Focus Features and Carnival Films are thrilled to announce the third film in the beloved “Downton Abbey” franchise.
The third film is written by series creator and Academy-Award® winner Julian Fellowes, as well as produced by BAFTA and Emmy Award-winning Gareth Neame, Fellowes, and BAFTA and Emmy Award-winning Liz Trubridge. Emmy and BAFTA Award nominee Simon Curtis is returning to direct after helming 2022’s Downton Abbey: A New Era.
Hugh Bonneville, Elizabeth McGovern, Michelle Dockery, Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox, Raquel Cassidy, Brendan Coyle, Kevin Doyle, Harry Hadden-Paton, Sophie McShera, and Douglas Reith return for the third film, alongside exciting new additions Paul Giamatti, Joely Richardson, Alessandro Nivola, Simon Russell Beale, Arty Froushan, and many other fan favorites.
Giamatti is reprising his role as Cora Grantham’s brother Harold Levinson. He joins the film on the heels...
The third film is written by series creator and Academy-Award® winner Julian Fellowes, as well as produced by BAFTA and Emmy Award-winning Gareth Neame, Fellowes, and BAFTA and Emmy Award-winning Liz Trubridge. Emmy and BAFTA Award nominee Simon Curtis is returning to direct after helming 2022’s Downton Abbey: A New Era.
Hugh Bonneville, Elizabeth McGovern, Michelle Dockery, Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox, Raquel Cassidy, Brendan Coyle, Kevin Doyle, Harry Hadden-Paton, Sophie McShera, and Douglas Reith return for the third film, alongside exciting new additions Paul Giamatti, Joely Richardson, Alessandro Nivola, Simon Russell Beale, Arty Froushan, and many other fan favorites.
Giamatti is reprising his role as Cora Grantham’s brother Harold Levinson. He joins the film on the heels...
- 5/13/2024
- by Editor
- CinemaNerdz
In case you like period dramas, you’ve probably heard about the Downton Abbey franchise, which started off as a critically acclaimed series before moving on to the big screen. The first movie, titled Downton Abbey, was released in 2019, with a sequel – Downton Abbey: A New Era – following in 2022. Today, we have received confirmation that the movie series is not over, as a third movie, tentatively titled Downton Abbey 3, has been confirmed, and most of the previous cast members are set to reprise their roles, including some very positive surprises!
Not much is known about the movie’s plot or release at this moment, although we have some important cast- and crew-related information that we can provide you with, which is sure to make fans of the franchise quite happy, so keep reading to find out more!
As we have said, the movie does not have a title or a release date just yet,...
Not much is known about the movie’s plot or release at this moment, although we have some important cast- and crew-related information that we can provide you with, which is sure to make fans of the franchise quite happy, so keep reading to find out more!
As we have said, the movie does not have a title or a release date just yet,...
- 5/13/2024
- by Arthur S. Poe
- Fiction Horizon
Oscar-nominee Paul Giamatti is joining the cast of a newly-announced ‘Downton Abbey’ 3’ film.Focus Features and Carnival Films are officially in production on the project, with other main cast members returning and a number of new additions to the feature franchise spawned by creator Julian Fellowes’ global TV phenomenon. Simon Curtis is directing after helming 2022’s feature sequel ‘Downton Abbey: A New Era’.Makers of the third installment, Carnival Films, is part of NBCUniversal International Studios, a division of Universal Studio Group, with Focus and Carnival made the production news official Monday on social media.Its post showed a video of its actors reuniting over classical strings and the caption: “Focus Features and Carnival Films are thrilled to announce the third film in the beloved Downton Abbey franchise.”According to Variety, Paul Giamatti will be reprising his role from the TV series as Cora’s brother Harold Levinson.The outlet...
- 5/13/2024
- by BANG Showbiz Reporter
- Bang Showbiz
The third installment of the movie franchise everyone’s been waiting for has finally been announced. And no, we’re not talking Dune: Messiah — it’s Downton Abbey.
According to The Hollywood Reporter, a new Downton Abbey flick is in the works, with franchise creator Julian Fellowes writing the script and Simon Curtis returning as director. The film will follow 2022’s Downton Abbey: A New Era, as well as the 2019 film Downton Abbey; the original hit TV series ran between 2010 and 2015.
The new movie is set to feature much of the original core cast,...
According to The Hollywood Reporter, a new Downton Abbey flick is in the works, with franchise creator Julian Fellowes writing the script and Simon Curtis returning as director. The film will follow 2022’s Downton Abbey: A New Era, as well as the 2019 film Downton Abbey; the original hit TV series ran between 2010 and 2015.
The new movie is set to feature much of the original core cast,...
- 5/13/2024
- by Jon Blistein
- Rollingstone.com
Fans of Downton Abbey are cordially invited to the third motion picture from Focus Features and Carnival Films. The third entry will follow the recent installment, Downton Abbey: A New Era. The most recent outing from the popular British drama had been released back in 2022. Our own Chris Bumbray would mention in his review of A New Era, “Show mastermind Julian Fellows has written this as fan service, and it shows. There’s nothing wrong with that, but if you’re looking to finally get into Downton Abbey, this is a bad place to start as it not only assumes you’ve seen every episode, but it assumes you know them well. It’s strictly for fans, but I’m willing to bet there are still a lot of those out there.”
Downton Abbey 3 will be written by Downton creator and Academy-Award® winner Julian Fellowes, as well as produced...
Downton Abbey 3 will be written by Downton creator and Academy-Award® winner Julian Fellowes, as well as produced...
- 5/13/2024
- by EJ Tangonan
- JoBlo.com
Downton Abbey is heading back to the big screen for a new installment – and it’s bringing back some newly-nominated faces…
Hold onto your overs and side your ways, Paul Giamatti is launching straight out of his The Holdovers Oscar nomination back into Downton in a new screen adaptation from original scribe Julian Fellowes.
Giamatti was last seen gracing Downton’s many steps in the series’ 2013 Christmas special, where he played “free spirited playboy” Harold Levinson.
Simon Curtis is returning to direct after taking charge on 2022’s Downton Abbey: A New Era, while the returning cast includes series mainstays Hugh Bonneville, Elizabeth McGovern, and Michelle Dockery.
The Downton Abbey cast were last seen in 2022’s A New Era. Playing tennis, apparently. (Credit: Focus Features)
Making their return alongside them are (deep breath) Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox,...
Hold onto your overs and side your ways, Paul Giamatti is launching straight out of his The Holdovers Oscar nomination back into Downton in a new screen adaptation from original scribe Julian Fellowes.
