Duo first collaborated on Berlinale Generation title Adam.
Veteran indie producer Jim Stark is to continue his collaboration with the Icelandic filmmaker Maria Solrun on her third feature Man In The Storeroom after their first partnership on the Berlinale Generation title Adam.
“Adam benefited a great deal from Jim’s long experience and extensive contacts,” said Solrun who produced the project through the Berlin-based production outfit Big Key Film which she set up last year with her actor son Magnus Mariuson, who also played the lead role.
“We all want to do Man In The Storeroom with a larger budget...
Veteran indie producer Jim Stark is to continue his collaboration with the Icelandic filmmaker Maria Solrun on her third feature Man In The Storeroom after their first partnership on the Berlinale Generation title Adam.
“Adam benefited a great deal from Jim’s long experience and extensive contacts,” said Solrun who produced the project through the Berlin-based production outfit Big Key Film which she set up last year with her actor son Magnus Mariuson, who also played the lead role.
“We all want to do Man In The Storeroom with a larger budget...
- 3/14/2018
- by Martin Blaney
- ScreenDaily
In this edition of Canon Of Film, we look at the James Dean classic, ‘Rebel Without a Cause‘. For the story behind the genesis of the Canon, you can click here.
Rebel Without A Cause (1955)
Director: Nicholas Ray
Screenplay: Stewart Stern; adapted by Irving Shulman, from a story by Nicholas Ray
When I was 12-years old, I don’t know exactly what it was that possessed me to do so, but I sat down one night and watched ‘Rebel Without a Cause.’ I was into old-time 50s nostalgia, such as ‘Grease,’ and ‘Happy Days,’ and decided to see this movie and the James Dean persona/image that influenced many of that decade. Yet, what I found was something else that day. the realization that a film could reveal hidden messages, meanings, and metaphors that aren’t just what the film is about. I remember it distinctly, Jim Backus, who you...
Rebel Without A Cause (1955)
Director: Nicholas Ray
Screenplay: Stewart Stern; adapted by Irving Shulman, from a story by Nicholas Ray
When I was 12-years old, I don’t know exactly what it was that possessed me to do so, but I sat down one night and watched ‘Rebel Without a Cause.’ I was into old-time 50s nostalgia, such as ‘Grease,’ and ‘Happy Days,’ and decided to see this movie and the James Dean persona/image that influenced many of that decade. Yet, what I found was something else that day. the realization that a film could reveal hidden messages, meanings, and metaphors that aren’t just what the film is about. I remember it distinctly, Jim Backus, who you...
- 10/25/2017
- by David Baruffi
- Age of the Nerd
Could there be a more perfect moment than this? Sitting in the garden behind the Hotel Nacional, looking at the Cuban flag so proudly waving over the Straits of Florida and the Gulf of Mexico. The same site where the defense was built during the Cuban Missile Crisis, this moment of time marks a particularly precarious balance between peaceful coexistence and military aggression as we contemplate the recent death of Castro and election of Trump, wondering how it will play out in 2017.Hotel Nacional, Headquarters of Festival de Cine Nuevo Iberoamericano, Havana, Cuba
Cuba, ten days after the death of Fidel Castro, head of state for 52 years,may be a bit more subdued, but life here goes on, even with the influx of American tourists (other tourists have always been here); there is a sense of harmony. And in spite of the scarcity of luxuries for its people, the people...
Cuba, ten days after the death of Fidel Castro, head of state for 52 years,may be a bit more subdued, but life here goes on, even with the influx of American tourists (other tourists have always been here); there is a sense of harmony. And in spite of the scarcity of luxuries for its people, the people...
- 12/29/2016
- by Sydney Levine
- Sydney's Buzz
Preview: Head of industry Jovan Marjanovic talks about bringing together all its activity under one umbrella.
Sarajevo’s industry section has developed from a small co-production market into the largest industry event in South-East Europe.
Growing in size and scope, and broadening its geographic reach to the Middle East, North Africa and Caucasus countries, it is now a major hub covering all segments of the industry, and regularly introduces new sections.
Sarajevo’s head of industry Jovan Marjanovic says it is now time to integrate all these segments into one whole.
“We have for a long time offered activities for all spheres of the business, and for young and established professionals, but this year we have really made an effort to integrate them all under the umbrella of CineLink Industry Days,” explains Marjanovic.
“In doing so, we are responding to industry needs and how we see the world of film is developing - with traditional borders being blurred...
Sarajevo’s industry section has developed from a small co-production market into the largest industry event in South-East Europe.
Growing in size and scope, and broadening its geographic reach to the Middle East, North Africa and Caucasus countries, it is now a major hub covering all segments of the industry, and regularly introduces new sections.
Sarajevo’s head of industry Jovan Marjanovic says it is now time to integrate all these segments into one whole.
“We have for a long time offered activities for all spheres of the business, and for young and established professionals, but this year we have really made an effort to integrate them all under the umbrella of CineLink Industry Days,” explains Marjanovic.
“In doing so, we are responding to industry needs and how we see the world of film is developing - with traditional borders being blurred...
- 8/17/2016
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Projects previously presented at the market include Laszlo Nemes’s Oscar-winning Son Of Saul.
The 14th CineLink Co-Production Market (Aug 18-20), the backbone of Sarajevo Film Festival’s industry section, will this year present 15 projects from South-East Europe, and three guest projects from Qatar and Mexico.
CineLink boasts an impressive track record. An average of 60% of the projects that have taken part at the market in the last 13 years went all the way from development to production.
The most recent success is Laszlo Nemes’ Son Of Saul which won the Grand Prix at Cannes 2015 and Oscar for Best Foreign Language Films.
Other titles developed at the market include two winners of Venice’s Lion of the Future: White Shadow by Noaz Deshe, and Mold by Ali Aydin; two Berlinale Silver Bear winners: Harmony Lessons by Emir Baigazin and If I Want To Whistle, I Whistle by Florin Serban; and Semih Kaplanoglu’s 2010 Golden Bear winner Honey.
The...
The 14th CineLink Co-Production Market (Aug 18-20), the backbone of Sarajevo Film Festival’s industry section, will this year present 15 projects from South-East Europe, and three guest projects from Qatar and Mexico.
CineLink boasts an impressive track record. An average of 60% of the projects that have taken part at the market in the last 13 years went all the way from development to production.
The most recent success is Laszlo Nemes’ Son Of Saul which won the Grand Prix at Cannes 2015 and Oscar for Best Foreign Language Films.
Other titles developed at the market include two winners of Venice’s Lion of the Future: White Shadow by Noaz Deshe, and Mold by Ali Aydin; two Berlinale Silver Bear winners: Harmony Lessons by Emir Baigazin and If I Want To Whistle, I Whistle by Florin Serban; and Semih Kaplanoglu’s 2010 Golden Bear winner Honey.
The...
- 8/17/2016
- ScreenDaily
Preview: Head of industry Jovan Marjanovic talks about bringing together all its activity under one umbrella.
Sarajevo’s industry section has developed from a small co-production market into the largest industry event in South-East Europe.
Growing in size and scope, and broadening its geographic reach to the Middle East, North Africa and Caucasus countries, it is now a major hub covering all segments of the industry, and regularly introduces new sections.
Sarajevo’s head of industry Jovan Marjanovic says it is now time to integrate all these segments into one whole.
“We have for a long time offered activities for all spheres of the business, and for young and established professionals, but this year we have really made an effort to integrate them all under the umbrella of CineLink Industry Days,” explains Marjanovic.
“In doing so, we are responding to industry needs and how we see the world of film is developing - with traditional borders being blurred...
Sarajevo’s industry section has developed from a small co-production market into the largest industry event in South-East Europe.
Growing in size and scope, and broadening its geographic reach to the Middle East, North Africa and Caucasus countries, it is now a major hub covering all segments of the industry, and regularly introduces new sections.
Sarajevo’s head of industry Jovan Marjanovic says it is now time to integrate all these segments into one whole.
“We have for a long time offered activities for all spheres of the business, and for young and established professionals, but this year we have really made an effort to integrate them all under the umbrella of CineLink Industry Days,” explains Marjanovic.
“In doing so, we are responding to industry needs and how we see the world of film is developing - with traditional borders being blurred...
- 8/16/2016
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
With every new Shia Labeouf movie, I wonder whether it would be more entertaining to see the film or watch Labeouf as he watches it. American Honey wasn’t on the bill when the former Transformers actor did a masochistic marathon of his filmography, but if he were to do another, this punishing and monotonous 165 minute-movie might be the one to make him snap.
Labeouf plays a James Franco-lite in the film, and director Andrea Arnold (Fish Tank) also seems to be emulating Spring Breakers’ Harmony Korine. In many ways, American Honey is like Gummo without the absurdist humor and Spring Breakers without the hallucinatory lyricism. It’s Kids for the post-subprime mortgage crisis generation.
Along with films like The Bling Ring, Dope, and Spring Breakers, there have been quite a few recent movies that use teenagers as a means to interrogate American capitalism – who it’s for, what...
Labeouf plays a James Franco-lite in the film, and director Andrea Arnold (Fish Tank) also seems to be emulating Spring Breakers’ Harmony Korine. In many ways, American Honey is like Gummo without the absurdist humor and Spring Breakers without the hallucinatory lyricism. It’s Kids for the post-subprime mortgage crisis generation.
Along with films like The Bling Ring, Dope, and Spring Breakers, there have been quite a few recent movies that use teenagers as a means to interrogate American capitalism – who it’s for, what...
- 5/15/2016
- by Josh Cabrita
- We Got This Covered
Elitsa Petkova received the Bulgarian festival’s Grand Prix for her feature debut Zhaleika [pictured].
Women filmmakers triumphed at the 20th edition of the Sofia International Film Festival (Siff) at the weekend’s awards ceremony in the National Palace of Culture.
While Bulgarian-born feature debutant Elitsa Petkova received the International Jury’s Grand Prix ‘Sofia City Of Film’ for Zhaleika, her graduation film from Berlin’s Dffb film school, Georgian director Dea Kulumbegashvili’s debut Daisi was named the Best Project at the parallel Sofia Meetings.
The Meetings’ new Grand Prix, sponsored by the Nu Boyana Film Studios and consisting of $56k (€50k) worth of services and a cheque for $5.6k (€5k), was presented by CEO Yariv Lerner who declared that “based on the merits of the presentation, the fact of the possibility of making it and a belief in the director, we definitely saw that promise in this director and we look forward to seeing this film...
Women filmmakers triumphed at the 20th edition of the Sofia International Film Festival (Siff) at the weekend’s awards ceremony in the National Palace of Culture.
