Robyn Lively is fantastic as tough-but-vulnerable Charlie, reeling from the disappearance of her daughter, but the storyline lets her down
With this small-town gothic murder mystery director and co-writer Lauren Fash overdoes it with the missing-kid tropes: a grieving mom fighting for the truth; police corruption; buried secrets; a powerful family controlling the town; rusting pickup trucks; mean dudes with mullets. But there is just about enough psychological complexity in the mix in the shape of the central character Charlie, a gay woman winded by the disappearance of her eight-year-old daughter Lily. Charlie marches about town stapling missing posters to lamp-posts in the midst of an emotional breakdown or maybe even a psychotic episode – hallucinating, seeing her daughter in dark corners.
Set in Georgia in the 1990s, the film opens a year after Lily vanishes. Tough but vulnerable Charlie is played beautifully by character actor Robyn Lively (half-sister of Blake) with a riveting less-is-more stillness.
With this small-town gothic murder mystery director and co-writer Lauren Fash overdoes it with the missing-kid tropes: a grieving mom fighting for the truth; police corruption; buried secrets; a powerful family controlling the town; rusting pickup trucks; mean dudes with mullets. But there is just about enough psychological complexity in the mix in the shape of the central character Charlie, a gay woman winded by the disappearance of her eight-year-old daughter Lily. Charlie marches about town stapling missing posters to lamp-posts in the midst of an emotional breakdown or maybe even a psychotic episode – hallucinating, seeing her daughter in dark corners.
Set in Georgia in the 1990s, the film opens a year after Lily vanishes. Tough but vulnerable Charlie is played beautifully by character actor Robyn Lively (half-sister of Blake) with a riveting less-is-more stillness.
- 11/2/2021
- by Cath Clarke
- The Guardian - Film News
"Charlie, there's something you should know..." "I trusted you!" Blue Fox has released an official trailer for an indie mystery thriller titled Through the Glass Darkly, marking the feature debut of producer Lauren Fash. This first premiered at the San Diego Film Festival last year, and also played at the Red Rock Film Fest, arriving on VOD in September. Set in a small town in Georgia called Elrod, the film is described as an "offbeat Southern Gothic thriller." A year after a girl disappears, another goes missing. Convinced there is a connection, Charlie draws suspicion and contempt from local police & townspeople as she stops at nothing to expose its most devastating and darkest secret. Robyn Lively stars, with Michael Trucco, Shanola Hampton, Katrina Norman, Judith Ivey, Bethany Anne Lind, Kerry Cahill, Nicholas Logan, and Vince Foster. This looks quite intense, overloading on suspense and dread to tell this story of dark secrets.
- 8/25/2021
- by Alex Billington
- firstshowing.net
Exclusive: UK distributor Lightbulb Film Distribution has made its highest-profile acquisitions to date out of the recent Cannes virtual market, including comedy Ride The Eagle, starring Jake Johnson, D’Arcy Carden, J.K. Simmons and Susan Sarandon.
The movie follows Leif (Johnson) who inherits a picturesque log cabin after his estranged mother Honey (Sarandon) dies. But there is a condition; he must first complete her elaborate to-do list. With the help of his ex (Carden), local eccentric (Simmons) and Nora, his faithful canine companion, Leif embarks on a journey of self-discovery.
Trent O’Donnell directs and co-wrote the screenplay with Johnson. The deal was struck with Scott Bedno of Myriad Pictures.
“We are thrilled to be bringing Ride The Eagle to UK audiences this autumn. Shot entirely during lockdown, it’s a film that will make you laugh – and that’s something we need more than ever”, commented Lightbulb’s Sales & Acquisitions Director Peter Thompson.
The movie follows Leif (Johnson) who inherits a picturesque log cabin after his estranged mother Honey (Sarandon) dies. But there is a condition; he must first complete her elaborate to-do list. With the help of his ex (Carden), local eccentric (Simmons) and Nora, his faithful canine companion, Leif embarks on a journey of self-discovery.
Trent O’Donnell directs and co-wrote the screenplay with Johnson. The deal was struck with Scott Bedno of Myriad Pictures.
“We are thrilled to be bringing Ride The Eagle to UK audiences this autumn. Shot entirely during lockdown, it’s a film that will make you laugh – and that’s something we need more than ever”, commented Lightbulb’s Sales & Acquisitions Director Peter Thompson.