Giamatti was last seen gracing Downton’s many steps in the series’ 2013 Christmas special, where he played “free spirited playboy” Harold Levinson.
Simon Curtis is returning to direct after taking charge on 2022’s Downton Abbey: A New Era, while the returning cast includes series mainstays Hugh Bonneville, Elizabeth McGovern, and Michelle Dockery.
The Downton Abbey cast were last seen in 2022’s A New Era. Playing tennis, apparently. (Credit: Focus Features)
Making their return alongside them are (deep breath) Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox,...
- 5/13/2024
- by James Harvey
- Film Stories
Just when you thought it was safe to forget which fork goes with which plate, Focus Features has announced a return to Downton Abbey. Currently titled “Downton Abbey 3” (surely a “Colon Something Something” is coming) this is the third theatrically-released feature film in the franchise that first launched on British television in 2010.
Series creator Julian Fellowes, Oscar-winning writer of Robert Altman’s “Gosford Park” (a very “Downton”-ish film), is writing the script. Simon Curtis, who directed “Downton Abbey: The New Era” in 2022, is back on board. His other work includes “My Week With Marilyn,” and “Woman in Gold.”
The film will boast Paul Giamatti, reprising the part of Harold Levinson, seen in the fourth season Christmas special from 2013. (That appearance won Giamatti an Emmy nomination for Best Drama Guest Actor.) Also new to the film franchise are Joely Richardson, Alessandro Nivola, Simon Russell Beale, and Arty Froushan. Dominic West...
Series creator Julian Fellowes, Oscar-winning writer of Robert Altman’s “Gosford Park” (a very “Downton”-ish film), is writing the script. Simon Curtis, who directed “Downton Abbey: The New Era” in 2022, is back on board. His other work includes “My Week With Marilyn,” and “Woman in Gold.”
The film will boast Paul Giamatti, reprising the part of Harold Levinson, seen in the fourth season Christmas special from 2013. (That appearance won Giamatti an Emmy nomination for Best Drama Guest Actor.) Also new to the film franchise are Joely Richardson, Alessandro Nivola, Simon Russell Beale, and Arty Froushan. Dominic West...
- 5/13/2024
- by Jordan Hoffman
- Gold Derby
A Billionsaire is planning a return to Downton Abbey.
Paul Giamatti will reprise his role of Harold Levinson in Downton Abbey‘s new movie, Focus Features and Carnival Films announced Monday. The casting announcement coincided with an official greenlighting of the third film based on the period drama.
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Giamatti,...
Paul Giamatti will reprise his role of Harold Levinson in Downton Abbey‘s new movie, Focus Features and Carnival Films announced Monday. The casting announcement coincided with an official greenlighting of the third film based on the period drama.
More from TVLineThe Chi Will See a Major Death Before the End of Season 6: 'Sadness for Everyone,' Stars TeaseSnoop Dogg and Michael Bublé Join The Voice Season 26 - Plus, Find Out Which Coaches Are ReturningHeartstopper Season 3 Gets Fall Release Date at Netflix - Plus, Get 'Hi' On a First Look Behind the Scenes
Giamatti,...
- 5/13/2024
- by Kimberly Roots
- TVLine.com
Paul Giamatti, Joely Richardson, Alessandro Nivola, Simon Russell Beale and Arty Froushan are to take a step back in time after joining the cast of ‘Downton Abbey 3.’
Giamatti is to reprise his role as Harold Levinson, the bother of Elizabeth McGovern’s Cora Grantham, a part he played in the TV show. As for the others, no character details or even a plot have surfaced.
Also in news – Tom Hiddleston & Willem Dafoe set for biopic on mountaineer Tenzing Norgay
Franchise regulars McGovern, Hugh Bonneville, Michelle Dockery, Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox, Raquel Cassidy, Brendan Coyle, Kevin Doyle, Harry Hadden-Paton, Sophie McShera and Douglas Reith will all return for the third film. Dominic West will also reprise his role as silent film star Guy Dexter from ‘Downton Abbey: A New Era.’
Julian Fellowes once again pens the third film in the franchise.
Giamatti is to reprise his role as Harold Levinson, the bother of Elizabeth McGovern’s Cora Grantham, a part he played in the TV show. As for the others, no character details or even a plot have surfaced.
Also in news – Tom Hiddleston & Willem Dafoe set for biopic on mountaineer Tenzing Norgay
Franchise regulars McGovern, Hugh Bonneville, Michelle Dockery, Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox, Raquel Cassidy, Brendan Coyle, Kevin Doyle, Harry Hadden-Paton, Sophie McShera and Douglas Reith will all return for the third film. Dominic West will also reprise his role as silent film star Guy Dexter from ‘Downton Abbey: A New Era.’
Julian Fellowes once again pens the third film in the franchise.
- 5/13/2024
- by Zehra Phelan
- HeyUGuys.co.uk
Focus Features and Carnival Films have officially announced the third film in the beloved Downton Abbey franchise. You can watch the announcement video below.
The third film is written by Downton Abbey creator and Academy-Award winner Julian Fellowes, as well as produced by BAFTA and Emmy Award-winning Gareth Neame, Fellowes, and BAFTA and Emmy Award-winning Liz Trubridge.
BAFTA and Emmy Award nominee Simon Curtis is returning to direct after helming 2022’s Downton Abbey: A New Era.
Hugh Bonneville, Elizabeth McGovern, Michelle Dockery, Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox, Raquel Cassidy, Brendan Coyle, Kevin Doyle, Harry Hadden-Paton, Sophie McShera, and Douglas Reith are returning for the third film.
They will star alongside new additions Paul Giamatti, Joely Richardson, Alessandro Nivola, Simon Russell Beale, Arty Froushan, and many other fan favorites.
Giamatti is reprising his role as Cora Grantham’s brother,...
The third film is written by Downton Abbey creator and Academy-Award winner Julian Fellowes, as well as produced by BAFTA and Emmy Award-winning Gareth Neame, Fellowes, and BAFTA and Emmy Award-winning Liz Trubridge.
BAFTA and Emmy Award nominee Simon Curtis is returning to direct after helming 2022’s Downton Abbey: A New Era.
Hugh Bonneville, Elizabeth McGovern, Michelle Dockery, Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox, Raquel Cassidy, Brendan Coyle, Kevin Doyle, Harry Hadden-Paton, Sophie McShera, and Douglas Reith are returning for the third film.
