10 · 11 January 2024]

"I (don't) want to go to the lavatory."

The latest Shah Rukh Khan movie tells the fascinating and heartwarming yet also heartbreaking story of the migration crisis and the shocking ways in which people try to illegally migrate to the UK or any other developed Western country. It is called the 'donkey route' and involves unscrupulous agents, tough border controls, corrupt officials, and lots of bribing. It was unbelievable to see these characters risk their lives in pursuit of a better life in the UK. There, they realized that things don't always pan out as smoothly as they imagined it would. After 25 years, they decided to return home and came to the conclusion that there is no place like home. The director, Rajkumar Hirani, was quite vocal that one of the reasons the film was made is to raise awareness of the still prevalent issues of migration. Rajkumar Hirani handled the sensitive subject matter with immense sincerity and pathos.

Final verdict: 9.5/10.

Animal (I) (2023)

A Total Bloodbath

[7/10 · 11 January 2024]

"Your love for your father isn't affection, it's a damn disease."

Sure, the violence against women and how women are treated in general should not be excused, but it is quite tame compared to other movies of this caliber. I have always been a sucker for hard-boiled quintessential action movies. This Bollywood action flick has pure, unadulterated, visceral, and well-choreographed and executed fight sequences. There are plenty of worse movies that glorifies masculinity and the toxic "alpha male" personality. This film puts a whole different spin on 'daddy issues'. It reminds us to never obsess over something or someone in an extreme way that causes nothing but pain and misery for your family. After barely escaping death, one might think Vijay would have a whole new lease on life, but unfortunately, he continued his lifelong mission to protect his father and to gain his approval. Ladies, if your husband points a gun at you and fires it in the same room where your children are asleep, leave him without hesitation.

Final verdict: 7.5/10.

Succession: With Open Eyes (2023) Season 4, Episode 10

A Shakespearean Tragedy

[10/10 · 11 January 2024]

Rewatched in honour of the series winning Best Drama at the 2024 Golden Globes and the 2024 Emmys

I always thought the Roy siblings should run the company together, but after this season it became quite apparent that they are much better off without it. The GoJo deal was very much a blessing in disguise for them, especially for Roman and Kendall. Seeing Kendall act the way he did in this episode is a pretty good indicator that he was never a good fit to serve as CEO of Waystar Royco. Anyway, creator Jesse Armstrong managed to craft a perfect series finale with distinct nuances to previous seasons. The tension is felt throughout and by the end I had to literally walk around the block and contemplate what I just watched. The series finale kind of plays off as a Shakespearean tragedy, where themes of betrayal, corporate greed, familial conflict, love, loss, pride, and despair, comes into effect. Despite a rather bleak yet somewhat satisfying verdict from the board of directors, the series still ended on a high note. Kendall realizing, he failed yet again is heartbreaking. He is easily the most tragic character of the series. Him committing suicide would have been overkill and too dark even for the writers of Succession.

The fourth and final season of Succession caps off an already perfect series in a fitting yet heartbreaking way. This show is a must-see and will be remembered for years to come. This show is like a drug that I am going to be hooked on for the foreseeable future. Nicholas Brittel's score is utterly captivating. The characters are fleshed out and compelling yet flawed at their core. Connor Roy is my favourite character, but Kendall and cousin Greg are my besties and have my whole heart. Speaking of Connor Roy, his final scene was to no surprise legendary. He always adds a layer of levity to the show even in bleak and high-strung situations. Not only are Connor and Willa the healthiest couple on the show, but they are also the most likable, caring, and relatable. To conclude, Jesse Armstrong's magnum opus is an utter masterpiece from start to finish.

Final verdict: 10/10.

Saltburn (2023)

Deliciously wicked

[10/10 · 22 November 2023]

He is just "a human boy".