- 8/5/2021
- by Andreas Wiseman
- Deadline Film + TV
SeriesFest and Shondaland have announced Tamika Miller as the winner of their annual Women Directing Mentorship.
The Women Directing Mentorship was first launched in 2018 as a partnership between SeriesFest and Shondaland, founded by Shonda Rhimes who is a champion of inclusion in front of and behind the camera. The mentorship offers a unique opportunity for a rising female director to shadow an already established episodic director on a Shondaland produced series. The recipient of the inaugural 2019 Women Directing Mentorship, Rachel Myers (Wendy’s Shabbat), shadowed director Tessa Blake on Episode 306, Ice Ice Baby of the Shondaland series, Station 19 which airs on ABC.
“From her application video to her film reel, Tamika Miller was an exceptional choice for this year’s prestigious mentorship,” said SeriesFest CEO, Randi Kleiner. “Both the SeriesFest team and our partners at Shondaland were blown away by her as a director, a visionary, and an artist...
The Women Directing Mentorship was first launched in 2018 as a partnership between SeriesFest and Shondaland, founded by Shonda Rhimes who is a champion of inclusion in front of and behind the camera. The mentorship offers a unique opportunity for a rising female director to shadow an already established episodic director on a Shondaland produced series. The recipient of the inaugural 2019 Women Directing Mentorship, Rachel Myers (Wendy’s Shabbat), shadowed director Tessa Blake on Episode 306, Ice Ice Baby of the Shondaland series, Station 19 which airs on ABC.
“From her application video to her film reel, Tamika Miller was an exceptional choice for this year’s prestigious mentorship,” said SeriesFest CEO, Randi Kleiner. “Both the SeriesFest team and our partners at Shondaland were blown away by her as a director, a visionary, and an artist...
- 10/14/2020
- by Dino-Ray Ramos
- Deadline Film + TV
Familiar psychological thriller tropes are infused with strong doses of social commentary in Lauren Fash’s debut feature, which recently received its world premiere at the Frameline Film Festival. Depicting a woman’s efforts to find her missing child, Through the Glass Darkly occasionally gets lost in its own murkiness. But the film ultimately proves an engrossing and decidedly offbeat 1990s-set suspenser, distinguished by Robyn Lively’s superb performance in the lead role.
Lively, a veteran character actress whose credits go back several decades (she co-starred with Ralph Macchio in The Karate Kid Part III), plays Charlie, whose young daughter Lily ...
Lively, a veteran character actress whose credits go back several decades (she co-starred with Ralph Macchio in The Karate Kid Part III), plays Charlie, whose young daughter Lily ...
- 10/7/2020
- The Hollywood Reporter - Film + TV
Familiar psychological thriller tropes are infused with strong doses of social commentary in Lauren Fash’s debut feature, which recently received its world premiere at the Frameline Film Festival. Depicting a woman’s efforts to find her missing child, Through the Glass Darkly occasionally gets lost in its own murkiness. But the film ultimately proves an engrossing and decidedly offbeat 1990s-set suspenser, distinguished by Robyn Lively’s superb performance in the lead role.
Lively, a veteran character actress whose credits go back several decades (she co-starred with Ralph Macchio in The Karate Kid Part III), plays Charlie, whose young daughter Lily ...
Lively, a veteran character actress whose credits go back several decades (she co-starred with Ralph Macchio in The Karate Kid Part III), plays Charlie, whose young daughter Lily ...
- 10/7/2020
- The Hollywood Reporter - Movie News
Cathy Moriarty, recently seen in Sundance standout Patti Cake$, and Battlestar Galactica alum Michael Trucco have joined Robyn Lively and Shanola Hampton in the indie pic Through the Glass Darkly. The psychological thriller is being directed by Lauren Fash from a script she co-wrote with Susan Graham. The film follows Charlie (Lively), a 43-year-old woman recently diagnosed with Alzheimer's disease who lives in small-town Georgia. When Elodie Carmichael, granddaughter of…...
- 2/9/2018
- Deadline
Robyn Lively and Shameless star Shanola Hampton have been tapped to topline the indie psychological thriller, Through the Glass Darkly, from first-time feature director Lauren Fash. Lively and Hampton play Charlie and Amy, an unlikely duo that team up to solve the recent kidnapping of a local girl, a crime which echoes the disappearance of Charlie's own daughter. The script, written by Fash and Susan Graham, was featured in the Sundance/Women in Film financing intensive…...