They will star alongside new additions Paul Giamatti, Joely Richardson, Alessandro Nivola, Simon Russell Beale, Arty Froushan, and many other fan favorites.
Giamatti is reprising his role as Cora Grantham’s brother,...
- 5/13/2024
- by Mirko Parlevliet
- Vital Thrills
Downton Abbey is coming back to the big screen.
Focus Features and Carnival Films are working on the latest Downton movie that will be written by Julian Fellowes, the scribe who created the acclaimed TV show that ran from 2010-15. Simon Curtis is returning to direct after helming 2022’s Downton Abbey: A New Era.
Along with Hugh Bonneville, Elizabeth McGovern, and Michelle Dockery, the returning cast includes: Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox, Raquel Cassidy, Brendan Coyle, Kevin Doyle, Harry Hadden-Paton, Sophie McShera and Douglas Reith.
Paul Giamatti, fresh off an Oscar nomination for The Holdovers, is reprising his role as Cora Grantham’s brother, Harold Levinson. Joely Richardson, Alessandro Nivola, Simon Russell Beale, and Arty Froushan are among the film franchise newcomers. Elsewhere, Dominic West will also reprise his role as Guy Dexter from Downton Abbey: A New Era.
Focus Features and Carnival Films are working on the latest Downton movie that will be written by Julian Fellowes, the scribe who created the acclaimed TV show that ran from 2010-15. Simon Curtis is returning to direct after helming 2022’s Downton Abbey: A New Era.
Along with Hugh Bonneville, Elizabeth McGovern, and Michelle Dockery, the returning cast includes: Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox, Raquel Cassidy, Brendan Coyle, Kevin Doyle, Harry Hadden-Paton, Sophie McShera and Douglas Reith.
Paul Giamatti, fresh off an Oscar nomination for The Holdovers, is reprising his role as Cora Grantham’s brother, Harold Levinson. Joely Richardson, Alessandro Nivola, Simon Russell Beale, and Arty Froushan are among the film franchise newcomers. Elsewhere, Dominic West will also reprise his role as Guy Dexter from Downton Abbey: A New Era.
- 5/13/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
They’re going to need an even bigger dining room table.
Paul Giamatti, Joely Richardson, Alessandro Nivola, Simon Russell Beale and Arty Froushan are joining the third “Downton Abbey” feature film. Giamatti, who recently scored an Oscar nomination playing an ornery teacher in “The Holdovers,” is reprising his role as Harold Levinson, the bother of Elizabeth McGovern’s Cora Grantham, a part he played in the TV show that spawned the film franchise.
No word yet on who Richardson, Nivola, Beale and Froushan will portray. Nor are there any details about the plot, but this being “Downton Abbey” you can expect silverware to be polished to a high gloss, tables set with military precision and a mad dash to find an adequate number of ladies maids to service all the guests for this or that soiree.
Richardson’s credits include “Nip/Tuck,” “101 Dalmatians” and “Red Sparrow.” Nivola recently starred in...
Paul Giamatti, Joely Richardson, Alessandro Nivola, Simon Russell Beale and Arty Froushan are joining the third “Downton Abbey” feature film. Giamatti, who recently scored an Oscar nomination playing an ornery teacher in “The Holdovers,” is reprising his role as Harold Levinson, the bother of Elizabeth McGovern’s Cora Grantham, a part he played in the TV show that spawned the film franchise.
No word yet on who Richardson, Nivola, Beale and Froushan will portray. Nor are there any details about the plot, but this being “Downton Abbey” you can expect silverware to be polished to a high gloss, tables set with military precision and a mad dash to find an adequate number of ladies maids to service all the guests for this or that soiree.
Richardson’s credits include “Nip/Tuck,” “101 Dalmatians” and “Red Sparrow.” Nivola recently starred in...
- 5/13/2024
- by Brent Lang
- Variety Film + TV
Focus Features and Carnival Films are officially in production on Downton Abbey 3 with main cast members returning and a number of new additions to the feature franchise spawned by creator Julian Fellowes’ global TV phenomenon. Simon Curtis is directing after helming 2022’s feature sequel Downton Abbey: A New Era.
Oscar nominee Paul Giamatti is reprising his role from the TV series as Cora’s (Elizabeth McGovern) brother Harold Levinson. New to the film franchise are Joely Richardson, Alessandro Nivola and House of the Dragon’s Simon Russell Beale and Arty Froushan. Dominic West will also reprise his role as Guy Dexter from the second movie.
As well as McGovern, other returning key cast include Hugh Bonneville, Michelle Dockery, Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox, Raquel Cassidy, Brendan Coyle, Kevin Doyle, Harry Hadden-Paton, Sophie McShera and Douglas Reith.
Oscar nominee Paul Giamatti is reprising his role from the TV series as Cora’s (Elizabeth McGovern) brother Harold Levinson. New to the film franchise are Joely Richardson, Alessandro Nivola and House of the Dragon’s Simon Russell Beale and Arty Froushan. Dominic West will also reprise his role as Guy Dexter from the second movie.
As well as McGovern, other returning key cast include Hugh Bonneville, Michelle Dockery, Laura Carmichael, Jim Carter, Phyllis Logan, Robert James-Collier, Joanne Froggatt, Allen Leech, Penelope Wilton, Lesley Nicol, Michael Fox, Raquel Cassidy, Brendan Coyle, Kevin Doyle, Harry Hadden-Paton, Sophie McShera and Douglas Reith.
- 5/13/2024
- by Nancy Tartaglione
- Deadline Film + TV
Downton Abbey‘s final act appears to be nigh.
A third and final film in Julian Fellowes’ storied historical franchise is in the pipeline, co-star Imelda Staunton revealed to BBC Radio’s Zoe Ball.
“There will be [a] final film,” the actress behind Lady Maud Bagshaw confirmed on Wednesday.
More from TVLineDownton Abbey's Hugh Bonneville Suggests Franchise Has 'Run Its Course' After A New Era MovieTVLine Items: Downton Sequel Goes to Peacock, FBoy Island Returns and MoreDownton Abbey: A New Era Pushes Theatrical Release to May 2022
The news comes roughly two years after the release of Downton Abbey: A New Era,...
A third and final film in Julian Fellowes’ storied historical franchise is in the pipeline, co-star Imelda Staunton revealed to BBC Radio’s Zoe Ball.
“There will be [a] final film,” the actress behind Lady Maud Bagshaw confirmed on Wednesday.
