Jarhead 2: Field of Fire feels like a parody of sorts initially. The opening monologue has a lot of profanity, which you wouldn’t usually hear in the kind of war movies that go to the Oscars. Given that it was released directly on VOD, it is understandable that this one wouldn’t have the seriousness or technical brilliance of Jarhead (2005), which was directed by none other than Sam Mendes, or that of any other iconic war movie like Saving Private Ryan (1998).
However, as it moves forward, the movie takes itself seriously and actually makes it a point to tell a story that has merit. The tonal shift is sort of abrupt, but there is plenty of action, and the story is quite easy to grasp. With its arrival, Jarhead 2 has received a new surge in popularity, which is understandable. I wouldn’t call it a good movie, but I...
However, as it moves forward, the movie takes itself seriously and actually makes it a point to tell a story that has merit. The tonal shift is sort of abrupt, but there is plenty of action, and the story is quite easy to grasp. With its arrival, Jarhead 2 has received a new surge in popularity, which is understandable. I wouldn’t call it a good movie, but I...
- 8/21/2023
- by Rohitavra Majumdar
- Film Fugitives
Clockwise from top left: Dune (Universal Pictures), Terminator 2: Judgment Day (Tri-Star Pictures), The Ring (DreamWorks Pictures), Spider-Man 2 (Sony Pictures)Image: The A.V. Club
June marks a big moment for Netflix: it’s the first full month with the streaming platform’s new draconian rules on password sharing...
June marks a big moment for Netflix: it’s the first full month with the streaming platform’s new draconian rules on password sharing...
- 5/29/2023
- by Robert DeSalvo
- avclub.com
When it comes to snipers, there are few creatures more feared. Capable of taking out targets from hundreds of yards away, these deadly marksmen strike fear into the hearts of their enemies.
And while they may be a relatively small part of an army, they can often have a significant impact on the battlefield. So it’s no wonder snipers have been the subject of many movies over the years. There are some mind-blowing movies involving snipers, and we have collected the best sniper movies for our readers. There’s no doubt that snipers make for some of the most interesting cinematic stories. From their vantage point on the edge of the battlefield, they can bring down their targets with deadly precision.
In this blog post, we’ll look at some of the best sniper movies ever made. So sit back and prepare to be blown away by some of...
And while they may be a relatively small part of an army, they can often have a significant impact on the battlefield. So it’s no wonder snipers have been the subject of many movies over the years. There are some mind-blowing movies involving snipers, and we have collected the best sniper movies for our readers. There’s no doubt that snipers make for some of the most interesting cinematic stories. From their vantage point on the edge of the battlefield, they can bring down their targets with deadly precision.
In this blog post, we’ll look at some of the best sniper movies ever made. So sit back and prepare to be blown away by some of...
- 6/20/2022
- by Israr
- buddytv.com
I promise – it wasn’t my plan to have seven of the ten films on this portion of the list focus on World War II. But, if we look back at the biggest international conflicts of all time, World War II is the one that provides the most opportunity. It’s a chance for a number of different countries to look at the same war from different perspectives. In this portion alone, there’s a French film, a German film, a Hungarian film, a couple British/American films, and a few American films – all about varied aspects of World War II.
courtesy of fmvmagazine.com
40. The Killing Fields (1984)
Directed by: Roland Joffé
Conflict: Cambodian Civil War
For all the films made about World War II and larger scale conflicts, the few that depict smaller, more concentrated ones are sometimes more effective. Roland Joffé’s 1984 drama The Killing Fields hones in on Cambodia,...
courtesy of fmvmagazine.com
40. The Killing Fields (1984)
Directed by: Roland Joffé
Conflict: Cambodian Civil War
For all the films made about World War II and larger scale conflicts, the few that depict smaller, more concentrated ones are sometimes more effective. Roland Joffé’s 1984 drama The Killing Fields hones in on Cambodia,...
- 6/10/2014
- by Joshua Gaul
- SoundOnSight
In 2005, Sam Mendes directed a moderately received military film called Jarhead starring Jake Gyllenhaal, Jamie Foxx, and Peter Sarsgaard. Based on the memoir by Anthony Swofford, Jarhead had excellent visuals thanks to cinematographer Roger Deakins and a muddled screenplay. Some remember it fondly while others just recognize the title. Fast forward nine years and we are about to receive a direct to Blu-ray sequel to Jarhead that shares nothing in common with the Mendes film aside from the...
