Super DIRECTOR (Part II)
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- Writer
- Producer
- Director
James Gunn was born and raised in St. Louis, Missouri, to Leota and James Francis Gunn. He is from a large Catholic family, with Irish and Czech ancestry. His father and his uncles were all lawyers. He has been writing and performing as long as he can remember. He began making 8mm films at the age of twelve. Many of these were comedic splatter films featuring his brothers being disemboweled by zombies. He attended Saint Louis University High (SLUH) college preparatory school but later dropped out of college to pursue a rock and roll career.
His band, "the Icons", released one album, "Mom, We Like It Here on Earth". He earned very little money doing this and so during this time, he also worked as an orderly in Tucson, Arizona, upon which many of the situations in his first novel, "The Toy Collector", are based. He wrote and drew comic strips for underground and college newspapers.
Gunn eventually returned to school and received his B.A. at Saint Louis University in his native St. Louis. He moved to New York where he received an MFA in creative writing from Columbia University, which he today thinks may have been a wonderfully expensive waste of time. While finishing his MFA, he started writing "The Toy Collector" and began working for "Troma Studios", America's leading B-Movie production company. While there he wrote and produced the cult classic Tromeo and Juliet (1996) and, with Lloyd Kaufman, he wrote "All I Need to Know about Filmmaking I Learned from the Toxic Avenger".
Gunn had a spiritual awakening in Cannes in 1997 and quit Troma and relocated from New York to Los Angeles. He wrote and acted in the film The Specials (2000) with Rob Lowe, Jamie Kennedy, Thomas J. Churchill and his brother Sean Gunn. He wrote two scripts for Warner Brothers live action movies: Spy vs. Spy (1985) and Scooby-Doo (2002). In 1999, after almost five years, he finished "The Toy Collector". After doing Scooby-Doo 2: Monsters Unleashed (2004), Gunn made his directorial debut with Slither (2006). He later made the superhero film Super (2010) and the successful Marvel films Guardians of the Galaxy (2014) and its sequel Guardians of the Galaxy Vol. 2 (2017)
Gunn has four brothers, all of whom are in the entertainment industry. His brother, Patrick Gunn, is a Senior VP at Artisan Entertainment, the company responsible for distributing (and the marketing campaign of) The Blair Witch Project (1999). His brother, Brian Gunn, is a screenwriter who works in partnership with their cousin Mark Gunn.
Gunn's brother, Matt Gunn wrote and starred in the winner of the 1997 Sundance Film Festival, Man About Town (1997). Gunn's brother, Sean Gunn, is an actor regularly seen in films, commercials, and such TV shows as Angel (1999). James and Sean have collaborated on two occasions Sean starred in Tromeo and Juliet (1996), and they acted together and co-produced The Specials (2000). The brothers have one sister, Beth, who is a lawyer.
Gunn married actress and cartoonist Jenna Fischer in 2000. They divorced in 2008. He is now in a relationship with Jennifer Holland- Producer
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Anthony J. Russo is an American filmmaker and producer who works alongside his brother Joseph Russo. They have directed You, Me and Dupree, Cherry and the Marvel films Captain America: The Winter Soldier, Captain America: Civil War, Avengers: Infinity War and Avengers: Endgame. Endgame is one of the highest grossing films of all time.- Writer
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Don Hall was born on 8 March 1969 in Glenwood, Iowa, USA. He is a writer and producer, known for Meet the Robinsons (2007), Big Hero 6 (2014) and Raya and the Last Dragon (2021).- Producer
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- Actor
Philip A. Lord is an American filmmaker, producer and writer who collaborates with Christopher Miller. They both worked on Clone High, a cult classic animated sci-fi teen comedy show, The Lego Movie, 21 Jump Street, 22 Jump Street and Spider-Man: Into the Spider-Verse. Into the Spider-Verse is considered one of the best animated films of the 2010s and won Best Animated Feature.- Director
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Steve Barron started in films as a camera assistant on epic productions such as Richard Donner's 'Superman', Richard Attenborough's 'A Bridge Too Far' and Ridley Scott's The Duellists (1977). He began directing music videos in the early eighties for The Jam, Human League, and Adam & the Ants, his work helping to inspire the formation of MTV. In 1982 he conceived and directed the award winning 'Billie-Jean' - the first single of Michael Jackson's incredible 'Thriller' album. More seminal videos followed. Dire Straits' 'Money for Nothing' won Best Video at the 1986 MTV Awards and A-Ha's 'Take On Me' was awarded Best Director.
Steve's debut feature film was the music-led romantic comedy 'Electric Dreams' starring Virginia Madsen, released worldwide in 1984.