More from TVLineDownton Abbey's Hugh Bonneville Suggests Franchise Has 'Run Its Course' After A New Era MovieTVLine Items: Downton Sequel Goes to Peacock, FBoy Island Returns and MoreDownton Abbey: A New Era Pushes Theatrical Release to May 2022
The news comes roughly two years after the release of Downton Abbey: A New Era,...
- 3/20/2024
- by Michael Ausiello
- TVLine.com
Mia McKenna-Bruce (BIFA winner for “How to Have Sex”), Louisa Connolly-Burnham (“Vampire Academy”) and Michael Fox (“Downton Abbey”) will star in “Sister Wives.”
The film is a love story that follows two young women living in a strict, fundamentalist, polygamous society. Kaidence and Galilee find themselves bound to one another, under the same roof, in the same marriage, as they develop scary, new, exciting feelings for each other. In a harsh, regressive, watchful community where being queer is considered a cardinal sin, they begin having thoughts of leaving the only life they have ever known behind.
Connolly-Burnham wrote the script, which is a short that will be further developed into a feature, and will also direct, having directed several shorts previously. The script is a semi-finalist at the Oscar-qualifying Flickers: Rhode Island International Film Festival and also won the Sunday Shorts script competition. “Sister Wives” has also been shortlisted for...
The film is a love story that follows two young women living in a strict, fundamentalist, polygamous society. Kaidence and Galilee find themselves bound to one another, under the same roof, in the same marriage, as they develop scary, new, exciting feelings for each other. In a harsh, regressive, watchful community where being queer is considered a cardinal sin, they begin having thoughts of leaving the only life they have ever known behind.
Connolly-Burnham wrote the script, which is a short that will be further developed into a feature, and will also direct, having directed several shorts previously. The script is a semi-finalist at the Oscar-qualifying Flickers: Rhode Island International Film Festival and also won the Sunday Shorts script competition. “Sister Wives” has also been shortlisted for...
- 12/11/2023
- by Naman Ramachandran
- Variety Film + TV
Obstacles and hardships are inevitable parts of life’s journey. While some people manage to overcome these obstacles and emerge stronger, others might give in to the challenges they experience. The common thread in the stories of those who face a significant loss in their lives is their persistent faith in themselves, their dedication to their work, and their unyielding optimism for a brighter future. Michael J. Fox, a famous star in 1980s movies and TV series, is one of the greatest examples of persistence. He is an indomitably optimistic man diagnosed with a tragic illness. He was in his late 20s when doctors diagnosed him with life-threatening Parkinson’s disease. Beginning with the Back to the Future trilogy and the hit TV series Family Ties, Michael Fox gained popularity and became a Hollywood phenomenon. However, in 1991, after receiving his diagnosis, he was first confronted with the nightmare that was...
- 5/13/2023
- by Poulami Nanda
- Film Fugitives
HBO is said to be in talks with True Detective creator Nic Pizzolatto and Robert Downey Jr., to reboot the Perry Mason TV series, with Downey in the title role. Variety reports the project is based on the feature film the star had previously developed at Warner Bros. If the project is ordered to series, Perry Mason would be Downey's second TV series role. He played Larry Paul on Ally McBeal in 2000 and 2001, and returned for the final two episodes, 2002.The original Perry Mason, starring Raymond Burr, premiered in the fall of 1957 and ran for nine seasons before being cancelled by CBS in 1966. The cast also included: Barbara Hale, William Hopper, William Talman, Ray Collins, Wesley Lau, Richard Anderson, Michael Fox, Lee Miller, and Connie Cezon. According to the...
- 8/16/2016
- by TVSeriesFinale.com
- TVSeriesFinale.com
Ivan Tors and Curt Siodmak 'borrow' nine minutes of dynamite special effects from an obscure-because-suppressed German sci-fi picture, write a new script, and come up with an eccentric thriller where atom scientists behave like G-Men crossed with Albert Einstein. The challenge? How to make a faceless unstable atomic isotope into a worthy science fiction 'monster.' The Magnetic Monster Blu-ray Kl Studio Classics 1953 / B&W / 1:37 flat Academy / 76 min. / Street Date June 14, 2016 / available through Kino Lorber / 29.95 Starring Richard Carlson, King Donovan, Jean Byron, Leonard Mudie, Byron Foulger, Michael Fox, Frank Gerstle, Charles Williams, Kathleen Freeman, Strother Martin, Jarma Lewis. Cinematography Charles Van Enger Supervising Film Editor Herbert L. Strock Original Music Blaine Sanford Written by Curt Siodmak, Ivan Tors Produced by Ivan Tors Directed by Curt Siodmak
Reviewed by Glenn Erickson
How did we ever survive without an "Office of Scientific Investigation?" In the early 1950s, producer Ivan Tors launched himself with a trio of science fiction movies based on that non-existent government entity, sort of an FBI for strange scientific phenomena. As of this writing, Kino has released a terrific 3-D Blu-ray of the third entry, 1954's Gog. The second Tors Osi mini-epic is the interesting, if scientifically scrambled Riders to the Stars, which shows up from time to time on TCM but has yet to find its way to home video in any format. The first of the series, 1953's The Magnetic Monster is considered the most scientifically interesting, although it mainly promotes its own laundry list of goofy notions about physics and chemistry. As it pretends that it is based on scientific ideas instead of rubber-suited monsters, Tors' abstract threat is more than just another 'thing' trying to abduct the leading lady. Exploiting the common fear of radiation, a force little understood by the general public, The Magnetic Monster invents a whole new secret government bureau dedicated to solving 'dangerous scientific problems' -- the inference being, of course, that there's always something threatening about science. Actually, producer Tors was probably inspired by his partner Curt Siodmak to take advantage of a fantastic special effects opportunity that a small show like Magnetic could normally never afford. More on that later. The script plays like an episode of Dragnet, substituting scientific detectives for L.A.P.D. gumshoes. Top-kick nuclear troubleshooter Dr. Jeff Stewart (Richard Carlson) can't afford to buy a tract home for his pregnant wife Connie (beautiful Jean Byron, later of The Patty Duke Show). He is one of just a few dauntless Osi operatives standing between us and scientific disaster. When local cops route a weird distress call to the Osi office, Jeff and his Phd. sidekick Dan Forbes (King Donovan) discover that someone has been tampering with an unstable isotope in a room above a housewares store on Lincoln Blvd.: every metallic object in the store has become magnetized. The agents trace the explosive element to one Dr. Serny (Michael Fox), whose "lone wolf" experiments have created a new monster element, a Unipolar watchamacallit sometimes referred to as Serranium. If not 'fed' huge amounts of energy this new element will implode, expand, and explode again on a predictable timetable. Local efforts to neutralize the element fail, and an entire lab building is destroyed. Dan and Jeff rush the now-larger isotope to a fantastic Canadian "Deltatron" constructed in a super-scientific complex deep under the ocean off Nova Scotia. The plan is to bombard the stuff with so much energy that it will disintegrate harmlessly. But does the Deltatron have enough juice to do the job? Its Canadian supervisor tries to halt the procedure just as the time limit to the next implosion is coming due! Sincere, likeable and quaint, The Magnetic Monster is nevertheless a prime candidate for chuckles, thanks to a screenplay with a high clunk factor. Big cheese scientist Jeff Stewart interrupts his experimental bombardment of metals in his atom smasher to go out on blind neighborhood calls, dispensing atom know-how like a pizza deliveryman. He takes time out to make fat jokes at the expense of the lab's switchboard operator, the charming Kathleen Freeman. The Osi's