- 2/2/2018
- Deadline
Shameless star Shanola Hampton will star in psychological thriller Through the Glass Darkly alongside Teen Witch's Robyn Lively.
The actors will play an unlikely duo that team up to solve the recent kidnapping of a local girl, a crime which echoes the disappearance of Charlie’s (Lively) own daughter.
Lauren Fash will direct from a script she co-wrote with Susan Graham.
Graham of However Productions is producing along with Autumn Bailey-Ford, of Autumn Bailey Entertainment, and Carmella Casinelli, of Bon Aire Productions. Stacey Davis and Jim Rine will exec produce.
Through the Glass Darkly, which is currently in production in Georgia, is repped by...
The actors will play an unlikely duo that team up to solve the recent kidnapping of a local girl, a crime which echoes the disappearance of Charlie’s (Lively) own daughter.
Lauren Fash will direct from a script she co-wrote with Susan Graham.
Graham of However Productions is producing along with Autumn Bailey-Ford, of Autumn Bailey Entertainment, and Carmella Casinelli, of Bon Aire Productions. Stacey Davis and Jim Rine will exec produce.
Through the Glass Darkly, which is currently in production in Georgia, is repped by...
- 2/2/2018
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Festival initiative “U.S. in Progress” introduces four U.S. productions in post-production to European buyers.
American Independent films, French Independent Films and Oscar Nominated Foreign Language Films will be showcased.
The Weinstein Company’s Harvey Weinstein wil receive a tribute and will host a retrospective of his films.
Donald Sutherland will host a screening of Klute and will receive a Medal of Arts and Letters bestowed by Frederic Mitterrand.
The Champs Elysees Film Festival’s U.S. President is Michael Madsen
The French Festival President is Lambert Wilson
The discussions held so often about the sustainability of arthouse theaters, about the joining of forces between them and festivals and the ownership of festivals themselves, and sometimes of theaters as well, by distributors as a way to sustain the three key players of this precious triangle of culture, continue as the first Champs Elysees Film Festival presents a jam-packed line up and full program of events at its inaugural edition.
The seven day festival, June 6-12, has been formed and is owned by the independent distributor Sophie Dulac. It is exciting for me to go to see the arthouses we have already written about in the area of the Champs Elysees - the Balzac, its rival the Lincoln, the Publicis, and the two major chains, Gaumont Champs Elysees and Ugc George V. Another interesting aspect of this upcoming event is the festival's ownership by a French distributor, Sophie Dulac. This is one of two similarities between Gutek and Dulac. The New Horizons and the American Film Festivals are owned by Roman Gutek whose distribution company Gutek is the largest arthouse distributor in Poland. Similarly Sophie Dulac seems to "own" this festival. Somewhat analagous to this is the "owning" of distribution company Tribeca Films by the Tribeca Film Festival or the Sundance Select Distribution arm owned by the Sundance Film Festival. The New York Film Festival and the Toronto International Film Festivals have yet to declare themselves distributors but do own the arthouses in which to show "their" films year round in festival settings.
Dulac explains the impetus to launch the Champs Elysees Film Festival, “As Paris’ first truly international film festival, our mission is to create a bridge between the independent American and French film industries. In the most beautiful city in the world and one with a worldwide association to cinema, the Champs Elysées Film Festival will be a celebration of film promoting the work of young filmmakers and honoring the work of established directors.” She adds, “We want to throw a spotlight on independent film from France and the U.S. We will welcome famous names, offer new films, open up discussions between members of the film industry, give short films a special showcase and invite audiences to gala previews.”
I personally hope the tourists of Champs Elysees see this as a special opportunity to share inside festival experiences with international professionals and that it brings in more business than ordinary theatrical fare brings to the same theaters, thus proving that festivals serve as a new branch of film distribution and that the joining of forces between distributor, exhibitor and festival point toward a new mode of profitability for all parties.