- 5/8/2014
- by Alex Maidy
- JoBlo.com
Fruitvale Station’s Melonie Diaz has been cast as the lead in Laughs Unlimited (working title), a drama series project about a war vet’s struggles with post traumatic stress disorder, which has been on the works at HBO for the past year and a half. It has not been picked up to pilot yet, with HBO doing preliminary casting and working on the budget as it does on most scripts it is high on before making a formal pilot order. Laughs Unlimited hails from Oren Moverman, who has directed Rampart and The Messenger, and Anthony Swofford, best known for writing the book Jarhead. It centers on Army Reserve medic Billie Crown (Diaz) who, after fifteen months as a combat medic in Afghanistan, discovers that “real life” is just as perilous as war. Duty as a Sacramento cop offers the same dangers and thrills as combat, and repairing relationships with...
- 3/17/2014
- by NELLIE ANDREEVA
- Deadline TV
HBO has begun developing the new hour-long series Laughs Unlimited—a show that is somehow not one of the network's many '80s-era stand-up cavalcades featuring Elayne Boosler, Fred Stoller, and myriad people in bloused-out rayon shirts, but something even less funny. The ironically titled drama comes from Rampart and The Messenger director Oren Moverman and Jarhead author Anthony Swofford, and is well within their brutal wheelhouses: It concerns "an Army medic who returns from serving a tour in Afghanistan only to find that her husband is divorcing her and taking custody of their daughter." If that sounds like ...
- 12/14/2012
- avclub.com
With plenty of new comedies on deck, HBO has turned its attention to a drama that sounds like a comedy with Laughs Unlimited. The hour-long series comes from Oren Moverman (Rampart, The Messenger) and Jarhead author Anthony Swofford. The decisively unhumorous subject matter: military veterans returning from the Middle East with post traumatic stress disorder. It will focus on "an Army medic who returns from serving a tour in Afghanistan only to find that her husband is divorcing her and taking custody of their daughter." Oof.
- 12/14/2012
- by Zach Dionne
- Vulture
Exclusive: HBO has acquired and will develop Laughs Unlimited, an hour-long drama that takes on the all too serious issue of vets who return from the Middle East with post traumatic stress disorder. The series was hatched by Oren Moverman, who has directed Rampart and The Messenger, and Anthony Swofford, best known for writing the book Jarhead and the recently published memoirs Hospitals, Hotels & Jails. The focus of the series is Billie Crown, an Army medic who returns from serving a tour in Afghanistan only to find that her husband is divorcing her and taking custody of their daughter. The medic hides her Ptsd from family and colleagues so she can be reinstated as a Sacramento police officer, and so she can reconnect with her daughter. Navigating the pressurized world of a beat cop while trying to assimilate back into normal society turns Billie into a walking time bomb who...
- 12/14/2012
- by MIKE FLEMING JR.
- Deadline TV
Exclusive: HBO has acquired and will develop Laughs Unlimited, an hour-long drama that takes on the all too serious issue of vets who return from the Middle East with post traumatic stress disorder. The series was hatched by Oren Moverman, who has directed Rampart and The Messenger, and Anthony Swofford, best known for writing the book Jarhead and the recently published memoirs Hospitals, Hotels & Jails. The focus of the series is Billie Crown, an Army medic who returns from serving a tour in Afghanistan only to find that her husband is divorcing her and taking custody of their daughter. The medic hides her Ptsd from family and colleagues so she can be reinstated as a Sacramento police officer, and so she can reconnect with her daughter. Navigating the pressurized world of a beat cop while trying to assimilate back into normal society turns Billie into a walking time bomb who...
- 12/14/2012
- by MIKE FLEMING JR.
- Deadline
Article by Dan Clark of Movie Revolt
Well it’s that time again, time for another installment of Streaming for Your Pleasure. With Memorial Day weekend upon us America is about to officially start the summer. Barbeques, beers, and beaches will surely take up much of our time this weekend, however let us not forget the purpose behind this day as we celebrate the glory that is a three day weekend. In all seriousness it is a time to honor our Veterans and current soldiers for the remarkable sacrifices they make. No matter what political stance you may take I feel that is one thing we can all get behind. With that in mind I dedicated this installment to all things military as I look at military centric films currently available on Netflix Streaming.