super-computer provides instant answers to various mysteries. Its name in this show is the acronym M.A.N.I.A.C.. Was naming differential analyzers some kind of a fetish with early computer men? Quick, which '50s Sci-fi gem has a computer named S.U.S.I.E.? The strange isotope harnesses a vague amalgam of nuclear and magnetic forces. It might seem logical to small kids just learning about the invisible wonder of magnetism -- and that understand none of it. All the silverware at the store sticks together. It is odd, but not enough to cause the sexy blonde saleswoman (Elizabeth Root) to scream and jump as if goosed by Our Friend the Atom. When a call comes in that a taxi's engine has become magnetized, our agents are slow to catch on. Gee, could that crazy event be related to our mystery element? When the culprit scientist is finally tracked down, and pulled off an airliner, he's already near death from overexposure to his own creation. We admire Dr. Serny, who after all managed to create a new element on his own, without benefit of a billion dollar physics lab. He also must be a prize dope for not realizing that the resulting radiation would kill him. The Osi troubleshooters deliver a stern lesson that all of us need to remember: "In nuclear research there is no place for lone wolves." If you think about it, the agency's function is to protect us from science itself, with blame leveled at individual, free-thinking, 'rogue' brainiacs. (Sarcasm alert.) The danger in nuclear research comes not from mad militarists trying to make bigger and more awful bombs; the villains are those crackpots cooking up end-of-the-world scenarios in their home workshops. Dr. Serny probably didn't even have a security clearance! The Magnetic Monster has a delightful gaffe in every scene. When a dangerous isotope is said to be 'on the loose,' a police radio order is broadcast to Shoot To Kill ... Shoot what exactly, they don't say. This line could very well have been invented in the film's audio mix, if producer Tors thought the scene needed an extra jolt. Despite the fact that writer-director Curt Siodmak cooked up the brilliant concept of Donovan's Brain and personally invented a bona fide classic monster mythology, his '50s sci-fi efforts strain credibility in all directions. As I explain in the Gold review, Siodmak may have been the one to come up with the idea of repurposing the climax of the old film. He was a refugee from Hitler's Germany, and had written a film with director Karl Hartl. Reading accounts in books by Tom Weaver and Bill Warren, we learn that the writer Siodmak had difficulty functioning as a director and that credited editor Herbert Strock stepped in to direct. Strock later claimed that the noted writer was indecisive on the set. The truly remarkable aspect of The Magnetic Monster comes in the last reel, when Jeff and Dan take an elevator ride way, way down to Canada's subterranean, sub-Atlantic Deltatron atom-smasher. They're suddenly wearing styles not worn in the early 'fifties -- big blocky coats and wide-brimmed hats. The answer comes when they step out into a wild mad-lab construction worthy of the visuals in Metropolis. A giant power station is outfitted with oversized white porcelain insulators -- even a set of stairs looks like an insulator. Atop the control booth is an array of (giant, what else) glass tubes with glowing neon lights inside. Cables and wires go every which-way. A crew of workers in wrinkled shop suits stands about like extras from The Three-Penny Opera. For quite some time, only readers of old issues of Famous Monsters of Filmland knew the secret of this bizarre footage, which is actually from the 1934 German sci-fi thriller Gold, directed by Karl Hartl and starring Hans Albers and Brigitte Helm. Tors and Siodmak do their best to integrate Richard Carlson and King Donovan into this spectacular twenty-year-old stock footage, even though the extravagant production values and the expressionist patina of the Ufa visuals are a gross mismatch for The Magnetic Monster's '50s semi-docu look. Jeff's wide hat and David Byrne coat are there to make him look more like Hans Albers in the 1934 film, which doesn't work because Albers must be four inches taller and forty pounds beefier than Richard Carlson. Jeff climbs around the Deltatron, enters a control booth and argues with the Canadian scientist/turnkey, who is a much better match for the villain of Gold. Jeff changes into a different costume, with a different cap -- so he can match Albers in the different scene in Gold. The exciting climax repurposes the extravagant special effects of Otto Hunte and Günther Rittau, changing the original film's attempted atomic alchemy into a desperate attempt to neutralize the nasty new element before it can explode again. The matching works rather well for Jeff's desperate struggle to close an enormous pair of bulkhead doors that have been sabotaged. And a matched cut on a whip pan from center stage to a high control room is very nicely integrated into the old footage. The bizarre scene doesn't quite come off... even kids must have known that older footage was being used. In the long shots, Richard Carlson doesn't look anything like Hans Albers. A fuel-rod plunger in the control room displays a German-style cross, even though the corresponding instrument in the original show wasn't so decorated. Some impressive close-up views of a blob of metal being bombarded by atomic particles are from the old movie, and others are new effects. Metallurgy is scary, man. The "Serranium" threat establishes a pattern touched upon by later Sci-fi movies with organic or abstract forces that grow from relative insignificance to world-threatening proportions. The Monolith Monsters proposes giant crystals that grow to the size of skyscrapers, threatening to cover the earth with a giant quartz-pile. The Sam Katzman quickie The Day the World Exploded makes The Magnetic Monster look like an expensive production. It invents a new mineral that explodes when exposed to air. The supporting cast of The Magnetic Monster gives us some pleasant, familiar faces. In addition to the beloved Kathleen Freeman is Strother Martin as a concerned airline pilot. Fussy Byron Foulger owns the housewares store and granite-jawed Frank Gerstle (Gristle?) is a gruff general. The gorgeous Jarma Lewis has a quick bit as a stewardess. The Kl Studio Classics Blu-ray of The Magnetic Monster is a fine transfer of this B&W gem from United Artists. Once hard to see, it was part of an expensive MGM-Image laserdisc set twenty years ago and then an Mod DVD in 2011. The disc comes with a socko original trailer that explains why it did reasonably well at the box office. Every exciting moment is edited into a coming attraction that really hypes the jeopardy factor. At that time, just the sight of a hero in a radiation suit promised something unusual. Nowadays, Hazardous Waste workers use suits like that to clean up common chemical spills. The commentary for The Magnetic Monster is by Fangoria writer Derek Botelho, whose name is misspelled as Botello on the disc package. I've heard Derek on a couple of David del Valle tracks for Vincent Price movies, where he functioned mainly as an Ed McMahon-like fan sidekick. His talk tends to drift into loosely related sidebar observations. Instead of discussing how the movie was made by cannibalizing another, he recounts for us the comedy stock footage discovery scene from Tim Burton's Ed Wood. Several pages recited from memoirs by Curt Siodmak and Herbert Strock do provide useful information on the film. Botelho appreciates actress Kathleen Freeman. You can't go wrong doing that. Viewers that obtain Kino's concurrent Blu-ray release of the original 1934 German thriller Gold will note that the repurposed scenes from that film look much better here, although they still bear some scratches. On a scale of Excellent, Good, Fair, and Poor, The Magnetic Monster Blu-ray rates: Movie: Good + Video: Very Good Sound: Excellent Supplements: Commentary with Derek Botelho, Theatrical trailer Deaf and Hearing Impaired Friendly? N0; Subtitles: None Packaging: Keep case Reviewed: June 8, 2016 (5138magn)
Visit DVD Savant's Main Column Page Glenn Erickson answers most reader mail: dvdsavant@mindspring.com
Text © Copyright 2016 Glenn Erickson...