In 1987 his foray into network television won an Emmy for 'Hans My Hedgehog' - the 'Jim Henson - Storyteller' pilot for NBC. His second show 'Fearnot' gained immense critical acclaim after broadcast in 1987, while a third, 'Sapsorrow', broadcast in 1988, was similarly revered. The Washington Post said of 'Fearnot' - "This fantasy turns the television screen into Alice's looking glass, Snow White's magic mirror and The Thief of Baghdad's all-seeing eye. It is so seductively imaginative that you can almost feel it pulling you into a bottomless tube".
In 1990 Steve's second movie stunned the movie industry by becoming the first independent feature to break the 100 million-dollar theatrical barrier in the U.S. 'Teenage Mutant Ninja Turtles' grossed over 350 million dollars worldwide. A Grammy nomination followed for Dire Straits' 'Calling Elvis' and the Billboard Best Director award for Natalie Cole's 'Unforgettable' duet with her father, which reached No.1 across the world, selling over 12 million albums on the way.
In the mid-nineties Steve directed the Dan Ackroyd feature 'Coneheads' for Paramount and he was Executive Producer on the Sylvester Stallone, Sharon Stone picture 'The Specialist', and the highly successful 'While You Were Sleeping' starring Sandra Bullock and Bill Pullman. He was also Executive Producer on 'ReBoot', the first fully computer animated network series.
In 1996 he directed 'The Adventures of Pinocchio', starring Oscar winner Martin Landau and Jonathan Taylor Thomas. Alexander Walker said in the London Evening Standard "Director Steve Barron's blend of human stars with the eponymous animatronic wooden hero has produced an amazing movie rooted in timeless fairyland but incorporating state-of-the-art wizardry.... The inventiveness lasts through the fable: it really is something to goggle at, whatever your age." Responses across the Atlantic in the U.S. were equally warm. The Washington Post wrote of the film, "The Adventures of Pinocchio evokes the look and language of traditional European picture book tales, and does so with so much charm that it offers a fresh new delight, not just a pale live-action imitation, of the Disney animated classic."
In autumn 1998, Steve directed 'Merlin', a $30 million television mega-series produced by Hallmark for NBC in America. Merlin attracted a stellar cast including Sam Neill, Helena Bonham-Carter, Miranda Richardson, Isabella Rossellini, Martin Short, Alan Bates, Sir John Geilguid and Rutger Hauer. In the US alone 58 million people tuned in to watch 'Merlin' and the critical reaction was overwhelmingly positive. Entertainment Weekly wrote... "Merlin cast a new spell on history posting the highest ratings in adults 18-49 since 1984... the result is nothing less than an instant classic - a four -hour TV movie that deserves to be shown annually, the way it used to be a tradition to broadcast 'The Wizard of Oz' every year. It's that good - that scary, that rich, that much fun."- 'Merlin' was nominated for 15 Emmy's, 4 Golden Globes and a DGA nod for outstanding Directing.
In 1999 Steve completed 'Arabian Nights', this time for the ABC network in America. Photographed in Turkey and Morocco its stars include Alan Bates, Jason Scott Lee, John Leguizamo, Dougray Scott and Rufus Sewell. The show aired to rave notices on ABC TV in the USA and BBC1 in the UK simultaneously, earning 5 more Emmy and a US National Television Critics nomination.
In October 2000 the Universal movie 'Rat' had it's theatrical premiere in Dublin. This dark comedy, co-produced and directed by Steve Barron, is the bizarre story of a Dublin man who comes home from the pub one day 'not feeling very well' and turns into a rat. Starring Imelda Staunton and Pete Postlethwaite the Irish press greeted the film with an ecstatic response. Brian Reddin of the Dublin Evening Herald said - "To miss this superb surreal comedy would be to miss one of the greatest Irish films ever made and perhaps the funniest."
Steve's next comedy was 'Mike Bassett-England Manager' a spoof documentary feature film starring Ricky Tomlinson as the national soccer coach. The film had a wide UK theatrical release in November 2001, through the government funded Film Council and Entertainment distributors, taking $6m and charting at number three in it's first four weeks.
Next was a $24m American Indian mini-series epic for ABC and Hallmark. 'Dreamkeeper' is the first big scale attempt to bring to life the myth's and legends of the Native American people. Tribes all across the United States were consulted and ninety-five speaking roles all cast with Native people. The production won Steve a Gold for Directorial Achievement at the Chicago International TV Festival and an Emmy for best visual effects.
In 2005 Steve wrote and directed the New York based independent feature film 'Choking Man' starring Mandy Patinkin and Aaron Paul. The contemporary feature follows the fortunes of an acutely shy Ecuadorian dishwasher. Set in an old traditional diner in Jamaica, Queens the movie's backdrop is the largest, most diverse immigrant population in North America.