While Bulgarian-born feature debutant Elitsa Petkova received the International Jury’s Grand Prix ‘Sofia City Of Film’ for Zhaleika, her graduation film from Berlin’s Dffb film school, Georgian director Dea Kulumbegashvili’s debut Daisi was named the Best Project at the parallel Sofia Meetings.
The Meetings’ new Grand Prix, sponsored by the Nu Boyana Film Studios and consisting of $56k (€50k) worth of services and a cheque for $5.6k (€5k), was presented by CEO Yariv Lerner who declared that “based on the merits of the presentation, the fact of the possibility of making it and a belief in the director, we definitely saw that promise in this director and we look forward to seeing this film...
- 3/21/2016
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Nordisk Film & TV Fond backs five new projects including a thriller starring Emmanuelle Riva.
Amour’s 88-year-old Oscar-nominated actress, Emmanuelle Riva, has joined the cast of Icelandic thriller Alma, the comeback film for director Kristin Johannesdottir, whose last feature was 1992 Cannes selection As In Heaven.
Alma is the story of a woman imprisoned in a forensic psychiatric unit for murdering her lover (even though she has no recollection of the crime). After seven years behind bars, she discovers her lover is still alive and escapes to kill him for real.
Newcomer Snæfriður Ingvarsdóttir, daughter of Ingvar E. Sigurðsson (Jar City, Of Horses and Men), plays the title role and the cast also features Hilmar Snær Guðnason (101 Reykjavik) and Kristbjörg Kjeld (Of Horses And Men).
Alma – set for delivery early 2017 — is co-produced by Iceland’s Pegasus Pictures, with France’s Arsam Film International, Sweden’s Little Big Productions, the UK’s Berserk Films, in collaboration...
Amour’s 88-year-old Oscar-nominated actress, Emmanuelle Riva, has joined the cast of Icelandic thriller Alma, the comeback film for director Kristin Johannesdottir, whose last feature was 1992 Cannes selection As In Heaven.
Alma is the story of a woman imprisoned in a forensic psychiatric unit for murdering her lover (even though she has no recollection of the crime). After seven years behind bars, she discovers her lover is still alive and escapes to kill him for real.
Newcomer Snæfriður Ingvarsdóttir, daughter of Ingvar E. Sigurðsson (Jar City, Of Horses and Men), plays the title role and the cast also features Hilmar Snær Guðnason (101 Reykjavik) and Kristbjörg Kjeld (Of Horses And Men).
Alma – set for delivery early 2017 — is co-produced by Iceland’s Pegasus Pictures, with France’s Arsam Film International, Sweden’s Little Big Productions, the UK’s Berserk Films, in collaboration...
- 1/18/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The 52nd International Antalya Film Festival this year was a case of “The Show Must Go On”. In spite of several setbacks which made Turkey quite unstable and put it on the U.S. State Department’s Alert List, it took place in the beautiful Turkish seaside site of the recent G20 Conference. It rivals Cannes for its Croisette; its boulevards exceed any street in Cannes. Organized by the Antalya Metropolitan Municipality whose Mayor Menderes Türel, recently reelected for a five year term, is supporting this festival in a major way and directed by Elif Dağdeviren, the Festival’s Closing Night was an extravaganza of special effects as it announced its winners and handed out its Golden Orange 35 times.
The Festival’s industry component, the one year old, Antalya Film Forum (Aff), was directed by filmmaker Zeynep Özbatur Atakan. Industry guests included, among others, Jim Stark and his partner Nicolas Celis whom I had just recently written about. Idfa’s Ally Derks, Tiff’s Piers Handling, International sales agent Catherine Le Clef, BaseWerx for Film’s Claudia Landsberger, and Producer Linda Beath who all attended in spite of warnings of terrorism in Turkey. I also had the good fortune to meet the Bosnian Dp Mirsad Herović who seems to be working non-stop in Turkey these days, on his film “Iftarlik Gazoz/Pop A Revolution”.
At the ceremony I sat next to Alin Tasciyan, President of Fipresci who was also responsible for the international press in attendance. Days later, we went to a fabulous restaurant in Istanbul and talked more about the state of the industry and Turkey in general. This evening was one of the highlights of the trip and deserves an article of its own.
The jury was presided over by the elegant Ömer Vargi, known as the director who revitalized the Turkish cinema and who is also the head of the Istanbul Film Studios. The jury members included the award winning screenwriter Tarik Tufan and L.A.’s own James Ulmer, the entertainment journalist who created a ranking list of actors, known as "The Ulmer Scale" and who wrote the books James Ulmer's Hollywood Hot List -- The Complete Guide to Star Ranking and Directors Hot List, which measure the global value of stars and directors in a variety of areas including bankability, career management, professionalism, promotion, risk factors and talent. We again shared an evening together in Istanbul where we stayed at the same boutique hotel recommend to us by Israel’s Dan and Edna Fainaru , who unfortunately broke her foot at the festival.
The most notable film was “Ivy” which won four awards: National Competition for Best Movie -- plus 100.000 Turkish Lira (3Tl = 1Us$) and whose director-writer Tolga Karaçelik won the National Competition for Best Screenplay and for Best Director (for which he also won 1 million travel miles by Turkish Airlines) and whose actor Nadir Sarıbacak won the Best Actor Award of the National Competition.
“Ivy” is Tolga Karaçelik’s second film and previously played at Sundance 2015, Tiff 2015 Contemporary World Cinema, Thessaloniki, Istanbul and Karlovy Vary Film Festivals in 2015. The story is about a ship sailing to Egypt to load goods bound for Angola. The crew is forbidden to go to shore when a lien is put on the ship because the ship’s owner has gone bankrupt leaving the crew with no salaries paid which puts them into a nasty mood. While in anchorage, supplies run out, the crew fractures into parts, small arguments escalate into major conflicts and the ship becomes a battlefield.
“The Cold of Kalander” also won four prizes: the Dr. Avni Tolunay Jury Special Award, National Competition for Best Music to François Couturier, International Competition Best Actor to Haydar Şişman and National Competition to Nuray Yeşilaraz for Best Actress.
Winning three prizes, “Memories of the Wind," about an intellectual of Armenian origin hiding from Turkish militia by the Georgian border during WWII who falls in love with the wife of the farmer offering shelter, received a great round of applause with its Audience Award in International Competition, International Award for Best Music by Eleonore Fourning and Best Visual Director Award going to Andreas Sinanos. International sales by Arizona Flms.
“For Love of the Neighborhood” won the Special Jury Award, Best Art Direction Award and Best Editing Award. “The Apprentice” won for Best First Movie, and the Best Supporting Actress Award went to Çiğdem Selışık.
Elif Dağdeviren on the state of the festival and its mission today says,
"Our aim was and will continue to be a respected film festival on a par with all the important film festivals around the world. We choose all the films, events, national and international guests according to this mission and vision.
During the first 50 years, the festival served a very important purpose to support the cinema of Turkey locally. This was at a time when there were no other festivals and very few theatres in Turkey.
Antayla opened many doors for other successful local festivals and then needed to renew itself by becoming a meeting point of both the local and the world cinema sector. And it needed to modernize itself according to the technological innovations taking place worldwide. The first two years have proven that this is not a dream but a possible reality."
List of winners:
International Competition Awards
Audience Award: “Memories of the Wind” (Director: Ozcan Alper, Producers: Soner Alper, Mustafa Oğuz, Ali Bayraktar – Turkey)
Best Music Award: Eleni Karaindrou and Irena Popoviç (“Enclave” –Serbia/Germany)
Best Actor: Haydar Şişman (“The Cold of Kalandar” - Turkey)
Best Actress: Alba Rohrwacher (“Sworn Virgin” -Italy/ Switzerland/ Germany/ Albania/ Kosovo/ France)
Best Screenplay: Alexandra-Therese Keining (“Girls Lost” - Sweden)
Best Director: Hany Abu Assad (“The Idol” – U.K./ Palestine/ Netherlands/ United Arab Emirates)
Jury Mansion Award: “Pioneer Heroes” (Director: Natalya Kudryashova, Producer: Sergey Selyanov - Russia)
Best Movie: “Memories on Stone” (Director: Shawkat Amin Korki, Producer: Mehmet Aktaş - Germany/ Iraq)
Antalya Film Forum Awards:
DigiFlame Color and Digital Effect Award: “Goodness” (Producer: Sevil Demirci / Director: Özgür Sevimli) Aff Villa Kult Berlin Artistic Residency Award: “Dormitory” (Producer: Evrim Sanal / Director: Nehir Tuna) Documentary Pitching Jury Special Award : “The Memories of Antoine Köpe” (Producer: Elsa Ginoux / Director: Nefin Dinç) Documentary Pitching Platform Award: “Mr. Gay Syria” (Producer: Cem Doruk / Director: Ayşe Toprak) with 30,000 Tl, “The Olympiad” (Producer: Tuğçe Taçkın / Director: Efe Öztezdoğan) with 30,000 Tl Fiction Pitching Jury Special Award: “Death of the Black Horses” (Producer: Gülistan Acet / Director: Ferit Karahan) Fiction Pitching Award: “Butterflies” (Producer-Director: Tolga Karaçelik) with 30,000 Tl, “The Boarding School” (Producer: Bilge Elif Özköse / Director: Rezan Yeşilbaş) with 30,000 Tl Work in Progress Award: “Rauf” (Producer: Soner Caner, Burak Ozan / Director: Barış Kaya, Soner Caner) with 100,000 Tl Honorary and Lifetime Achivement Awards:
Golden Orange Labor Award : Sonay Kanat
Honarary Award: Kathleen Turner
Lifetime Achievement Award: Catherine Deneuve
Lifetime Achievement Award: Jeremy Irons
Lifetime Achievement Award: Franco Nero
Lifetime Achievement Award: Vanessa Redgrave
Honarary Award: Aysen Gruda
Honarary Award: Erden Kıral
Honarary Award: Kayhan Yıldızoğlu
Honarary Award: Tijen Par
National Competition Awards:
Antalya Film Support Fund Award: “Snow“, Emre Erdoğdu with 100.000Tl
Documentary Audience Award : “Zerk” (Director: İnan Erbil, Producer: Doğacan Aktaş)
Short Film Audience Award: “Zilan” (Director: Mehmet Mahsum Akyel, Producer: Doğacan Aktaş)
National Competition Audience Award: “The Coop” (Director: Ufuk Bayraktar, Producer, Ufuk Bayraktar, Ali Adnan Özgür)
Behlül Dal Jury Special Award (Young Talented Actor): Yağız Can Konyalı (The Team: “For the Love of the Neighborhood”)
Dr. Avni Tolunay Jury Special Award: “ The Cold of Kalandar “(Director: Mustafa Kara, Producer: Nermin Aytekin))
Best Editing: Emre Şahin (The Team: “For the Love of the Neighborhood”)
Best Production Designer: Uykura Bayyurt (The Team: “For the Love of the Neighborhood”)
Best Cinematography: Andreas Sinanos (“Memories of the Wind”)
Best Music: François Couturier (“Memories of The Wind“), Eleonore Fourniau (“The Cold of Kalandar“)
Best Supporting Actor: Kaan Çakır (“Muna“)
Best Supporting Actress: Cigdem Selisik (“The Apprentice“)
Best Actor: Nadir Sarıbacak (“Ivy“)
Best Actress: Nuray Yeşilaraz (“The Cold of Kalandar“)
Best First Movie: “The Apprentice“ (Director: Emre Konuk)
Film-yön Best Director: Selim Evci (“Saklı“)
Best Screenplay: Tolga Karacelik (“Ivy“)
Best Director: Tolga Karacelik (“Ivy“), 1 million Turkish Arlines travel miles
Best Movie: “Ivy” (Producer: Bilge Elif Turhan, Tolga Karacelik) 100.000 Tl award...