The Longest Day
Directed By: Ken Annakin, Andrew Marton, Bernhard Wicki, and Darryl F. Zanuck
Written...
Well it’s that time again, time for another installment of Streaming for Your Pleasure. With Memorial Day weekend upon us America is about to officially start the summer. Barbeques, beers, and beaches will surely take up much of our time this weekend, however let us not forget the purpose behind this day as we celebrate the glory that is a three day weekend. In all seriousness it is a time to honor our Veterans and current soldiers for the remarkable sacrifices they make. No matter what political stance you may take I feel that is one thing we can all get behind. With that in mind I dedicated this installment to all things military as I look at military centric films currently available on Netflix Streaming.
The Longest Day
Directed By: Ken Annakin, Andrew Marton, Bernhard Wicki, and Darryl F. Zanuck
Written...
- 5/30/2012
- by Phil
- Nerdly
Jake Gyllenhaal has proven he can play the leading man in very successful blockbuster films. He is out to continue that streak with Source Code out this Friday, April 1.
We love us some cute Jake, so we thought we'd look at the top 10 Jake Gyllenhaal flicks in this week's "Top 10 Movies"
What's your favorite Jake Gyllenhaal flick? Take a look at our list for some inspiration.
Check out our list after the jump!
10. Brothers (2009)
Our Jake stars as the less noble of two brothers in this war-thriller, co-starring Natalie Portman and Tobey Maguire. Sam Cahill (Maguire) sets off for war in early 2007, while Tommy Cahill (Gyllenhaal) stays behind. Tommy is the black sheep of the family, causing trouble and creating mischief. When Sam is missing and presumed dead, his wife Grace and their two children must deal with the grief. Tommy steps up to help in their time of need,...
We love us some cute Jake, so we thought we'd look at the top 10 Jake Gyllenhaal flicks in this week's "Top 10 Movies"
What's your favorite Jake Gyllenhaal flick? Take a look at our list for some inspiration.
Check out our list after the jump!
10. Brothers (2009)
Our Jake stars as the less noble of two brothers in this war-thriller, co-starring Natalie Portman and Tobey Maguire. Sam Cahill (Maguire) sets off for war in early 2007, while Tommy Cahill (Gyllenhaal) stays behind. Tommy is the black sheep of the family, causing trouble and creating mischief. When Sam is missing and presumed dead, his wife Grace and their two children must deal with the grief. Tommy steps up to help in their time of need,...
- 3/31/2011
- by alyssa@mediavine.com (Alyssa Caverley)
- Reel Movie News
Chicago – Just before the Oscar nominations for 2009 were to be announced, a few pundits went out on a limb and predicted that not only would Oren Moverman’s “The Messenger” be nominated for Best Supporting Actor (Woody Harrelson) and Best Original Screenplay but that it would also find its way into several more categories, including even Best Picture. If more people had seen the film, I believe it would have made the Academy’s top ten. It’s a spectacular drama, one that gets richer and more impressive on repeat viewing. And its recently-released Blu-ray edition treats this spectacular film with the respect it deserves.
Blu-Ray Rating: 5.0/5.0
The two-disc special edition of this expertly-made and performed drama includes both Blu-ray and DVD versions of the film along with excellent bonus material and even packaging that stands apart from the traditional release. It reminds me of a Criterion release, complete with...
Blu-Ray Rating: 5.0/5.0
The two-disc special edition of this expertly-made and performed drama includes both Blu-ray and DVD versions of the film along with excellent bonus material and even packaging that stands apart from the traditional release. It reminds me of a Criterion release, complete with...
- 5/25/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Winter Soldier, and the Winter Soldier book, is featured prominently in this week's episode of MTV's "Real World Brooklyn." Watch from about 11 minutes in as Ryan attends the Winter Soldier book launch party in NYC. They have video of the book cover and Anthony Swofford (the author of Jarhead) reads from the Foreward... It's great to see reality TV taking in some of the reality of the real, "real world" -- and especially bringing to true costs of the war in Iraq to an audience that might not be watching 60 Minutes or listening to NPR...
