Celluloid Underground review – love letter to a lifelong passion for film and illicit treasure trove
Iranian critic Ehsan Khoshbakht’s personal essay about a man’s smizdat film print collection shows the lengths cinephiles will go to to protect the art form
The passion of cinephilia is the subject of this absorbing personal essay movie from Iranian critic and film historian Ehsan Khoshbakht, now co-director of the Il Cinema Ritrovato festival in Bologna, Italy, who narrates the film in a style that reminded me a little of Mark Cousins and also perhaps Werner Herzog.
Khoshbakht grew up in post-revolutionary Iran where he developed a love of movies and of moving images generally, even the sternly meagre output on national TV. I laughed out loud at Khoshbakht’s entranced description of the TV’s humble colour test card: “As exciting as an MGM musical!” Khoshbakht (daringly) started a film club as a teenager, digitally projecting foreign movies videotaped from TV. He got into serious trouble for...
The passion of cinephilia is the subject of this absorbing personal essay movie from Iranian critic and film historian Ehsan Khoshbakht, now co-director of the Il Cinema Ritrovato festival in Bologna, Italy, who narrates the film in a style that reminded me a little of Mark Cousins and also perhaps Werner Herzog.
Khoshbakht grew up in post-revolutionary Iran where he developed a love of movies and of moving images generally, even the sternly meagre output on national TV. I laughed out loud at Khoshbakht’s entranced description of the TV’s humble colour test card: “As exciting as an MGM musical!” Khoshbakht (daringly) started a film club as a teenager, digitally projecting foreign movies videotaped from TV. He got into serious trouble for...
- 3/25/2024
- by Peter Bradshaw
- The Guardian - Film News
Edinburgh Filmhouse has received a vital funding boost from the UK government’s Levelling Up community fund and is now on course to re-open this autumn, two years after it was forced to close.
A total of six Scottish community spaces were saved from closure owing to £3.8m funding from the government’s Department for Levelling Up, Housing and Communities’ Community Ownership Fund.
Across the UK, the department has today (March 23) announced £33.5m in funding to protect more than 80 projects. Filmhouse has been awarded £1.54m.
The Edinburgh Filmhouse building was sold for £2.65m in April last year. The building was...
A total of six Scottish community spaces were saved from closure owing to £3.8m funding from the government’s Department for Levelling Up, Housing and Communities’ Community Ownership Fund.
Across the UK, the department has today (March 23) announced £33.5m in funding to protect more than 80 projects. Filmhouse has been awarded £1.54m.
The Edinburgh Filmhouse building was sold for £2.65m in April last year. The building was...
- 3/23/2024
- ScreenDaily
Jonathan Glazer’s Oscar acceptance speech after Zone of Interest won the Oscar for Best International Feature Film has drawn condemnation from more than a thousand Hollywood actors, creatives and executives over the past few days, but there are also some in the entertainment industry who have spoken in support of Glazer and his speech.
For context, here is the entirety of Glazer’s speech:
Thank you so much. I’m going to read, I’m afraid.
Thank you to the Academy for this honor and to our partners A24 Films for access and Polish Film Institute, to the Stead Museum for their trust and guidance, to my producers, actors, collaborators.
All our choices were made to reflect and confront us in the present, not to say look what they did then, but rather look what we do now.
For context, here is the entirety of Glazer’s speech:
Thank you so much. I’m going to read, I’m afraid.
Thank you to the Academy for this honor and to our partners A24 Films for access and Polish Film Institute, to the Stead Museum for their trust and guidance, to my producers, actors, collaborators.
All our choices were made to reflect and confront us in the present, not to say look what they did then, but rather look what we do now.
- 3/20/2024
- by Tom Tapp
- Deadline Film + TV
Birmingham’s The Electric, the UK’s oldest working cinema, closed its doors yesterday. More on the sad news below.
This isn’t how we’d like to start a Friday.
The BBC reports that The Electric, the UK’s oldest working cinema, has closed its doors. The Birmingham cinema held its final screening yesterday (29th February). No reason has been officially given. The BBC says it has confirmed the closure and has attempted to contact the owner.
The Electric has been operating since 1909, but the 8.30pm showing of Wicked Little Letters yesterday was the cinema’s last for the foreseeable future.
However, organisers of the Flatpack Festival, who’ve hosted events at The Electric previously, wrote on their blog that the venue was not available this year due to the lease expiring. They called the closure “a deeply damaging move for Birmingham”.
Flatpack also write that plans to demolish...
This isn’t how we’d like to start a Friday.
The BBC reports that The Electric, the UK’s oldest working cinema, has closed its doors. The Birmingham cinema held its final screening yesterday (29th February). No reason has been officially given. The BBC says it has confirmed the closure and has attempted to contact the owner.
The Electric has been operating since 1909, but the 8.30pm showing of Wicked Little Letters yesterday was the cinema’s last for the foreseeable future.
However, organisers of the Flatpack Festival, who’ve hosted events at The Electric previously, wrote on their blog that the venue was not available this year due to the lease expiring. They called the closure “a deeply damaging move for Birmingham”.
Flatpack also write that plans to demolish...
- 3/1/2024
- by Maria Lattila
- Film Stories
No reasonably intelligent person imagines an artist’s statement about the horrors in Gaza would, in fact, end those horrors, but there are always limits to what one can take and hopes for what one could do. It might even be said that, as observers of the world and human behavior, filmmakers are especially inclined to recoil. When I interviewed Pedro Costa last month he spoke, unprompted, of a situation that’s only grown worse: “It’s very clear that we cannot stand images anymore. I can’t. I can’t. The images of the world for me [Exhales] I can’t. I turn my eyes, and I’m sure you do the same. It’s unbearable.” When I spoke with Anthony Dod Mantle a couple of weeks later it, again, emerged––vis-a-vis The Zone of Interest, whose own cinematographer alluded to it the next day. It’s difficult being a person in the world,...
- 12/29/2023
- by Nick Newman
- The Film Stage
Cari Beauchamp, a widely respected Hollywood historian and author who was a frequent presence on Turner Classic Movies and a contributor to Variety, has died. She was 74.
Beauchamp was a prolific writer who often focused on the stories of female pioneers in the entertainment industry. Among the books she wrote or co-wrote over the years were “Without Lying Down: Frances Marion and The Powerful Women of Early Hollywood” and “Hollywood on the Riviera: The Inside Story of the Cannes Film Festival.” She also edited and annotated “Anita Loos Rediscovered: Film Treatments and Fiction by the Creator of Gentlemen Prefer Blondes.” Other books included “Adventures of a Hollywood Secretary: Her Private Letters from Inside the Studios of the 1920s” and “Joseph P. Kennedy Presents: His Hollywood Years.”
Born in Berkeley, Calif., Beauchamp worked as a private investigator, a campaign manager and as press secretary to California Gov. Jerry Brown before she...
Beauchamp was a prolific writer who often focused on the stories of female pioneers in the entertainment industry. Among the books she wrote or co-wrote over the years were “Without Lying Down: Frances Marion and The Powerful Women of Early Hollywood” and “Hollywood on the Riviera: The Inside Story of the Cannes Film Festival.” She also edited and annotated “Anita Loos Rediscovered: Film Treatments and Fiction by the Creator of Gentlemen Prefer Blondes.” Other books included “Adventures of a Hollywood Secretary: Her Private Letters from Inside the Studios of the 1920s” and “Joseph P. Kennedy Presents: His Hollywood Years.”
Born in Berkeley, Calif., Beauchamp worked as a private investigator, a campaign manager and as press secretary to California Gov. Jerry Brown before she...
- 12/16/2023
- by Cynthia Littleton
- Variety Film + TV
Paris-based Reservoir Docs has acquired worldwide sales rights excluding Italy to “A Sudden Glimpse to Deeper Things,” a theatrical documentary by Scottish-Irish director Mark Cousins, featuring the voice of Tilda Swinton.
The film, described by the producers as “visually ravishing,” explores the art of the 20th century Scottish painter Wilhelmina Barns-Graham.
Swinton will voice the artist’s innermost thoughts, reading from her private diaries and notebooks, which have never before been made public.