Steve was presented with an 'Outstanding Achievement in Music Videos' award at the Hammersmith Palais in London. 2007 also brought a prestigious Gotham Award for his first original screenplay Choking Man. Through these years Steve Exec-Produced two feature documentaries for 'Peace One Day' and 'The Day After Peace' with Jude Law and Angelina Jolie, which premiered at the Edinburgh Film Festival and Cannes respectively. The film charts Jeremy Gilley's incredible journey to create a day of peace in the world calendar.
2009 Steve directed the Sci-Fi internet sensation Slingers, starring Sean Pertwee, with visual effects by the acclaimed company he was a founder of, Framestore. 2011 he Directed the miniseries Treasure Island, for Sky and SyFy, starring Eddie Izzard, Elijah Wood and Donald Sutherland. Filmed in Dublin and Puerto Rico Steve kept up his unbroken Emmy Nomination sequence for television with two more Emmy nods.
Steve completed the Artificial Intelligence thriller mini-series for Sonar Entertainment - 'Delete' premiering in 2013. Through Riley Productions he has signed a development deal with the British Film Institute to make a sequel to his now cult 'Mike Bassett' soccer movie.- Producer
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Jonathan Liebesman was born in Johannesburg, South Africa on September 15, 1976. He would remain in his home country, studying filmmaking at the South African School of Motion Picture Medium and Live Performance, until 1996; that year, he traveled to New York City to visit his cousin who was attending New York University. Soon after the visit, Jonathan enrolled at NYU's Tisch School of the Arts.
For his student first film, Jonathan turned Roald Dahl's short story Genesis and Catastrophe (2000) into a 8-minute, award-winning short that help him land Hollywood representation; accolades included the 2000 Hollywood Film Festival's Young Filmmaker Award and the Austin Film Festival's Student Short Film Award.
Jonathan would make his feature-film debut in 2002 with Darkness Falls (2003), a dark twist on the Tooth Fairy tale that opened at #1 at the box office despite being critically panned. It also served as the big-screen debut for Emma Caulfield Ford, long a fan-favorite as Anya Jenkins on Buffy the Vampire Slayer (1997).
Rings (2005), his short film that connected The Ring (2002) and its sequel, was first released as a bonus disc with the re-release of The Ring on DVD. The short caught the attention of Michael Bay and his production company, Platinum Dunes, and soon Jonathan was installed as the director of the company's project The Texas Chainsaw Massacre: The Beginning (2006), a prequel to The Texas Chainsaw Massacre (2003), the widely successful remake of the original.
Initially announced as the director of the Friday the 13th reboot, Jonathan's next feature would instead be The Killing Room (2009) with Peter Stormare, Chloë Sevigny, Clea DuVall, Timothy Hutton, Nick Cannon and Shea Whigham. The psychological thriller played the festival circuit before being released on DVD in the United States.
A few months before The Killing Room's Sundance world premiere in January 2009, Jonathan was announced as the director of Battle Los Angeles (2011), an alien-invasion film starring Aaron Eckhart and released by Columbia Pictures. The sci-fi/action film was a worldwide hit and put Jonathan in the running for a handful of big-studio pictures.
Before Battle LA's release, he had handed the job of directing [error] as Warner Bros., though that project remains in development at this time. Instead, Jonathan took the reins for Wrath of the Titans (2012), the sequel to successful but maligned Clash of the Titans (2010).
Currently, Jonathan is in development on Teenage Mutant Ninja Turtles (2014) at Paramount and an Untitled Julius Caesar Project with Warner Bros.- Writer
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Bong Joon-ho is a South Korean filmmaker. The recipient of three Academy Awards, his filmography is characterized by emphasis on social themes, genre-mixing, black humor, and sudden tone shifts. He first became known to audiences and achieved a cult following with his directorial debut film, the black comedy Barking Dogs Never Bite (2000), before achieving both critical and commercial success with his subsequent films: the crime thriller Memories of Murder (2003), the monster film The Host (2006), the science fiction action film Snowpiercer (2013), and the black comedy thriller Parasite (2019), all of which are among the highest-grossing films in South Korea, with Parasite also being the highest-grossing South Korean film in history.
