I saw this on the big screen when I was a kid. This was the B movie. I can't remember what the A movie was. I absolutely loved this one. A month later, I had a school essay, where I had to write about a film I had seen. I chose this one. And began to encounter problems...
I would tell you what the plot is...but I can't. Tony Randall is a "Professor of Comparative Psychology". The institution where he works is raided by the police, who are investigating complaints about a lion he uses for his research. The lion is tame and gentle. The professor knows that. We know that. But nobody else does....After a fight with police, the professor and his lion flees, and they take refuge in an hotel that has apartments rather than rooms. After that, it is easy to lose the plot, because you are too busy laughing.
The main comedy device I noticed in this film is that if a character says or does something, or if something happens, other characters will misunderstand it. Of course this is not the first film to use this device. But I have never seen it used so often or with such intensity. Does it work in this film? Well, if I am creased up from start to finish, then it obviously does.
Tony Randall is a comedy actor who can be good in one film, and bad in another, depending on the script. This is one of his better performances, as he struggles to protect his lion from armed police and armed vigilantes. Of the rest of the cast, I would like to single out Edward Andrews as the hotel manager. The laughter is also at its loudest when the man who plays the dipsomaniac is on the screen.
And the hysteria can be realistic. In the UK some years ago a man thought he had seen a lion. He reported it to the police. And out of the woodwork came the armed police, armed volunteers, heat-seeking helicopters. Everything. And the round-the-clock search began. One of the helicopters spotted an infra-red image, but it was probably a badger. The lion was never found. So the film might exaggerate the reaction of the public and the authorities; but it is more or less accurate.
With this film, analysis can only get you so far. The best thing to do is to just watch the film. Watch it with the rest of the family. I've watched it as a child and as an adult. As an adult, I laughed all the harder.
I would tell you what the plot is...but I can't. Tony Randall is a "Professor of Comparative Psychology". The institution where he works is raided by the police, who are investigating complaints about a lion he uses for his research. The lion is tame and gentle. The professor knows that. We know that. But nobody else does....After a fight with police, the professor and his lion flees, and they take refuge in an hotel that has apartments rather than rooms. After that, it is easy to lose the plot, because you are too busy laughing.
The main comedy device I noticed in this film is that if a character says or does something, or if something happens, other characters will misunderstand it. Of course this is not the first film to use this device. But I have never seen it used so often or with such intensity. Does it work in this film? Well, if I am creased up from start to finish, then it obviously does.
Tony Randall is a comedy actor who can be good in one film, and bad in another, depending on the script. This is one of his better performances, as he struggles to protect his lion from armed police and armed vigilantes. Of the rest of the cast, I would like to single out Edward Andrews as the hotel manager. The laughter is also at its loudest when the man who plays the dipsomaniac is on the screen.
And the hysteria can be realistic. In the UK some years ago a man thought he had seen a lion. He reported it to the police. And out of the woodwork came the armed police, armed volunteers, heat-seeking helicopters. Everything. And the round-the-clock search began. One of the helicopters spotted an infra-red image, but it was probably a badger. The lion was never found. So the film might exaggerate the reaction of the public and the authorities; but it is more or less accurate.
With this film, analysis can only get you so far. The best thing to do is to just watch the film. Watch it with the rest of the family. I've watched it as a child and as an adult. As an adult, I laughed all the harder.
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