Emerald Fennell's "Saltburn" is an unforgettable, irresistible cinematic experience showcasing Barry Keoghan in his prime. Barry Keoghan gave not only his best but a career defining performance that will be remembered for years to come. The final scene of him will be seared in my brain for the foreseeable future (might even be forever). I adore Emerald Fennell's signature style, and after her directorial debut "Promising Young Woman" in 2020, I was eager to see what she comes up with next. "Saltburn" absolutely delivered the thrills, laughs, weirdness, sexiness, eeriness, and stylish personality that the first film encompasses but double downs on it tenfold. It is a very British psychological thriller with plenty of charm, youthful energy, and originality. The early 2000s aesthetic is lush and on point. I truly believe that this film utilizes the so-called 'eat the rich' narrative perfectly, and is easily the best film of that genre. The film is kind of a cross between Jordan Peele's "Get Out" and Mike White's "The White Lotus". I need the film's soundtrack like yesterday. I have nothing but undying respect, gratitude, and praise for filmmaker Emerald Fennell. "Saltburn" is one of the best films of the year. Bravo to all involved, especially Emerald Fennell and Barry Keoghan.

*At one point in the movie, Felix (Jacob Elordi) says what everyone is thinking: "I'm so effing hot." If Jacob Elordi showed even the slightest interest in me, I too would be driven mad with love.

Final verdict: 10/10.

Loki: Glorious Purpose (2023) Season 2, Episode 6

Ascension

[10/10 · 21 November 2023]

"Let Time Pass."

Loki season 2 very much ups the ante following the first season and delivers plenty of twists and turns, non-stop time travel shenanigans, and further explores Mobius and Loki's special friendship.

I will never get over how perfect the finale is. Tom Hiddleston is the perfect Loki, and proves it once again. Loki has gone through tremendous character growth. He started off as a villain, then transitioned into an antihero, and finally became the savior of time and space, which in turn turned him into one of the most noble and remorseful heroes in the MCU. Loki did the most selfless thing and saved time and space from collapsing. He is 'He Who Remains', watching over time for eternity. There is no greater honour than that. Thor would be proud to see how much his brother has grown as a person and a God. "I can rewrite the story."

Final verdict: 10/10.

The Marvels (2023)

A satisfying intergalactic space adventure

[9/10 · 13 November 2023]

"Oh Captain, My Captain."

Nia DaCosta's "The Marvels" is an action packed, fast paced, hilarious, lively, fun, breezy, goofy, and often heart wrenching follow-up to 2019's "Captain Marvel. Nia DaCosta was given full creative control and added her own flavour to the film.

Iman Vellani's effervescent charm and fangirling over her idol Captain Marvel is one of the many reasons the film should be deemed a success. The actress' bubbly personality and the chemistry between the trio carries the entire film. In fact, "The Marvels" surpasses the first film in numerous ways, chief among them is its leading ladies and the smooth progression of the narrative. It does not take itself too seriously and is an outright fun time at the movies.

The only gripe I had with the film is how the main antagonist was portrayed. Tom Hiddleston's wife (I know, right?) Zawe Ashton portrays the antagonist Dar-Benn, who gives a compelling enough performance, but unfortunately fell victim to the film's weak writing of her character. Fortunately, a great villain wasn't necessary for this kind of movie. Rather, emphasis was put on the trio and fleshing out their dynamic.

The negative reception around the film is way overblown. The film will be looked back upon and be considered as an underrated gem that deserved better. Frankly, "The Marvels" is one of the best-looking MCU films to date. The visuals looked stylish and unique. I wouldn't be surprised if the film nabs an Academy Award nomination for best visual effects.

To reiterate, "The Marvels" is an absolute blast from start to finish and a refreshing change of pace for the MCU. It is a vibrant, energetic, and rousing romp through space with tons of heart and humour but also plenty of stakes. Plus, the two post-credit scenes got me so hyped. Can't wait to see Kamala Khan interacting with the rest of the young Avengers. Higher, Further, Faster, baby!

*Kamala Khan recruiting Kate Bishop and presumably leading the Young Avengers warms my heart and gets me excited for the future.

*Monica Rambeau was thrust to another reality inhabited by the X-Men which presumably teases the third Deadpool movie.

*The inclusion of Barbra Streisand's hit song "Memory" was a nice touch. The film incorporates this song perfectly into what might be the funniest and wackiest sequence in the MCU. I'd happily be devoured by a Flerken.

Final verdict: 9.7/10.

Evil Does Not Exist (2023)

A different take on the man vs. nature conflict

[7/10 · 2 November 2023]

"Balance is key."

