My wife and I went to check out "Daddy's Little Girls" not knowing what to expect, seeing that this Tyler Perry production did not have his outrageous Madea character in it. We came away pleasantly surprised with what we saw.
The problem that some moviegoers have with this film is quite simple: they're trying to be movie critics. They look for "movie elements" and generally are disappointed, not realizing that over 99% of people who buy tickets to a movie are not there to critique it in a cinematic context, but more in a entertainment context. You go to a horror movie to be scared to wit's end, not to break down and find the climax, anticlimax, and plot twists. You're there for gore, blood, and screams. With pretty much any Tyler Perry movie, a huge majority of those who watch them are there to either be inspired, to gain insight and maybe a lesson or two on life, or to see what Madea will say next. And if you have that mindset when you enter the theater to see this film, you will probably not come out disappointed.
The trailer showed this film more in a comedic light, but it is by far a drama with interspersed moments of humor. While some of the characters may at first come off as so outrageous as to be comical, they still had some semblance of believability to them. And for a 95-minute film, there's no way to completely dissect every character and why they are the way they are. And again, many non-movie critics understand this.
Idris Elba does a great job stepping away from his more well-known Stringer Bell persona. Though his accent (while not indicative of his British roots is still Stringer-sounding) wouldn't indicate that his character is from Atlanta (where the movie is set), his character is still engrossing. Gabrielle Union does a notable job as the female lead, and Lou Gossett, Jr.'s brief appearances give the movie more context and a slight bit more depth.
If you are a fan of Tyler Perry's plays, you will recognize his approach and the technique to this movie, and though it does not have the cantankerous Madea giving us lessons on life, it still will probably leave a mark on the moviegoer if (s)he goes into the theater to be inspired.
The problem that some moviegoers have with this film is quite simple: they're trying to be movie critics. They look for "movie elements" and generally are disappointed, not realizing that over 99% of people who buy tickets to a movie are not there to critique it in a cinematic context, but more in a entertainment context. You go to a horror movie to be scared to wit's end, not to break down and find the climax, anticlimax, and plot twists. You're there for gore, blood, and screams. With pretty much any Tyler Perry movie, a huge majority of those who watch them are there to either be inspired, to gain insight and maybe a lesson or two on life, or to see what Madea will say next. And if you have that mindset when you enter the theater to see this film, you will probably not come out disappointed.
The trailer showed this film more in a comedic light, but it is by far a drama with interspersed moments of humor. While some of the characters may at first come off as so outrageous as to be comical, they still had some semblance of believability to them. And for a 95-minute film, there's no way to completely dissect every character and why they are the way they are. And again, many non-movie critics understand this.
Idris Elba does a great job stepping away from his more well-known Stringer Bell persona. Though his accent (while not indicative of his British roots is still Stringer-sounding) wouldn't indicate that his character is from Atlanta (where the movie is set), his character is still engrossing. Gabrielle Union does a notable job as the female lead, and Lou Gossett, Jr.'s brief appearances give the movie more context and a slight bit more depth.
If you are a fan of Tyler Perry's plays, you will recognize his approach and the technique to this movie, and though it does not have the cantankerous Madea giving us lessons on life, it still will probably leave a mark on the moviegoer if (s)he goes into the theater to be inspired.
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