U.S. in Progress was first presented at the American Film Festival in Wroclaw Poland in November. This is the second similarity between Dulac and Gutek. U.S. in Progress will now be here as well. U.S. in Progress is in fact a joint initiative between the American Film Festival in Wroclaw, the Champs Elysees Film Festival in Paris and Black Rabbit Film, a company of Adeline Monzier who also created the association of European indie distributors called EuropaDistribution. It is the first and only industry event devoted to U.S. indies in Europe. Its aim is to present U.S. indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe. This presentation of American independent films in post-production to European buyers to promote the distribution of American independent films in Europe is uniquely one of the top new developments in the industry. The program works to forge inroads between the generation of talented American filmmakers emerging today and European buyers. I am so proud to be serving on its jury as I did on the first edition as well.
The other sections are: Official Selection of American Independent Films, French Galas, American Galas, Oscar Nominated Foreign Language Films and Shorts. A tribute to Harvey Weinstein will be presented on June 6 at an event to celebrate his career. Weinstein will participate in a roundtable conversation to discuss French/American co-productions and a Retrospective of 11 of his films will be shown throughout the week.
The American independent films selected as part of the inaugural program include Richard Linklater’s Bernie (Isa: Hyde Park, U.S.: Millennium) with Jack Black, Shirley Maclaine and Matthew McConaughey; Jesus Henry Christ (Isa: Im Global, U.S. E1) with Toni Collette and Michael Sheen; Bruce Beresford’s Peace, Love & Misunderstanding (Isa: Voltage, U.S. IFC) starring Jane Fonda, Catherine Keener and Elizabeth Olsen and Marina Abramovic: The Artist is Present (Isa: Submarine, U.S. Music Box). An Audience Award will be given out to the most popular American Independent. American Galas include Jennifer Westfeldt’s Friends with Kids (Isa: Red Granite, U.S. Roadside Attractions/ Lionsgate) and Wes Craven’s My Soul to Take (2010) in 3D.
French films include Comme Un Homme (Isa: Memento) directed by Safy Nebbou; Journal de France (Isa: Wild Bunch) directed by Claudine Nougaret and Raymond Depardon; Vous n'avez encore rien vu (Isa: Studiocanal) directed by Alain Resnais and Wrong (Isa: Kinology) helmed by Quentin Dupieux.
The Champs Elysees Film Festival has selected esteemed French Actor Lambert Wilson for the role of French President and Michael Madsen has accepted the role of the Festival’s U.S. President.
The festival will pay tribute to the actor Donald Sutherland who will be at the Festival to host a screening of the masterpiece Klute directed by Alan J. Pakula followed by a “Hollywood Conversation” with the iconic actor. Frederic Mitterrand will bestow Sutherland with the medal of Commander of Arts and Letters that evening.
Official Selection of American Independent Films
Blank City, a documentary directed by Celine Danhier’s
Bernie directed by Richard Linklater starring Jack Black, Shirley Maclaine and Matthew McConaughey
Jesus Henry Christ with Toni Colette, Jason Spevack and Michael Sheen
Keep The Lights On directed by Ira Sachs
Luv directed by Sheldon Candis
Marina Abramovic: The Artist Is Present, Matthew Akers acclaimed documentary
Not Waving But Drowning directed by Devyn Waitt, winner of U.S. in Progress Prize, Wroclaw, Poland.
Peace, Love & Misunderstanding directed by Bruce Beresford starring Jane Fonda, Catherine Keener and Elizabeth Olsen
Tabloid, Errol Morris fascinating documentary
The Perfect Family, directed by Anne Renton and starring Kathleen Turner, Emily Deschanel and Jason Ritter
French Galas
Adieu Berthe directed by Bruno Podalydès
Comme Un Homme directed by Safy Nebbou
Du Vent Dans Mes Mollets directed by Carine Tardieu
Journal De France directed by Claudine Nougaret and Raymond Depardon
La Clinique De L’Amour directed by Artus de Penguern
L’Air De Rien directed by Grégory Magne and Stéphane Viard
Mains Armees directed by Pierre Jolivet
Quand Je Serai Petit directed by Jean-Paul Rouve
Vous N’Avez Encore Rien Vu directed by Alain Resnais
Wrong helmed by Quentin Dupieux.
American Galas
After Life directed by Agnieszka Wojtow
Brake directed by Gabe Torres
Bitch Slap directed by Rick Jacobson
Friends With Kids directed by Jennifer Westfeldt
My Soul To Take (3D) directed by Wes Craven
Perfect Host directed by Nick Tomnay
Terri, directed by Azazel Jacobs
Summertime directed by Matthew Gordon.