On a technical level, the film is flawless, but story wise it needed a little more work. I particularly loved how Hamaguchi incorporates 'pillow-shots' in his film. 'Pillow-shots' have a de-centering effect when the camera focuses for a moment, often a long one, on some inanimate aspect of man's environment. It perfectly captures the stillness of the scene, making for a calm and soothing viewing experience. While watching the movie, it becomes apparent that Ryusuke Hamaguchi was inspired by Yasujiro Ozu's signature style. The film touches upon the man vs. Nature conflict through a different lens. The ending of the film will surely leave the audience speechless and in disarray. It will prompt conversations way after the credits. To sum up: stylistically the film is a 10, but story wise it's a 7. And don't get me started on the film's atmospheric score that transports the viewer to the beautiful Japanese countryside (aka 'inaka').

Final verdict: 7.5/10.

The Holdovers (2023)

Delightful

[10/10 · 31 October 2023]

"Penis cancer in human form."

Alexander Payne's "The Holdovers" is a laugh-out-loud comedy strengthened by Paul Giamatti and Dominic Sessa's magnetic performances and their incredible chemistry together. I am in awe by the film's brilliant and inventive screenplay, 70s-style cinematography, slick editing, and great production design. I could watch Paul and Angus bicker for another two hours. Throughout the film, the humour gets more interwoven leading to a crescendo of hilarity. "The Holdovers" offers the perfect blend of humor and pathos.

*That waitress was so rude for refusing to accept their order of cherries jubilee. She is a fascist and a "penis cancer in human form".

*The film reminded me of Peter Weir's "Dead Poets Society", Milos Forman's "One Flew Over the Cuckoo's Nest", and John Hughes' "The Breakfast Club" (kind of).

Final verdict: 10/10.

Priscilla (2023)

Charming

[9/10 · 26 October 2023]

"Maybe in another place, another time."

Sofia Coppola's most recent film "Priscilla" sort of reminded me of Pablo Larrain's 2021 film "Spencer", which is an in-depth character study of the late Princess Diana. In fact, Elvis and Priscilla's marriage can be compared to Princess Diana's ill-fated marriage to Prince Charles. Princess Diana and Priscilla were both forced into royalty and had husbands who were absent in their lives. Priscilla's love for Elvis was never fully reciprocated, especially during the later years of their marriage. Elvis led a life of a rock and roll star filled with debauchery. At the beginning, his relationship with Priscilla was sweet and innocent, but later turned out to be uneasy and abusive. Priscilla had to abide to Elvis' regimen and needed to be at his beck and call whenever he wanted. She had little to no autonomy, which was one of the reasons her marriage to Elvis eventually fell apart. Unlike Princess Diana and Prince Charles, Elvis and Priscilla's relationship wasn't doomed from the start. At least, Elvis had true feelings for Priscilla, while Prince Charles was in love with someone else.

After countless documentaries and feature films about Elvis Presley, Priscilla finally gets her time in the spotlight. The movie premiered at the Venice Film Festival in September and was released a little over a year after Baz Luhrmann's biopic of Elvis Presley. Unlike the 2022 adaptation, Sofia Coppola's film is told entirely from the point of view of Priscilla. It is based on Priscilla Presley's 1985 memoir "Elvis and Me". The film tells the heartwarming yet heartbreaking story of Priscilla's marriage to Elvis Presley with delicacy and the utmost sensitivity. Its lush cinematography, exquisite production- and costume design, retro soundtrack, and a beguiling Cailee Spaeny as Priscilla Presley makes the film worth a watch.

*The inclusion of the late 1960s song "Crimson and Clover" by Tommy James & The Shondells and the early 1970s song "I will always love you" by the incomparable Whitney Houston was a nice touch and fit the overall mood of the film.

Final verdict: 9.6/10.

The Crown (2016–2023)

An extravagant and beautifully wrapped present

[9/10 · 23 October 2023]

"Everyone in this system is a lost, lonely, irrelevant outsider apart from the one person, the only person, that matters. She is the oxygen we all breathe. The essence of all our duty. Your problem, if I may say is you seem to be confused about who that person is."