The film is in late post-production for release in 2024. It is produced by Mary Bell and Adam Dawtrey for BofA Productions, and co-funded by the National Lottery via Screen Scotland, with the support of the Wilhelmina Barns-Graham Trust. I Wonder Pictures has acquired Italian rights from the producers.
“A Sudden Glimpse to Deeper Things” is the story of an unusual creative brain, and a magnificent lifelong obsession. One day in May 1949, Barns-Graham, then 36 years old and an...
The film, described by the producers as “visually ravishing,” explores the art of the 20th century Scottish painter Wilhelmina Barns-Graham.
Swinton will voice the artist’s innermost thoughts, reading from her private diaries and notebooks, which have never before been made public.
The film is in late post-production for release in 2024. It is produced by Mary Bell and Adam Dawtrey for BofA Productions, and co-funded by the National Lottery via Screen Scotland, with the support of the Wilhelmina Barns-Graham Trust. I Wonder Pictures has acquired Italian rights from the producers.
“A Sudden Glimpse to Deeper Things” is the story of an unusual creative brain, and a magnificent lifelong obsession. One day in May 1949, Barns-Graham, then 36 years old and an...
- 11/11/2023
- by Leo Barraclough
- Variety Film + TV
The U.K.’s Documentary Film Council (Dfc) is seeking funds to support the independent documentary sector, which is under “existential threat.”
The Dfc was formed in response to a three-year study on the U.K. feature-length documentary film industry and co-designed by several organizations in the field, including Doc Society, Sheffield DocFest, the Grierson Trust, The Whickers, Scottish Documentary Institute, Docs Ireland and BBC Storyville.
An open letter to the U.K. screen industries compiled by the Dfc states that the formation of the Dfc is “based on the recognition that independent documentary in the U.K. faces an existential threat and that there is urgent need for coordinated, long-term interventions across the sector.”
“Films at the independent end of the spectrum – creative, observational, character-led films, films that originate outside of a commissioner’s brief or which explore difficult-but-vital political or cultural questions – are increasingly hard to get made,” the letter adds.
The Dfc was formed in response to a three-year study on the U.K. feature-length documentary film industry and co-designed by several organizations in the field, including Doc Society, Sheffield DocFest, the Grierson Trust, The Whickers, Scottish Documentary Institute, Docs Ireland and BBC Storyville.
An open letter to the U.K. screen industries compiled by the Dfc states that the formation of the Dfc is “based on the recognition that independent documentary in the U.K. faces an existential threat and that there is urgent need for coordinated, long-term interventions across the sector.”
“Films at the independent end of the spectrum – creative, observational, character-led films, films that originate outside of a commissioner’s brief or which explore difficult-but-vital political or cultural questions – are increasingly hard to get made,” the letter adds.
- 10/20/2023
- by Naman Ramachandran
- Variety Film + TV
Signatories include Kim Longinotto, Sean McAllister, Orlando von Einsiedel, Jeanie Finlay, Jerry Rothwell, Andre Singer, Mark Cousins, Andrew Kötting, and Mike Lerner.
Leading figures from the UK documentary world have thrown their support behind an open letter from the Documentary Film Council (Dfc) raising the alarm about the predicament of the UK indie doc sector.
Despite rhetoric about this being a golden age of documentary, the letter claims the sector “faces an existential threat”. Production funding for indie docs has plummeted and chances of distribution and exhibition for many are “non-existent.” Broadcast slots are also dwindling as are deals with...
Leading figures from the UK documentary world have thrown their support behind an open letter from the Documentary Film Council (Dfc) raising the alarm about the predicament of the UK indie doc sector.
Despite rhetoric about this being a golden age of documentary, the letter claims the sector “faces an existential threat”. Production funding for indie docs has plummeted and chances of distribution and exhibition for many are “non-existent.” Broadcast slots are also dwindling as are deals with...
- 10/18/2023
- by Geoffrey Macnab
- ScreenDaily
Thank goodness Davies experienced his late-career appreciation – he was a director of high seriousness and singularity and a man of vulnerability and true good humour
Terence Davies was the great British movie artist of working class Catholic experience and gay identity, a passionate believer and practitioner of cinema. And was also a wonderfully stylish and self-assured presence in person, with a gorgeously resonant voice that might have belonged to a stage matinee idol.
I raised a glass of rose with a beaming Davies and Mark Cousins at the 2008 Cannes film festival after the triumphant premiere of Of Time and the City, Davies’s wonderful, personal docu-collage about his home city of Liverpool, a place he resurrected on screen with love and without cliche.
Terence Davies was the great British movie artist of working class Catholic experience and gay identity, a passionate believer and practitioner of cinema. And was also a wonderfully stylish and self-assured presence in person, with a gorgeously resonant voice that might have belonged to a stage matinee idol.
I raised a glass of rose with a beaming Davies and Mark Cousins at the 2008 Cannes film festival after the triumphant premiere of Of Time and the City, Davies’s wonderful, personal docu-collage about his home city of Liverpool, a place he resurrected on screen with love and without cliche.
- 10/7/2023
- by Peter Bradshaw
- The Guardian - Film News
While our massive, 60-film fall movie preview gives a hint at what to expect this season, it’s time to dive deeper into September. With films from Ethan Coen, Yorgos Lanthimos, and Luca Guadagnino being ripped off the month’s release calendar because studios don’t want to pay actors and writers fairly, it means the fall’s first offerings are a bit lighter––thankfully giving some truly independent productions further room to shine.
12. The Storms of Jeremy Thomas (Mark Cousins; Sept. 22 in theaters)
What do films like David Cronenberg’s Crash, Jonathan Glazer’s Sexy Beast, Jerzy Skolimowski’s Eo, Jim Jarmusch’s Only Lovers Left Alive, Bernardo Bertolucci’s The Last Emperor, Nagisa Ôshima’s Merry Christmas Mr. Lawrence, and (many) more have in common? They were produced by Oscar winner Jeremy Thomas. A new documentary by cinephile Mark Cousins, The Storms of Jeremy Thomas, explores the making of his most notable films.
12. The Storms of Jeremy Thomas (Mark Cousins; Sept. 22 in theaters)
What do films like David Cronenberg’s Crash, Jonathan Glazer’s Sexy Beast, Jerzy Skolimowski’s Eo, Jim Jarmusch’s Only Lovers Left Alive, Bernardo Bertolucci’s The Last Emperor, Nagisa Ôshima’s Merry Christmas Mr. Lawrence, and (many) more have in common? They were produced by Oscar winner Jeremy Thomas. A new documentary by cinephile Mark Cousins, The Storms of Jeremy Thomas, explores the making of his most notable films.
- 8/31/2023
- by Jordan Raup
- The Film Stage
’Silent Roar’, ‘Shoshana’ and ’How To Have Sex’ will also play at the French seaside festival that spotlights UK and Irish cinema.
France’s Dinard Festival of British Film has unveiled the line-up of its 34th edition, which includes Cannes titles Ken Loach’s The Old Oak, Jonathan Glazer’s The Zone Of Interest and Molly Manning Walker’s How To Have Sex.
Also on the line-up is Charlotte Regan’s Sundance title Scrapper. The comedy drama stars Harris Dickinson and follows a young girl forced to confront reality when her estranged father returns, and is currently on release in...
France’s Dinard Festival of British Film has unveiled the line-up of its 34th edition, which includes Cannes titles Ken Loach’s The Old Oak, Jonathan Glazer’s The Zone Of Interest and Molly Manning Walker’s How To Have Sex.
Also on the line-up is Charlotte Regan’s Sundance title Scrapper. The comedy drama stars Harris Dickinson and follows a young girl forced to confront reality when her estranged father returns, and is currently on release in...
- 8/31/2023
- by Mona Tabbara
- ScreenDaily
With the festival kicking off tomorrow, Telluride Film Festival has now unveiled its lineup, featuring new films from Jeff Nichols (the first image from which can be seen above), Emerald Fennell, Annie Baker, Andrew Haigh, Yorgos Lanthimos, Justine Triet, Wim Wenders, Kitty Green, Ethan Hawke, and many more.