- 3/23/2009
- by Aaron Glantz
- Huffington Post
Oscar-winning film director Sam Mendes claims American viewers don't understand his new movie Jarhead as well as Europeans - because they expect war films to be one-sided. The movie based on the novel Jarhead: A Marine's Chronicle of the Gulf War and Other Battles by Anthony Swofford, and focuses on the frivolousness of war, rather than the glory - something Mendes feels Americans don't grasp. Mendes says, "I feel they've understood in Europe. In America, it's like talking about a different movie. "Fundamentally, Jarhead disobeys all the laws of American movies, and not just the political laws of American movies right now which demand on some level to tell us which side they're on. "In Europe, there's a sense this film comes from the tradition of absurdist war movies about the futility of conflict. "It has more in common with Beckett, Sartre and Banuel than it does with Oliver Stone. "In America, they assumed I was trying to make an Oliver Stone movie and that I'd failed."...
- 1/4/2006
- WENN
"Jarhead" follows the lead of Anthony Swofford's 2003 Gulf War battlefield memoir in sticking with the grunts on the ground. It sticks with the sheer boredom of waiting for a war to happen, of the drinking, joking, lusting, swearing and quarreling of a bunch of adrenline-charged 20-year-olds, sitting around in the blazing, surreal Arabian desert, wondering, "Are we ever going to kill anyone?" It sticks with all that loneliness and tedium, interrupted by moments of sheer terror.
In adapting Swofford's book, writer William Broyles Jr. and director Sam Mendes confront but never entirely resolve a problem inherent in sticking to this viewpoint. The filmmakers clearly wanted to avoid the politics surrounding the first Gulf War even as they pay tribute to the Marines, the jarheads, who went to Saudi Arabia to fight. But the result is a movie rife with ambivalence.
Moments here and there might remind you of "Catch-22" or "Apocalypse Now" or "Full Metal Jacket", but "Jarhead" refuses to engage in its own point of view toward events it depicts. So the film feels empty and tentative, uncertain of what if anything these events add up to.
The movie is, of course, based on a best-seller and stars such bright young actors as Jake Gyllenhaal, Peter Sarsgaard and Jamie Foxx. But "Jarhead" will be a tough sell for Universal's marketing department. People can get their fill of Iraq and war on the nightly news. Plus, the film all too successfully captures the tedium and impatience of its characters to serve as out-and-out entertainment. The primary audience is male, but given these challenges, word-of-mouth might be lukewarm.
Gyllenhaal portrays Swofford, a third-generation enlistee who joins the Marines just in time to go to Saudi Arabia for the war. The movie never explains why he signed up. Indeed, the narrator/hero deliberately and literally closes the door on nearly every scene about his past except to hint that his was not a happy childhood.
During the harrowing rigors and hazing of basic training -- with strong echoes of "Full Metal Jacket" -- Staff Sgt. Sykes (Foxx), a lifer who loves his job, selects Swoff for his elite unit of scout/snipers. Again, the movie offers no reason why this happens other than possibly a gut reaction on Sykes' part. Sykes pairs Swoff with Troy (Sarsgaard), giving him a partner whose calm exterior belies the turmoil inside. Other soldiers in their unit include the intellectually challenged loudmouth Fowler (Evan Jones), extremely shy Fergus (Brian Geraghty), married man Cortez (Jacob Vargas) and stolid Cuban-American Escobar (Laz Alonso).
The movie's largest section takes place in the vast nothingness of the desert, where everyone digs in and waits ... and waits and waits. This waiting game turns into a mind-fuck. With no enemy to fight, conflicts turn inward. The Marines have a solution for everything, Swoff remarks, but none for losing your mind. Squabbles break out. Scorpion fights are staged. Guys rag on each other about what wives or girlfriends are doing back home. The banter and jokes revolve almost entirely around sex and violence.
Whenever Sykes has had his full of unit's crap, he designs malicious punishments for his charges, like forcing them to play football in 112-degree heat decked out in chemical suits and masks. Then, when the war does come, things get really crazy.
Mendes and cinematographer Roger Deakins create haunting images of the grunts' ordeal -- of oil fields burning and black rain falling at night, which reduces the color scheme to red and black; of Marines digging into the oily sand to make absurd foxholes; of Swoff wandering in a daze through a landscape of charred vehicles and incinerated Iraqis, his boots making white prints in blackened sand.
This is not a good war for a sniper. Not when an F-14 jet can light up an entire battalion. So even when the jarheads come under fire -- Swoff literally wets his pants -- and then move into enemy territory, there is little to do other than try to avoid the "friendly fire" from misguided air jockeys above. In such a hellish environment, doubts about their role and even the war itself consume everyone.
