A silly, irresponsible sailor gives his new girlfriend a bad case of the NAVY BLUES when he loves her & leaves her, instead of offering marriage.
Carrying on the Silly Billy antics he perfected in silent pictures, William Haines made his talkie feature debut in this piece of cinematic fluff, released 5 days before Christmas, 1929. He would play variations of this character throughout the rest of his screen career. Just as important, in NAVY BLUES he showed himself well capable of being a talkie star. Although he acts like a complete cad, he does so with a certain amount of boyish charm, and that's what made money for the studios. And the very next year, 1930, Haines would be Hollywood's male box office champ.
The plot doesn't stand up to much scrutiny. Haines' wild & flamboyant behavior, quite frankly, would make him a good candidate for a 'don't ask - don't tell' policy, and a frequent inhabitant of the brig. His eventual rehabilitation seems suspiciously superficial. Anita Page, as his disappointed sweetheart, seems a bit too easily pushed into prostitution. Karl Dane, as a hulking Swede seaman, is given little to do except act exceedingly simple-minded.
Still, in the final accounting this is William Haines' film, and although his character is slightly repellent, Haines is never less than amusing.
Carrying on the Silly Billy antics he perfected in silent pictures, William Haines made his talkie feature debut in this piece of cinematic fluff, released 5 days before Christmas, 1929. He would play variations of this character throughout the rest of his screen career. Just as important, in NAVY BLUES he showed himself well capable of being a talkie star. Although he acts like a complete cad, he does so with a certain amount of boyish charm, and that's what made money for the studios. And the very next year, 1930, Haines would be Hollywood's male box office champ.
The plot doesn't stand up to much scrutiny. Haines' wild & flamboyant behavior, quite frankly, would make him a good candidate for a 'don't ask - don't tell' policy, and a frequent inhabitant of the brig. His eventual rehabilitation seems suspiciously superficial. Anita Page, as his disappointed sweetheart, seems a bit too easily pushed into prostitution. Karl Dane, as a hulking Swede seaman, is given little to do except act exceedingly simple-minded.
Still, in the final accounting this is William Haines' film, and although his character is slightly repellent, Haines is never less than amusing.