All of Bong's films have been South Korean productions, although both Snowpiercer and Okja (2017) are mostly in the English language. Two of his films have screened in competition at the Cannes Film Festival-Okja in 2017 and Parasite in 2019; the latter earned the Palme d'Or, which was a first for a South Korean film. Parasite also became the first South Korean film to receive Academy Award nominations, with Bong winning Best Picture, Best Director, and Best Original Screenplay, making Parasite the first film not in English to win Best Picture. In 2017, Bong was included on Metacritic's list of the 25 best film directors of the 21st century. In 2020, Bong was included in Time's annual list of 100 Most Influential People and Bloomberg 50.- Director
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Joseph Kosinski is a director whose uncompromising style has quickly made a mark in the filmmaking zeitgeist. His four theatrical releases have grossed $2.2 billion worldwide and been nominated for 7 Academy Awards and 2 Grammys.
His film debut, "Tron: Legacy" for Walt Disney Studios, grossed $400 million and was nominated for an Academy Award for Sound Editing and a Grammy for the groundbreaking score by Daft Punk.
For his sophomore feature, Kosinski directed and produced the original science-fiction thriller "Oblivion" for Universal Pictures, starring Tom Cruise and Morgan Freeman. With a score by M83, it grossed $288 million.
Kosinski's third feature was the critically acclaimed drama "Only The Brave" for Black Label Media and Columbia Pictures. The film stars Josh Brolin, Miles Teller, Jennifer Connelly and Jeff Bridges.
Joseph reunited with Tom Cruise, Miles Teller, and Jennifer Connelly for "Top Gun: Maverick". The film grossed $1.5 billion worldwide, won the National Board of Review for Best Film, and was nominated for 6 Academy Awards including Best Picture. In addition, Joseph was nominated for Best Director by the Directors Guild of America.
Kosinski's "Spiderhead", a Netflix release, is based on the short story by acclaimed author George Saunders. The film starring Chris Hemsworth, Miles Teller, and Jurnee Smollet was #1 on the streaming service and crossed 100 million total view hours in its first 100 days.
Joseph is currently directing and producing a film set in the world of Formula 1 racing in conjunction with Apple Original Films, Bruckheimer Films, Plan B, and 7-time F1 World Champion Lewis Hamilton. The film stars Brad Pitt, Damson Idris, Kerry Condon and Javier Bardem.
Joseph received his undergraduate degree in Mechanical Engineering at Stanford University and a Masters in Architecture from Columbia University.- Director
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Edgar Howard Wright (born 18 April 1974) is an English director, screenwriter, producer, and actor. He is best known for his comedic Three Flavours Cornetto film trilogy consisting of Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013), made with recurrent collaborators Simon Pegg, Nira Park and Nick Frost. He also collaborated with them as the director of the television series Spaced.- Director
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Martin Campbell knows how to entertain an audience when he steps behind the camera. When he directed The Mask of Zorro (1998), the movie earned Academy Award and Golden Globe nominations and launched the international careers of Antonio Banderas and Catherine Zeta-Jones. Next, when he helmed Vertical Limit (2000), the film was well received by the critics and earned over $200 million in worldwide box-office sales. In addition, Campbell is credited with rejuvenating the James Bond franchise when he directed GoldenEye (1995), Pierce Brosnan's first outing as the famed British spy, which went on to gross more than $350 million. He also directed Daniel Craig's debut Bond feature as well, Casino Royale (2006).
Born in New Zealand, Campbell moved to London where he began his career as a cameraman. He went on to produce the controversial British feature Scum (1979), as well as Black Joy (1977), which was selected for competition at the Cannes Film Festival. Campbell made his directorial debut on the British police action series The Professionals (1977) and continued with the popular BBC series Shoestring (1979) and Thames TV's Minder (1979)
Considered one of the U.K.'s top directors by the mid-'80s, he directed the highly praised British telefilm, Reilly: Ace of Spies (1983). For his work on Edge of Darkness (1985), a five-hour BBC miniseries about nuclear contamination in England that depicted murder and high-ranking corruption, he won six BAFTA awards.
Campbell's first Hollywood movie was Criminal Law (1998) and he went on to direct Defenseless (1991) and No Escape (1994). Some of his American credits include directing HBO's Cast a Deadly Spell (1991) and two episodes of NBC's Homicide: Life on the Street (1993), among others. He also directed the epic romance Beyond Borders (2003) starring Angelina Jolie and Clive Owen.- Director
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Rachel Talalay was born in Chicago, Illinois. Her parents, Paul and Pamela, moved to Baltimore to work/teach at Johns Hopkins when she was 6 years old. After graduation from Yale University with a bachelor's degree in mathematics, she met Director John Waters and entered the movie business as a production assistant on his 'Polyester', starring Divine. She worked on the "Nightmare on Elm Street" films as assistant, production manager, producer and culminated with directing "Freddy's Dead: The Final Nightmare". From there she continued her directing career, moving into television, and working on a wide variety of projects from family entertainment "Wind in the Willows" to Horror "Supernatural" to Comedy "Ally McBeal". In 2014 she became the first American and seventh woman to direct "Doctor Who".- Producer
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Timur Bekmambetov is a Kazakh-Russian film director known for vampire franchise Night Watch (2004) and Day Watch (2006).