The Festival’s industry component, the one year old, Antalya Film Forum (Aff), was directed by filmmaker Zeynep Özbatur Atakan. Industry guests included, among others, Jim Stark and his partner Nicolas Celis whom I had just recently written about. Idfa’s Ally Derks, Tiff’s Piers Handling, International sales agent Catherine Le Clef, BaseWerx for Film’s Claudia Landsberger, and Producer Linda Beath who all attended in spite of warnings of terrorism in Turkey. I also had the good fortune to meet the Bosnian Dp Mirsad Herović who seems to be working non-stop in Turkey these days, on his film “Iftarlik Gazoz/Pop A Revolution”.
At the ceremony I sat next to Alin Tasciyan, President of Fipresci who was also responsible for the international press in attendance. Days later, we went to a fabulous restaurant in Istanbul and talked more about the state of the industry and Turkey in general. This evening was one of the highlights of the trip and deserves an article of its own.
The jury was presided over by the elegant Ömer Vargi, known as the director who revitalized the Turkish cinema and who is also the head of the Istanbul Film Studios. The jury members included the award winning screenwriter Tarik Tufan and L.A.’s own James Ulmer, the entertainment journalist who created a ranking list of actors, known as "The Ulmer Scale" and who wrote the books James Ulmer's Hollywood Hot List -- The Complete Guide to Star Ranking and Directors Hot List, which measure the global value of stars and directors in a variety of areas including bankability, career management, professionalism, promotion, risk factors and talent. We again shared an evening together in Istanbul where we stayed at the same boutique hotel recommend to us by Israel’s Dan and Edna Fainaru , who unfortunately broke her foot at the festival.
The most notable film was “Ivy” which won four awards: National Competition for Best Movie -- plus 100.000 Turkish Lira (3Tl = 1Us$) and whose director-writer Tolga Karaçelik won the National Competition for Best Screenplay and for Best Director (for which he also won 1 million travel miles by Turkish Airlines) and whose actor Nadir Sarıbacak won the Best Actor Award of the National Competition.
“Ivy” is Tolga Karaçelik’s second film and previously played at Sundance 2015, Tiff 2015 Contemporary World Cinema, Thessaloniki, Istanbul and Karlovy Vary Film Festivals in 2015. The story is about a ship sailing to Egypt to load goods bound for Angola. The crew is forbidden to go to shore when a lien is put on the ship because the ship’s owner has gone bankrupt leaving the crew with no salaries paid which puts them into a nasty mood. While in anchorage, supplies run out, the crew fractures into parts, small arguments escalate into major conflicts and the ship becomes a battlefield.
“The Cold of Kalander” also won four prizes: the Dr. Avni Tolunay Jury Special Award, National Competition for Best Music to François Couturier, International Competition Best Actor to Haydar Şişman and National Competition to Nuray Yeşilaraz for Best Actress.
Winning three prizes, “Memories of the Wind," about an intellectual of Armenian origin hiding from Turkish militia by the Georgian border during WWII who falls in love with the wife of the farmer offering shelter, received a great round of applause with its Audience Award in International Competition, International Award for Best Music by Eleonore Fourning and Best Visual Director Award going to Andreas Sinanos. International sales by Arizona Flms.
“For Love of the Neighborhood” won the Special Jury Award, Best Art Direction Award and Best Editing Award. “The Apprentice” won for Best First Movie, and the Best Supporting Actress Award went to Çiğdem Selışık.
Elif Dağdeviren on the state of the festival and its mission today says,
"Our aim was and will continue to be a respected film festival on a par with all the important film festivals around the world. We choose all the films, events, national and international guests according to this mission and vision.
During the first 50 years, the festival served a very important purpose to support the cinema of Turkey locally. This was at a time when there were no other festivals and very few theatres in Turkey.
Antayla opened many doors for other successful local festivals and then needed to renew itself by becoming a meeting point of both the local and the world cinema sector. And it needed to modernize itself according to the technological innovations taking place worldwide. The first two years have proven that this is not a dream but a possible reality."
List of winners:
International Competition Awards
Audience Award: “Memories of the Wind” (Director: Ozcan Alper, Producers: Soner Alper, Mustafa Oğuz, Ali Bayraktar – Turkey)
Best Music Award: Eleni Karaindrou and Irena Popoviç (“Enclave” –Serbia/Germany)
Best Actor: Haydar Şişman (“The Cold of Kalandar” - Turkey)
Best Actress: Alba Rohrwacher (“Sworn Virgin” -Italy/ Switzerland/ Germany/ Albania/ Kosovo/ France)
Best Screenplay: Alexandra-Therese Keining (“Girls Lost” - Sweden)
Best Director: Hany Abu Assad (“The Idol” – U.K./ Palestine/ Netherlands/ United Arab Emirates)
Jury Mansion Award: “Pioneer Heroes” (Director: Natalya Kudryashova, Producer: Sergey Selyanov - Russia)
Best Movie: “Memories on Stone” (Director: Shawkat Amin Korki, Producer: Mehmet Aktaş - Germany/ Iraq)
Antalya Film Forum Awards:
DigiFlame Color and Digital Effect Award: “Goodness” (Producer: Sevil Demirci / Director: Özgür Sevimli) Aff Villa Kult Berlin Artistic Residency Award: “Dormitory” (Producer: Evrim Sanal / Director: Nehir Tuna) Documentary Pitching Jury Special Award : “The Memories of Antoine Köpe” (Producer: Elsa Ginoux / Director: Nefin Dinç) Documentary Pitching Platform Award: “Mr. Gay Syria” (Producer: Cem Doruk / Director: Ayşe Toprak) with 30,000 Tl, “The Olympiad” (Producer: Tuğçe Taçkın / Director: Efe Öztezdoğan) with 30,000 Tl Fiction Pitching Jury Special Award: “Death of the Black Horses” (Producer: Gülistan Acet / Director: Ferit Karahan) Fiction Pitching Award: “Butterflies” (Producer-Director: Tolga Karaçelik) with 30,000 Tl, “The Boarding School” (Producer: Bilge Elif Özköse / Director: Rezan Yeşilbaş) with 30,000 Tl Work in Progress Award: “Rauf” (Producer: Soner Caner, Burak Ozan / Director: Barış Kaya, Soner Caner) with 100,000 Tl Honorary and Lifetime Achivement Awards:
Golden Orange Labor Award : Sonay Kanat
Honarary Award: Kathleen Turner
Lifetime Achievement Award: Catherine Deneuve
Lifetime Achievement Award: Jeremy Irons
Lifetime Achievement Award: Franco Nero
Lifetime Achievement Award: Vanessa Redgrave
Honarary Award: Aysen Gruda
Honarary Award: Erden Kıral
Honarary Award: Kayhan Yıldızoğlu
Honarary Award: Tijen Par
National Competition Awards:
Antalya Film Support Fund Award: “Snow“, Emre Erdoğdu with 100.000Tl
Documentary Audience Award : “Zerk” (Director: İnan Erbil, Producer: Doğacan Aktaş)
Short Film Audience Award: “Zilan” (Director: Mehmet Mahsum Akyel, Producer: Doğacan Aktaş)
National Competition Audience Award: “The Coop” (Director: Ufuk Bayraktar, Producer, Ufuk Bayraktar, Ali Adnan Özgür)
Behlül Dal Jury Special Award (Young Talented Actor): Yağız Can Konyalı (The Team: “For the Love of the Neighborhood”)
Dr. Avni Tolunay Jury Special Award: “ The Cold of Kalandar “(Director: Mustafa Kara, Producer: Nermin Aytekin))
Best Editing: Emre Şahin (The Team: “For the Love of the Neighborhood”)
Best Production Designer: Uykura Bayyurt (The Team: “For the Love of the Neighborhood”)
Best Cinematography: Andreas Sinanos (“Memories of the Wind”)
Best Music: François Couturier (“Memories of The Wind“), Eleonore Fourniau (“The Cold of Kalandar“)
Best Supporting Actor: Kaan Çakır (“Muna“)
Best Supporting Actress: Cigdem Selisik (“The Apprentice“)
Best Actor: Nadir Sarıbacak (“Ivy“)
Best Actress: Nuray Yeşilaraz (“The Cold of Kalandar“)
Best First Movie: “The Apprentice“ (Director: Emre Konuk)
Film-yön Best Director: Selim Evci (“Saklı“)
Best Screenplay: Tolga Karacelik (“Ivy“)
Best Director: Tolga Karacelik (“Ivy“), 1 million Turkish Arlines travel miles
Best Movie: “Ivy” (Producer: Bilge Elif Turhan, Tolga Karacelik) 100.000 Tl award...
- 12/20/2015
- by Sydney Levine
- Sydney's Buzz
I have spent two days at a great new film residency program in Mexico. Tepoztlan is a village an hour out of Mexico City and home to many filmmakers and artists. Pueblo Magico offers a three week workshop for first and second time filmmakers. It was founded by Flavio Florencio whose own first feature, the award winning transgender doc “Made in Bangkok” will screen at the Palm Springs Film Festival this coming January.
Read more about “Made in Bangkok” when covered at Guadalajara Film Festival L.A.
“I launched this residency because I realized there was a need for such a space for budding filmmakers where they can be free of distractions and pressure,” said its founder, Flavio Florencio. Florencio also founded the Human Rights Film Festival and the African Film Festivals, Africalal in Mexico.
Within 48 hours after opening the first call for entries for the three week workshop (October 17 to November 5), 120 projects from a dozen countries were received and reviewed by the selection committee that included Florencio, Guanajauto Festival Programming Director Nina Rodriguez and cinematographer Maria Secco. “The projects were so interesting that we have accepted more than the requisite eight this year,” said Florencio.
