In today’s film news roundup, Michael B. Jordan’s “Without Remorse” and the fourth “Jackass” movie are delayed, “Algorithm: Bliss” gets a release date, “Bad Trip” is released briefly, and AFI gets a $3 million gift.
Release Dates
Paramount Pictures has decided to move its Michael B. Jordan spy thriller “Without Remorse” back two weeks from Sept. 18 to Oct. 2.
Paramount made the move on Wednesday following Sony’s decision to vacate the date for the release of “Venom: Let There Be Carnage” and move the supervillain sequel to June 2021.
Tom Clancy’s “Without Remorse” was first published in 1993 and is an origin story about John Kelly, a Navy Seal who avenges his wife’s murder only to find himself inside a larger conspiracy.
Stefano Sollima is directing the film, which also stars Brett Gelman, Jodie Turner-Smith, Jamie Bell, Jacob Scipio, Jack Kesy, Todd Lasance, Luke Mitchell and Cam Gigandet.
Paramount...
Release Dates
Paramount Pictures has decided to move its Michael B. Jordan spy thriller “Without Remorse” back two weeks from Sept. 18 to Oct. 2.
Paramount made the move on Wednesday following Sony’s decision to vacate the date for the release of “Venom: Let There Be Carnage” and move the supervillain sequel to June 2021.
Tom Clancy’s “Without Remorse” was first published in 1993 and is an origin story about John Kelly, a Navy Seal who avenges his wife’s murder only to find himself inside a larger conspiracy.
Stefano Sollima is directing the film, which also stars Brett Gelman, Jodie Turner-Smith, Jamie Bell, Jacob Scipio, Jack Kesy, Todd Lasance, Luke Mitchell and Cam Gigandet.
Paramount...
- 4/23/2020
- by Dave McNary
- Variety Film + TV
Seen from the vantage of 2019, the extraordinary actresses who came to prominence in the films of Ingmar Bergman — Harriet Andersson, Liv Ullmann, Ingrid Thulin, and the sunny and anguished, incandescent and heartbreaking Bibi Andersson, who died Sunday — enjoyed a relationship with their director that was rooted in a 20th-century male-gaze ethos. Bergman was famously obsessed with these women: with their faces, their personae, the dramatic possibilities they opened up to him. He carried on off-screen romantic relationships with most of them (including Bibi Andersson), and in his movies he placed them on a grand pedestal of extravagant expression. The pedestal was framed not with a medium or long shot but with a starkly penetrating close-up. You could say that Bergman used the camera to probe their very being.
Yet it may be the essence of the partnership between Bergman, the mythical art-house giant, and the actresses he turned into psychodramatic...
Yet it may be the essence of the partnership between Bergman, the mythical art-house giant, and the actresses he turned into psychodramatic...
- 4/15/2019
- by Owen Gleiberman
- Variety Film + TV
Rumpus Room Productions announced the cast and production of sci-fi horror movie “The App.”
It stars Sean Faris (“Pretty Little Liars”), Sarah Roemer (“Disturbia”), Frank Deal (“The Bourne Legacy”), James Saito (“Life Of Pi”), and Leslie Marshall (news personality and regular on “The O’Reilly Factor,” & “America Live”), “The App” will be directed by Dena Hysell (“The Paladins”) & Isak Borg and produced by Rumpus Room Productions, with thrilling special effects by genre master Brian Spears (“We Are What We Are”).
The story is described as Edgar Allen Poe’s “The Tell Tale Heart” in the digital age as it merges the utopic scientific advancement intertwined with a brilliant mind’s descent into madness.
The script is written by Isak Borg (“The Factory”) and Golan Ramras (“Snuff”). It begins lensing in New York this week.
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It stars Sean Faris (“Pretty Little Liars”), Sarah Roemer (“Disturbia”), Frank Deal (“The Bourne Legacy”), James Saito (“Life Of Pi”), and Leslie Marshall (news personality and regular on “The O’Reilly Factor,” & “America Live”), “The App” will be directed by Dena Hysell (“The Paladins”) & Isak Borg and produced by Rumpus Room Productions, with thrilling special effects by genre master Brian Spears (“We Are What We Are”).
The story is described as Edgar Allen Poe’s “The Tell Tale Heart” in the digital age as it merges the utopic scientific advancement intertwined with a brilliant mind’s descent into madness.
The script is written by Isak Borg (“The Factory”) and Golan Ramras (“Snuff”). It begins lensing in New York this week.