“Fifty years is a long time to do anything. And while we might be a little biased, we feel the work that Tff does is pretty important,” comments Telluride Film Festival director Julie Huntsinger. “We take the charge of preserving the theatrical experience and promoting film seriously, but with necessary winks here and there. We’re ecstatic to share a program we feel reflects so much of the past fifty years, naturally and organically, films old and new, which stand as a testament to our beloved co-founders Tom Luddy and Bill Pence who are no longer with us.”
• All Of US Strangers...
“Fifty years is a long time to do anything. And while we might be a little biased, we feel the work that Tff does is pretty important,” comments Telluride Film Festival director Julie Huntsinger. “We take the charge of preserving the theatrical experience and promoting film seriously, but with necessary winks here and there. We’re ecstatic to share a program we feel reflects so much of the past fifty years, naturally and organically, films old and new, which stand as a testament to our beloved co-founders Tom Luddy and Bill Pence who are no longer with us.”
• All Of US Strangers...
- 8/30/2023
- by Leonard Pearce
- The Film Stage
Taking place from August 11-18, this year’s 29th edition of the Sarajevo Film Festival, the largest film fest in (and focused on) Southeast Europe, unsurprisingly presented a wealth of cinematic gems to choose from. That is, when one wasn’t scrambling to catch the numerous talks and masterclasses—taught by this year’s Honorary Heart of Sarajevo recipients/hot tickets Mark Cousins, Lynne Ramsay and Charlie Kaufman—or attending the equally busy CineLink Industry Days: The 29th Sarajevo Film Festival first appeared on Filmmaker Magazine.
- 8/29/2023
- by Lauren Wissot
- Filmmaker Magazine - Blog
Taking place from August 11-18, this year’s 29th edition of the Sarajevo Film Festival, the largest film fest in (and focused on) Southeast Europe, unsurprisingly presented a wealth of cinematic gems to choose from. That is, when one wasn’t scrambling to catch the numerous talks and masterclasses—taught by this year’s Honorary Heart of Sarajevo recipients/hot tickets Mark Cousins, Lynne Ramsay and Charlie Kaufman—or attending the equally busy CineLink Industry Days: The 29th Sarajevo Film Festival first appeared on Filmmaker Magazine.
- 8/29/2023
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
What do films like David Cronenberg’s Crash, Jonathan Glazer’s Sexy Beast, Jerzy Skolimowski’s Sexy Beast, Jerzy Skolimowski’s Eo, Jim Jarmusch’s Only Lovers Left Alive, Bernardo Bertolucci’s The Last Emperor, Nagisa Ôshima’s Merry Christmas Mr. Lawrence, and more have in common? They were produced by Oscar winner Jeremy Thomas. A new documentary by cinephile Mark Cousins, The Storms of Jeremy Thomas, now explores the making of many of his most notable films. Ahead of a release on September 22 the first trailer has now landed.
Here’s the synopsis: “Jeremy Thomas, the Oscar-winning producer of films like Eo and The Last Emperor, is joined by documentarian Mark Cousins on his annual pilgrimage to the Cannes Film Festival, to give an intimate glimpse into the life of the legendary icon behind some of the most acclaimed and controversial films of all time. Featuring insights into a life lived just off-frame,...
Here’s the synopsis: “Jeremy Thomas, the Oscar-winning producer of films like Eo and The Last Emperor, is joined by documentarian Mark Cousins on his annual pilgrimage to the Cannes Film Festival, to give an intimate glimpse into the life of the legendary icon behind some of the most acclaimed and controversial films of all time. Featuring insights into a life lived just off-frame,...
- 8/29/2023
- by Jordan Raup
- The Film Stage
From the Nc-17 ménage à trois of Bernardo Bertolucci’s “The Dreamers” to James Spader having intercourse with Rosanna Arquette’s leg wound in David Cronenberg’s “Crash,” producer Jeremy Thomas loves a controversy onscreen.
Cinema raconteur Mark Cousins pays homage to the Oscar-winning producer in his 2021 Cannes Classics selection, “The Storms of Jeremy Thomas.” The film follows Cousins on Thomas’ annual pilgrimage to the Cannes Film Festival — literally, the producer drove for decades from England to the fest — and a five-day road movie through France. Together, they remember Thomas’ most acclaimed and provocative films as a producer, from his Oscar-winning “The Last Emperor” to “Crash” and its scandalous opening at the festival in 1996, Nicolas Roeg’s “Bad Timing,” Jerzy Skolimowski’s “Eo,” plus Cronenberg’s “Naked Lunch,” Jonathan Glazer’s “Sexy Beast,” and Terry Gilliam’s reviled child abuse fairy tale, “Tideland.”
The film includes Thomas’ stories of movie stars like Marlon Brando,...
Cinema raconteur Mark Cousins pays homage to the Oscar-winning producer in his 2021 Cannes Classics selection, “The Storms of Jeremy Thomas.” The film follows Cousins on Thomas’ annual pilgrimage to the Cannes Film Festival — literally, the producer drove for decades from England to the fest — and a five-day road movie through France. Together, they remember Thomas’ most acclaimed and provocative films as a producer, from his Oscar-winning “The Last Emperor” to “Crash” and its scandalous opening at the festival in 1996, Nicolas Roeg’s “Bad Timing,” Jerzy Skolimowski’s “Eo,” plus Cronenberg’s “Naked Lunch,” Jonathan Glazer’s “Sexy Beast,” and Terry Gilliam’s reviled child abuse fairy tale, “Tideland.”
The film includes Thomas’ stories of movie stars like Marlon Brando,...
- 8/24/2023
- by Ryan Lattanzio
- Indiewire
Georgian filmmaker Elene Naveriani clinched the Best Feature Award in the main international competition of the 29th Sarajevo Film Festival with her latest pic Blackbird Blackbird Blackberry. The award comes with a €16,000 cash prize.
The film also picked up the Best Actress award for Ekaterine Chavleishvili, which comes with a €2,500 cash prize. Overall, eleven films battled it out in the main competition, and Mia Wasikowska’s jury—including MoMA Film Head Josh Siegel, actor Zlatko Burić, actress Danica Ćurčić, and director Juraj Lerotić, spread the love quite widely.
The Ukrainian pic La Palisiada won the Best Director Award for Philip Sotnychenko, while Jovan Ginić won the Best Actor prize for the Serbian film Lost Country. In the festival’s documentary section, the top prize went to Bottlemen by Slovenian director Nemanja Vojinović.
Check out the full list of winners below:
Honorary Heart of Sarajevo
Mark Cousins, director and screenwriter
Lynne Ramsay,...
The film also picked up the Best Actress award for Ekaterine Chavleishvili, which comes with a €2,500 cash prize. Overall, eleven films battled it out in the main competition, and Mia Wasikowska’s jury—including MoMA Film Head Josh Siegel, actor Zlatko Burić, actress Danica Ćurčić, and director Juraj Lerotić, spread the love quite widely.
The Ukrainian pic La Palisiada won the Best Director Award for Philip Sotnychenko, while Jovan Ginić won the Best Actor prize for the Serbian film Lost Country. In the festival’s documentary section, the top prize went to Bottlemen by Slovenian director Nemanja Vojinović.
Check out the full list of winners below:
Honorary Heart of Sarajevo
Mark Cousins, director and screenwriter
Lynne Ramsay,...
- 8/19/2023
- by Zac Ntim
- Deadline Film + TV
To step inside Sarajevo’s Apollo Cinema 30 years ago, you first had to find the door.
The streets of the Bosnian capital were pitch black. Power cuts brought on by a crippling siege, which started in 1992 when Bosnian Serb forces surrounded the city, left the town plunged in darkness. Residents fortunate enough to own gasoline-powered generators were reluctant to use them, for fear that lights would attract sniper fire. Shelling left giant holes in the streets and pavement. The locals referred to them as “rosebuds.”
The Apollo was housed in the basement of the Sarajevo Academy of Performing Arts, where the Obala Art Center — a group that had risen to prominence in the 1980s — mounted acclaimed stage productions that traveled around the world. Visitors entered through a hole in the wall ringing the perimeter of the academy, crossed a small courtyard to the building’s back door and descended a steep flight of stairs.
