The title, you might not be surprised to hear, is ironic: In Rithy Panh’s frenetic, splenetic new hybrid essay film, everything will most assuredly not be Ok. Humans, with our immense capacity for microscopic and macroscopic cruelty, will not be Ok. Animals, even if they manage to turn the tables on us, will also not be Ok. The planet, in a near-future shaped exclusively by the evils of the near-past, will be the very definition of not-ok. And perhaps the battered viewer — assailed by an interminable 98 minutes of untethered, oneiric narration over split-screen footage of genocide and industrial livestock slaughter, while an “Animal Farm”-inspired sci-fi drama plays out in handmade, clay-modeled diorama — will be the least Ok of all. The little clay critters are cute, though.
In one regard, “Everything Will Be Ok” is as good as its word. Panh crams so much into his film that it...
In one regard, “Everything Will Be Ok” is as good as its word. Panh crams so much into his film that it...
- 2/12/2022
- by Jessica Kiang
- Variety Film + TV
Beckett Trailer — Ferdinando Cito Filomarino‘s Beckett (2021) movie trailer has been released by Netflix. The Beckett trailer stars John David Washington, Alicia Vikander, Boyd Holbrook, Vicky Krieps, Daphne Alexander, Yorgos Pirpassopoulos, Olga Spyraki, Panos Koronis, Isabella Margara, Lena Kitsopoulou, Marc Marder, Leonardo Thimo, and Andreas Marianos. Crew Kevin A. Rice wrote [...]
Continue reading: Beckett (2021) Movie Trailer: John David Washington is on the Run in a Political Conspiracy Film...
Continue reading: Beckett (2021) Movie Trailer: John David Washington is on the Run in a Political Conspiracy Film...
- 7/2/2021
- by Rollo Tomasi
- Film-Book
Strand Releasing has acquired all U.S. rights to Oscar-nominated Cambodian director Rithy Panh’s “Irradiated,” which world premiered at the Berlin Film Festival and won best documentary. The film is represented in international markets by Playtime.
Through “Irradiated,” Panh sheds light on the human horrors perpetrated by the Khmer Rouge regime which he experienced during his childhood. Narrated by Rebecca Marder and André Wilms (“Le Havre”), the film brings together black-and-white archival war footage across a tryptic of panels juxtaposing images of war and suffering across the 20th century and around the world. The cinematic documentary is scored by Panh’s longtime collaborator Marc Marder.
“What it means to be a survivor cannot be put into words. To live on, to make contact with this irradiation, for which there may be no cause, no knowledge, but from which there is no protection,” said Panh about his film. “Evil radiates.
Through “Irradiated,” Panh sheds light on the human horrors perpetrated by the Khmer Rouge regime which he experienced during his childhood. Narrated by Rebecca Marder and André Wilms (“Le Havre”), the film brings together black-and-white archival war footage across a tryptic of panels juxtaposing images of war and suffering across the 20th century and around the world. The cinematic documentary is scored by Panh’s longtime collaborator Marc Marder.
“What it means to be a survivor cannot be put into words. To live on, to make contact with this irradiation, for which there may be no cause, no knowledge, but from which there is no protection,” said Panh about his film. “Evil radiates.
- 4/22/2021
- by Elsa Keslassy
- Variety Film + TV
Early in “Irradiated,” a powerful but troublesome documentary howl of despair from Cambodian director Rithy Panh, the narration describes an act that must be familiar to anyone similarly transfixed by history. Referring to the black and white archival war footage that marches in triplicate across a screen that’s divided into three panels, the narrator speaks of “searching the eyes of the soldiers… but finding nothing there.” Anyone who has ever stared long and hard at a photograph of a deceased loved one, or at a picture of conflict reportage must relate to the frustration: It’s as though somehow we believe that an image must have within it some clue to the understanding of the incomprehensible loss or tragedy it depicts, and we can be acutely disappointed to find no such enlightenment.
This urge informs and complicates “Irradiated,” a film that is broader, wider and more ambitious in scope...
This urge informs and complicates “Irradiated,” a film that is broader, wider and more ambitious in scope...
- 2/28/2020
- by Jessica Kiang
- Variety Film + TV
“Evil will hunt us if we don’t throw it out from us with open palms,” a disembodied voice declares to us in French at the start of “Irradiated,” Rithy Panh’s mesmerizingly bleak montage of war in the 20th century. “At the top of the sky is pain. It always comes as a surprise.” And so the great onslaught begins as the bombs rain down from the heavens and the image cracks into three perfect squares that stretch across the screen in a narrow sliver of light; together they create an anamorphic slot machine of needless suffering.
More often than not, each column shows the same snippet of archival footage, as Nazi rallies bleed into the Khmer Rouge before napalm glazes the treetops of Vietnam. Sometimes, however, the square in the center is out of sync with the two on either side; shots of a bombed out church frame...
More often than not, each column shows the same snippet of archival footage, as Nazi rallies bleed into the Khmer Rouge before napalm glazes the treetops of Vietnam. Sometimes, however, the square in the center is out of sync with the two on either side; shots of a bombed out church frame...
