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Madmandave
Reviews
Head Case (2007)
A trip down psychotic lane, aka "my parents are weird"
So here we are watching home movies? No. No one makes movies like these. But here they are...and...its tough to turn away, isn't it? Thats the key behind 2007's Head Case from Anthony Spadaccini and team. And i say team because his use of ad-libbed dialog is phenomenal in this story of two mad parents bent on setting the record for homicides in the family tub. What ramps the creepiness up to 10 is their behaviour; neither over the top or demented, or mad-man speech is present. Its the very subtle interest and action these two psychos keep wrapped under their suburban-home cover. Their more interested in bickering over how to slice a stomach akin to a typical married couple deciding on where to order out for dinner. Another great use of the "home movie" type of filming, Anthony has shown that this is very familiar and comfortable territory, and eagerly exploits the cast and their pleasure at living out these characters.
Emo Pill (2006)
An artistic, emotional film with impact
Anthony's latest short film shows his growth as both a director and writer. Without dialog, Spadaccini has taken an in-depth look and approach to a turmoil-engulfed teen life, and brought about an unusual solution that is deceptive in its simplicity and elegance. Whereas filmmakers are striving to ensure full breath of visual artistry with the latest effects, Anthony takes a more realistic and achievable approach so as not to throw the viewer off the story line. An artistic mixture of black and white, the film never veers to far from the confines of video, but its never an issue. What would be a turn-off for some viewers looking for a straightforward story enlightens this little gem with off-kilter characters within a tight, claustrophobic space. Well done.
Monday Morning (2005)
Funny and Great Throwback!
This movie's biggest flaw is its too short. I wanted more more more! A blast of a film to just sit through and enjoy. As a huge Benny Hill fan, this brought back memories of that manic, frenetic paced buffoon suffering every problem thrown at him in his simple day. Filmed without dialog, the music is friendly, uppety and keeps the pace of the film moving forward. Clarity of the film is right on, with no over-saturated brights, and helps keep the old-time concept and black and white feel right in place. Acting was enjoyable by a capable cast, using as much physical gestures and movement to keep the energy going. Would definitely want this to be a full length film, a charming piece thats suitable for almost any age, and a great film to round out any collection.
Unstable (2005)
Challenging and provoking
I was not expect this kind of film. It went in paths i did not expect, especially after reading the cover description. Within the first few minutes i was glued and believed the premise of the story, and began wondering how much of this was real, and how much it was scripted - yes, it is that good. The plot points, while i wont reveal them here, are hard to pull off in such a movie content, without feeling like an after school special, but Anthony and his array of friends and cast have done a great job at bringing a difficult and challenging subject to the forefront of the film. While many questions are raised at the conclusion of the film, it is a perfect setup for the sequel, which far exceeds this film.
Hatred (2006)
chilling, disturbing, frightening
A real-time cinematic blend of chilling questions and answers, reasoning and morality, Hatred serves as the perfect booked to "Unstable". Exploring the questions that "Unstable" raises, "Hatred" lulls the viewer into a sense of ease, only to be ripped into a disturbing world that many people don't believe exist or can be realized. Effective use of lighting, shadows and tight spaces, the film is an artistic showing of the duality that exists in mans nature, especially in the conflicting minds of some of us that are filled with so much hatred. What questions you were left with in "Unstable", are answered here, such as character motivations that weren't clearly identified or spelled out not only get answered, but explored in a very subtle way. Anthony has shown a skill in crafting a very tight and emotional story within a real-video format, a challenge for any director, but pulled off well here. The film does not prepare you for the final 15 minute tense, gut-wrenching emotional impact, but you are left with a resolution that was both inevitable and disturbing.