The streets of the Bosnian capital were pitch black. Power cuts brought on by a crippling siege, which started in 1992 when Bosnian Serb forces surrounded the city, left the town plunged in darkness. Residents fortunate enough to own gasoline-powered generators were reluctant to use them, for fear that lights would attract sniper fire. Shelling left giant holes in the streets and pavement. The locals referred to them as “rosebuds.”
The Apollo was housed in the basement of the Sarajevo Academy of Performing Arts, where the Obala Art Center — a group that had risen to prominence in the 1980s — mounted acclaimed stage productions that traveled around the world. Visitors entered through a hole in the wall ringing the perimeter of the academy, crossed a small courtyard to the building’s back door and descended a steep flight of stairs.
- 8/15/2023
- by Christopher Vourlias
- Variety Film + TV
When the Sarajevo Film Festival returned to full strength last year after successive, slimmed-down pandemic editions, a robust turn-out was to be expected. For nearly three decades, the audience-facing event has been the cultural lifeblood of the lively, cosmopolitan city it calls home.
The 2022 edition broke attendance records set in 2019, and just days after its online ticketing system launched this month, the fest appears on pace to surpass that mark again. It is a testament to the enduring love affair between a city and a festival that was founded in impossible circumstances in 1995, at the tail end of a brutal, four-year siege — proof that even in times of war and scarcity, cinema could endure.
The festival returns Aug. 11 – 18, with organizers insisting the event’s 29th edition will stay true to its roots. “We wanted to keep the festival focused on its main goals: presenting the best of cinema today to...
The 2022 edition broke attendance records set in 2019, and just days after its online ticketing system launched this month, the fest appears on pace to surpass that mark again. It is a testament to the enduring love affair between a city and a festival that was founded in impossible circumstances in 1995, at the tail end of a brutal, four-year siege — proof that even in times of war and scarcity, cinema could endure.
The festival returns Aug. 11 – 18, with organizers insisting the event’s 29th edition will stay true to its roots. “We wanted to keep the festival focused on its main goals: presenting the best of cinema today to...
- 8/11/2023
- by Christopher Vourlias
- Variety Film + TV
Critics Hanna Flint and Hannah Strong have launched the campaign.
Over 100 people have backed a crowdfunding campaign to support low-income writers with the costs of attending this year’s BFI London Film Festival.
Organised by UK film critics and writers Hanna Flint and Hannah Strong, the campaign has received £3,708 from 104 donations at the time of writing, since its launch on Monday, July 31. It can be accessed via this link.
The campaign has identified that “the middle and upper class are already disproportionately represented in film journalism”, and is aiming to correct that “by widening the pool of people who are...
Over 100 people have backed a crowdfunding campaign to support low-income writers with the costs of attending this year’s BFI London Film Festival.
Organised by UK film critics and writers Hanna Flint and Hannah Strong, the campaign has received £3,708 from 104 donations at the time of writing, since its launch on Monday, July 31. It can be accessed via this link.
The campaign has identified that “the middle and upper class are already disproportionately represented in film journalism”, and is aiming to correct that “by widening the pool of people who are...
- 8/10/2023
- by Ben Dalton
- ScreenDaily
18 films across three Kinoscope sections.
Sarajevo Film Festival has selected 18 features for its Kinoscope strand, composed of festival hits from the past year.
Titles include Giacomo Abbruzzese’s Disco Boy starring Franz Rogowski and Morr Ndiaye, which had its world premiere in competition at this year’s Berlinale; as did Lila Aviles’ Totem, about a seven-year-old girl who comes to understand her changing world.
Dani Rosenberg’s The Vanishing Soldier arrives at Sarajevo following a world premiere last weekend at Locarno Film Festival. The thriller centres on an 18-year-old Israeli soldier who flees back to his girlfriend in Tel Aviv...
Sarajevo Film Festival has selected 18 features for its Kinoscope strand, composed of festival hits from the past year.
Titles include Giacomo Abbruzzese’s Disco Boy starring Franz Rogowski and Morr Ndiaye, which had its world premiere in competition at this year’s Berlinale; as did Lila Aviles’ Totem, about a seven-year-old girl who comes to understand her changing world.
Dani Rosenberg’s The Vanishing Soldier arrives at Sarajevo following a world premiere last weekend at Locarno Film Festival. The thriller centres on an 18-year-old Israeli soldier who flees back to his girlfriend in Tel Aviv...
- 8/9/2023
- by Ben Dalton
- ScreenDaily
Director’s 2017 feature ‘You Were Never Really Here’ to have an open-air screening at the festival.
Scottish director Lynne Ramsay is to receive the honorary Heart of Sarajevo award at the 29th Sarajevo Film Festival (August 11-18).
The award is given “in recognition of her outstanding contribution to film” and Ramsay will receive the award on August 16, ahead of an open-air screening of her 2017 feature You Were Never Really Here, starring Joaquin Phoenix.
You Were Never Really Here premiered at Cannes, where Ramsay won the award for best screenplay and Phoenix picked up best actor prize.
The filmmaker won the...
Scottish director Lynne Ramsay is to receive the honorary Heart of Sarajevo award at the 29th Sarajevo Film Festival (August 11-18).
The award is given “in recognition of her outstanding contribution to film” and Ramsay will receive the award on August 16, ahead of an open-air screening of her 2017 feature You Were Never Really Here, starring Joaquin Phoenix.
You Were Never Really Here premiered at Cannes, where Ramsay won the award for best screenplay and Phoenix picked up best actor prize.
The filmmaker won the...
- 8/8/2023
- by Michael Rosser
- ScreenDaily
The festival will host a special screening of ‘Adaptation’.
US writer and filmmaker Charlie Kaufman will receive the honorary Heart of Sarajevo award at the 29th Sarajevo Film Festival next month (August 11-18).
The festival will host a special screening of Oscar-winning feature Adaptation, which was written by Kaufman and directed by Spike Jonze, as part of its Open Air strand.
Kaufman previously attended the festival in 2008 with his directorial debut, Synecdoche, New York.
As a writer, Kaufman has been Oscar-nominated for Adaptation, Jonze’s Being John Malkovich and Michel Gondry’s Eternal Sunshine Of The Spotless Mind, winning the...
US writer and filmmaker Charlie Kaufman will receive the honorary Heart of Sarajevo award at the 29th Sarajevo Film Festival next month (August 11-18).
The festival will host a special screening of Oscar-winning feature Adaptation, which was written by Kaufman and directed by Spike Jonze, as part of its Open Air strand.
Kaufman previously attended the festival in 2008 with his directorial debut, Synecdoche, New York.
As a writer, Kaufman has been Oscar-nominated for Adaptation, Jonze’s Being John Malkovich and Michel Gondry’s Eternal Sunshine Of The Spotless Mind, winning the...
- 7/31/2023
- by Michael Rosser
- ScreenDaily
Total box office could break £20m for first time this year.
Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer both open at the UK-Ireland box office this weekend, in one of the most eagerly-awaited sessions in recent years.
Barbie is starting in 706 locations for Warner Bros – the fourth-widest opening for the studio, behind Elvis (744), Fantastic Beasts: The Secrets Of Dumbledore (712) and The Batman (708).
Universal has Oppenheimer in 675 sites – the widest opening for a Nolan film, ahead of the 642 of 2017’s Dunkirk.
How ’Barbenheimer’ effect is selling out UK cinemas ahead of bumper opening weekend
Starring Margot Robbie as the...
Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer both open at the UK-Ireland box office this weekend, in one of the most eagerly-awaited sessions in recent years.
Barbie is starting in 706 locations for Warner Bros – the fourth-widest opening for the studio, behind Elvis (744), Fantastic Beasts: The Secrets Of Dumbledore (712) and The Batman (708).
Universal has Oppenheimer in 675 sites – the widest opening for a Nolan film, ahead of the 642 of 2017’s Dunkirk.
How ’Barbenheimer’ effect is selling out UK cinemas ahead of bumper opening weekend
Starring Margot Robbie as the...
- 7/21/2023
- by Ben Dalton
- ScreenDaily
Submissions to the competition sections up 23% for this year’s festival.
Sudabeh Mortezai’s Europa is one of 10 feature world premieres set to screen in competition at the Sarajevo Film Festival next month (August 11-18).