- 2/28/2020
- by David Ehrlich
- Indiewire
Beautifully restored and available for the first time on Blu-ray courtesy of Kino Lorber’s distribution deal with Carlotta Us, the Cannes premiered 1989 directorial debut of American director Charles Lane, Sidewalk Stories, arrives for recapitulation into the cinematic zeitgeist. A black and white silent film that’s an homage, and somewhat mutated modernization of Chaplin’s classic film, The Kid (though it’s sound design would be more akin to Chaplin’s Modern Times), Lane’s heartfelt and endearing film plays like a time capsule love letter to the eternal city. At the same time, it represents a chapter in the enduring evolution of the representation of the homeless, a changing landscape often unnoticed, a detail written off as an unavoidable constant.
A homeless street artist (Charles Lane) lives off the meager sum he receives while drawing portraits, though he faces stiff competition from neighboring peers. One evening, he witness...
A homeless street artist (Charles Lane) lives off the meager sum he receives while drawing portraits, though he faces stiff competition from neighboring peers. One evening, he witness...
- 10/28/2014
- by Nicholas Bell
- IONCINEMA.com
Charles Lane's wonderful and poignant 1989 silent comedy film "Sidewalk Stories," will finally get its long-awaited blu-ray DVD release through Kino Video, on October 7th. The film - about a poor struggling artist who comes upon a lost little girl whose father has just been murdered, and while trying to take care of her, meets a young rich woman who immediately falls in love with this awkward couple - has been rediscovered in the past year as an overlooked gem of a movie. Read our recent coverage of its re-release here and here. The DVD will include a new 2K restoration, an audio commentary by Charles Lane and composer Marc Marder, who wrote the soundtrack for the...
- 8/11/2014
- by Sergio
- ShadowAndAct
Was 2013 a weak year for film scores? I feel like it was. At least in terms of the scores that Oscar's music branch would pay attention to. I mean, four of my favourite scores of the year aren't even eligible! They would be Great Expectations (Richard Hartley), A Touch of Sin (Giong Lim), Lore (Max Richter - my no. 1 from 2012, but not released in Us until this year), and Only God Forgives (Cliff Martinez). Also not eligible for whatever reasons are Lone Survivor (Stephen Jablonsky), Frozen, Inside Llewyn Davis (T-Bone Burnett), and Nebraska (Mark Orton) - sorry Anne Marie!
I'm sure there is plenty of excellent music featured amongst this year's 141 (the documentary win this year's bragging rights, then) eligible scores, but Oscar will only look at about 10 or 12. Sorry Joseph Bishara - your abrasive strings on Insidious: Chapter 2 and The Conjuring just won't factor despite their effectiveness. Sorry...
I'm sure there is plenty of excellent music featured amongst this year's 141 (the documentary win this year's bragging rights, then) eligible scores, but Oscar will only look at about 10 or 12. Sorry Joseph Bishara - your abrasive strings on Insidious: Chapter 2 and The Conjuring just won't factor despite their effectiveness. Sorry...
- 12/13/2013
- by Glenn Dunks
- FilmExperience
One hundred fourteen scores from eligible feature-length motion pictures released in 2013 will be vying for nominations in the Original Score category for the 86th Oscars®, the Academy of Motion Picture Arts and Sciences announced today.
A Reminder List of works submitted in the Original Score category will be made available with a nominations ballot to all members of the Music Branch, who shall vote in the order of their preference for not more than five achievements. The five achievements receiving the highest number of votes will become the nominations for final voting for the award.
Nomination voting in all Oscar categories begins Friday, December 27 and ends Wednesday, January 8.
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“Admission,” Stephen Trask, composer
“Ain’t Them Bodies Saints,” Daniel Hart, composer
“All Is Lost,” Alex Ebert, composer
“Alone Yet Not Alone,” William Ross, composer
“The Armstrong Lie,...
A Reminder List of works submitted in the Original Score category will be made available with a nominations ballot to all members of the Music Branch, who shall vote in the order of their preference for not more than five achievements. The five achievements receiving the highest number of votes will become the nominations for final voting for the award.
Nomination voting in all Oscar categories begins Friday, December 27 and ends Wednesday, January 8.
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“Admission,” Stephen Trask, composer
“Ain’t Them Bodies Saints,” Daniel Hart, composer
“All Is Lost,” Alex Ebert, composer
“Alone Yet Not Alone,” William Ross, composer
“The Armstrong Lie,...
- 12/13/2013
- by Michelle McCue
- WeAreMovieGeeks.com
Senior executives at the Academy announced on Dec 12 that 114 scores have been submitted for the original score Oscar category.Scroll down for full list
A reminder list of works submitted will be made available with a nominations ballot to all members of the music branch, who will vote in the order of their preference for up to five scores.
Those five that receive the highest number of votes will be announced as nominees on January 16 2014.
According to the rules, to be eligible the original score must be a “substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer.
Scores diluted by the use of tracked themes or other preexisting music, diminished in impact by the predominant use of songs, or assembled from the music of more than one composer shall not be eligible.”
Admission, Stephen Trask
Ain’t Them Bodies Saints, Daniel Hart
[link...
A reminder list of works submitted will be made available with a nominations ballot to all members of the music branch, who will vote in the order of their preference for up to five scores.
Those five that receive the highest number of votes will be announced as nominees on January 16 2014.
According to the rules, to be eligible the original score must be a “substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer.
Scores diluted by the use of tracked themes or other preexisting music, diminished in impact by the predominant use of songs, or assembled from the music of more than one composer shall not be eligible.”
Admission, Stephen Trask
Ain’t Them Bodies Saints, Daniel Hart
[link...
- 12/12/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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