The Champs Elysees Film Festival intends to reflect the diversity of international production by offering the public a selection of the 2012 Oscar nominated foreign language films, some never before seen in France:
Bullhead directed by Michael R.Roskam (Belgium)
Dans Ses Veux directed by Juan José Campanella (Spain/Argentina)(2010)
Monsieur Lazhar directed by Philippe Falardeau (Canada)
Une Separation directed by Asghar Farhadi (Iran)
72 Days directed by Danilo Serbedzija (Croatia)
Letters To Angel directed by Sulev Keedus (Estonia)
Volcano directed by Runar Runarsson (Iceland)
Films being screened as part of Harvey Weinstein’s retrospective include The Aviator, Chicago, Gangs Of New York, Jackie Brown, Kill Bill 1&2, The English Patient, Pulp Fiction, Shakespeare In Love, Good Will Hunting and The Yards.
More than thirty short films comprise the Champs Elysees Film Festival’s Official Selection of Short Films which were selected by a French industry team as well as four major film school programs: University of Southern California’s School of Cinematic Arts, New York University’s Tisch School of the Arts and Columbia University’s Columbia University Film Festival for the United States and Paris-based film school La Femis for France:
French Shorts Selection
Hurlement D’Un Poisson directed by Sébastien Carfora
It’S A Miracul’House directed by Stéphane Freiss
Les Meutes directed by Manuel Schapira
Mon Canard directed by Emmanuelle Michelet & Vincent Fouquet
Les Grossesses De Charlemagne directed by Nicolas Slomka and Matthieu Rumani,
Plume directed by Barry Purves
Personne(S) directed by Marc Fouchard
La Fille De L’Homme directed by Manuel Schapira
Kiss & Kill directed by Alain Ross
USC School of Cinematic Arts Shorts Selection
Little Spoon directed by Lauren Fash
Ellen directed by Kyle Hausmann-Stokes
Efrain directed by Matthew Breault
Fig directed by Ryan Coogler
The Nature Of Fall directed by Tomer Stolz
New York University Tisch School of the Arts Shorts Selection
Little Horse directed by Levi Abrino
Border Land directed by Alexander Smolowe
Premature directed by Rashaad Ernesto Green
Down In Number 5 directed by Kim Spurlock
Columbia University Film Festival Shorts Selection
Rolling On The Floor Laughing directed by Rusel Harbaugh
Motherland directed by Shario Siddiqui
Hatch directed by Christoph Kusching
Crossing directed by Gina Atwater
Off Season directed by Jonathan Van Tulleken
The Hirosaki Players directed by Jeff Sousa
La Femis Shorts Selection
Goose directed by Morgan Simon
Demain Ce Sera Bien directed by Pauline Gay
On Traks directed by Laurent Navarri
Bye Bye Wild Boy directed by Julie Lena...
American Independent films, French Independent Films and Oscar Nominated Foreign Language Films will be showcased.
The Weinstein Company’s Harvey Weinstein wil receive a tribute and will host a retrospective of his films.
Donald Sutherland will host a screening of Klute and will receive a Medal of Arts and Letters bestowed by Frederic Mitterrand.
The Champs Elysees Film Festival’s U.S. President is Michael Madsen
The French Festival President is Lambert Wilson
The discussions held so often about the sustainability of arthouse theaters, about the joining of forces between them and festivals and the ownership of festivals themselves, and sometimes of theaters as well, by distributors as a way to sustain the three key players of this precious triangle of culture, continue as the first Champs Elysees Film Festival presents a jam-packed line up and full program of events at its inaugural edition.
The seven day festival, June 6-12, has been formed and is owned by the independent distributor Sophie Dulac. It is exciting for me to go to see the arthouses we have already written about in the area of the Champs Elysees - the Balzac, its rival the Lincoln, the Publicis, and the two major chains, Gaumont Champs Elysees and Ugc George V. Another interesting aspect of this upcoming event is the festival's ownership by a French distributor, Sophie Dulac. This is one of two similarities between Gutek and Dulac. The New Horizons and the American Film Festivals are owned by Roman Gutek whose distribution company Gutek is the largest arthouse distributor in Poland. Similarly Sophie Dulac seems to "own" this festival. Somewhat analagous to this is the "owning" of distribution company Tribeca Films by the Tribeca Film Festival or the Sundance Select Distribution arm owned by the Sundance Film Festival. The New York Film Festival and the Toronto International Film Festivals have yet to declare themselves distributors but do own the arthouses in which to show "their" films year round in festival settings.