Europa is the fifth feature from Austrian-Iranian filmmaker Mortezai, and follows an ambitious executive working at a mysterious corporation looking to expand into the Balkans. Mortezai’s previous feature Joy debuted at Venice in 2018; while her 2014 title Macondo premiered at the Berlinale.
Five of the 10 titles in the feature film competition are directed by women. Also having its world premiere in the feature film competition...
Sudabeh Mortezai’s Europa is one of 10 feature world premieres set to screen in competition at the Sarajevo Film Festival next month (August 11-18).
Europa is the fifth feature from Austrian-Iranian filmmaker Mortezai, and follows an ambitious executive working at a mysterious corporation looking to expand into the Balkans. Mortezai’s previous feature Joy debuted at Venice in 2018; while her 2014 title Macondo premiered at the Berlinale.
Five of the 10 titles in the feature film competition are directed by women. Also having its world premiere in the feature film competition...
- 7/20/2023
- by Ben Dalton
- ScreenDaily
Paramount’s “Mission: Impossible Dead Reckoning Part One” was the dominant force at the U.K. and Ireland box office with a mighty £10.3 million ($13.2 million), per numbers from Comscore.
The Tom Cruise vehicle opened on Monday, July 10, instead of a traditional weekend slot. Even with just the July 14-16 weekend numbers, the seventh instalment in the franchise scored £6.3 million, comfortably making it the No. 1 film in the territory.
In second place, Disney’s “Elemental” collected £2.4 million in its second weekend for a total of £6.6 million. Another Disney title, “Indiana Jones And The Dial Of Destiny,” whipped up £1.7 million in third place in its third weekend for a total of £16.3 million.
In its second weekend, Sony’s “Insidious: The Red Door” scared up £1.5 million in fourth place for a total of £5.1 million. Rounding off the top five was Sony’s “Spider-Man: Across The Spider-Verse,” which in its seventh weekend, swung to £687,116 for a total of £28.8 million.
The Tom Cruise vehicle opened on Monday, July 10, instead of a traditional weekend slot. Even with just the July 14-16 weekend numbers, the seventh instalment in the franchise scored £6.3 million, comfortably making it the No. 1 film in the territory.
In second place, Disney’s “Elemental” collected £2.4 million in its second weekend for a total of £6.6 million. Another Disney title, “Indiana Jones And The Dial Of Destiny,” whipped up £1.7 million in third place in its third weekend for a total of £16.3 million.
In its second weekend, Sony’s “Insidious: The Red Door” scared up £1.5 million in fourth place for a total of £5.1 million. Rounding off the top five was Sony’s “Spider-Man: Across The Spider-Verse,” which in its seventh weekend, swung to £687,116 for a total of £28.8 million.
- 7/18/2023
- by Naman Ramachandran
- Variety Film + TV
In this critically agile film, Hitchcock supposedly narrates from beyond the grave, using movie clips to reveal techniques and meanings in his work
Only a cinephile as passionate as Mark Cousins could have got away with this film, in all its hilarious presumption and cheek. It is a study of Alfred Hitchcock’s work, illustrated with clips chosen with tremendous insight and connoisseurship – and supposedly narrated from beyond the grave by Hitchcock himself, pointing out techniques, resonances, images, meanings and occasionally breaking off to check something with Cousins who will answer, off-mic: “Yes Mr Hitchcock.”
However, the script is Cousins’ own and the master himself is faked by the comic Alistair McGowan, whose vocal impersonation is just so eerily good that after a while I thought Cousins really had made this by sitting alone in some darkened Edwardian parlour with his tape recorder and Ouija board. But of course the...
Only a cinephile as passionate as Mark Cousins could have got away with this film, in all its hilarious presumption and cheek. It is a study of Alfred Hitchcock’s work, illustrated with clips chosen with tremendous insight and connoisseurship – and supposedly narrated from beyond the grave by Hitchcock himself, pointing out techniques, resonances, images, meanings and occasionally breaking off to check something with Cousins who will answer, off-mic: “Yes Mr Hitchcock.”
However, the script is Cousins’ own and the master himself is faked by the comic Alistair McGowan, whose vocal impersonation is just so eerily good that after a while I thought Cousins really had made this by sitting alone in some darkened Edwardian parlour with his tape recorder and Ouija board. But of course the...
- 7/18/2023
- by Peter Bradshaw
- The Guardian - Film News
“Fall festivals are fucked.”
That was one studio executive’s blunt assessment about the impact of an actors’ strike on the rapidly approaching Telluride, Toronto and New York film festivals. Showcasing Oscar contenders at these annual events is going to be much more difficult now that SAG-AFTRA has joined the WGA on the picket lines.
“You can’t premiere movies anywhere without your stars,” the executive said. “No stars, no movie.”
And SAG-AFTRA has made it clear that its members are not to do any promotional activity around their movies until a new contract deal is reached and ratified. So that means that the red carpets that make these festivals massive media events will be significantly less celebrity-studded. So why would studios shell out hundreds of thousands, even millions of dollars, to launch a movie at one of these gatherings?
First up is the Venice Film Festival, which takes place Aug.
That was one studio executive’s blunt assessment about the impact of an actors’ strike on the rapidly approaching Telluride, Toronto and New York film festivals. Showcasing Oscar contenders at these annual events is going to be much more difficult now that SAG-AFTRA has joined the WGA on the picket lines.
“You can’t premiere movies anywhere without your stars,” the executive said. “No stars, no movie.”
And SAG-AFTRA has made it clear that its members are not to do any promotional activity around their movies until a new contract deal is reached and ratified. So that means that the red carpets that make these festivals massive media events will be significantly less celebrity-studded. So why would studios shell out hundreds of thousands, even millions of dollars, to launch a movie at one of these gatherings?
First up is the Venice Film Festival, which takes place Aug.
- 7/13/2023
- by Clayton Davis
- Variety Film + TV
"At last, it's my turn to take you on a guided tour of my movies, my stories. Peek into my world." Dogwoof has revealed the first official trailer for another new Mark Cousins documentary film called My Name Is Alfred Hitchcock, exploring the legacy and iconic filmmaking of the one-and-only "master of suspense." This premiered at the 2022 Telluride Film Festival last year and has been touring at around including at Glasgow, Hong Kong, and San Francisco Film Festivals, plus Dok.fest München. Directed by Mark Cousins (also of The Eyes of Orson Welles and The Storms of Jeremy Thomas), My Name Is Alfred Hitchcock re-examines the vast filmography and the legacy of one of the 20th century's greatest filmmakers, Alfred Hitchcock, through a new lens: through the auteur’s own voice. In this doc film "written and narrated" by Hitchcock, the doyen of cinema reveals his tricks for creating tension with sound,...
- 6/27/2023
- by Alex Billington
- firstshowing.net
Wasikowska will be joined by jurors including ‘Triangle of Sadness’ star Zlatko Buric.
Australian actress and filmmaker Mia Wasikowska will lead the competition jury for the 29th Sarajevo Film Festival, which runs from August 11 to 18 this summer.
Wasikowska will be joined on the jury by Croatian actor Zlatko Buric, who starred in Ruben Ostlund’s 2022 Palme d’Or winner Triangle Of Sadness; and Serbian actress Danica Curcic, who recently appeared in Lars von Trier’s The Kingdom Exodus.
Completing the five-strong jury are Croatian actor and filmmaker Juraj Lerotic, whose debut feature Safe Place won best actor and the Heart...
Australian actress and filmmaker Mia Wasikowska will lead the competition jury for the 29th Sarajevo Film Festival, which runs from August 11 to 18 this summer.
Wasikowska will be joined on the jury by Croatian actor Zlatko Buric, who starred in Ruben Ostlund’s 2022 Palme d’Or winner Triangle Of Sadness; and Serbian actress Danica Curcic, who recently appeared in Lars von Trier’s The Kingdom Exodus.
Completing the five-strong jury are Croatian actor and filmmaker Juraj Lerotic, whose debut feature Safe Place won best actor and the Heart...