Reviewed by Glenn Erickson
How did we ever survive without an "Office of Scientific Investigation?" In the early 1950s, producer Ivan Tors launched himself with a trio of science fiction movies based on that non-existent government entity, sort of an FBI for strange scientific phenomena. As of this writing, Kino has released a terrific 3-D Blu-ray of the third entry, 1954's Gog. The second Tors Osi mini-epic is the interesting, if scientifically scrambled Riders to the Stars, which shows up from time to time on TCM but has yet to find its way to home video in any format. The first of the series, 1953's The Magnetic Monster is considered the most scientifically interesting, although it mainly promotes its own laundry list of goofy notions about physics and chemistry. As it pretends that it is based on scientific ideas instead of rubber-suited monsters, Tors' abstract threat is more than just another 'thing' trying to abduct the leading lady. Exploiting the common fear of radiation, a force little understood by the general public, The Magnetic Monster invents a whole new secret government bureau dedicated to solving 'dangerous scientific problems' -- the inference being, of course, that there's always something threatening about science. Actually, producer Tors was probably inspired by his partner Curt Siodmak to take advantage of a fantastic special effects opportunity that a small show like Magnetic could normally never afford. More on that later. The script plays like an episode of Dragnet, substituting scientific detectives for L.A.P.D. gumshoes. Top-kick nuclear troubleshooter Dr. Jeff Stewart (Richard Carlson) can't afford to buy a tract home for his pregnant wife Connie (beautiful Jean Byron, later of The Patty Duke Show). He is one of just a few dauntless Osi operatives standing between us and scientific disaster. When local cops route a weird distress call to the Osi office, Jeff and his Phd. sidekick Dan Forbes (King Donovan) discover that someone has been tampering with an unstable isotope in a room above a housewares store on Lincoln Blvd.: every metallic object in the store has become magnetized. The agents trace the explosive element to one Dr. Serny (Michael Fox), whose "lone wolf" experiments have created a new monster element, a Unipolar watchamacallit sometimes referred to as Serranium. If not 'fed' huge amounts of energy this new element will implode, expand, and explode again on a predictable timetable. Local efforts to neutralize the element fail, and an entire lab building is destroyed. Dan and Jeff rush the now-larger isotope to a fantastic Canadian "Deltatron" constructed in a super-scientific complex deep under the ocean off Nova Scotia. The plan is to bombard the stuff with so much energy that it will disintegrate harmlessly. But does the Deltatron have enough juice to do the job? Its Canadian supervisor tries to halt the procedure just as the time limit to the next implosion is coming due! Sincere, likeable and quaint, The Magnetic Monster is nevertheless a prime candidate for chuckles, thanks to a screenplay with a high clunk factor. Big cheese scientist Jeff Stewart interrupts his experimental bombardment of metals in his atom smasher to go out on blind neighborhood calls, dispensing atom know-how like a pizza deliveryman. He takes time out to make fat jokes at the expense of the lab's switchboard operator, the charming Kathleen Freeman. The Osi's super-computer provides instant answers to various mysteries. Its name in this show is the acronym M.A.N.I.A.C.. Was naming differential analyzers some kind of a fetish with early computer men? Quick, which '50s Sci-fi gem has a computer named S.U.S.I.E.? The strange isotope harnesses a vague amalgam of nuclear and magnetic forces. It might seem logical to small kids just learning about the invisible wonder of magnetism -- and that understand none of it. All the silverware at the store sticks together. It is odd, but not enough to cause the sexy blonde saleswoman (Elizabeth Root) to scream and jump as if goosed by Our Friend the Atom. When a call comes in that a taxi's engine has become magnetized, our agents are slow to catch on. Gee, could that crazy event be related to our mystery element? When the culprit scientist is finally tracked down, and pulled off an airliner, he's already near death from overexposure to his own creation. We admire Dr. Serny, who after all managed to create a new element on his own, without benefit of a billion dollar physics lab. He also must be a prize dope for not realizing that the resulting radiation would kill him. The Osi troubleshooters deliver a stern lesson that all of us need to remember: "In nuclear research there is no place for lone wolves." If you think about it, the agency's function is to protect us from science itself, with blame leveled at individual, free-thinking, 'rogue' brainiacs. (Sarcasm alert.) The danger in nuclear research comes not from mad militarists trying to make bigger and more awful bombs; the villains are those crackpots cooking up end-of-the-world scenarios in their home workshops. Dr. Serny probably didn't even have a security clearance! The Magnetic Monster has a delightful gaffe in every scene. When a dangerous isotope is said to be 'on the loose,' a police radio order is broadcast to Shoot To Kill ... Shoot what exactly, they don't say. This line could very well have been invented in the film's audio mix, if producer Tors thought the scene needed an extra jolt. Despite the fact that writer-director Curt Siodmak cooked up the brilliant concept of Donovan's Brain and personally invented a bona fide classic monster mythology, his '50s sci-fi efforts strain credibility in all directions. As I explain in the Gold review, Siodmak may have been the one to come up with the idea of repurposing the climax of the old film. He was a refugee from Hitler's Germany, and had written a film with director Karl Hartl. Reading accounts in books by Tom Weaver and Bill Warren, we learn that the writer Siodmak had difficulty functioning as a director and that credited editor Herbert Strock stepped in to direct. Strock later claimed that the noted writer was indecisive on the set. The truly remarkable aspect of The Magnetic Monster comes in the last reel, when Jeff and Dan take an elevator ride way, way down to Canada's subterranean, sub-Atlantic Deltatron atom-smasher. They're suddenly wearing styles