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- 6/3/2014
- by Gig Patta
- LRMonline.com
We’re back with another edition of the Indie Spotlight, highlighting recent independent horror news sent our way. Today’s feature includes casting announcements on multiple films, including Recovery, The App, and Dark, details on The Wobbling Dead, Repentance, and the 2014 TromaDance Film Festival, a review of Russian Yeti: The Killer Lives, a Q&A with Lindsey McKeon from Supernatural, and more:
Casting News for Recovery: “Kirby Bliss Blanton (The Green Inferno, Project X) and Samuel Larsen (“Glee”) have been cast in the upcoming thriller “Recovery”, starting production this summer. The film follows Blanton’s character on the night of her high school graduation after her iPhone is stolen and tracked down with a “find my iPhone” app to a house where the demented tenants plan on kidnapping her and making her part of the family. Alex Shaffer (Win Win) and James Landry Hébert (Two Step, Gangster Squad) are also on board to star.
Casting News for Recovery: “Kirby Bliss Blanton (The Green Inferno, Project X) and Samuel Larsen (“Glee”) have been cast in the upcoming thriller “Recovery”, starting production this summer. The film follows Blanton’s character on the night of her high school graduation after her iPhone is stolen and tracked down with a “find my iPhone” app to a house where the demented tenants plan on kidnapping her and making her part of the family. Alex Shaffer (Win Win) and James Landry Hébert (Two Step, Gangster Squad) are also on board to star.
- 6/1/2014
- by Tamika Jones
- DailyDead
Sean Faris, Sarah Roemer, Frank Deal, James Saito and Leslie Marshall are set to star in the thriller The App, written by Isak Borg and Golan Ramras. Shooting begins in New York next month under the direction of Dena Hysell (The Paladins) and Borg. We're told the film "gives audiences fascinating utopic scientific advancement intertwined with…
The post Classic Poe Tale Updated In The App appeared first on Shock Till You Drop.
The post Classic Poe Tale Updated In The App appeared first on Shock Till You Drop.
- 5/30/2014
- by Christopher Jimenez
- shocktillyoudrop.com
Chicago – Every month, Criterion mixes in a few HD upgrades for films in their collection to sit alongside new releases for the collection. One of those titles this month is spine #139, Ingmar Bergman’s adored “Wild Strawberries” (1957). It’s not one of my favorite Bergman films as I’ve always found its structure more frustrating than enlightening but “Wild Strawberries” has loyal fans who will be satisfied by this strong HD transfer and interesting special features.
Rating: 3.5/5.0
The highlights of the Criterion blu-ray release of “Wild Strawberries” are the new, restored 2K digital film transfer that perfectly captures the aesthetic of Bergman’s visually strong film without looking overly polished, and a 90-minute documentary on the legendary director called “Ingmar Bergman on Life and Work.” The stellar HD work and the doc alone make for a solid addition to the collection. As I said though, “Strawberries” is a film that...
Rating: 3.5/5.0
The highlights of the Criterion blu-ray release of “Wild Strawberries” are the new, restored 2K digital film transfer that perfectly captures the aesthetic of Bergman’s visually strong film without looking overly polished, and a 90-minute documentary on the legendary director called “Ingmar Bergman on Life and Work.” The stellar HD work and the doc alone make for a solid addition to the collection. As I said though, “Strawberries” is a film that...
- 6/24/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Produced fifty-six years ago, Ingmar Bergman’s Wild Strawberries remains a venerable warhorse in the hallowed halls of Arthouse. But unlike this reviewer, who shares a similar vintage, the film shows no loss of vitality or any sign of imminent creakiness. Despite its strengths, Wild Strawberries often gets a bit lost within the contrasty folds of Bergman’s legendary filmography. Sight and Sound’s vaunted list of The Greatest Films of All Time pegs Wild Strawberries at sixty-three; not exactly a diss but way far behind Persona. The film doesn’t even appear on Roger Ebert’s lengthy List of Great Movies, although the late critic partially compensated by including Bergman’s equally underrated Winter Light.
The inherent silliness of film ranking aside, Wild Strawberries is a stunning cinematic experience. Filled with mystical beauty and chewy philosophical constructs in a tidy, perfectly tailored ninety-two minute package, the film is a...
The inherent silliness of film ranking aside, Wild Strawberries is a stunning cinematic experience. Filled with mystical beauty and chewy philosophical constructs in a tidy, perfectly tailored ninety-two minute package, the film is a...
- 6/11/2013
- by David Anderson
- IONCINEMA.com
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