- 6/27/2023
- by Ben Dalton
- ScreenDaily
"I look at the man in the car besides me – who is he?" Cohen Media has revealed an official US trailer for a cinema nerd documentary titled The Storms of Jeremy Thomas, one of the other recent projects from Irish cinephile filmmaker Mark Cousins. This first premiered in 2021 at the Cannes Film Festival, mainly because it's about going to Cannes, but it also played at the London and Vienna Film Fests as well. An off-beat grand tour that will take in landmarks and many people connected to the producer's life and films as they drive across France to the iconic festival. For decades, legendary film producer Jeremy Thomas has driven from England to the Cannes Film Festival - usually taking five days to get there. For this journey, he's joined by acclaimed filmmaker Mark Cousins who recaps his life. Illustrated with a dazzling range of film clips and rich in insights about creativity / survival,...
- 6/21/2023
- by Alex Billington
- firstshowing.net
Festival launches new CineLink award.
UK-Irish director Mark Cousins will receive the honorary Heart of Sarajevo award at the 29th Sarajevo Film Festival this summer (August 11-18).
The festival will hold a special screening of Cousins’ 2022 documentary March On Rome, as part of its Dealing With The Past strand.
Cousins previously visited the city when it was under siege during the 1990s, alongside representatives from Edinburgh International Film Festival. They showed films in support of the residents of the city, at the Obala Art Centar cinema that became the birthplace of the festival.
The experience “showed me why movies matter”, says Cousins.
UK-Irish director Mark Cousins will receive the honorary Heart of Sarajevo award at the 29th Sarajevo Film Festival this summer (August 11-18).
The festival will hold a special screening of Cousins’ 2022 documentary March On Rome, as part of its Dealing With The Past strand.
Cousins previously visited the city when it was under siege during the 1990s, alongside representatives from Edinburgh International Film Festival. They showed films in support of the residents of the city, at the Obala Art Centar cinema that became the birthplace of the festival.
The experience “showed me why movies matter”, says Cousins.
- 5/16/2023
- by Ben Dalton
- ScreenDaily
The identity of the buyer has not been confirmed, but the 88 Lothian Road building has not been sold to a “culturally motivated” bidder.
The Edinburgh Filmhouse building has been sold for £2.65m to a commercial bidder, according to a notice of administrator’s progress report published on Companies House by the joint administrators, Frp Advisory.
The identity of the buyer has not been confirmed.
The 88 Lothian Road building was put up for sale after parent company the Centre for the Moving Image (Cmi) – which also ran the Belmont Filmhouse in Aberdeen and the Edinburgh International Film Festival – went into administration in October of this year.
The Edinburgh Filmhouse building has been sold for £2.65m to a commercial bidder, according to a notice of administrator’s progress report published on Companies House by the joint administrators, Frp Advisory.
The identity of the buyer has not been confirmed.
The 88 Lothian Road building was put up for sale after parent company the Centre for the Moving Image (Cmi) – which also ran the Belmont Filmhouse in Aberdeen and the Edinburgh International Film Festival – went into administration in October of this year.
- 4/21/2023
- by Mona Tabbara
- ScreenDaily
Filmmakers and executives, creatives of music, theater and art remembered Tom Luddy as friend and mentor, tastemaker and cultural force who deployed an astonishingly vast network to nurture talent and bring people and projects together over decades.
The co-founder of the Telluride Film Festival passed away in February.
“I am thinking of getting a tattoo of you on my arm,” said Irish director Mark Cousins at tribute event at the Paris Theatre over the weekend. “Here is Hitchcock on my arm, and here is and Kira Muratova. Maybe you would fit between the two?” He added, “For the rest of my life, I will see partly through your eyes. I miss you and I love you.”
“Tom Luddy was a constant presence. The sun around which so many of us have revolved,” said Ken Burns. The two met when Burns screened Huey Long at Telluride in 1985. “For the next 35-plus years,...
The co-founder of the Telluride Film Festival passed away in February.
“I am thinking of getting a tattoo of you on my arm,” said Irish director Mark Cousins at tribute event at the Paris Theatre over the weekend. “Here is Hitchcock on my arm, and here is and Kira Muratova. Maybe you would fit between the two?” He added, “For the rest of my life, I will see partly through your eyes. I miss you and I love you.”
“Tom Luddy was a constant presence. The sun around which so many of us have revolved,” said Ken Burns. The two met when Burns screened Huey Long at Telluride in 1985. “For the next 35-plus years,...
- 4/17/2023
- by Jill Goldsmith
- Deadline Film + TV
Tom Luddy wasn’t famous exactly. But he had a huge impact on film culture via Uc Berkeley’s Pacific Film Archive in the ’60s and the Telluride Film Festival in the ’70s, ’80s, ’90s, and up to his death in February at age 79. And while he was based in the Bay Area, a theater full of Luddy-philes from both coasts turned up for his tribute at New York’s packed Paris Theater on April 15. They represented the cross-cultural network that Luddy created over decades of introducing people, sharing his favorite film gems, and luring folks to Telluride by inviting their films or bringing them in as guest directors (like Stephen Sondheim or Salman Rushdie) or tributees (like Athol Fugard or Michael Powell). Once they came, they usually came back.
Five of the stalwarts in the Luddy family, who have supported the festival on the Telluride board of directors and in other ways,...
Five of the stalwarts in the Luddy family, who have supported the festival on the Telluride board of directors and in other ways,...
- 4/16/2023
- by Anne Thompson
- Indiewire
Screenwriter Paul Laverty, filmmakers Mark Cousins and Kevin Macdonald and actor Tilda Swinton have weighed in.
Industry figures including screenwriter Paul Laverty, filmmakers Mark Cousins and Kevin Macdonald, and actor Tilda Swinton are among the voices calling for “transparency” in the bidding process for the Edinburgh Filmhouse takeover.
The Filmhouse was previously run by the Centre for the Moving Image, which entered administration in October. Frp Advisory was appointed as the administrator.
It is understood that the preferred bidder for the takeover was the Signature Pub Group, who had plans for a movie-themed bar. Its bid was withdrawn after a...
Industry figures including screenwriter Paul Laverty, filmmakers Mark Cousins and Kevin Macdonald, and actor Tilda Swinton are among the voices calling for “transparency” in the bidding process for the Edinburgh Filmhouse takeover.
The Filmhouse was previously run by the Centre for the Moving Image, which entered administration in October. Frp Advisory was appointed as the administrator.
It is understood that the preferred bidder for the takeover was the Signature Pub Group, who had plans for a movie-themed bar. Its bid was withdrawn after a...
- 3/24/2023
- by Mona Tabbara
- ScreenDaily
Sundance documentary “Stephen Curry: Underrated” and SXSW television premiere “I’m a Virgo” will open and close Sffilm, the 66th annual San Francisco International Film Festival.
Sffilm unveiled the full lineup for the fest along with the openers and closers. The Bay Area film festival, which screens in theaters across San Francisco as well as Oakland and Berkeley, will host 50 feature film programs (includes Workshop and “mid-lengths”), 46 shorts, and one TV screening (“I’m a Virgo”). Both directors behind “I’m a Virgo” and “Underrated” — Boots Riley and Peter Nicks — grew up in the Bay Area, more specifically in Oakland. Other films from Bay Area filmmakers whose projects will screen include W. Kamau Bell’s “1000% Me: Growing Up Mixed,” Savanah Leaf’s “Earth Mama,” and Babak Jalali’s “Fremont.”
“It is Sffilm Festival season once again and I cannot wait to share this year’s program with local audiences,” Jessie Fairbanks, Sffilm’s director of programming,...
Sffilm unveiled the full lineup for the fest along with the openers and closers. The Bay Area film festival, which screens in theaters across San Francisco as well as Oakland and Berkeley, will host 50 feature film programs (includes Workshop and “mid-lengths”), 46 shorts, and one TV screening (“I’m a Virgo”). Both directors behind “I’m a Virgo” and “Underrated” — Boots Riley and Peter Nicks — grew up in the Bay Area, more specifically in Oakland. Other films from Bay Area filmmakers whose projects will screen include W. Kamau Bell’s “1000% Me: Growing Up Mixed,” Savanah Leaf’s “Earth Mama,” and Babak Jalali’s “Fremont.”
“It is Sffilm Festival season once again and I cannot wait to share this year’s program with local audiences,” Jessie Fairbanks, Sffilm’s director of programming,...