not worn in the early 'fifties -- big blocky coats and wide-brimmed hats. The answer comes when they step out into a wild mad-lab construction worthy of the visuals in Metropolis. A giant power station is outfitted with oversized white porcelain insulators -- even a set of stairs looks like an insulator. Atop the control booth is an array of (giant, what else) glass tubes with glowing neon lights inside. Cables and wires go every which-way. A crew of workers in wrinkled shop suits stands about like extras from The Three-Penny Opera. For quite some time, only readers of old issues of Famous Monsters of Filmland knew the secret of this bizarre footage, which is actually from the 1934 German sci-fi thriller Gold, directed by Karl Hartl and starring Hans Albers and Brigitte Helm. Tors and Siodmak do their best to integrate Richard Carlson and King Donovan into this spectacular twenty-year-old stock footage, even though the extravagant production values and the expressionist patina of the Ufa visuals are a gross mismatch for The Magnetic Monster's '50s semi-docu look. Jeff's wide hat and David Byrne coat are there to make him look more like Hans Albers in the 1934 film, which doesn't work because Albers must be four inches taller and forty pounds beefier than Richard Carlson. Jeff climbs around the Deltatron, enters a control booth and argues with the Canadian scientist/turnkey, who is a much better match for the villain of Gold. Jeff changes into a different costume, with a different cap -- so he can match Albers in the different scene in Gold. The exciting climax repurposes the extravagant special effects of Otto Hunte and Günther Rittau, changing the original film's attempted atomic alchemy into a desperate attempt to neutralize the nasty new element before it can explode again. The matching works rather well for Jeff's desperate struggle to close an enormous pair of bulkhead doors that have been sabotaged. And a matched cut on a whip pan from center stage to a high control room is very nicely integrated into the old footage. The bizarre scene doesn't quite come off... even kids must have known that older footage was being used. In the long shots, Richard Carlson doesn't look anything like Hans Albers. A fuel-rod plunger in the control room displays a German-style cross, even though the corresponding instrument in the original show wasn't so decorated. Some impressive close-up views of a blob of metal being bombarded by atomic particles are from the old movie, and others are new effects. Metallurgy is scary, man. The "Serranium" threat establishes a pattern touched upon by later Sci-fi movies with organic or abstract forces that grow from relative insignificance to world-threatening proportions. The Monolith Monsters proposes giant crystals that grow to the size of skyscrapers, threatening to cover the earth with a giant quartz-pile. The Sam Katzman quickie The Day the World Exploded makes The Magnetic Monster look like an expensive production. It invents a new mineral that explodes when exposed to air. The supporting cast of The Magnetic Monster gives us some pleasant, familiar faces. In addition to the beloved Kathleen Freeman is Strother Martin as a concerned airline pilot. Fussy Byron Foulger owns the housewares store and granite-jawed Frank Gerstle (Gristle?) is a gruff general. The gorgeous Jarma Lewis has a quick bit as a stewardess. The Kl Studio Classics Blu-ray of The Magnetic Monster is a fine transfer of this B&W gem from United Artists. Once hard to see, it was part of an expensive MGM-Image laserdisc set twenty years ago and then an Mod DVD in 2011. The disc comes with a socko original trailer that explains why it did reasonably well at the box office. Every exciting moment is edited into a coming attraction that really hypes the jeopardy factor. At that time, just the sight of a hero in a radiation suit promised something unusual. Nowadays, Hazardous Waste workers use suits like that to clean up common chemical spills. The commentary for The Magnetic Monster is by Fangoria writer Derek Botelho, whose name is misspelled as Botello on the disc package. I've heard Derek on a couple of David del Valle tracks for Vincent Price movies, where he functioned mainly as an Ed McMahon-like fan sidekick. His talk tends to drift into loosely related sidebar observations. Instead of discussing how the movie was made by cannibalizing another, he recounts for us the comedy stock footage discovery scene from Tim Burton's Ed Wood. Several pages recited from memoirs by Curt Siodmak and Herbert Strock do provide useful information on the film. Botelho appreciates actress Kathleen Freeman. You can't go wrong doing that. Viewers that obtain Kino's concurrent Blu-ray release of the original 1934 German thriller Gold will note that the repurposed scenes from that film look much better here, although they still bear some scratches. On a scale of Excellent, Good, Fair, and Poor, The Magnetic Monster Blu-ray rates: Movie: Good + Video: Very Good Sound: Excellent Supplements: Commentary with Derek Botelho, Theatrical trailer Deaf and Hearing Impaired Friendly? N0; Subtitles: None Packaging: Keep case Reviewed: June 8, 2016 (5138magn)
Visit DVD Savant's Main Column Page Glenn Erickson answers most reader mail: dvdsavant@mindspring.com
Text © Copyright 2016 Glenn Erickson...
- 6/14/2016
- by Glenn Erickson
- Trailers from Hell
Now, after 62 years, viewable again in beautiful 3-D! Scientists are being murdered in a secret underground laboratory overseen by a super-computer and two robots, Gog and Magog. The restoration is a stunning achievement, covered thoroughly on the disc extras. The year is young, but this is an early favorite. Gog 3-D 3-D Blu-ray Kl Studio Classics 1954 / Color / 1:66 widescreen / 85 min. / Street Date March 1, 2016 / available through Kino Lorber / 34.95 Starring Richard Egan, Constance Dowling, Herbert Marshall, John Wengraf, Philip Van Zandt, Michael Fox, William Schallert. Cinematography Lothrop B. Worth Film Editor Herbert L. Strock Original Music Harry Sukman Written by Tom Taggart, Richard G. Taylor, Ivan Tors Produced by Ivan Tors Directed by Herbert L. Strock
Reviewed by Glenn Erickson
Once viewable only at isolated special film festivals, vintage films on 3-D are enjoying a comeback thanks to a busy independent company. The 3-D Film Archive has done work for various studios and disc distributors,...