As someone who knew little about the royal family prior to watching Peter Morgan's magnum opus "The Crown", I found each episode to be extremely informative, addictive, and captivating, so much so that I had to fact-check every single detail. It's safe to say that "The Crown" is Netflix's most crowned achievement, and one of the best historical dramas ever made. Not only does it give viewers a glimpse into the life of the royal family but focuses on the more obscure aspects of the monarchy. The fourth season is literally the gold standard of television, mainly thanks to Emma Corrin and Josh O'Connor's Emmy-worthy performances. Season 4 will forever be a unique experience and a true masterwork. The artistry of the fourth season is unmatched. The Crown is the most expensive Netflix show ever produced. Its costume and production design is phenomenal. The series doesn't glamorize the institution but rather empathetically looks at the people who were forced to be a part of the system and how it crushed them. The Queen herself had to put her humanity aside for her duty as head of state. Funnily enough, before working on the Crown the creator Peter Morgan wasn't a royalist rather a Republican. It was only after he worked on two seasons of the royal drama that he became a firm royalist.

Final verdict: 9.5/10.

The Delinquents (2023)

A slow burn heist film

[7/10 · 22 October 2023]

Rodrigo Moreno's "Los delincuentes" is a slow burn bank robbery/heist film strengthened by its strong performances and stunning cinematography. With its three-hour runtime, it might be too much of an undertaking for average moviegoers. That being said, the runtime is certainly felt and should have been an hour shorter. The film ends by giving audiences three possible scenarios to think about of where the characters might have ended up. The ending is ambiguous and open to interpretation. Speaking of the thought-provoking ending, Ramon is a true friend. He literally waited more than three years for Moran to be released from prison. In the meantime, he could have easily taken the money and left his friend in a ditch. That is the definition of friendship. Also, I really loved how the filmmaker portrays Moran and Ramon's romantic relationship with Norma. Ramon and Norma have more of a fiery, passionate, and salacious relationship, while Moran and Norma connect through intellectually stimulating conversations.

Final verdict: 7.5/10.

Past Lives (2023)

"You never forget your first childhood crush."

[10/10 · 15 October 2023]

Director Celine Song's debut film "Past Lives" is genuinely one of the most heartbreaking and emotionally resonant films I have ever seen. I loved the way the final goodbye scene between Nora and Jung Hae Sung is juxtaposed with their first goodbye scene when they were kids. Greta Lee and Teo Yoo have spectacular chemistry and are an excellent match. I truly don't know who to empathize with more. Nora reaching her breaking point by the end is both satisfying and heart-wrenching to see. Through the waves of emotion, the film still offers moments of levity. For instance, I particularly enjoyed the recurring joke of Nora's aspirations to win a prestigious award (Nobel prize, Pulitzer, and Tony). I highly recommend everyone to see this film in the cinema (when you have the chance). You'll not regret it.

Final verdict: 10/10.

Arrow: My Name Is Emiko Queen (2019) Season 7, Episode 10

Past Lives (Rewatch thoughts)

[10/10 · 15 October 2023]

"The world is not a fair place. Innocent people die while the guilty go free. The system is broken, filled with corruption, greed, and apathy. The people who are supposed to protect us are failing us. Criminals continue to walk the streets because no one is willing to stop them. The world may not be fair, but everyone deserves justice and someone looking out for them."

The tenth episode of the seventh season fittingly titled "My Name Is Emiko Queen" is easily the best mid-season premiere of the show. I am literally thinking about Emiko's badassery at least once a day. Season 7 is my all-time favourite season of Arrow, partly due to the introduction of Oliver Queen's half-sister Emiko. The only complaint I had with the season was how it handled her death. I thought it was anticlimactic how she died. Also, Emiko Queen was slightly underused in the first half of the season. She should've been introduced sooner. Emiko Queen instantly became one of my favourite characters and was surprised by the backlash against her at the time.

"People say that revenge corrupts the soul, that if you go down that path, you'll never come back. But sometimes, embracing the darkness is the only way to get justice. My name is Emiko Queen. I will get justice for my mother, and no one will stand in my way."

Final verdict: 10/10.