Projects of the 10 residents included eight fiction features and two docs, the bulk of them debuts. Five projects were from Mexico:
The two favorites (voting was by mentors who also attended the event) include the debut film project of Florian Seufert (Germany), the fiction feature, “Dragonflies Don’t Die”. Florian gathered his family to celebrate his parents 30th anniversary and his own 28th birthday on the same day. The footage already shot shows an atmospheric and mysterious world set within the ordinary confines of the large family celebration.
The “runner up” is the second fiction feature of Mauricio Lopez Fernandez (Chile), “La Jauria” in which a pack of dogs kill a herd of cows in a remote Andean hamlet, forcing village elders to make a sacrifice for the future of their youth. The film is still in early development. Mauricio's short film "La Santa" (2012) premiered at Berlinale Shorts and was a finalist for the Teddy Award. His first feature film, "The Guest" ("La Visita") won Best Picture and Best Actress at the Rencontres du cinema Sud-American de Marseilles et Region 2015 and was nominated Best Latin American Film at San Sebastian Film Festival 2015..
The winner receives post-production services, prestige, honor and glory!
Other debuts included:
Faride Schroeder (Mexico)
“Por el Amor a mi Madre” (fiction)
A young teen realizes her mother is an imperfect and vulnerable human being. Faride has served as second assistant director on “The Noble Family” and “Soy Negro” now in post.
Luis Horacio Pineda (Mexico)
“La Cosecha de los Naranjos” (fiction)
A group of teens affected by a fire 15 years ago in the nursery school Guarderia ABC seek revenge upon those responsible for it.
Luis now lives in Los Angeles where he is seeking to establish roots.
Alexander Albrecht (Switzerland)
“Brooklyn Treehouse” (fiction)
This is the story of four young creatives who come to New York; and through their experience of sharing an apartment with a eccentric French artist, they are pushed to make decisions about their own lives.
Produced by Edher Campos from Machete Producciones ("La Jaula de Oro", "Año Bisiesto")
Veronika Mliczewska (Poland)
“Where the Grass is Greener” (fiction)
A Jamaican dreams of living in Ethiopia while an Ethiopian family sends their son to London to seek a better life.
Antonella Sudasassi (Costa Rica)
“El Despertar de la Hormigas” (fiction)
A young mother who questions what she wants for the first time starts taking birth control pills without telling her husband. Pitting her will against social expectations and the fear of being discovered slowlysubmerge her into a state of psychosis with hallucinatory episodes that portray her feeling of guilt, her relationship with her body and sexuality.
Those with second film projects:
Mak Chun Kit (Singapore)
“Huruma” (docu)
Documentarian Mak Chun Kit returns to Tanzania eight years after he volunteered in an orphanage to find out how his friends there have fared.
Pablo Perez Lombardini (Mexico)
“Los Suenos de Geronimo” (fiction)
A seven-year-old boy runs away to seek answers about his father’s death and comes upon a haunted village in the desert.
Maria Fernanda Galindo (Mexico)
“Defensores” (docu)
Two women fight to defend the rights of a group of women who seek the escape the misogyny of their communities.
The program will be offered three times a year for three weeks at a time. The next one is scheduled for March 2016. “We’d like to focus on American indie filmmakers then, as few applied this time,” said Florencio.
In our time, the idea of slowing down is ever more attractive, more important and more difficult. This is a program which offers time for that. “ Pueblo Magico offers its residents a less frenetic pace and a less impersonal approach to developing their projects, with time to enjoy the beauty of their surroundings, visit the pueblo and hang out with mentors,” he added. The serious business of relaxation was led by yogi Namhari teaching meditation and yoga.
It is not by chance that the filmmakers find their needs fulfilled. Their needs are determined first and then the right mentors are found just for them. “If necessary, we’ll find not just film professionals but scientists, shamans or whatever sources they need,” said Florencio.
Mentors this session included Mexican producers Laura Imperiale,Christian Valdelievre and Nicolas Celis; screenwriter Carlos Contreras; Danish directing and acting coach Birgitte Staermose, festival pros/ consultants Mara Fortes, Christine Davila and Blanca Granados and yours truly, Sydney Levine, giving the closing presentation about the international film circuit, what it is exactly and how to enter its charmed circle of networking and screening opportunities.
A Master Class was given by Fernando Trueba, producer of the 2000 classic doc “Calle 54”, writer of the beautiful “Belle Epoque”, writer and director of the fabulous animated music feature “ Chico and Rita”. Residents also made a trip to D.F. for a private screenwriting session with Guillermo Arriaga.
The master class of Nicolas Celis who has formed a coproduction entity with trend setter Jim Stark (producer of Jim Jarmusch’s first films and films of Icelandic filmmaker Fredrik Fredrikson) will be the subject of an upcoming blog.
And soon, a call will be made to first and second time American indie filmmakers to come this March to Tepoztlan.
Read more about “Made in Bangkok” when covered at Guadalajara Film Festival L.A.
“I launched this residency because I realized there was a need for such a space for budding filmmakers where they can be free of distractions and pressure,” said its founder, Flavio Florencio. Florencio also founded the Human Rights Film Festival and the African Film Festivals, Africalal in Mexico.
Within 48 hours after opening the first call for entries for the three week workshop (October 17 to November 5), 120 projects from a dozen countries were received and reviewed by the selection committee that included Florencio, Guanajauto Festival Programming Director Nina Rodriguez and cinematographer Maria Secco. “The projects were so interesting that we have accepted more than the requisite eight this year,” said Florencio.
Projects of the 10 residents included eight fiction features and two docs, the bulk of them debuts. Five projects were from Mexico:
The two favorites (voting was by mentors who also attended the event) include the debut film project of Florian Seufert (Germany), the fiction feature, “Dragonflies Don’t Die”. Florian gathered his family to celebrate his parents 30th anniversary and his own 28th birthday on the same day. The footage already shot shows an atmospheric and mysterious world set within the ordinary confines of the large family celebration.
The “runner up” is the second fiction feature of Mauricio Lopez Fernandez (Chile), “La Jauria” in which a pack of dogs kill a herd of cows in a remote Andean hamlet, forcing village elders to make a sacrifice for the future of their youth. The film is still in early development. Mauricio's short film "La Santa" (2012) premiered at Berlinale Shorts and was a finalist for the Teddy Award. His first feature film, "The Guest" ("La Visita") won Best Picture and Best Actress at the Rencontres du cinema Sud-American de Marseilles et Region 2015 and was nominated Best Latin American Film at San Sebastian Film Festival 2015..
The winner receives post-production services, prestige, honor and glory!
Other debuts included:
Faride Schroeder (Mexico)
“Por el Amor a mi Madre” (fiction)
A young teen realizes her mother is an imperfect and vulnerable human being. Faride has served as second assistant director on “The Noble Family” and “Soy Negro” now in post.
Luis Horacio Pineda (Mexico)
“La Cosecha de los Naranjos” (fiction)
A group of teens affected by a fire 15 years ago in the nursery school Guarderia ABC seek revenge upon those responsible for it.
Luis now lives in Los Angeles where he is seeking to establish roots.
Alexander Albrecht (Switzerland)
“Brooklyn Treehouse” (fiction)
This is the story of four young creatives who come to New York; and through their experience of sharing an apartment with a eccentric French artist, they are pushed to make decisions about their own lives.
Produced by Edher Campos from Machete Producciones ("La Jaula de Oro", "Año Bisiesto")
Veronika Mliczewska (Poland)
“Where the Grass is Greener” (fiction)
A Jamaican dreams of living in Ethiopia while an Ethiopian family sends their son to London to seek a better life.
Antonella Sudasassi (Costa Rica)
“El Despertar de la Hormigas” (fiction)
A young mother who questions what she wants for the first time starts taking birth control pills without telling her husband. Pitting her will against social expectations and the fear of being discovered slowlysubmerge her into a state of psychosis with hallucinatory episodes that portray her feeling of guilt, her relationship with her body and sexuality.
Those with second film projects:
Mak Chun Kit (Singapore)
“Huruma” (docu)
Documentarian Mak Chun Kit returns to Tanzania eight years after he volunteered in an orphanage to find out how his friends there have fared.
Pablo Perez Lombardini (Mexico)
“Los Suenos de Geronimo” (fiction)
A seven-year-old boy runs away to seek answers about his father’s death and comes upon a haunted village in the desert.
Maria Fernanda Galindo (Mexico)
“Defensores” (docu)
Two women fight to defend the rights of a group of women who seek the escape the misogyny of their communities.
The program will be offered three times a year for three weeks at a time. The next one is scheduled for March 2016. “We’d like to focus on American indie filmmakers then, as few applied this time,” said Florencio.
In our time, the idea of slowing down is ever more attractive, more important and more difficult. This is a program which offers time for that. “ Pueblo Magico offers its residents a less frenetic pace and a less impersonal approach to developing their projects, with time to enjoy the beauty of their surroundings, visit the pueblo and hang out with mentors,” he added. The serious business of relaxation was led by yogi Namhari teaching meditation and yoga.
It is not by chance that the filmmakers find their needs fulfilled. Their needs are determined first and then the right mentors are found just for them. “If necessary, we’ll find not just film professionals but scientists, shamans or whatever sources they need,” said Florencio.
Mentors this session included Mexican producers Laura Imperiale,Christian Valdelievre and Nicolas Celis; screenwriter Carlos Contreras; Danish directing and acting coach Birgitte Staermose, festival pros/ consultants Mara Fortes, Christine Davila and Blanca Granados and yours truly, Sydney Levine, giving the closing presentation about the international film circuit, what it is exactly and how to enter its charmed circle of networking and screening opportunities.
A Master Class was given by Fernando Trueba, producer of the 2000 classic doc “Calle 54”, writer of the beautiful “Belle Epoque”, writer and director of the fabulous animated music feature “ Chico and Rita”. Residents also made a trip to D.F. for a private screenwriting session with Guillermo Arriaga.
The master class of Nicolas Celis who has formed a coproduction entity with trend setter Jim Stark (producer of Jim Jarmusch’s first films and films of Icelandic filmmaker Fredrik Fredrikson) will be the subject of an upcoming blog.
And soon, a call will be made to first and second time American indie filmmakers to come this March to Tepoztlan.
- 11/6/2015
- by Sydney Levine
- Sydney's Buzz
60 years ago today, one of the most iconic cinematic depictions of youthful rebellion and alienation, “Rebel Without a Cause,” opened in theaters. The film debuted less than a month after the premature death of James Dean (who plays troubled teen Jim Stark in the film) at age 24 in a car accident. “Rebel Without a Cause” came out at a time when pop culture was fascinated with the juvenile delinquent, though director Nicholas Ray looked not so much to recent films about troubled youths (like 1954’s “The Wild One”). He has said that he strove for a classical tone and that he found major influence in Shakespeare’s “Romeo and Juliet,” which Ray once called “the best play written about ‘juvenile delinquents.’” Other notable October 27 happenings in pop culture history: • 1947: “You Bet Your Life,” the radio show hosted by Groucho Marx, premiered. It was later a TV show on NBC.