He was born Timur Nuruakhitovich Bekmambetov on June 25, 1961, in Guryev, Soviet Union (now Atyrau, Kazakhstan). His father, Nuruakhit Bekmambetov, is a manager at Guryev Energy company; his mother, Mira Bogoslavskaya, was a journalist. Young Bekmambetov was raised along the Ural river in Kazakhstan, Soviet Union.
In 1978, aged 17, he moved to Moscow. There from 1978 to 1980 he attended the Moscow Energy Institute, but he was more interested in art and movies. Eventually, he dropped out of college, and joined the cultural milieu around such artists as Anatoli Zverev and Oskar Rabin. Then, from 1982 to 1987 he studied painting at Tashkent Theatrical Art Institute, graduating in 1987 as artist of theatre and film. From 1987 to 1988 he served in the Red Army stationed at artillery division near Ashkhabad, Turkmenistan. Then he worked as set designer at "Ilkhom" Drama Theatre in Tashkent, and at Uzbek Film Studio.
Since 1989 he has been directing commercials. In 1992 Bekmambetov made his directorial and writing debut with Peshawar Waltz (1994), a film about the Soviet war in Afghanistan which received awards at several festivals in Europe. From 1992 to 1997 he made 18 commercials for the Russian bank "Imperial" and was named best young director of 1997 by Russian Film Academy. In 1999 he started his own film company, Bazelevs Production.
His big break came with the success of the vampire franchise Night Watch (2004) and Day Watch (2006), which he directed during 2003 - 2005. Both films became international blockbusters, and received several awards and nominations. The third installment, Twilight Watch (2009), is slated for release in 2009.
Since 2005, Bekmambetov has been working in Hollywood, writing, directing and producing several flicks, such as Wanted (2008), 9 (2009), and The Red Star. Back in Russia, he made another success directing The Irony of Fate 2 (2007), a romantic comedy based on the Soviet era characters and capitalizing on nostalgia among some of the post-Soviet audiences.
Timur Bekmambetov established himself as a master of dense narrative. His films often surprise the viewers with eerie details, hectic pace and unusual twists and turns, and remain a challenge even for experienced audiences.- Director
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Alex Proyas has moved effortlessly between helming TV commercials and music videos to feature films. Born to Greek parents in Egypt, Proyas relocated to Australia with his family when he was three years old. He began making films at age ten and went on to attend the Australian Film Television and Radio School along with Jane Campion and Jocelyn Moorhouse. Proyas collaborated with Campion on two of her shorts, A Girl's Own Story (1984), for which he wrote and performed a song, and Passionless Moments (1983), which he photographed. Proyas' own short, Groping (1980), had earned him some attention at festival screenings in Sydney and London. Also while still a student, the enterprising novice formed Meaningful Eye Contact, a production company. Spirits of the Air: Gremlins of the Clouds (1987) marked Proyas' feature debut as director and screenwriter. Set in a post-apocalyptic world, the film, with its stylized production design and aural texture, was atypical of standard Australian fare, more closely resembling a longform music video. Critics admired the director's vision, but felt the overall result was lacking. Proyas continued to hone his craft helming TV advertisements for products like Nike, Nissan and Swatch (earning kudos from advertising associations in both Australia and England) and directing videos for such artists as Sting, INXS and Crowded House. In 1993 Proyas was tapped to helm the screen adaptation of James O'Barr's comic strip The Crow (1994). During production, star Brandon Lee died of an accidental gunshot wound (ironically, the film's story revolves around his character's resurrection). His death cast a pall over the remainder of the filming and its subsequent theatrical release, although reviews were generally favorably, most singling out the production values which created a colorless rain-soaked wasteland that invoked comparisons with Ridley Scott's seminal Blade Runner (1982) and Tim Burton's Batman (1989). Made for about $14 million, it grossed close to $50 million domestically. Proyas seemed set to move on to other projects and was announced as the director of Casper (1995), but left the project and was replaced by Brad Silberling. After a four-year absence he returned with another thriller, Dark City (1998), about an amnesiac who may or may not have been a serial killer. Garage Days (2002) marked Proyas' return to his homeland, Australia: the movie tells the story of a young Sydney garage band desperately trying to make it big in the competitive world of rock 'n' roll. In 2004 Proyas returned to Hollywood: he directed I, Robot (2004), a science-fiction film suggested by the 'Isaac Asimov' short story compilation of the same name that starred Will Smith. It was a box office success, but met with mixed reactions by readers and fans of the Asimov stories.- Visual Effects
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Mark A.Z. Dippé was born on 9 November 1956 in Tokyo, Japan. He is a director and producer, known for Spawn (1997), Jurassic Park (1993) and The Abyss (1989).- Producer