Reviewed by Glenn Erickson
Once viewable only at isolated special film festivals, vintage films on 3-D are enjoying a comeback thanks to a busy independent company. The 3-D Film Archive has done work for various studios and disc distributors,...
- 2/10/2016
- by Glenn Erickson
- Trailers from Hell
Todd Haynes is in the running for best director and both Cate Blanchett and Rooney Mara are in contention for best female lead alongside Room’s Brie Larson as Carol earned six 2016 Film Independent Spirit Award nominations in Los Angeles on Tuesday.Scroll down for full list of nominations
Close behind were Spotlight and Beasts Of No Nation on five apiece, followed by indie darling Tangerine and Anomalisa on four each.
Not even a glitch that saw the list of nominees temporarily appear on the Film Independent website prior to the official announcement could spoil what turned out by and large to be a recognition of independent film in its myriad forms.
Besides the more predictable contenders like Carol, Spotlight and Room, there was plenty of love for Tangerine, shot on an iPhone, and Beasts Of No Nation from Netflix, whose day-and-date release (and what that portends) infuriated large swathes of the exhibition sector but has clearly...
Close behind were Spotlight and Beasts Of No Nation on five apiece, followed by indie darling Tangerine and Anomalisa on four each.
Not even a glitch that saw the list of nominees temporarily appear on the Film Independent website prior to the official announcement could spoil what turned out by and large to be a recognition of independent film in its myriad forms.
Besides the more predictable contenders like Carol, Spotlight and Room, there was plenty of love for Tangerine, shot on an iPhone, and Beasts Of No Nation from Netflix, whose day-and-date release (and what that portends) infuriated large swathes of the exhibition sector but has clearly...
- 11/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Todd Haynes is in the running for best director and both Cate Blanchett and Rooney Mara are in contention for best female lead alongside Room’s Brie Larson as Carol earned six 2016 Film Independent Spirit Award nominations in Los Angeles on Tuesday.
Close behind were Spotlight and Beasts Of No Nation on five apiece, followed by indie darling Tangerine and Anomalisa on four each.
Not even a glitch that saw the list of nominees temporarily appear on the Film Independent website prior to the official announcement could spoil what turned out by and large to be a recognition of independent film in its myriad forms.
Besides the more predictable contenders like Carol, Spotlight and Room, there was plenty of love for Tangerine, shot on an iPhone, and Beasts Of No Nation from Netflix, whose day-and-date release (and what that portends) infuriated large swathes of the exhibition sector but has clearly impressed critics.
Magnolia Pictures earned...
Close behind were Spotlight and Beasts Of No Nation on five apiece, followed by indie darling Tangerine and Anomalisa on four each.
Not even a glitch that saw the list of nominees temporarily appear on the Film Independent website prior to the official announcement could spoil what turned out by and large to be a recognition of independent film in its myriad forms.
Besides the more predictable contenders like Carol, Spotlight and Room, there was plenty of love for Tangerine, shot on an iPhone, and Beasts Of No Nation from Netflix, whose day-and-date release (and what that portends) infuriated large swathes of the exhibition sector but has clearly impressed critics.
Magnolia Pictures earned...
- 11/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Film Independent, the nonprofit arts organization that produces the Film Independent Spirit Awards, the La Film Festival and Film Independent at Lacma, announced nominations for the 2016 Spirit Awards this morning. Film Independent President Josh Welsh presided over the press conference held at W Hollywood, with actors John Boyega and Elizabeth Olsen presenting the nominations.
Nominees for Best Feature included Anomalisa, Beasts of No Nation, Carol, Spotlight and Tangerine.
“This year’s nominees are a testament to the strength, vitality and diversity of independent, artist-driven filmmaking,” said Film Independent President Josh Welsh. “It’s an astonishingly strong group of films and performances this year and we look forward to celebrating them all at the Spirit Awards.”
Spotlight was selected to receive the Robert Altman Award, which is bestowed upon one film’s director, casting director and ensemble cast. The Altman Award was created in 2008 in honor of legendary director Robert Altman...
Nominees for Best Feature included Anomalisa, Beasts of No Nation, Carol, Spotlight and Tangerine.
“This year’s nominees are a testament to the strength, vitality and diversity of independent, artist-driven filmmaking,” said Film Independent President Josh Welsh. “It’s an astonishingly strong group of films and performances this year and we look forward to celebrating them all at the Spirit Awards.”
Spotlight was selected to receive the Robert Altman Award, which is bestowed upon one film’s director, casting director and ensemble cast. The Altman Award was created in 2008 in honor of legendary director Robert Altman...
- 11/24/2015
- by Michelle McCue
- WeAreMovieGeeks.com
Updated through 4/30.
The San Francisco International Film Festival (Sfiff), the longest one running in the Americas, opens tonight with Mike Mills's Beginners and closes on May 5 with Mathieu Amalric's On Tour. Among the 150 films screening in between, give or take, will be the centerpiece, Azazel Jacobs's Terri.
"In terms of artistic achievement, it's safe to say no producer has contributed to independent American cinema over the last two decades like Christine Vachon," writes Dennis Harvey, introducing his interview. Vachon will be delivering the State of Cinema address on Sunday evening (it's a busy time for her; she's also on Tribeca's Documentary and Student Short Film Competitions jury). Also at SF360, Michael Fox has cinema studies professor Bill Nichols give him a preview of the discussion he'll be leading on the Social Justice Documentary and talks with Bay Area filmmakers who have work in the lineup.
Max Goldberg...
The San Francisco International Film Festival (Sfiff), the longest one running in the Americas, opens tonight with Mike Mills's Beginners and closes on May 5 with Mathieu Amalric's On Tour. Among the 150 films screening in between, give or take, will be the centerpiece, Azazel Jacobs's Terri.
"In terms of artistic achievement, it's safe to say no producer has contributed to independent American cinema over the last two decades like Christine Vachon," writes Dennis Harvey, introducing his interview. Vachon will be delivering the State of Cinema address on Sunday evening (it's a busy time for her; she's also on Tribeca's Documentary and Student Short Film Competitions jury). Also at SF360, Michael Fox has cinema studies professor Bill Nichols give him a preview of the discussion he'll be leading on the Social Justice Documentary and talks with Bay Area filmmakers who have work in the lineup.
Max Goldberg...
- 4/30/2011
- MUBI
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