- 3/22/2023
- by Wilson Chapman
- Indiewire
Alongside his filmmaking career, Alfred Hitchcock enjoyed considerable success as a presenter of other people’s work, his distinctive voice and dry sense of humour attracting aa additional set of admirers. He also delighted in pranks and disguises, with cameos in his films which, despite his size and shape, are not always easy for the untutored eye to spot. It seems fitting, then, that he should take his turn being impersonated in this documentary about his work, which screened at the 2023 Glasgow Film Festival. It’s a change of pace for director Mark Cousins, but detailed in a way both men would appreciate. The maestro’s vocals are here provided by Alistair McGowan.
This is very much a film about filmmaking – not the production, not the actors and associated gossip, but the experience of constructing a film on storyboard and set, building it up shot by shot until it becomes more.
This is very much a film about filmmaking – not the production, not the actors and associated gossip, but the experience of constructing a film on storyboard and set, building it up shot by shot until it becomes more.
- 3/2/2023
- by Jennie Kermode
- eyeforfilm.co.uk
The gender-neutral acting prize was won by Spain’s Sofía Otero for ’20,000 Species of Bees’.
Nicolas Philibert’s documentary On The Adamant, about a floating care centre in Paris, was awarded Golden Bear for best film at the Berlin International Film Festival tonight (February 25).
The film, which is being handled internationally by Les Films du Losange, is the fourth documentary to take top honours at the Berlinale.
German films found particular favour with the jury, presided over by Kristen Stewart, with no less than three of the Bear statuettes going to local productions: the Silver Bear Grand Jury award for Christian Petzold’s Afire,...
Nicolas Philibert’s documentary On The Adamant, about a floating care centre in Paris, was awarded Golden Bear for best film at the Berlin International Film Festival tonight (February 25).
The film, which is being handled internationally by Les Films du Losange, is the fourth documentary to take top honours at the Berlinale.
German films found particular favour with the jury, presided over by Kristen Stewart, with no less than three of the Bear statuettes going to local productions: the Silver Bear Grand Jury award for Christian Petzold’s Afire,...
- 2/26/2023
- by Martin Blaney
- ScreenDaily
Alfred Hitchcock gets the documentary treatment with the upcoming My Name Is Alfred Hitchcock, and Deadline reports that Cohen Media Group has acquired North American rights.
Deadline details, “The film premiered at Telluride and examines the Psycho and Vertigo director’s vast body of work, exploring his techniques, themes and obsessions.”
Directed by Mark Cousins, the doc will release in theaters later this year.
Deadline further previews the upcoming documentary feature, “Cousins, who utilizes actor and impressionist Alistair McGowan to portray Hitch in voiceover, connects the stylistic dots running through the director’s 50-plus films, from revered classics like North by Northwest, Psycho and Rear Window to less frequently discussed but intriguing works such as The Paradine Case, Sabotage and more, stretching all the way back to his silent films.”
Cousins said in a statement, “Alfred Hitchcock psychoanalyzed the 20th Century. He attracted us with the beauty of Ingrid Bergman...
Deadline details, “The film premiered at Telluride and examines the Psycho and Vertigo director’s vast body of work, exploring his techniques, themes and obsessions.”
Directed by Mark Cousins, the doc will release in theaters later this year.
Deadline further previews the upcoming documentary feature, “Cousins, who utilizes actor and impressionist Alistair McGowan to portray Hitch in voiceover, connects the stylistic dots running through the director’s 50-plus films, from revered classics like North by Northwest, Psycho and Rear Window to less frequently discussed but intriguing works such as The Paradine Case, Sabotage and more, stretching all the way back to his silent films.”
Cousins said in a statement, “Alfred Hitchcock psychoanalyzed the 20th Century. He attracted us with the beauty of Ingrid Bergman...
- 2/8/2023
- by John Squires
- bloody-disgusting.com
The Berlin Film Festival has revealed its juries, and the addition of Liu Jian’s animated feature “Art College 1994” to its competition lineup, which now has 19 films and is complete.
In addition to the already announced actor Kristen Stewart as president, the International Jury members will be actor Golshifteh Farahani (Iran/France), director and writer Valeska Grisebach (Germany), director and screenwriter Radu Jude (Romania), casting director and producer Francine Maisler (U.S.), director and screenwriter Carla Simón (Spain), and director and producer Johnnie To.
“Art College 1994” is set in China in the 1990s. It follows a group of young people who “prepare to face a world caught between tradition and modernity,” according to the festival. The film, represented for world sales by Memento Intl., was originally destined for Cannes, but Liu and the film were reported to have faced bureaucratic obstacles, which put the kibosh on those plans. The director...
In addition to the already announced actor Kristen Stewart as president, the International Jury members will be actor Golshifteh Farahani (Iran/France), director and writer Valeska Grisebach (Germany), director and screenwriter Radu Jude (Romania), casting director and producer Francine Maisler (U.S.), director and screenwriter Carla Simón (Spain), and director and producer Johnnie To.
“Art College 1994” is set in China in the 1990s. It follows a group of young people who “prepare to face a world caught between tradition and modernity,” according to the festival. The film, represented for world sales by Memento Intl., was originally destined for Cannes, but Liu and the film were reported to have faced bureaucratic obstacles, which put the kibosh on those plans. The director...
- 2/1/2023
- by Leo Barraclough
- Variety Film + TV
Director Liu Jian was previously in Competition with ‘Have A Nice Day’ in 2017.
The Berlinale has made a last-minute addition to its Competition lineup with Chinese filmmaker Liu Jian’s animated feature Art College 1994 and revealed its competition juries.
Art College 1994 will receive its world premiere at the festival’s 73rd edition, which runs February 16-26, and marks Liu’s third feature after 2010’s Piercing I and Have A Nice Day, which became the first Chinese animation ever selected to play in Competition at the Berlinale in 2017.
Art College 1994 is set among a group of students in China in the...
The Berlinale has made a last-minute addition to its Competition lineup with Chinese filmmaker Liu Jian’s animated feature Art College 1994 and revealed its competition juries.
Art College 1994 will receive its world premiere at the festival’s 73rd edition, which runs February 16-26, and marks Liu’s third feature after 2010’s Piercing I and Have A Nice Day, which became the first Chinese animation ever selected to play in Competition at the Berlinale in 2017.
Art College 1994 is set among a group of students in China in the...
- 2/1/2023
- by Michael Rosser
- ScreenDaily
Ruben Östlund’s latest satire, Triangle of Sadness, dominated the European Film Awards with four wins, including Best Film, the evening’s top prize.
Östlund also picked up the Best Screenplay and Best Director Awards for his work on the film, and Zlatko Burić nabbed Best Actor for his leading role.
The film, which picked up this year’s Palme d’Or, follows Carl (Harris Dickinson) and Yaya (Charlbi Dean), a celebrity model couple who are invited on a luxury cruise for the uber-rich, helmed by an unhinged boat captain (Woody Harrelson). What first appeared Instagrammable ends catastrophically, leaving the survivors stranded on a desert island and fighting to stay alive.
In other top prizes, Vicky Krieps won the Best Actress award for the well-received period drama Corsage, and the Javier Bardem starrer, The Good Boss, won Best Comedy.
The awards ceremony, overseen by the European Film Academy, took place...
Östlund also picked up the Best Screenplay and Best Director Awards for his work on the film, and Zlatko Burić nabbed Best Actor for his leading role.
The film, which picked up this year’s Palme d’Or, follows Carl (Harris Dickinson) and Yaya (Charlbi Dean), a celebrity model couple who are invited on a luxury cruise for the uber-rich, helmed by an unhinged boat captain (Woody Harrelson). What first appeared Instagrammable ends catastrophically, leaving the survivors stranded on a desert island and fighting to stay alive.
In other top prizes, Vicky Krieps won the Best Actress award for the well-received period drama Corsage, and the Javier Bardem starrer, The Good Boss, won Best Comedy.
The awards ceremony, overseen by the European Film Academy, took place...
- 12/10/2022
- by Zac Ntim
- Deadline Film + TV
Vicky Krieps was also a winner as best European actress for Corsage.
Ruben Ostlund’s class warfare comedy Triangle Of Sadness was the big winner at the 2022 European Film Awards (EFAs), which took place today (December 10) in Reykjavík.
