Updated with details: Blackie Onassis, the Urge Overkill drummer who played on the remake of “Girl, You’ll Be a Woman Soon” that was featured in Pulp Fiction and on the band’s 1993 hit “Sister Havana,” died June 13 in Los Angeles, the County Coroner’s Office said. He was 57.
His former bandmates confirmed the news on social media but did not provide other details:
Urge Overkill is saddened to report that Blackie has passed away. Please respect our privacy at this time. We are sending much love to his family and all his fans. We know he will be missed.
— Urge Overkill (@UrgeOverkill) June 14, 2023
Born John Rowan on August 27, 1965, Onassis joined Chicago-based alt-rock trio Urge Overkill in the early 1990s and played with the group as they opened for Nirvana’s Nevermind tour in late 1991, which led to the band being signed by Geffen Records. Alongside singer-guitarist Nash Kato and Eddie “King” Roeser,...
His former bandmates confirmed the news on social media but did not provide other details:
Urge Overkill is saddened to report that Blackie has passed away. Please respect our privacy at this time. We are sending much love to his family and all his fans. We know he will be missed.
— Urge Overkill (@UrgeOverkill) June 14, 2023
Born John Rowan on August 27, 1965, Onassis joined Chicago-based alt-rock trio Urge Overkill in the early 1990s and played with the group as they opened for Nirvana’s Nevermind tour in late 1991, which led to the band being signed by Geffen Records. Alongside singer-guitarist Nash Kato and Eddie “King” Roeser,...
- 6/14/2023
- by Erik Pedersen
- Deadline Film + TV
Blackie Onassis, drummer for the alt-rock act Urge Overkill during their ’90s heyday, has died. A spokesperson for the band reported his passing to the Los Angeles Times, but no cause of death was given.
Onassis (real name John Rowan) joined Urge Overkill in 1991, playing alongside founding members Nash Kato and Eddie “King” Roeser. He appeared on their albums The Supersonic Storybook (1991), Saturation (1993), and Exit the Dragon (1995).
While the Chicago-based band impacted alternative-rock radio with such songs as “Sister Havana” and “Positive Bleeding,” they are perhaps best known for their cover of Neil Diamond’s “Girl, You’ll Be a Woman Soon,” which famously appeared in the Quentin Tarantino film Pulp Fiction. They also got major exposure when they opened for Nirvana on the latter’s tour in support of Nevermind.
In an interview with Spin magazine in 1992, Onassis said of the band, “We are here to resurrect the era...
Onassis (real name John Rowan) joined Urge Overkill in 1991, playing alongside founding members Nash Kato and Eddie “King” Roeser. He appeared on their albums The Supersonic Storybook (1991), Saturation (1993), and Exit the Dragon (1995).
While the Chicago-based band impacted alternative-rock radio with such songs as “Sister Havana” and “Positive Bleeding,” they are perhaps best known for their cover of Neil Diamond’s “Girl, You’ll Be a Woman Soon,” which famously appeared in the Quentin Tarantino film Pulp Fiction. They also got major exposure when they opened for Nirvana on the latter’s tour in support of Nevermind.
In an interview with Spin magazine in 1992, Onassis said of the band, “We are here to resurrect the era...
- 6/14/2023
- by Spencer Kaufman
- Consequence - Music
If there’s one lyric that has, for better or worse, become the pull-quote capturing the ambition and smirky audacity of Liz Phair’s 1993 indie-rock classic “Exile in Guyville,” it is, “I want to be your blowjob queen.” That lyric, from the hedonistic hymnal “Flower,” was devised as a hit to the gonads. Twenty-five years later, Matador Records has reissued the seminal indie-rock album as “Girly-Sound to Guyville: The 25th Anniversary Box Set,” including voluminous demos and whatnot. Yet for all the feminist adoration it gets and the inspiration it’s spawned, it’s tough to ignore that “Exile” continues to be stuck in the male gaze.
That’s because the album is fundamentally a reaction to, rather than a transcendence of, sexism. Phair packaged it as a clever conceit: a song-by-song retort to the Rolling Stone’s “Exile on Main St.,” widely considered one of their best albums. So...
That’s because the album is fundamentally a reaction to, rather than a transcendence of, sexism. Phair packaged it as a clever conceit: a song-by-song retort to the Rolling Stone’s “Exile on Main St.,” widely considered one of their best albums. So...
- 5/4/2018
- by Nisha Gopalan
- Variety Film + TV
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