- 10/27/2015
- by Emily Rome
- Hitfix
World premieres for Patricia Rozema, Guy Édoin and Stephen Dunn are among the selection scheduled to screen at the Toronto International Film Festival (Tiff).
”The festival is excited to showcase these distinctively Canadian voices,” said Tiff senior programmer Steve Gravestock.
“From compelling documentaries on pressing social issues and complex, affecting dramas to political satires, we are proud to share the impressive range and talent of Canada’s directors.”
“This year’s filmmakers represent the depth and diversity of Canadian storytelling,” said the festival’s film programmes manager Magali Simard.
“By presenting the strong perspectives of the best and brightest in the film industry from across the country, we share with audiences the unique ways Canadians view the world.”
The films will compete for the Canada Goose Award for Best Canadian Feature Film, while the City Of Toronto Award For Best Canadian First Feature Film is also up for grabs.
This year’s Canadian awards jurors are director...
”The festival is excited to showcase these distinctively Canadian voices,” said Tiff senior programmer Steve Gravestock.
“From compelling documentaries on pressing social issues and complex, affecting dramas to political satires, we are proud to share the impressive range and talent of Canada’s directors.”
“This year’s filmmakers represent the depth and diversity of Canadian storytelling,” said the festival’s film programmes manager Magali Simard.
“By presenting the strong perspectives of the best and brightest in the film industry from across the country, we share with audiences the unique ways Canadians view the world.”
The films will compete for the Canada Goose Award for Best Canadian Feature Film, while the City Of Toronto Award For Best Canadian First Feature Film is also up for grabs.
This year’s Canadian awards jurors are director...
- 8/5/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
By Alex Simon
Cars have been a staple of motion pictures since the earliest Keystone Kops two-reel comedies a century ago, usually providing fodder for chase scenes and general mayhem. Whether they’re breaking land-speed records, flying through the air defying laws of aerodynamics, or driven by intrepid heroes pursuing bad guys, cars and movies go together like…well, like movies and popcorn.Like movies and tickets. Like cars and tickets. Wait…let’s just get on with the list, shall we?
Here are the ten coolest cars in movie history, in no particular order:
1. Rendezvous: 1976 Mercedes-Benz 450Sel 6.9
Director Claude Lelouch mounted a camera on his 1976 Mercedes and tore through the early morning streets of Paris at breakneck speeds, cheating only slightly in post-production by overdubbing the sound of a Ferrari 275 Gtb engine with that of his Benz’s. Three people were in the car, with Lelouch at the wheel,...
Cars have been a staple of motion pictures since the earliest Keystone Kops two-reel comedies a century ago, usually providing fodder for chase scenes and general mayhem. Whether they’re breaking land-speed records, flying through the air defying laws of aerodynamics, or driven by intrepid heroes pursuing bad guys, cars and movies go together like…well, like movies and popcorn.Like movies and tickets. Like cars and tickets. Wait…let’s just get on with the list, shall we?
Here are the ten coolest cars in movie history, in no particular order:
1. Rendezvous: 1976 Mercedes-Benz 450Sel 6.9
Director Claude Lelouch mounted a camera on his 1976 Mercedes and tore through the early morning streets of Paris at breakneck speeds, cheating only slightly in post-production by overdubbing the sound of a Ferrari 275 Gtb engine with that of his Benz’s. Three people were in the car, with Lelouch at the wheel,...
- 7/8/2015
- by The Hollywood Interview.com
- The Hollywood Interview
The films of Nicholas Ray promise delicious surprises. They appear to adorn the shiny cloak of Hollywood studio production, only to shred those genre conventions to pieces by the end. Johnny Guitar (1954) is a weird western. Rebel Without a Cause (1955) is a weird teen film. Bigger than Life (1956) is a weird social problem movie. Yet these three features, all filmed in glorious Technicolor, string together a critique of the Americana ideal. Their threads are of same cloth, much like the outfit that repeatedly appears throughout these films: the iconic red shirt/jacket and blue jeans. Dressed in clashing warm and cool tones, Vienna (Joan Crawford) in Johnny Guitar, Jim Stark (James Dean) in Rebel Without a Cause and Richie (Christopher Olsen) in Bigger than Life see their emotions running hot and cold as they wrestle with contradictory forces.
Vienna, Jim and Richie are all outsiders. In Johnny Guitar, Vienna comes...
Vienna, Jim and Richie are all outsiders. In Johnny Guitar, Vienna comes...
- 6/12/2015
- by Phuong Le
- SoundOnSight
One of the hardest bouts of growing pains experienced by adolescents is that rite of passage known as the high school experience. In high school one is subject to discovering their own sense of self-identity and purpose. In fact, sometimes the social factor is crucial because the cost of belonging in social-related circles is vital in a four-year commitment to belonging among your peers.
The tension is high to belong and get along as your search for excellence in good grades, social interaction and the overall learning experience is important. However, not every youngster can cope with what they are faced as the obstacles to excel are demanding in high school. Hence, the potential to become “an outsider” is inevitable and the unlikeliest label that no one can overcome no matter how much they try.
The movies have been instrumental in capturing such heavy-handed angst and frustration of the tortured...
The tension is high to belong and get along as your search for excellence in good grades, social interaction and the overall learning experience is important. However, not every youngster can cope with what they are faced as the obstacles to excel are demanding in high school. Hence, the potential to become “an outsider” is inevitable and the unlikeliest label that no one can overcome no matter how much they try.
The movies have been instrumental in capturing such heavy-handed angst and frustration of the tortured...
- 2/23/2015
- by Frank Ochieng
- SoundOnSight
“Why did you shoot those puppies, John?”
Rebel Without A Cause will screen in 35mm at Webster University’s Moore Auditorium Friday January 16th at 7:30pm. The screening will be introduced by We Are Movie Geek’s own Tom Stockman (aka: me)
The theme of teen-age alienation received brilliant treatment in 1955 at the hands of director Nicholas Ray and stars James Dean, Natalie Wood and Sal Mineo. Rebel Without A Cause was a poignant melodrama that made James Dean a household word. Back in the late ‘70s and early ‘80s I saw Rebel Without A Cause several times on 35mm at The Tivoli (usually double-feature with East Of Eden) back when it was a true repertory cinema, showing different classic double-bills every night. Movie lovers will get a chance to experience Rebel Without A Cause in all of its 35mm glory when it screens next Friday, January 16th at...
Rebel Without A Cause will screen in 35mm at Webster University’s Moore Auditorium Friday January 16th at 7:30pm. The screening will be introduced by We Are Movie Geek’s own Tom Stockman (aka: me)
The theme of teen-age alienation received brilliant treatment in 1955 at the hands of director Nicholas Ray and stars James Dean, Natalie Wood and Sal Mineo. Rebel Without A Cause was a poignant melodrama that made James Dean a household word. Back in the late ‘70s and early ‘80s I saw Rebel Without A Cause several times on 35mm at The Tivoli (usually double-feature with East Of Eden) back when it was a true repertory cinema, showing different classic double-bills every night. Movie lovers will get a chance to experience Rebel Without A Cause in all of its 35mm glory when it screens next Friday, January 16th at...
- 1/8/2015
- by Tom Stockman
- WeAreMovieGeeks.com
Films by Xavier Dolan, Sturla Gunnarsson, Ruba Nadda, Jacob Tierney, Denys Arcand and other Canadian filmmakers have been added to the lineup of the Toronto International Film Festival, running this year from September 4 through 14. What's more, Ramin Bahrani, Claire Denis, Sandra Oh and Jim Stark "will guide 20 emerging filmmakers in group discussions that focus on creativity, the artistic process and independent voices." And four actors will be participating in the Rising Stars program: Sophie Desmarais, Shannon Kook, Alexandre Landry and Julia Sarah Stone. » - David Hudson...
- 8/6/2014
- Fandor: Keyframe
Films by Xavier Dolan, Sturla Gunnarsson, Ruba Nadda, Jacob Tierney, Denys Arcand and other Canadian filmmakers have been added to the lineup of the Toronto International Film Festival, running this year from September 4 through 14. What's more, Ramin Bahrani, Claire Denis, Sandra Oh and Jim Stark "will guide 20 emerging filmmakers in group discussions that focus on creativity, the artistic process and independent voices." And four actors will be participating in the Rising Stars program: Sophie Desmarais, Shannon Kook, Alexandre Landry and Julia Sarah Stone. » - David Hudson...
- 8/6/2014
- Keyframe
It’s been nearly 60 years since James Dean was forever immortalized as the troubled Jim Stark in “Revel Without a Cause” but did you know that the film was in development for nearly a decade before Nicholas Ray delivered his version to their world? During that long process another legendary actor tested for the lead role, joining the countless other near-castings in cinema history—Tom Selleck famously was nearly Indiana Jones and Eric Stoltz shot a couple of weeks of “Back To The Future.” Since this is the internet, that actor’s screen test has, of course, been making the rounds online. The 1955 film is officially an adaptation of psychiatrist Robert M. Linder’s “Rebel Without a Cause: The Hypnoanalysis of a Criminal Psychopath” despite the finished film bearing no resemblance to the 1944 book. The studio had no interest in actually adapting the book, their sole reason for buying...
- 7/18/2014
- by Cain Rodriguez
- The Playlist
The tech pioneer Douglas Trumbull headlines the Industry Conference, while Legendary East CEO Peter Loehr will give the opening address at the Asian Film Summit and Michael Moore will take part in a keynote conversation at Doc Conference.
The Asian Film Summit returns to the Shangri-La Hotel on September 9.
The Industry Conference takes place from September 5-11 and will introduce a focus on the future of cinema on the final day.
Apart from Trumbull, a director and effects pioneer who worked on 2001: A Space Odyssey, confirmed Conference speakers include Im Global CEO Stuart Ford, Silver Reel managing partner Claudia Bluemhuber, Secret Cinema founder Fabien Riggall and Eurimages director Roberto Olla.
The Doc Conference on September 9 and 10 will feature Moore in attendance to mark the 25th anniversary of Roger & Me. The film-maker will kick off the event in a conversation with Tiff Docs programmer Thom Powers.
This year’s Talent Lab will provide a focus for emerging...
The Asian Film Summit returns to the Shangri-La Hotel on September 9.
The Industry Conference takes place from September 5-11 and will introduce a focus on the future of cinema on the final day.