Scroll down for winners
The class warfare comedy won best European film, director, screenwriter and actor, for Zlatko Burić.
Vicky Krieps was also a winner as best European actress for Corsage.
Mantas Kvedaravičius’ Mariupolis 2 won the European documentary prize, whilst Alain Ughetto’s No Dogs Or Italians Allowed picked up the animated feature award.
Fernando León de Aranoa’s The Good Boss,...
Ruben Ostlund’s class warfare comedy Triangle Of Sadness was the big winner at the 2022 European Film Awards (EFAs), which took place today (December 10) in Reykjavík.
Scroll down for winners
The class warfare comedy won best European film, director, screenwriter and actor, for Zlatko Burić.
Vicky Krieps was also a winner as best European actress for Corsage.
Mantas Kvedaravičius’ Mariupolis 2 won the European documentary prize, whilst Alain Ughetto’s No Dogs Or Italians Allowed picked up the animated feature award.
Fernando León de Aranoa’s The Good Boss,...
- 12/10/2022
- by Screen staff
- ScreenDaily
The Efa ceremony is taking place December 10 at the Harpa Concert Hall in Reykjavík.
The 2022 European Film Awards (EFAs) ceremony is taking place today (December 10) at 19.15 GMT in Reykjavík.
Scroll down for winners
Screen will be posting the winners on this page as they are announced during the live ceremony (refresh the page for latest updates). The ceremony kicks off at 19.15 GMT.
Ruben Ostlund’s class warfare comedy Triangle Of Sadness is among the five titles up for the European film award, and is also competing in the director, actor (for Zlatko Burić) and screenwriter (Ostlund) categories.
Lukas Dhont’s...
The 2022 European Film Awards (EFAs) ceremony is taking place today (December 10) at 19.15 GMT in Reykjavík.
Scroll down for winners
Screen will be posting the winners on this page as they are announced during the live ceremony (refresh the page for latest updates). The ceremony kicks off at 19.15 GMT.
Ruben Ostlund’s class warfare comedy Triangle Of Sadness is among the five titles up for the European film award, and is also competing in the director, actor (for Zlatko Burić) and screenwriter (Ostlund) categories.
Lukas Dhont’s...
- 12/10/2022
- by Screen staff
- ScreenDaily
Starting next week, if you’re in NY or LA, you’ll be able to get an early look at Colm Bairéad’s acclaimed drama The Quiet Girl, which was selected as Ireland’s Oscar entry this year. Set in rural Ireland in 1981, the film follows nine-year-old Cait, who is sent away from her overcrowded, dysfunctional family to live with foster parents for the summer. Quietly struggling at school and at home, she has learned to hide in plain sight from those around her. She blossoms in their care, but in this house where there are meant to be no secrets, she discovers one painful truth. With an official roll-out set to kick off in February, Neon’s Super has now unveiled the new trailer.
“From a formal perspective, the telling itself was immediately compelling — a first-person, present tense narrative told through the eyes of a young girl. It felt...
“From a formal perspective, the telling itself was immediately compelling — a first-person, present tense narrative told through the eyes of a young girl. It felt...
- 12/6/2022
- by Leonard Pearce
- The Film Stage
The film festival ‘Dilip Kumar Hero Of Heroes’, which will showcase the milestone films of the ‘Tragedy King’ such as ‘Aan’, ‘Devdas’, ‘Ram Aur Shyam’ and ‘Shakti’, will be held on December 10 and 11.
With a career spanning five decades, Mohammed Yusuf Khan, popularly known as Dilip Kumar, ruled the silver screen with his work earning him the title of ‘Abhinay Samrat’ (king of acting).
The actor first tasted success the same year India attained Independence – 1947, and steadily built his success over the next few decades, courtesy films such as ‘Andaz’, ‘Aan’, ‘Daag’, ‘Devdas’, ‘Azaad’, ‘Naya Daur’, ‘Madhumati’, ‘Paigham’, ‘Gunga Jumna’, ‘Ram Aur Shyam’ and the epic ‘Mughal-e-Azam’.
The festival will cover over 30 cinema halls in 20 cities across India and will honour the screen legend through its showcase. The festival is being organised by the Film Heritage Foundation.
Talking about the showcase, Saira Banu states: “I am so happy that Film...
With a career spanning five decades, Mohammed Yusuf Khan, popularly known as Dilip Kumar, ruled the silver screen with his work earning him the title of ‘Abhinay Samrat’ (king of acting).
The actor first tasted success the same year India attained Independence – 1947, and steadily built his success over the next few decades, courtesy films such as ‘Andaz’, ‘Aan’, ‘Daag’, ‘Devdas’, ‘Azaad’, ‘Naya Daur’, ‘Madhumati’, ‘Paigham’, ‘Gunga Jumna’, ‘Ram Aur Shyam’ and the epic ‘Mughal-e-Azam’.
The festival will cover over 30 cinema halls in 20 cities across India and will honour the screen legend through its showcase. The festival is being organised by the Film Heritage Foundation.
Talking about the showcase, Saira Banu states: “I am so happy that Film...
- 11/26/2022
- by Glamsham Bureau
- GlamSham
Click here to read the full article.
Lea Glob’s documentary Apolonia, Apolonia, a 13-year portrait of Paris-born painter Apolonia Sokol, has won best film at the 2022 International Documentary Film Festival Amsterdam (IDFA), the world’s largest documentary film fest.
The honor, announced at an awards ceremony in Amsterdam on Thursday night, comes with a €15,000 (15,000) cash prize.
The Danish director stitched her doc together from multiple meetings over the years with Sokol, as she traced the artist’s development and reflects on her personal and professional obsessions, including art, love, motherhood, sexuality, queerness, capitalism and the patriarchy.
The best film prize in the IDFA’s Envision Competition section, and its 15,000 cash prize, went to Angie Vinchito’s Manifesto, a found-footage doc compiled from videos Russian teenagers posted on social media.
IDFA’s best director honor in the international category, and a €5,000 (5,200) cash prize, went to Simon Chambers for Much Ado About Dying,...
Lea Glob’s documentary Apolonia, Apolonia, a 13-year portrait of Paris-born painter Apolonia Sokol, has won best film at the 2022 International Documentary Film Festival Amsterdam (IDFA), the world’s largest documentary film fest.
The honor, announced at an awards ceremony in Amsterdam on Thursday night, comes with a €15,000 (15,000) cash prize.
The Danish director stitched her doc together from multiple meetings over the years with Sokol, as she traced the artist’s development and reflects on her personal and professional obsessions, including art, love, motherhood, sexuality, queerness, capitalism and the patriarchy.
The best film prize in the IDFA’s Envision Competition section, and its 15,000 cash prize, went to Angie Vinchito’s Manifesto, a found-footage doc compiled from videos Russian teenagers posted on social media.
IDFA’s best director honor in the international category, and a €5,000 (5,200) cash prize, went to Simon Chambers for Much Ado About Dying,...
- 11/17/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Festival continues through Sunday.
Danish director Lea Glob’s Apolonia, Apolonia has won best film in the international competition at the 35th edition of International Documentary Festival Amsterdam (IDFA), running 9-20 November.
The award,which comes with a €15,000 euro cash prize, was confirmed on Thursday evening in a ceremony at Ita (International Theatre Amsterdam) that was streamed live.
Apolonia, Apolonia, backed by HBO Max and Arte and sold by Cat&Docs, follows brilliant young artist Apolonia Sokol over a period of 13 years. It was produced by Sidsel Siersted for Danish Documentary Production.
“This film has characters who breathe life and take us on a journey,...
Danish director Lea Glob’s Apolonia, Apolonia has won best film in the international competition at the 35th edition of International Documentary Festival Amsterdam (IDFA), running 9-20 November.
The award,which comes with a €15,000 euro cash prize, was confirmed on Thursday evening in a ceremony at Ita (International Theatre Amsterdam) that was streamed live.
Apolonia, Apolonia, backed by HBO Max and Arte and sold by Cat&Docs, follows brilliant young artist Apolonia Sokol over a period of 13 years. It was produced by Sidsel Siersted for Danish Documentary Production.
“This film has characters who breathe life and take us on a journey,...
- 11/17/2022
- by Geoffrey Macnab
- ScreenDaily
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