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Samuel Alexander Mendes was born on August 1, 1965 in Reading, England, UK to parents James Peter Mendes, a retired university lecturer, and Valerie Helene Mendes, an author who writes children's books. Their marriage didn't last long, James divorced Sam's mother in 1970 when Sam was just 5-years-old. Sam was educated at Cambridge University and joined the Chichester Festival Theatre following his graduation in 1987. Afterwards, he directed Judi Dench in "The Cherry Orchard", for which he won a Critics Circle Award for Best Newcomer. He then joined the Royal Shakespeare Company, where he directed such productions as "Troilus and Cressida" with Ralph Fiennes and "Richard III". In 1992, he became artistic director of the reopened Donmar Warehouse in London, where he directed such productions as "The Glass Menagerie" and the revival of the musical "Cabaret", which earned four Tony Awards including one for Best Revival of a Musical. He also directed "The Blue Room" starring Nicole Kidman. In 1999, he got the chance to direct his first feature film, American Beauty (1999). The movie earned 5 Academy Awards including Best Picture and Best Director for Mendes, which is a rare feat for a first-time film director.- Writer
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Robert Schwentke was born in 1968 in Stuttgart, Germany. He is a writer and director, known for The Captain (2017), RED (2010) and Eierdiebe (2003).- Director
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Dean Parisot is known for Galaxy Quest (1999), RED 2 (2013) and Bill & Ted Face the Music (2020). He was previously married to Sally Menke.- Producer
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Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.- Producer
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Park Chan-wook was born on 23 August 1963 in Seoul, South Korea. He is a producer and writer, known for Oldboy (2003), The Handmaiden (2016) and Decision to Leave (2022). He is married to Eun-hee Kim. They have one child.- Director
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Spike Lee was born Shelton Jackson Lee on March 20, 1957, in Atlanta, Georgia. At a very young age, he moved from pre-civil rights Georgia, to Brooklyn, New York. Lee came from artistic, education-grounded background; his father was a jazz musician, and his mother, a schoolteacher. He attended school in Morehouse College in Atlanta and developed his film making skills at Clark Atlanta University. After graduating from Morehouse, Lee attended the Tisch School of Arts graduate film program. He made a controversial short, The Answer (1980), a reworking of D.W. Griffith's The Birth of a Nation (1915), a ten-minute film. Lee went on to produce a 45-minute film Joe's Bed-Stuy Barbershop: We Cut Heads (1983) which won a student Academy Award. In 1986, Spike Lee made the film, She's Gotta Have It (1986), a comedy about sexual relationships. The movie was made for $175,000, and earned $7 million at the box office, which launched his career and allowed him to found his own production company, 40 Acres and a Mule Filmworks. His next movie was School Daze (1988), which was set at a historically black school, focused mostly on the conflict between the school and the Fraternities, of which he was a strong critic, portraying them as materialistic, irresponsible, and uncaring. With his School Daze (1988) profits, Lee went on to make his landmark film, Do the Right Thing (1989), a movie based specifically his own neighborhood in Brooklyn, New York. The movie portrayed the racial tensions that emerge in the Bed-Stuy neighborhood on one very hot day. The movie garnered Oscar nominations for Best Original Screenplay, for Danny Aiello for supporting actor, and sparked a debate on racial relations. Lee went on to produce and direct the jazz biopic Mo' Better Blues (1990), the first of many Spike Lee films to feature Denzel Washington, including the biography of Malcolm X (1992), in which Washington portrayed the civil rights leader. The movie was a success, and garnered an Oscar nomination for Washington. The pair would work together again on He Got Game (1998), an excursion into the collegiate world showing the darker side of college athletic recruiting, as well as the 2006 film Inside Man (2006). Spike Lee's role as a documentarian has expanded over the years, highlighted by his participation in Lumière and Company (1995), the Oscar-nominated 4 Little Girls (1997), to his Peabody Award-winning biographical adaptation of Black Panther leader in A Huey P. Newton Story (2001), through his 2005 Emmy Award-winning examination of post-Katrina New Orleans in When the Levees Broke: A Requiem in Four Acts (2006) and its follow-up five years later If God Is Willing and da Creek Don't Rise (2010). Through his production company 40 Acres and A Mule Filmworks, Lee continues to create and direct both independent films and projects for major studios, as well as working on story development, creating an internship program for aspiring filmmakers, releasing music, and community outreach and support. He is married to Tonya Lewis Lee, and they have two sons, Satchel and Jackson.- Producer
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Danny Cannon is an Emmy-nominated film and television producer, director and writer, known for executive producing and directing Pennyworth (2019), Gotham (2014), Nikita (2010), I Still Know What You Did Last Summer (1998), Judge Dredd (1995), and is responsible for executive producing the billion dollar CSI: Crime Scene Investigation (2000) series franchise (which he directed the pilot of), along with the subsequent spinoffs CSI: Miami (2002) and CSI: NY (2004).