Apart from Trumbull, a director and effects pioneer who worked on 2001: A Space Odyssey, confirmed Conference speakers include Im Global CEO Stuart Ford, Silver Reel managing partner Claudia Bluemhuber, Secret Cinema founder Fabien Riggall and Eurimages director Roberto Olla.
The Doc Conference on September 9 and 10 will feature Moore in attendance to mark the 25th anniversary of Roger & Me. The film-maker will kick off the event in a conversation with Tiff Docs programmer Thom Powers.
This year’s Talent Lab will provide a focus for emerging...
- 7/15/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The tech pioneer Douglas Trumbull headlines the Industry Conference, while Legendary East CEO Peter Loehr will give the opening address at the Asian Film Summit and Michael Moore will take part in a keynote conversation at Doc Conference.
The Asian Film Summit returns to the Shangri-La Hotel on September 9.
The Industry Conference takes place from September 5-11 and will introduce a focus on the future of cinema on the final day.
Apart from Trumbull, a director and effects pioneer who worked on 2001: A Space Odyssey, confirmed Conference speakers include Im Global CEO Stuart Ford, Silver Reel managing partner Claudia Bluemhuber, Secret Cinema founder Fabien Riggall and Eurimages director Roberto Olla.
The Doc Conference on September 9 and 10 will feature Moore in attendance to mark the 25th anniversary of Roger & Me. The film-maker will kick off the event in a conversation with Tiff Docs programmer Thom Powers.
This year’s Talent Lab will provide a focus for emerging...
The Asian Film Summit returns to the Shangri-La Hotel on September 9.
The Industry Conference takes place from September 5-11 and will introduce a focus on the future of cinema on the final day.
Apart from Trumbull, a director and effects pioneer who worked on 2001: A Space Odyssey, confirmed Conference speakers include Im Global CEO Stuart Ford, Silver Reel managing partner Claudia Bluemhuber, Secret Cinema founder Fabien Riggall and Eurimages director Roberto Olla.
The Doc Conference on September 9 and 10 will feature Moore in attendance to mark the 25th anniversary of Roger & Me. The film-maker will kick off the event in a conversation with Tiff Docs programmer Thom Powers.
This year’s Talent Lab will provide a focus for emerging...
- 7/15/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Now what would the movies be like if everybody on the big screen was a conformist and blandly played by the rules? Every now and then it can be quite therapeutic to have a bad apple shape our rigid outlook with a dosage of cynicism in cinema. Whether intentionally unruly or merely questioning the status quo movie rebels can be compellingly entertaining for various reasons.
So who are your choice big screen rabble-rousers that like to stir the pot and cause dissension in the name of justice or just plain anti-establishment? In Trouble With a Cause: The Top 10 Movie Rebels let us take a look at some of the on-screen troublemakers with a taste for colorful turmoil, shall we?
The selections for Trouble With a Cause: The Top 10 Movie Rebels are (in alphabetical order according to the film titles):
1.) Brad Whitewood, Jr. from At Close Range (1986)
In director James Foley...
So who are your choice big screen rabble-rousers that like to stir the pot and cause dissension in the name of justice or just plain anti-establishment? In Trouble With a Cause: The Top 10 Movie Rebels let us take a look at some of the on-screen troublemakers with a taste for colorful turmoil, shall we?
The selections for Trouble With a Cause: The Top 10 Movie Rebels are (in alphabetical order according to the film titles):
1.) Brad Whitewood, Jr. from At Close Range (1986)
In director James Foley...
- 6/28/2014
- by Frank Ochieng
- SoundOnSight
There is some stuffy, faintly reactionary stuff in this famed 1955 teen drama, but James Dean is truly extraordinary, and it has some brilliant scenes
Nicholas Ray's 1955 teen issue drama is re-released as part of a James Dean season at London's BFI Southbank. I haven't seen it since the last revival in 2005. Then it looked to me stuffy, with a reactionary insistence that men's failure to be real macho types was leaving their sons with problems; the issues of gay sexuality and abuse appeared to be skirted around, and everything was seen from the fussy older-generation's perspective. All this is probably still true, but I responded more positively this time. Dean's performance has such an extraordinary, feline potency and the opening scene is actually brilliant: Dean's Jim Stark reels drunkenly into the police station's juvenile division and mocks everyone, while Natalie Wood's Judy, in another office, tremblingly recounts her horror at her dad's contempt,...
Nicholas Ray's 1955 teen issue drama is re-released as part of a James Dean season at London's BFI Southbank. I haven't seen it since the last revival in 2005. Then it looked to me stuffy, with a reactionary insistence that men's failure to be real macho types was leaving their sons with problems; the issues of gay sexuality and abuse appeared to be skirted around, and everything was seen from the fussy older-generation's perspective. All this is probably still true, but I responded more positively this time. Dean's performance has such an extraordinary, feline potency and the opening scene is actually brilliant: Dean's Jim Stark reels drunkenly into the police station's juvenile division and mocks everyone, while Natalie Wood's Judy, in another office, tremblingly recounts her horror at her dad's contempt,...
- 4/17/2014
- by Peter Bradshaw
- The Guardian - Film News
When Jim Stark (James Dean) is first seen in Nicholas Ray's Rebel without a Cause (1955), crawling drunkenly along the street and playing with a toy monkey, he is wearing a suit and tie. "You're tearing me apart," he screeches at his bickering parents after they come to pick him up from the police station where he is being held for being drunk and disorderly.
- 4/16/2014
- The Independent - Film
★★★★☆During the infamous "chickie run" race in Rebel Without a Cause (1955), there's a seemingly unassuming conversation that takes place between Nathalie Wood's Judy and Sal Mineo's Plato that neatly sums up five decades of audience fascination with James Dean. Plato - a shy, troubled lad - is exaggerating the extent of his friendship with Dean's Jim Stark, exposing his own vulnerability as well as Dean's irresistible allure: "His name is Jim. It's really James but he likes Jim more. And people he really likes, he lets them call him Jamie." We are Plato, intoxicated by the feigning familiarity with a dream just beyond our reach. Dean was Hollywood; a man who defined an era, an industry, a zeitgeist.
- 4/16/2014
- by CineVue UK
- CineVue
Pensioners may moan about 'the youth of today', but their generation practically invented antisocial behaviour, with James Dean as their fearless leader. Proof comes in the form of Nicholas Ray's 1955 classic Rebel Without a Cause, digitally restored and re-released April 18th alongside the only other two films Dean starred in - East of Eden and Giant - before his untimely death in a high-speed car crash.
Rebel is the film that immortalised Dean, casually reposed in a red jacket (even more vivid in a new 4K print) with a cigarette dangling from one hand, embodying the defiant spirit of an emerging subculture; one made up of young people awkwardly caught between childhood and adulthood. Teenagers. They just didn't exist before the Second World War, at least not in the sociological sense, but the 1950s marked the point at which they decided to stand up and make some noise.
After...
Rebel is the film that immortalised Dean, casually reposed in a red jacket (even more vivid in a new 4K print) with a cigarette dangling from one hand, embodying the defiant spirit of an emerging subculture; one made up of young people awkwardly caught between childhood and adulthood. Teenagers. They just didn't exist before the Second World War, at least not in the sociological sense, but the 1950s marked the point at which they decided to stand up and make some noise.
After...
- 4/13/2014
- Digital Spy
Opening night’s screening was the debut film of Mexican filmmaker ---- The Amazing Catfish (Los Insolitos Peces Gato) the debut feature of Claudia Sainte Luce. It is close to autobiographical as it tells of 22-year-old Claudia living alone in a big city in Mexico. One night, she ends up in the emergency room with signs of appendicitis. There she meets Martha, lying on the bed next to her. 46-year-old Martha has 4 children and endless lust for life, in spite of her illness. Moved by the lonely young woman, Martha invites Claudia to come and live with her when she leaves the hospital. At first, Claudia is bewildered by the somewhat chaotic organization of the household, but soon she finds her place in the tribe. And while Martha is getting weaker, Claudia's bond with each member of the family gets stronger day by day. The director’s honest vulnerability touched me as much as the movie.
During the Toronto Film Festival, Claudia told the interviewer at Twitch:
“The character Claudia has the obsession of cutting out funny newspaper notes. Before the filming began, I read a note about the appearance of some catfishes in an American city. The catfishes always live in family so I thought it was curious. Having cut the titular ("los insólitos peces gato"), I pasted it on the fish bowl. In the movie, Claudia begins sleeping in Armando's bedroom and pastes that sticker.
She (the mother) had eight years to think what she wanted to say to their children. For eight years her death was imminent. She had a lot of time of think what to say but maybe not what to do.
I think every member of the family is amazing and their force is staying together. That's why I called the film The Amazing Catfish.”
Claudia said more to me about the autobiographical part (the rest is fiction):
“I made this movie to thank this family that gave me a sense of belonging. The more I helped Martha in her dying process and living the additional time Death was giving her, I understood that you have to live with the Death by your side every day to value your own life. They saw me; when someone sees you, you become alive, you exist and that's what they gave me, existence.’
This film which premiered in Locarno where it won the Young Jury Award went on to Toronto 2013 where it won the Fipresci Critics’ Discovery Award. The next month it played at the Morelia Film Festival. At the Baja Film Fest it won the Mexico Primero Award. It also played at the Rotterdam and the Belgrade Film Festivals. This Mexican-French coproduction was sold by France’s premiere international sales agent Pyramide. Knowing the head of Pyramide International’s Eric Lagesse, the filmmaker can feel secure that she is in good hands and that the film will play to a broad and international range of audiences as it deals with a dysfunctional family, having both funny and sensitive parts.
It has already sold to Strand Releasing for U.S , Austria went to Polyfilm, Belgium – Imagine, France – Pyramide, Germany – Arsenal, Japan - Bitters End, Latin America - Palmera International, Mexico – Canibal, Netherlands - Imagine , Switzerland – Cineworx, Taiwan - Swallow Wings Films.
The next day we saw Eco de la montaña (Echo form the Mountain), Nicolas Echevarria’s documentary about an indigenous artist of the Wixarika people in Jalisco whose traditional mural, made of millions of small beads, was installed (incorrectly) in the Paris metro station Palais Royal-Musee du Louvre in 1977 at a grand ceremony by the French and Mexican Presidents who failed to invite him. Since then Santos de la Torre has lived forgotten and isolated in his village in the Sierra Madre Mountains. As the film follows him and his family on their yearly peyote ritual and pilgrimage to Wirikuta and other Wixarika sacred places and as he creates a fourth mural is unfolded in such a modern way that I think it should open discussions of how the artistic taps into the higher sources of creativity among the selected guests of this festival. The producer Michael Fitzgerald was here with his wife, in from Taos where they live. Michael Fitzgerald produced such films as Malcolm Loewry’s Under the Volcano and The Three Burials of Melquiades Estrada, another film Arriagas wrote, Bruce Beresford’s Mr. Johnson. Such illustrious company!
