Sooteh-Delan is a work in which a human soul is breathed in sequence; How can one forget the sequence of the arrival of Aqdas for the first time in the house of the potters? How can you sit down and not tremble with the plan to expose the paralysis of the cinema ticket girl that Majid Del owes to her? And how can we see this amount of delicacy and color in the creation of characters and not say hello?
The point that has made Sooteh-Delan one of the few films of my life in Iranian cinema and I have had the experience of watching it dozens of times under various pretexts lies in the fact that this unique work is merely an important and important cinematic work. It is not considered, but from somewhere, I consider him as a living being who, after nearly forty years since its creation, still stands up and makes his audience love him like the central drama of the work.
The point that has made Sooteh-Delan one of the few films of my life in Iranian cinema and I have had the experience of watching it dozens of times under various pretexts lies in the fact that this unique work is merely an important and important cinematic work. It is not considered, but from somewhere, I consider him as a living being who, after nearly forty years since its creation, still stands up and makes his audience love him like the central drama of the work.
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