One of the top paid television directors in the entertainment industry and the only TV pilot director to also operate as a key writer, Cannon has directed 15 television pilots, 12 of which have been ordered to series including (in addition to the above): Training Day (2017), The Tomorrow People (2013), Dark Blue (2009), The Forgotten (2009), and Eleventh Hour (2008). At one time, Cannon had five television series on-air, while acting as executive producer.
Cannon is currently the executive producer (and a writer/director) of FOX's superhero series Gotham (2014-2019), which won the Critics Choice Award for Most Exciting New Series in 2014. His newest endeavor, as of 2019, is a 10-episode straight-to-series Batman prequel for the Epix Network, titled Pennyworth (2019), which he is currently executive producing and writing/directing in London.- Director
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Katsuhiro Ôtomo is a Japanese manga artist, screenwriter and film director. He is best known as the creator of the manga Akira and its animated film adaptation.
In 1979, after writing multiple short-stories for the magazine Action, Otomo created his first science-fiction work, titled Fireball. Although the manga was never completed, it is regarded as a milestone in Otomo's career as it contained many of the same themes he would explore in his later. In 1982, Otomo made his anime debut, working as character designer for the animated film Harmagedon. The next year, Otomo began work on a manga which would become his most acclaimed and famous work: Akira. It took eight years to complete and would eventually culminate in 2000 pages of artwork. While the serialization of Akira was taking place, Otomo decided to animate it into a feature film, although the manga was yet to be finished. In 1988, the animated film Akira was released.
Otomo became the fourth manga artist ever inducted into the American Eisner Award Hall of Fame in 2012, and was awarded the Purple Medal of Honor from the Japanese government in 2013.- Director
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Francis Lawrence is an American filmmaker. He started directing over sixty music videos before he directed the cult classic Keanu Reeves film Constantine, I Am Legend and Water for Elephants. He also directed The Hunger Games: Catching Fire, The Hunger Games: Mockingjay Parts 1 and 2, and Red Sparrow, which all starred Jennifer Lawrence.- Director
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Dominic Sena was born on 26 April 1949 in Niles, Ohio, USA. He is a director and cinematographer, known for Kalifornia (1993), Whiteout (2009) and Swordfish (2001).- Actor
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David Cronenberg, also known as the King of Venereal Horror or the Baron of Blood, was born in Toronto, Ontario, Canada, in 1943. His father, Milton Cronenberg, was a journalist and editor, and his mother, Esther (Sumberg), was a piano player. After showing an inclination for literature at an early age (he wrote and published eerie short stories, thus following his father's path) and for music (playing classical guitar until he was 12), Cronenberg graduated from the University of Toronto with a degree in Literature after switching from the science department. He reached the cult status of horror-meister with the gore-filled, modern-vampire variations of Shivers (1975) and Rabid (1977), following an experimental apprenticeship in independent film-making and in Canadian television programs.
Cronenberg gained popularity with the head-exploding, telepathy-based Scanners (1981) after the release of the much underrated, controversial, and autobiographical The Brood (1979). Cronenberg become a sort of a mass media guru with Videodrome (1983), a shocking investigation of the hazards of reality-morphing television and a prophetic critique of contemporary aesthetics. The issues of tech-induced mutation of the human body and topics of the prominent dichotomy between body and mind were back again in The Dead Zone (1983) and The Fly (1986), both bright examples of a personal film-making identity, even if both films are based on mass-entertainment materials: the first being a rendition of a Stephen King best-seller, the latter a remake of a famous American horror movie.