Gary Meyer and I sat together during the outdoor screening in the plaza. Of Horses and Men (Isa: Filmsharks), a wonderfully droll film from first time filmmaker and Iceland’s submission for this year’s Academy Award nomination for Best Foreign Language Film was just covered in my blog on Indiewire. It was a perfect film for showing here with its magnificent landscapes where horses are part of the villagers’ lives as they are in many part of Mexican culture. For a review and an interview with its director, click here for the interview and here for the review on SydneysBuzz.
Seeing Iceland reminded me of Jim Stark, as did the Zellner Brothers' Kumiko, Treasure Hunter (Isa: Submarine), the sleeper of Sundance. This film of a young Japanese woman’s trip to Fargo, Minnesota in search of the money Steve Buscemi buried in the movie Fargo, with its large snowy landscapes and cold snow which could not be more the opposite of this lush tropical paradise reminded me of Jim Stark’s Cold Fever which was also about a Japanese fish-out-of-water in the freezing Icelandic climates, though David Zellner was not aware of that film until after his own was finished. When we went upstairs for cocktails, how surprised I was to see that Jim Stark himself is also there, as Marina’s guest, giving master classes to the young Mexican filmmakers. He is working on at least two features now with Mexican directors and has bought a house in Mexico City just as he did in Iceland when he was active there.
And yet another coincidence: the star of Kumiko is Rinko Kikuchi who played an important role in Arriaga’s Babel. And, just to throw in one more coincidence, Babel's director, Alejandro González Iñárritu will be one of the special guests at the next festival I am about to go to, Cartagena Colombia's Ficci (Festival Internacional de Cine de Cartagena de Indias).
Continuing the tradition of ArteCareyes showcasing emerging talent, eight young filmmakers showed their shorts after which we all had lunch and discussed their films and their plans with them. The filmmakers will be ones you will hear more about in the near future, so here are their names:
. Manuel Camacho Bustillo (Blackout, Chapter 4: Calling Neverland), a film Gary Meyer particularly liked
. Sofia Carrillo (The Sad House), a film Jarrett and I loved.
. Erik de Luna Fors (Home Appliance). Everyone liked this darkly humorous animation
. Amaury Vergara Z (Tide). We called him over to discuss this dreamy, mysterious story of a young man of the land.
. Indira Velasco (Music for the ultimate dream). This film was a marvelous study of music and life
. Lubianca Duran (Supermodern times). Wonderful tug-of-war between Kodak and Digital. Very funny old-fashioned silent take on modern times.
. Ricardo Torres Castro (Dry Land). Animation with a message. Well done 7 minutes.
. Dalia Huerta Cano (The End of the Existence of Things). How a boy fasses the loss of a great sadness. Really libertating.
I was sorry that I had to miss the closing night film ¡Que viva Mexico! Partially filmed 1931 by the master Sergei Eisenstein shortly after the Mexican Revolution but never edited and show by the great Dp Gabriel Figueroa (whose show at Los Angeles County Museum of Art was extraordinary). The 1931 uncredited version editor was Kenneth Anger. Also uncredited technical advisors for foreign locations are the great muralists Orozco, Rivera and Siquieros (who coincidently has a mural newly restored on Los Angeles' Olvera Street). Completed finally in the 1970s based on Eisenstein’s writings and his own memories, three sements were shown with live accompaniment commissioned by ArteCareyes based on a guiding score Eisenstein worked on with Sergei Prokofiev by the Ensemble Cine Mudo.
On a scale of 1 to 10, I would rate this event as a 12. It is an event matched only by the million dollar trip to Moscow, St. Petersburg, Petershof and the set of Stalingrad which 25 U.S. Distributors, Anne Thompson, Peter and I were invited to by Rosskino in 2012 when our Italianate Eleonora Granata was the Russian Film Commissioner in L.A.
This work in progress shows a promise reaching beyond this event. The practical idealism and magic of the location and the timing of such an Arts & Film event, together with the other elements in this magnificent venue are thrilling. I will always be grateful to Steven, John and Filippo for including me.
During the Toronto Film Festival, Claudia told the interviewer at Twitch:
“The character Claudia has the obsession of cutting out funny newspaper notes. Before the filming began, I read a note about the appearance of some catfishes in an American city. The catfishes always live in family so I thought it was curious. Having cut the titular ("los insólitos peces gato"), I pasted it on the fish bowl. In the movie, Claudia begins sleeping in Armando's bedroom and pastes that sticker.
She (the mother) had eight years to think what she wanted to say to their children. For eight years her death was imminent. She had a lot of time of think what to say but maybe not what to do.
I think every member of the family is amazing and their force is staying together. That's why I called the film The Amazing Catfish.”
Claudia said more to me about the autobiographical part (the rest is fiction):
“I made this movie to thank this family that gave me a sense of belonging. The more I helped Martha in her dying process and living the additional time Death was giving her, I understood that you have to live with the Death by your side every day to value your own life. They saw me; when someone sees you, you become alive, you exist and that's what they gave me, existence.’
This film which premiered in Locarno where it won the Young Jury Award went on to Toronto 2013 where it won the Fipresci Critics’ Discovery Award. The next month it played at the Morelia Film Festival. At the Baja Film Fest it won the Mexico Primero Award. It also played at the Rotterdam and the Belgrade Film Festivals. This Mexican-French coproduction was sold by France’s premiere international sales agent Pyramide. Knowing the head of Pyramide International’s Eric Lagesse, the filmmaker can feel secure that she is in good hands and that the film will play to a broad and international range of audiences as it deals with a dysfunctional family, having both funny and sensitive parts.
It has already sold to Strand Releasing for U.S , Austria went to Polyfilm, Belgium – Imagine, France – Pyramide, Germany – Arsenal, Japan - Bitters End, Latin America - Palmera International, Mexico – Canibal, Netherlands - Imagine , Switzerland – Cineworx, Taiwan - Swallow Wings Films.
The next day we saw Eco de la montaña (Echo form the Mountain), Nicolas Echevarria’s documentary about an indigenous artist of the Wixarika people in Jalisco whose traditional mural, made of millions of small beads, was installed (incorrectly) in the Paris metro station Palais Royal-Musee du Louvre in 1977 at a grand ceremony by the French and Mexican Presidents who failed to invite him. Since then Santos de la Torre has lived forgotten and isolated in his village in the Sierra Madre Mountains. As the film follows him and his family on their yearly peyote ritual and pilgrimage to Wirikuta and other Wixarika sacred places and as he creates a fourth mural is unfolded in such a modern way that I think it should open discussions of how the artistic taps into the higher sources of creativity among the selected guests of this festival. The producer Michael Fitzgerald was here with his wife, in from Taos where they live. Michael Fitzgerald produced such films as Malcolm Loewry’s Under the Volcano and The Three Burials of Melquiades Estrada, another film Arriagas wrote, Bruce Beresford’s Mr. Johnson. Such illustrious company!
Gary Meyer and I sat together during the outdoor screening in the plaza. Of Horses and Men (Isa: Filmsharks), a wonderfully droll film from first time filmmaker and Iceland’s submission for this year’s Academy Award nomination for Best Foreign Language Film was just covered in my blog on Indiewire. It was a perfect film for showing here with its magnificent landscapes where horses are part of the villagers’ lives as they are in many part of Mexican culture. For a review and an interview with its director, click here for the interview and here for the review on SydneysBuzz.
Seeing Iceland reminded me of Jim Stark, as did the Zellner Brothers' Kumiko, Treasure Hunter (Isa: Submarine), the sleeper of Sundance. This film of a young Japanese woman’s trip to Fargo, Minnesota in search of the money Steve Buscemi buried in the movie Fargo, with its large snowy landscapes and cold snow which could not be more the opposite of this lush tropical paradise reminded me of Jim Stark’s Cold Fever which was also about a Japanese fish-out-of-water in the freezing Icelandic climates, though David Zellner was not aware of that film until after his own was finished. When we went upstairs for cocktails, how surprised I was to see that Jim Stark himself is also there, as Marina’s guest, giving master classes to the young Mexican filmmakers. He is working on at least two features now with Mexican directors and has bought a house in Mexico City just as he did in Iceland when he was active there.
And yet another coincidence: the star of Kumiko is Rinko Kikuchi who played an important role in Arriaga’s Babel. And, just to throw in one more coincidence, Babel's director, Alejandro González Iñárritu will be one of the special guests at the next festival I am about to go to, Cartagena Colombia's Ficci (Festival Internacional de Cine de Cartagena de Indias).
Continuing the tradition of ArteCareyes showcasing emerging talent, eight young filmmakers showed their shorts after which we all had lunch and discussed their films and their plans with them. The filmmakers will be ones you will hear more about in the near future, so here are their names:
. Manuel Camacho Bustillo (Blackout, Chapter 4: Calling Neverland), a film Gary Meyer particularly liked
. Sofia Carrillo (The Sad House), a film Jarrett and I loved.
. Erik de Luna Fors (Home Appliance). Everyone liked this darkly humorous animation
. Amaury Vergara Z (Tide). We called him over to discuss this dreamy, mysterious story of a young man of the land.
. Indira Velasco (Music for the ultimate dream). This film was a marvelous study of music and life
. Lubianca Duran (Supermodern times). Wonderful tug-of-war between Kodak and Digital. Very funny old-fashioned silent take on modern times.
. Ricardo Torres Castro (Dry Land). Animation with a message. Well done 7 minutes.
. Dalia Huerta Cano (The End of the Existence of Things). How a boy fasses the loss of a great sadness. Really libertating.
I was sorry that I had to miss the closing night film ¡Que viva Mexico! Partially filmed 1931 by the master Sergei Eisenstein shortly after the Mexican Revolution but never edited and show by the great Dp Gabriel Figueroa (whose show at Los Angeles County Museum of Art was extraordinary). The 1931 uncredited version editor was Kenneth Anger. Also uncredited technical advisors for foreign locations are the great muralists Orozco, Rivera and Siquieros (who coincidently has a mural newly restored on Los Angeles' Olvera Street). Completed finally in the 1970s based on Eisenstein’s writings and his own memories, three sements were shown with live accompaniment commissioned by ArteCareyes based on a guiding score Eisenstein worked on with Sergei Prokofiev by the Ensemble Cine Mudo.
On a scale of 1 to 10, I would rate this event as a 12. It is an event matched only by the million dollar trip to Moscow, St. Petersburg, Petershof and the set of Stalingrad which 25 U.S. Distributors, Anne Thompson, Peter and I were invited to by Rosskino in 2012 when our Italianate Eleonora Granata was the Russian Film Commissioner in L.A.