And here lies the crux of the matter. No longer willing to make an out-and-out anti-war film, as filmmakers did in the wake of Vietnam -- indeed the soldiers look at these films as incitements to combat -- Mendes' film admires its Marine heroes even as it notes their frustration and anger. This neutral viewpoint causes the movie to observe intense events in a dispassionate remove without really tackling the greater issues that the war raises, that of the brutality of modern warfare and the politics behind it.
The film does capture the machismo, crude humor and surreal nature of war. Gyllenhaal and Sarsgaard's characters are smart and savvy customers who grow increasingly disillusioned with their mission. Foxx as their sergeant and Chris Cooper as a smooth-talking commander, who can sell troops on the vital meaning behind any mission, superbly illuminate the military's attitude toward modern war.
All technical aspects to the production are terrific.
JARHEAD
Universal Pictures
Universal presents in association with MP Kappa Prods.
a Lucy Fisher/Douglas Wick production in association with Neal Street Prods.
Credits:
Director: Sam Mendes
Screenwriter: William Broyles Jr.
Based on the book by: Anthony Swofford
Producers: Douglas Wick, Lucy Fisher
Executive producers: Sam Mercer, Bobby Cohen
Director of photography: Roger Deakins
Production designer: Dennis Gassner
Music: Thomas Newman
Co-producer: Pippa Harris
Costumes: Albert Wolsky
Editor: Walter Murch
Cast:
Swoff: Jake Gyllenhaal
Troy: Peter Sarsgaard
Kruger: Lucas Black
Lt. Col. Kazinski: Chris Cooper
Staff Sgt. Sykes: Jamie Foxx
Fergus: Brian Geraghty
Cortez: Jacob Vargas
Fowler: Evan Jones
Escobar: Laz Alonso
MPAA rating R
Running time -- 123 minutes...
In adapting Swofford's book, writer William Broyles Jr. and director Sam Mendes confront but never entirely resolve a problem inherent in sticking to this viewpoint. The filmmakers clearly wanted to avoid the politics surrounding the first Gulf War even as they pay tribute to the Marines, the jarheads, who went to Saudi Arabia to fight. But the result is a movie rife with ambivalence.
Moments here and there might remind you of "Catch-22" or "Apocalypse Now" or "Full Metal Jacket", but "Jarhead" refuses to engage in its own point of view toward events it depicts. So the film feels empty and tentative, uncertain of what if anything these events add up to.
The movie is, of course, based on a best-seller and stars such bright young actors as Jake Gyllenhaal, Peter Sarsgaard and Jamie Foxx. But "Jarhead" will be a tough sell for Universal's marketing department. People can get their fill of Iraq and war on the nightly news. Plus, the film all too successfully captures the tedium and impatience of its characters to serve as out-and-out entertainment. The primary audience is male, but given these challenges, word-of-mouth might be lukewarm.
Gyllenhaal portrays Swofford, a third-generation enlistee who joins the Marines just in time to go to Saudi Arabia for the war. The movie never explains why he signed up. Indeed, the narrator/hero deliberately and literally closes the door on nearly every scene about his past except to hint that his was not a happy childhood.
During the harrowing rigors and hazing of basic training -- with strong echoes of "Full Metal Jacket" -- Staff Sgt. Sykes (Foxx), a lifer who loves his job, selects Swoff for his elite unit of scout/snipers. Again, the movie offers no reason why this happens other than possibly a gut reaction on Sykes' part. Sykes pairs Swoff with Troy (Sarsgaard), giving him a partner whose calm exterior belies the turmoil inside. Other soldiers in their unit include the intellectually challenged loudmouth Fowler (Evan Jones), extremely shy Fergus (Brian Geraghty), married man Cortez (Jacob Vargas) and stolid Cuban-American Escobar (Laz Alonso).
The movie's largest section takes place in the vast nothingness of the desert, where everyone digs in and waits ... and waits and waits. This waiting game turns into a mind-fuck. With no enemy to fight, conflicts turn inward. The Marines have a solution for everything, Swoff remarks, but none for losing your mind. Squabbles break out. Scorpion fights are staged. Guys rag on each other about what wives or girlfriends are doing back home. The banter and jokes revolve almost entirely around sex and violence.