Dulac explains the impetus to launch the Champs Elysees Film Festival, “As Paris’ first truly international film festival, our mission is to create a bridge between the independent American and French film industries. In the most beautiful city in the world and one with a worldwide association to cinema, the Champs Elysées Film Festival will be a celebration of film promoting the work of young filmmakers and honoring the work of established directors.” She adds, “We want to throw a spotlight on independent film from France and the U.S. We will welcome famous names, offer new films, open up discussions between members of the film industry, give short films a special showcase and invite audiences to gala previews.”
I personally hope the tourists of Champs Elysees see this as a special opportunity to share inside festival experiences with international professionals and that it brings in more business than ordinary theatrical fare brings to the same theaters, thus proving that festivals serve as a new branch of film distribution and that the joining of forces between distributor, exhibitor and festival point toward a new mode of profitability for all parties.
U.S. in Progress was first presented at the American Film Festival in Wroclaw Poland in November. This is the second similarity between Dulac and Gutek. U.S. in Progress will now be here as well. U.S. in Progress is in fact a joint initiative between the American Film Festival in Wroclaw, the Champs Elysees Film Festival in Paris and Black Rabbit Film, a company of Adeline Monzier who also created the association of European indie distributors called EuropaDistribution. It is the first and only industry event devoted to U.S. indies in Europe. Its aim is to present U.S. indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe. This presentation of American independent films in post-production to European buyers to promote the distribution of American independent films in Europe is uniquely one of the top new developments in the industry. The program works to forge inroads between the generation of talented American filmmakers emerging today and European buyers. I am so proud to be serving on its jury as I did on the first edition as well.
The other sections are: Official Selection of American Independent Films, French Galas, American Galas, Oscar Nominated Foreign Language Films and Shorts. A tribute to Harvey Weinstein will be presented on June 6 at an event to celebrate his career. Weinstein will participate in a roundtable conversation to discuss French/American co-productions and a Retrospective of 11 of his films will be shown throughout the week.
The American independent films selected as part of the inaugural program include Richard Linklater’s Bernie (Isa: Hyde Park, U.S.: Millennium) with Jack Black, Shirley Maclaine and Matthew McConaughey; Jesus Henry Christ (Isa: Im Global, U.S. E1) with Toni Collette and Michael Sheen; Bruce Beresford’s Peace, Love & Misunderstanding (Isa: Voltage, U.S. IFC) starring Jane Fonda, Catherine Keener and Elizabeth Olsen and Marina Abramovic: The Artist is Present (Isa: Submarine, U.S. Music Box). An Audience Award will be given out to the most popular American Independent. American Galas include Jennifer Westfeldt’s Friends with Kids (Isa: Red Granite, U.S. Roadside Attractions/ Lionsgate) and Wes Craven’s My Soul to Take (2010) in 3D.
French films include Comme Un Homme (Isa: Memento) directed by Safy Nebbou; Journal de France (Isa: Wild Bunch) directed by Claudine Nougaret and Raymond Depardon; Vous n'avez encore rien vu (Isa: Studiocanal) directed by Alain Resnais and Wrong (Isa: Kinology) helmed by Quentin Dupieux.
The Champs Elysees Film Festival has selected esteemed French Actor Lambert Wilson for the role of French President and Michael Madsen has accepted the role of the Festival’s U.S. President.
The festival will pay tribute to the actor Donald Sutherland who will be at the Festival to host a screening of the masterpiece Klute directed by Alan J. Pakula followed by a “Hollywood Conversation” with the iconic actor. Frederic Mitterrand will bestow Sutherland with the medal of Commander of Arts and Letters that evening.
Official Selection of American Independent Films
Blank City, a documentary directed by Celine Danhier’s
Bernie directed by Richard Linklater starring Jack Black, Shirley Maclaine and Matthew McConaughey
Jesus Henry Christ with Toni Colette, Jason Spevack and Michael Sheen
Keep The Lights On directed by Ira Sachs
Luv directed by Sheldon Candis
Marina Abramovic: The Artist Is Present, Matthew Akers acclaimed documentary
Not Waving But Drowning directed by Devyn Waitt, winner of U.S. in Progress Prize, Wroclaw, Poland.