With Dead Ringers (1988) and Naked Lunch (1991), the Canadian director, no more a mere genre movie-maker but a fully realized auteur, got the acclaim of international critics. Such profound statements on modern humanity and ever-changing society are prominent in the provocative Crash (1996) and in the virtual reality essay of eXistenZ (1999), both of which well fared at the Cannes and Berlin Film Festivals. In the last two film projects Spider (2002) and A History of Violence (2005), Cronenberg avoids expressing his teratologic and oneiric expressionism in favor of a more psychological exploration of human contradictions and idiosyncrasies.- Director
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Takashi Miike was born in the small town of Yao on the outskirts of Osaka, Japan. His main interest growing up was motorbikes, and for a while he harbored ambitions to race professionally. At the age of 18 he went to study at the film school in Yokohama founded by renowned director Shôhei Imamura, primarily because there were no entrance exams. By his own account Miike was an undisciplined student and attended few classes, but when a local TV company came scouting for unpaid production assistants, the school nominated the one pupil who never showed up: Miike. He spent almost a decade working in television, in many different roles, before becoming an assistant director in film to, amongst others, his old mentor Imamura. The "V-Cinema" (Direct to Video) boom of the early 1990s was to be Miike's break into directing his own films, as newly formed companies hired eager young filmmakers willing to work cheap and crank out low-budget action movies. Miike's first theatrically distributed film was Shinjuku Triad Society (1995) (Shinjuku Triad Society), and from then on he alternated V-Cinema films with higher-budgeted pictures. His international breakthrough came with Audition (1999) (Audition), and since then he has an ever expanding cult following in the west. A prolific director, Miike has directed (at the time of this writing) 60+ films in his 13 years as director, his films being known for their explicit and taboo representations of violence and sex, as seen in such works as Bijitâ Q (2001) (Visitor Q), Ichi the Killer (2001) (Ichi The Killer) and the Dead or Alive Trilogy: Dead or Alive (1999), Dead or Alive 2: Birds (2000) and Dead or Alive: Final (2002).- Writer
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John Milius is a screenwriter and director who came to prominence in the 1970s, when he was associated with Francis Ford Coppola and the pre-Star Wars: Episode IV - A New Hope (1977) George Lucas. Born on April 11, 1944 in St. Louis, Missouri, Milius was one of the first movie industry professionals to be a film school graduate, having matriculated at the University of Southern California. In 1967, Milius won first prize at USC School of Cinema-for his student film Marcello, I'm Bored (1970).
A gun enthusiast, Milius serves as a member of the National Rifle Association's Board of Directors.- Director
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Marcus Nispel was born on 26 May 1963 in Frankfurt am Main, Hesse, Germany. He is a director and producer, known for Friday the 13th (2009), The Texas Chainsaw Massacre (2003) and Pathfinder (2007).- Producer
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Albert and Allen Hughes began making movies at age 12, but their formal film education began their freshman year of high school when Allen took a TV production class. They soon made a short film entitled How To Be A Burglar and people began to take notice. Their next work, Uncensored videos, was broadcast on cable, introducing them to a wider audience. After high school Albert began taking classes at LACC Film School: two shorts established the twins' reputation as innovative filmmakers and allowed them to direct Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 million budget. After following up with Dead Presidents (1995) they directed the feature-length documentary American Pimp (1999) .- Director
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David Slade was born on 26 September 1969 in the UK. He is a director and producer, known for Hard Candy (2005), The Twilight Saga: Eclipse (2010) and 30 Days of Night (2007).- Producer
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Rob Bowman was born on 15 May 1960 in Wichita Falls, Texas, USA. He is a producer and director, known for Reign of Fire (2002), The X Files (1998) and The X-Files (1993). He has been married to Dusty Dawn Bowman since 5 October 2006. They have two children.- Writer
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Frank Miller was born in Olney, Maryland, to a nurse mother and a carpenter and electrician father, and was raised in Montpelier, Vermont. He is of Irish descent. Miller was a big comics writer/artist in the '70s and '80s. He wrote and penciled the Marvel series "Daredevil" for a long time. His friend, Klaus Janson, inked. He also wrote two spinoffs about the character "Electra" and did a miniseries about the "X-Men" character "Wolverine". His hit miniseries "Ronin" was published by DC in the mid-eighties. His greatest success came with DC's character "Batman". In 1980, he wrote the acclaimed "Batman" story "Wanted - Santa Claus - Dead or Alive!" for DC Comics. In 1986, his most notable comic-book work, the groundbreaking "Batman: The Dark Knight Returns", an alternate history story about Batman in a grim future, was published by DC. Miller wrote and penciled. In 1988, he wrote the acclaimed "Batman: Year One", about Batman's first year on the job, for DC. In 1996, he wrote "Spawn versus Batman", a one-shot issue published by DC and Image Comics. He wrote the major motion pictures RoboCop 2 (1990) and RoboCop 3 (1993) and did the "Robocop" comic series for a little while.
Miller directed The Spirit (2008) and co-directed Sin City (2005) and Frank Miller's Sin City: A Dame to Kill For (2014)_.