Whenever Sykes has had his full of unit's crap, he designs malicious punishments for his charges, like forcing them to play football in 112-degree heat decked out in chemical suits and masks. Then, when the war does come, things get really crazy.
Mendes and cinematographer Roger Deakins create haunting images of the grunts' ordeal -- of oil fields burning and black rain falling at night, which reduces the color scheme to red and black; of Marines digging into the oily sand to make absurd foxholes; of Swoff wandering in a daze through a landscape of charred vehicles and incinerated Iraqis, his boots making white prints in blackened sand.
This is not a good war for a sniper. Not when an F-14 jet can light up an entire battalion. So even when the jarheads come under fire -- Swoff literally wets his pants -- and then move into enemy territory, there is little to do other than try to avoid the "friendly fire" from misguided air jockeys above. In such a hellish environment, doubts about their role and even the war itself consume everyone.
And here lies the crux of the matter. No longer willing to make an out-and-out anti-war film, as filmmakers did in the wake of Vietnam -- indeed the soldiers look at these films as incitements to combat -- Mendes' film admires its Marine heroes even as it notes their frustration and anger. This neutral viewpoint causes the movie to observe intense events in a dispassionate remove without really tackling the greater issues that the war raises, that of the brutality of modern warfare and the politics behind it.
The film does capture the machismo, crude humor and surreal nature of war. Gyllenhaal and Sarsgaard's characters are smart and savvy customers who grow increasingly disillusioned with their mission. Foxx as their sergeant and Chris Cooper as a smooth-talking commander, who can sell troops on the vital meaning behind any mission, superbly illuminate the military's attitude toward modern war.
All technical aspects to the production are terrific.
JARHEAD
Universal Pictures
Universal presents in association with MP Kappa Prods.
a Lucy Fisher/Douglas Wick production in association with Neal Street Prods.
Credits:
Director: Sam Mendes
Screenwriter: William Broyles Jr.
Based on the book by: Anthony Swofford
Producers: Douglas Wick, Lucy Fisher
Executive producers: Sam Mercer, Bobby Cohen
Director of photography: Roger Deakins
Production designer: Dennis Gassner
Music: Thomas Newman
Co-producer: Pippa Harris
Costumes: Albert Wolsky
Editor: Walter Murch
Cast:
Swoff: Jake Gyllenhaal
Troy: Peter Sarsgaard
Kruger: Lucas Black
Lt. Col. Kazinski: Chris Cooper
Staff Sgt. Sykes: Jamie Foxx
Fergus: Brian Geraghty
Cortez: Jacob Vargas
Fowler: Evan Jones
Escobar: Laz Alonso
MPAA rating R
Running time -- 123 minutes...
- 11/17/2005
- The Hollywood Reporter - Movie News
Oscar-winner Chris Cooper has joined the cast of Universal Pictures' Jarhead. Jake Gyllenhaal, Jamie Foxx and Peter Sarsgaard lead the cast of the Sam Mendes-directed adaptation of Marine Anthony Swofford's memoir of his experiences in the first Gulf War. Cooper takes on the role of Lt. Colonel Kazinski, the officer in charge of an elite sniper unit and to whom Gyllenhaal and Sarsgaard report. Douglas Wick and Lucy Fisher are producing the film, which began principal photography this month. Cooper won a best supporting actor Academy Award for his work in Adaptation. His credits include The Bourne Supremacy, Seabiscuit and American Beauty. Upcoming features include Syriana, opposite George Clooney, and Capote, with Philip Seymour Hoffman and Catherine Keener. Cooper is repped by Paradigm and the Firm.
- 12/15/2004
- The Hollywood Reporter - Movie News
Oscar-winning editor Walter Murch is cutting from the Civil War to the Gulf War. Murch, who most recently edited last year's "Cold Mountain", is teaming with director Sam Mendes for Universal Pictures' upcoming "Jarhead", a drama based on Anthony Swofford's Gulf War memoir. William Broyles adapted the script for Red Wagon producers Doug Wick and Lucy Fisher and Mendes' company Scamp Film and Theatre Ltd. Murch will reteam his key edit crew from "Cold Mountain" and again use Apple's Final Cut Pro edit system but in high definition with new hardware and software. Sean Cullen, who engineered Murch's first FCP system, also will serve as associate editor on "Jarhead", which he said will give him "additional artistic responsibility not just technical."...
- 10/6/2004
- The Hollywood Reporter - Movie News
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