Riverdale: Chapter One Hundred Thirty-Seven: Goodbye, Riverdale (2023) Season 7, Episode 20

Forever in my heart

[10/10 · 30 August 2023]

"That's life, Betty. You say hello. You walk alongside someone for a while, and then you say goodbye. That's the arc of a life."

Riverdale will forever remain one of my comfort shows and guilty pleasures. It is truly one of a kind and will always have a special place in my heart. I will miss most of these flawed characters deeply. The series finale being told from Betty's point of view made complete sense to me, but one has to wonder how the finale would have turned out if it was told from a different point of view. Nonetheless, the series finale fittingly titled "Goodbye Riverdale" is truly a love letter to diehard fans who stuck with the show since the beginning. The finale encapsulated everything that made the show iconic and a staple in popular culture.

Final verdict: 10/10.

Community: Emotional Consequences of Broadcast Television (2015) Season 6, Episode 13

Flawless

[10/10 · 8 August 2023]

"There is skill to it. More importantly, it has to be joyful, effortless, fun. TV defeats its own purpose when it's pushing an agenda or trying to defeat other TV, or being proud or ashamed of itself for existing. It's TV. It's comfort. It's a friend you've known so well and for so long, you just let it be with you. And it needs to be okay for it to have a bad day. Or phone in a day. And it needs to be okay for it to get on a boat with LeVar Burton and never come back. Because eventually it all will." One of the best monologues a television character can give. This episode is a bittersweet send-off to one of the best sitcoms of the last decade. Jeff not wanting to leave Greendale is so fitting. It emphasizes his tremendous growth and character development over the course of six seasons. He grew attached to Greendale and the people in it, especially his study group. I am going to miss most of these characters very much. #AndAMovie #SixSeasonsAndAMovie

Final verdict: 10/10.

The Flash (I) (2023)

"Not every problem has a solution. Sometimes we just have to let go."

[8/10 · 8 August 2023]

I'd be lying if I said I wasn't disappointed by how some aspects of the film turned out. But overall, "The Flash" is fun, engaging, action-packed, invigorating, and carries a lot of heart and humour. It is filled with plenty of twists and turns that will invoke shock and awe in the viewer. Not to be too brash, but I think this movie had some of the coolest sequences of the DCEU. Adding to that, the visuals were mostly spectacular, except for some scenes in the third act. As someone who grew up watching the Flash TV show, I was immensely disappointed by Andy Muschietti's decision to prioritize other cameo appearances over the one that really matters. Grant Gustin will forever be my Flash, but I have to give my props to Ezra Miller for holding their own for the entire runtime of the movie. Aside from Sasha Calle's Supergirl and Michael Keaton's Batman, Ezra Miller's performance as Barry Allen was most definitely the highlight. "The Flash" is very much a movie that gets better over time and might be the most rewatchable film of the DCEU.

*Michael Keaton's Batman explaining time travel to Barry using a spaghetti analogy reminded me of Jay Garrick's coffee cup explainer in the third season of the Flash TV show.

*Barry microwaving a baby and saving a room full of them in Flashtime was hilarious and super cool to see.

*Be on the lookout for Andy Muschietti's ultra-fast cameo. Blink, and you'll miss it.

Final verdict: 8.5/10.

Oppenheimer (I) (2023)

The American Prometheus

[10/10 · 8 August 2023]

"Now I am become death, the destroyer of worlds."

Christopher Nolan manages to leave me speechless once again and in awe with his mesmerizing filmmaking style. His latest film tells the fascinating story of Robert J. Oppenheimer (aka the American Prometheus) and the events that transpired after his groundbreaking invention of the atomic bomb. Despite its three-hour runtime, the film never loses any focus of the overarching narrative. It grips the viewer from start to finish, leaving no room for a dull moment. I'd be lying if I said I didn't feel the runtime of the movie. Nevertheless, the story and characters were so captivating that led me to become immersed to witness the events of the entire movie. The Trinity Test is easily one of the best and most suspenseful and anxiety inducing scenes of the movie. Also, the brief scenes between Oppenheimer and Einstein were sweet and caught me off guard and provided a layer of comfort to an otherwise perplexing film. Find yourself a friend like Albert Einstein.

Final verdict: 10/10.