Peace, Love & Misunderstanding directed by Bruce Beresford starring Jane Fonda, Catherine Keener and Elizabeth Olsen
Tabloid, Errol Morris fascinating documentary
The Perfect Family, directed by Anne Renton and starring Kathleen Turner, Emily Deschanel and Jason Ritter
French Galas
Adieu Berthe directed by Bruno Podalydès
Comme Un Homme directed by Safy Nebbou
Du Vent Dans Mes Mollets directed by Carine Tardieu
Journal De France directed by Claudine Nougaret and Raymond Depardon
La Clinique De L’Amour directed by Artus de Penguern
L’Air De Rien directed by Grégory Magne and Stéphane Viard
Mains Armees directed by Pierre Jolivet
Quand Je Serai Petit directed by Jean-Paul Rouve
Vous N’Avez Encore Rien Vu directed by Alain Resnais
Wrong helmed by Quentin Dupieux.
American Galas
After Life directed by Agnieszka Wojtow
Brake directed by Gabe Torres
Bitch Slap directed by Rick Jacobson
Friends With Kids directed by Jennifer Westfeldt
My Soul To Take (3D) directed by Wes Craven
Perfect Host directed by Nick Tomnay
Terri, directed by Azazel Jacobs
Summertime directed by Matthew Gordon.
The Champs Elysees Film Festival intends to reflect the diversity of international production by offering the public a selection of the 2012 Oscar nominated foreign language films, some never before seen in France:
Bullhead directed by Michael R.Roskam (Belgium)
Dans Ses Veux directed by Juan José Campanella (Spain/Argentina)(2010)
Monsieur Lazhar directed by Philippe Falardeau (Canada)
Une Separation directed by Asghar Farhadi (Iran)
72 Days directed by Danilo Serbedzija (Croatia)
Letters To Angel directed by Sulev Keedus (Estonia)
Volcano directed by Runar Runarsson (Iceland)
Films being screened as part of Harvey Weinstein’s retrospective include The Aviator, Chicago, Gangs Of New York, Jackie Brown, Kill Bill 1&2, The English Patient, Pulp Fiction, Shakespeare In Love, Good Will Hunting and The Yards.
More than thirty short films comprise the Champs Elysees Film Festival’s Official Selection of Short Films which were selected by a French industry team as well as four major film school programs: University of Southern California’s School of Cinematic Arts, New York University’s Tisch School of the Arts and Columbia University’s Columbia University Film Festival for the United States and Paris-based film school La Femis for France:
French Shorts Selection
Hurlement D’Un Poisson directed by Sébastien Carfora
It’S A Miracul’House directed by Stéphane Freiss
Les Meutes directed by Manuel Schapira
Mon Canard directed by Emmanuelle Michelet & Vincent Fouquet
Les Grossesses De Charlemagne directed by Nicolas Slomka and Matthieu Rumani,
Plume directed by Barry Purves
Personne(S) directed by Marc Fouchard
La Fille De L’Homme directed by Manuel Schapira
Kiss & Kill directed by Alain Ross
USC School of Cinematic Arts Shorts Selection
Little Spoon directed by Lauren Fash
Ellen directed by Kyle Hausmann-Stokes
Efrain directed by Matthew Breault
Fig directed by Ryan Coogler
The Nature Of Fall directed by Tomer Stolz
New York University Tisch School of the Arts Shorts Selection
Little Horse directed by Levi Abrino
Border Land directed by Alexander Smolowe
Premature directed by Rashaad Ernesto Green
Down In Number 5 directed by Kim Spurlock
Columbia University Film Festival Shorts Selection
Rolling On The Floor Laughing directed by Rusel Harbaugh
Motherland directed by Shario Siddiqui
Hatch directed by Christoph Kusching
Crossing directed by Gina Atwater
Off Season directed by Jonathan Van Tulleken
The Hirosaki Players directed by Jeff Sousa
La Femis Shorts Selection
Goose directed by Morgan Simon
Demain Ce Sera Bien directed by Pauline Gay
On Traks directed by Laurent Navarri
Bye Bye Wild Boy directed by Julie Lena...
- 6/7/2012
- by Sydney Levine
- Sydney's Buzz
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