This work in progress shows a promise reaching beyond this event. The practical idealism and magic of the location and the timing of such an Arts & Film event, together with the other elements in this magnificent venue are thrilling. I will always be grateful to Steven, John and Filippo for including me.
- 3/14/2014
- by Sydney Levine
- Sydney's Buzz
The former heartthrob talks about surviving the 90s teen TV series and how he's thrown himself into directing his first full-length feature
Come with me on a journey back to the early 90s. To bleached denim and bare midriffs. To when Beverly Hills 90210 was the biggest teen show on Earth and Jason Priestley was its biggest star. His character, Brandon Walsh, was the perfect all-American high-school heartthrob: white T-shirt, big quiff and eyes to launch a raft of terrible ocean-based metaphors. When I was 11, my friend had a lifesize poster of Priestley on her wall. Now here he is: lifesize and sitting with me in a hotel bar in Glasgow, where his directorial feature debut, Cas & Dylan, is screening at the city's film festival.
Priestley is wearing a flat cap, argyle sweater and grizzly beard. "I was very much Team Dylan," I blurt, referring to the bad-boy character played by Priestley's 90210 co-star,...
Come with me on a journey back to the early 90s. To bleached denim and bare midriffs. To when Beverly Hills 90210 was the biggest teen show on Earth and Jason Priestley was its biggest star. His character, Brandon Walsh, was the perfect all-American high-school heartthrob: white T-shirt, big quiff and eyes to launch a raft of terrible ocean-based metaphors. When I was 11, my friend had a lifesize poster of Priestley on her wall. Now here he is: lifesize and sitting with me in a hotel bar in Glasgow, where his directorial feature debut, Cas & Dylan, is screening at the city's film festival.
Priestley is wearing a flat cap, argyle sweater and grizzly beard. "I was very much Team Dylan," I blurt, referring to the bad-boy character played by Priestley's 90210 co-star,...
- 2/26/2014
- by Nosheen Iqbal
- The Guardian - Film News
Nearly 60 years after his death, James Dean is still mourned by millions of fans throughout the world. Despite only making three films – all of them for Warner Bros. – Dean became one of Hollywood’s most spectacular stars, and almost 60 years later still remains an internationally compelling force, an iconic image, and a cult favorite of timeless fascination.
On 28th October, 2013, Warner Home Video will release East of Eden, Rebel Without a Cause and Giant (a George Stevens production), on remastered Blu-ray™ as the James Dean Ultimate Collector’s Edition – a limited and numbered six-disc set that boasts three feature-length documentaries about Dean’s life including James Dean Forever Young, narrated by Martin Sheen; American Masters James Dean Sense Memories and George Stevens: A Filmmaker’s Journey. Packaged in a double-wide gift set, the collection also contains a 48-page photo book with behind-the-scene images and rare insight into each film.
On 28th October, 2013, Warner Home Video will release East of Eden, Rebel Without a Cause and Giant (a George Stevens production), on remastered Blu-ray™ as the James Dean Ultimate Collector’s Edition – a limited and numbered six-disc set that boasts three feature-length documentaries about Dean’s life including James Dean Forever Young, narrated by Martin Sheen; American Masters James Dean Sense Memories and George Stevens: A Filmmaker’s Journey. Packaged in a double-wide gift set, the collection also contains a 48-page photo book with behind-the-scene images and rare insight into each film.
- 11/9/2013
- by Matt Holmes
- Obsessed with Film
Rebel Without A Cause
Written by Stewart Stern and Irving Shulman
Directed by Nicholas Ray
USA, 1955
That Rebel Without a Cause was such a success upon its initial 1955 release, and that it still stands as a hugely influential classic of American cinema, is not just a result of James Dean’s most iconic performance, nor is it simply the outcome of director Nicholas Ray’s talents. Why this film is truly a triumph has more to do with how superbly it encapsulates the artistic inclinations of these two particular artists. This is the film Dean and Ray were destined to make. And this was the time to make it.
Ray had been focusing on the outcasts, the rebels, and the loners since his first feature, They Live By Night. This emphasis would continue through In a Lonely Place and Johnny Guitar, before Rebel Without a Cause, and Bigger Than Life,...
Written by Stewart Stern and Irving Shulman
Directed by Nicholas Ray
USA, 1955
That Rebel Without a Cause was such a success upon its initial 1955 release, and that it still stands as a hugely influential classic of American cinema, is not just a result of James Dean’s most iconic performance, nor is it simply the outcome of director Nicholas Ray’s talents. Why this film is truly a triumph has more to do with how superbly it encapsulates the artistic inclinations of these two particular artists. This is the film Dean and Ray were destined to make. And this was the time to make it.
Ray had been focusing on the outcasts, the rebels, and the loners since his first feature, They Live By Night. This emphasis would continue through In a Lonely Place and Johnny Guitar, before Rebel Without a Cause, and Bigger Than Life,...
- 11/8/2013
- by Jeremy Carr
- SoundOnSight
Blu-ray Release Date: Nov. 5, 2013
Price: Blu-ray $99.98, Individual Movies on Blu-ray $27.98 each
Studio: Warner Home Video
Rebel Without a Cause
The three feature films starring iconic actor James Dean have been remastered for their high-definition Blu-ray debut. East of Eden, Rebel Without a Cause and Giant are available individually or together in the James Dean Ultimate Collector’s Edition.
Despite his fame, Dean’s career was short, with a number of TV appearances and starring roles in only these three movies.
In 1955′s East of Eden, based on John Steinbeck‘s novel, Dean plays young Cal Trask, who tries to win the affections of his father. 1955 brought out Rebel Without a Cause, about rebellious Jim Stark (Dean) who comes to a new town and makes friends and enemies. Dean’s last film, Giant, came out in 1956, the year after the actor was killed in a car acciden. In Giant, he plays oil tycoon Jett Rink,...
Price: Blu-ray $99.98, Individual Movies on Blu-ray $27.98 each
Studio: Warner Home Video
Rebel Without a Cause
The three feature films starring iconic actor James Dean have been remastered for their high-definition Blu-ray debut. East of Eden, Rebel Without a Cause and Giant are available individually or together in the James Dean Ultimate Collector’s Edition.
Despite his fame, Dean’s career was short, with a number of TV appearances and starring roles in only these three movies.
In 1955′s East of Eden, based on John Steinbeck‘s novel, Dean plays young Cal Trask, who tries to win the affections of his father. 1955 brought out Rebel Without a Cause, about rebellious Jim Stark (Dean) who comes to a new town and makes friends and enemies. Dean’s last film, Giant, came out in 1956, the year after the actor was killed in a car acciden. In Giant, he plays oil tycoon Jett Rink,...
- 8/8/2013
- by Sam
- Disc Dish
Cinema Retro has received the following press release from Warner Home Video:
Burbank, Calif., August 6, 2013 — When he died in 1955 at the age of 24 in a car crash, James Dean was mourned by millions of fans throughout the world. Despite only making three films – all of them for Warner Bros. – Dean became one of Hollywood’s most spectacular stars, and 50 years later still remains an internationally compelling force, an iconic image, and a cult favorite of timeless fascination.
On November 5, Warner Home Video will debut East of Eden, Rebel Without a Cause and Giant (a George Stevens production), remastered Blu-ray as the James Dean Ultimate Collector’s Edition – a limited and numbered six-disc set that boasts three feature-length documentaries about Dean’s life including James Dean Forever Young, narrated by Martin Sheen; American Masters James Dean Sense Memories and George Stevens: A Filmmaker’s Journey. Packaged in a double-wide gift set,...
Burbank, Calif., August 6, 2013 — When he died in 1955 at the age of 24 in a car crash, James Dean was mourned by millions of fans throughout the world. Despite only making three films – all of them for Warner Bros. – Dean became one of Hollywood’s most spectacular stars, and 50 years later still remains an internationally compelling force, an iconic image, and a cult favorite of timeless fascination.
On November 5, Warner Home Video will debut East of Eden, Rebel Without a Cause and Giant (a George Stevens production), remastered Blu-ray as the James Dean Ultimate Collector’s Edition – a limited and numbered six-disc set that boasts three feature-length documentaries about Dean’s life including James Dean Forever Young, narrated by Martin Sheen; American Masters James Dean Sense Memories and George Stevens: A Filmmaker’s Journey. Packaged in a double-wide gift set,...
- 8/6/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
James Dean famously played the part but once upon a time, Marlon Brando tried for the role of Jim Stark, our rebel without a cause. Thanks to Reddit user ZCatcher via the HuffPost, we can now see the screen test of Brando for the beloved classic. He didn't get the part, but Brando went on to become one of the most influential actors in cinema history.
"Rebel Without a Cause" opened in 1955 but on the same year, Brando won Best Actor Oscar for his performance in "On the Waterfront."
He could have been a contender indeed!
Here's the screen test:...
"Rebel Without a Cause" opened in 1955 but on the same year, Brando won Best Actor Oscar for his performance in "On the Waterfront."
He could have been a contender indeed!
Here's the screen test:...
- 7/18/2013
- by Manny
- Manny the Movie Guy
Marlon Brando could've been a contender to star in "Rebel Without a Cause" instead of James Dean.
Reddit dug up Brando's 1947 screen test for the groundbreaking teen angst film, though Indiewire points out that the test was done eight years before the release of the Nicholas Ray-directed movie. What's more, the script from the test wasn't the one that eventually got filmed.
Still, it's interesting to ponder what might've been had Brando inhabited Dean's iconic role. In the following clip, the 23-year-old Brando displays the raw magnetism that made him a superstar in movies like "On the Waterfront" and "A Streetcar Named Desire" (the screen test is included on the latter's 2006 DVD edition).
But, of course, a Brando-starring version of "Rebel Without a Cause" never came to pass. Instead, the script was rewritten, and young Hollywood heartthrob Dean was tapped to play troubled teen Jim Stark.
While Brando enjoyed a long and successful career,...
Reddit dug up Brando's 1947 screen test for the groundbreaking teen angst film, though Indiewire points out that the test was done eight years before the release of the Nicholas Ray-directed movie. What's more, the script from the test wasn't the one that eventually got filmed.
Still, it's interesting to ponder what might've been had Brando inhabited Dean's iconic role. In the following clip, the 23-year-old Brando displays the raw magnetism that made him a superstar in movies like "On the Waterfront" and "A Streetcar Named Desire" (the screen test is included on the latter's 2006 DVD edition).
But, of course, a Brando-starring version of "Rebel Without a Cause" never came to pass. Instead, the script was rewritten, and young Hollywood heartthrob Dean was tapped to play troubled teen Jim Stark.
While Brando enjoyed a long and successful career,...
- 7/17/2013
- by Kelly Woo
- Moviefone
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.